C01 2 ^ television_NN ._. C01 3 ^ life_NN of_IN Miss_NPT Nightingale_NP ._. C01 4 ^ skilful_JJ picture_NN ._. C01 5 ^ the_ATI \0BBC's_NP$ dramatised_JJ documentary_NN on_IN Florence_NP C01 6 Nightingale_NP last_AP night_NN cleverly_RB managed_VBD to_TO C01 6 suggest_VB the_ATI person_NN behind_IN C01 7 the_ATI legend_NN ._. C01 8 ^ while_CS never_RB minimising_VBG the_ATI immensity_NN of_IN C01 8 her_PP$ work_NN ,_, it_PP3 lifted_VBD the_ATI C01 9 saintly_JJ halo_NN which_WDTR usually_RB surrounds_VBZ her_PP$ name_NN C01 9 to_TO reveal_VB a_AT warm_JJ ,_, C01 10 dedicated_JJ person_NN who_WPR accomplished_VBD most_AP by_IN C01 10 perseverance_NN and_CC hard_JJ work_NN ._. C01 11 ^ most_AP stories_NNS of_IN Miss_NPT Nightingale_NP begin_VB and_CC C01 11 end_VB with_IN her_PP$ work_NN in_IN C01 12 the_ATI Crimea_NP ._. ^ this_DT one_CD1 started_VBD from_IN that_DT C01 12 point_NN and_CC devoted_VBD itself_PPL to_IN C01 13 her_PP$ lifelong_JJ campaign_NN to_TO improve_VB nursing_NN in_IN C01 13 this_DT country_NN ._. ^ the_ATI C01 14 documentary_NN managed_VBD to_TO show_VB the_ATI obstacles_NNS and_CC C01 14 her_PP$ devotion_NN ._. C01 15 ^ Moira_NP Fraser's_NP$ Miss_NPT Nightingale_NP was_BEDZ a_AT C01 15 mixture_NN of_IN the_ATI dramatic_JJ and_CC C01 16 the_ATI sincere_JJ ._. ^ demure_JJ one_CD1 moment_NN ,_, hard_JJ and_CC C01 16 decisive_JJ the_ATI next_AP ,_, she_PP3A C01 17 caught_VBD the_ATI dual_JJ sides_NNS of_IN a_AT complex_JJ character_NN C01 17 ._. ^ the_ATI production_NN by_IN Bill_NP C01 18 Duncalf_NP compressed_VBD a_AT long_JJ and_CC sometimes_RB rambling_JJ C01 18 story_NN into_IN a_AT C01 19 concentrated_JJ comprehensive_JJ survey_NN of_IN a_AT life_NN work_NN C01 19 ._. C01 20 ^ \0P_NP \0J_NP \0K_NP C01 21 ._. ^ fine_JJ singing_NN in_IN Henze_NP opera_NN ._. C01 22 ^ Glyndebourne_NP *'_*' contemporary_JJ **'_**' ._. C01 23 ^ from_IN Martin_NP Cooper_NP ._. C01 24 ^ Glyndebourne_NP ,_, Thursday_NR ._. C01 25 ^ Hans_NP Werner_NP Henze's_NP$ *'_*' elegy_NN for_IN young_JJ C01 25 lovers_NNS **'_**' is_BEZ the_ATI C01 26 first_OD unambiguously_RB *'_*' contemporary_JJ **'_**' work_NN to_TO C01 26 be_BE admitted_VBN to_IN the_ATI C01 27 Glyndebourne_NP canon_NN ._. C01 28 ^ by_IN no_ATI means_NNS a_AT masterpiece_NN ,_, it_PP3 is_BEZ in_IN C01 28 many_AP respects_NNS a_AT C01 29 representative_JJ modern_JJ work_NN and_CC the_ATI composer_NN is_BEZ C01 29 a_AT highly_RB skilled_JJ C01 30 manipulator_NN of_IN contemporary_JJ idioms_NNS ,_, with_IN a_AT C01 30 strong_JJ sense_NN of_IN words_NNS and_CC C01 31 situation_NN ._. C01 32 ^ the_ATI libretto_NN ,_, by_IN \0W_NP \0H_NP Auden_NP and_CC C01 32 Chester_NP Kallman_NP ,_, is_BEZ largely_RB C01 33 a_AT satire_NN on_IN the_ATI petty_JJ court_NN surrounding_VBG an_AT C01 33 ageing_JJ poet_NN ,_, whose_WP$R deeply_RB C01 34 egocentric_JJ character_NN leads_VBZ him_PP3O to_TO sacrifice_VB C01 34 everything_PN to_IN his_PP$ need_NN of_IN C01 35 inspiration_NN ._. C01 36 ^ Henze_NP obtains_VBZ his_PP$ musical_JJ characterisation_NN by_IN C01 36 means_IN" of_IN" individual_JJ C01 37 instrumental_JJ timbres_NNS and_CC *'_*' personal_JJ **'_**' C01 37 intervals_NNS ,_, and_CC the_ATI result_NN is_BEZ C01 38 often_RB less_AP delineation_NN of_IN character_NN than_IN C01 38 caricature_NN ._. ^ this_DT is_BEZ also_RB the_ATI C01 39 chief_JJB ,_, or_CC at_RB least_RB" the_ATI most_QL successfully_RB C01 39 executed_VBN trait_NN of_IN the_ATI C01 40 libretto_NN ,_, which_WDTR contains_VBZ an_AT odd_JJ blend_NN of_IN C01 40 highly_RB poetic_JJ phraseology_NN and_CC C01 41 schoolboy_NN humour_NN ._. C01 42 ^ melody_NN lacking_VBG ._. C01 43 ^ the_ATI composer_NN has_HVZ a_AT happy_JJ gift_NN for_IN C01 43 musical_JJ dialogue_NN as_CC well_CC" as_CC" C01 44 for_IN the_ATI grotesque_JJ ,_, but_CC he_PP3A is_BEZ less_QL C01 44 successful_JJ in_IN extended_JJ arioso_JJ C01 45 passages_NNS ._. ^ the_ATI more_QL serious_JJ scenes_NNS of_IN the_ATI C01 45 opera_NN were_BED in_IN fact_NN often_RB C01 46 uninteresting_JJ owing_IN to_IN" the_ATI absence_NN of_IN any_DTI C01 46 memorable_JJ melodic_JJ invention_NN ,_, C01 47 but_CC an_AT exception_NN was_BEDZ the_ATI poet's_NN$ moment_NN of_IN C01 47 self-revelation_NN in_IN act_NN 2_CD ,_, C01 48 which_WDTR was_BEDZ excellently_RB sung_VBN by_IN Carlos_NP C01 48 Alexander_NP ._. C01 49 ^ the_ATI lovers_NNS ,_, whose_WP$R chief_JJB scene_NN was_BEDZ C01 49 cut_VBN at_IN the_ATI last_AP moment_NN ,_, had_HVD C01 50 comparatively_RB little_AP to_TO sing_VB ,_, but_CC Elisabeth_NP C01 50 So"derstro"m_NP gave_VBD an_AT C01 51 exquisitely_RB touching_JJ performance_NN and_CC Andre*?2_NP Turp's_NP$ C01 51 ringing_JJ voice_NN C01 52 contrasted_VBD well_RB with_IN the_ATI character-singing_NN C01 52 demanded_VBN of_IN most_AP of_IN the_ATI C01 53 cast_NN ._. C01 54 ^ this_DT was_BEDZ in_IN every_AT case_NN excellent_JJ ._. ^ C01 54 Dorothy_NP Dorow's_NP$ visionary_JJ old_JJ C01 55 madwoman_NN had_HVD considerable_JJ musical_JJ pathos_NN ,_, and_CC C01 55 Kerstin_NP Meyer_NP struck_VBD C01 56 exactly_RB the_ATI right_JJ note_NN of_IN hysterical_JJ devotion_NN C01 56 as_IN the_ATI poet's_NN$ spinster_NN C01 57 secretary_NN ._. C01 58 ^ too_QL enthusiastically_RB ._. C01 59 ^ Thomas_NP Hemsley's_NP$ performance_NN as_IN the_ATI poet's_NN$ C01 59 private_JJ doctor_NN was_BEDZ C01 60 dramatically_RB shrewd_JJ and_CC musically_RB well_RB conceived_VBN ._. C01 61 ^ the_ATI royal_JJ philharmonic_JJ orchestra_NN under_IN John_NP C01 61 Pritchard_NP handled_VBD C01 62 Henze's_NP$ chamber_NN music_NN style_NN rather_RB too_QL C01 62 enthusiastically_RB at_RB first_RB" ,_, so_CS C01 63 that_CS" the_ATI singer's_NN$ words_NNS were_BED largely_RB C01 63 obscured_VBN ,_, and_CC the_ATI composer's_NN$ very_QL C01 64 free_JJ use_NN of_IN the_ATI percussion_NN made_VBD this_DT a_AT C01 64 difficulty_NN throughout_RI ._. C01 65 ^ Gu"nther_NP Rennert's_NP$ imaginative_JJ production_NN cleverly_RB C01 65 conveyed_VBD the_ATI C01 66 crazy_JJ ,_, precarious_JJ atmosphere_NN of_IN the_ATI alpine_JJ inn_NN C01 66 inhabited_VBN by_IN the_ATI poet's_NN$ C01 67 court_NN ,_, and_CC his_PP$ lighting_NN of_IN the_ATI later_JJR C01 67 scenes_NNS suggested_VBD the_ATI ultimate_JJ C01 68 isolation_NN in_IN which_WDTR the_ATI poet_NN finds_VBZ himself_PPL ._. C01 69 ^ a_AT fastidious_JJ composer_NN ._. C01 70 ^ *'_*' journal_NN **'_**' debut_NN at_IN Cheltenham_NP ._. C01 71 ^ from_IN Donald_NP Mitchell_NP ._. C01 72 ^ Cheltenham_NP ,_, Thursday_NR ._. C01 73 ^ it_PP3 was_BEDZ not_XNOT long_RB ago_RB that_CS Richard_NP C01 73 Rodney_NP Bennett_NP composed_VBD a_AT C01 74 *'_*' calendar_NN **'_**' for_IN chamber_NN ensemble_NN ._. ^ now_RN C01 74 he_PP3A has_HVZ written_VBN a_AT *'_*' journal_NN C01 75 **'_**' for_IN orchestra_NN which_WDTR was_BEDZ given_VBN its_PP$ C01 75 first_OD performance_NN in_IN the_ATI Town_NPL Hall_NPL ,_, C01 76 Cheltenham_NP ,_, to-night_NR by_IN the_ATI \0B.B.C_NP symphony_NN C01 76 orchestra_NN C01 77 conducted_VBN by_IN Norman_NP Del_NP Mar_NP ._. C01 78 ^ this_DT new_JJ work_NN ,_, cast_VBN in_IN five_CD short_JJ C01 78 sections_NNS ,_, confirms_VBZ that_CS \0Mr_NPT C01 79 Bennett_NP is_BEZ one_CD1 of_IN the_ATI most_QL musical_JJ of_IN C01 79 our_PP$ younger_JJR composers_NNS ._. C01 80 ^ he_PP3A writes_VBZ ,_, one_CD1 might_MD say_VB ,_, extremely_RB C01 80 musical_JJ music_NN ,_, of_IN which_WDTR the_ATI C01 81 sound_NN is_BEZ fastidiously_RB calculated_VBN and_CC yet_RB C01 81 agreeably_RB spontaneous_JJ and_CC C01 82 imaginative_JJ ._. C01 83 ^ he_PP3A does_DOZ not_XNOT in_IN this_DT *'_*' journal_NN **'_**' C01 83 write_VB one_CD1 note_NN too_QL many_AP ._. ^ one_CD1 C01 84 wonders_VBZ ,_, rather_RB ,_, whether_CS he_PP3A has_HVZ not_XNOT C01 84 written_VBN too_QL few_AP ._. ^ or_CC ,_, to_TO state_VB C01 85 one's_CD1$ doubt_NN more_QL plainly_RB ,_, one_CD1 wonders_VBZ C01 85 whether_CS the_ATI invention_NN in_IN this_DT C01 86 new_JJ work_NN is_BEZ not_XNOT a_RB little_RB" wanting_JJ in_IN C01 86 substance_NN ._. C01 87 ^ slender_JJ ideas_NNS ._. C01 88 ^ brief_JJ ideas_NNS are_BER welcome_JJ indeed_QLP if_CS they_PP3AS C01 88 compress_VB a_AT sizeable_JJ C01 89 thought_NN ._. ^ it_PP3 struck_VBD me_PP1O that_CS \0Mr_NPT C01 89 Bennett's_NP$ ideas_NNS in_IN this_DT piece_NN were_BED C01 90 not_XNOT so_QL much_RB succinct_JJ as_CS slender_JJ ._. C01 91 ^ perhaps_RB it_PP3 was_BEDZ for_IN this_DT reason_NN that_CS C01 91 the_ATI work_NN seemed_VBD somewhat_RB pale_JJ C01 92 in_IN character_NN ,_, a_AT criticism_NN that_WPR certainly_RB can_MD C01 92 not_XNOT be_BE made_VBN of_IN Berg's_NP$ very_QL C01 93 rarely_RB heard_VBN three_CD orchestral_JJ pieces_NNS ,_, \0Op_NN 6_CD C01 93 each_DT bar_NN of_IN which_WDTR ,_, even_RB C01 94 the_ATI most_QL derivative_JJ ,_, is_BEZ impregnated_VBN with_IN C01 94 the_ATI composer's_NN$ personality_NN ._. C01 95 ^ the_ATI cruel_JJ acoustics_NN of_IN the_ATI hall_NN played_VBD C01 95 havoc_NN with_IN textures_NNS which_WDTR C01 96 are_BER unusually_RB hectic_JJ and_CC congested_JJ ,_, but_CC \0Mr_NPT C01 96 Del_NP Mar's_NP$ heroic_JJ labours_NNS C01 97 conveyed_VBD a_AT clear_JJ impression_NN of_IN the_ATI succession_NN C01 97 of_IN catastrophes_NNS which_WDTR C01 98 seems_VBZ to_TO be_BE the_ATI work's_NN$ natural_JJ mode_NN of_IN C01 98 expression_NN ._. C01 99 ^ there_EX is_BEZ undeniably_RB something_PN grand_JJ about_IN C01 99 the_ATI way_NN Berg_NP throws_VBZ so_QL C01 100 many_AP broken_JJ eggs_NNS into_IN one_CD1 basket_NN ._. ^ but_CC C01 100 one_CD1 is_BEZ not_XNOT entirely_RB convinced_VBN C01 101 that_CS a_AT relaxation_NN of_IN tension_NN might_MD not_XNOT have_HV C01 101 secured_VBN a_AT more_QL balanced_JJ C01 102 and_CC varied_JJ work_NN of_IN art_NN ._. C01 103 ^ Anglo-Chinese_JNP picaresque_NN ._. C01 104 ^ by_IN Rolla_NP Rouse_NP ._. C01 105 ^ the_ATI Chinese_JNP bigamy_NN of_IN \0Mr_NPT David_NP Winterlea_NP C01 105 :_: a_AT Manchu-Edwardian_JNP C01 106 fantasy_NN ._. translated_VBN from_IN the_ATI Chinese_NNP by_IN C01 106 Henry_NP McAleavy_NP ._. (_( Allen_NP &_CC C01 107 Unwin_NP ._. 21_CD \0s_NNU )_) ._. C01 108 ^ the_ATI basis_NN of_IN *'_*' the_ATI Chinese_JNP bigamy_NN of_IN C01 108 \0Mr_NPT David_NP C01 109 Winterlea_NP ,_, **'_**' explains_VBZ Henry_NP McAleavy_NP ,_, was_BEDZ C01 109 found_VBN among_IN the_ATI C01 110 single-sheet_JJB *'_*' mosquito-newspapers_NNS ,_, **'_**' full_JJ C01 110 of_IN *'_*' an_AT assortment_NN of_IN C01 111 anecdotes_NNS ,_, topical_JJ items_NNS ,_, and_CC serial_JJ stories_NNS C01 111 ,_, **'_**' started_VBN in_IN about_RB 1870_CD C01 112 by_IN Wang_NP T'ao_NP ,_, assistant_NN to_IN the_ATI famous_JJ C01 112 sinologue_NN \0Dr_NPT Legge_NP ._. C01 113 ^ \0Mr_NPT McAleavy's_NP$ version_NN of_IN this_DT *'_*' C01 113 Manchu-Edwardian_JNP fantasy_NN C01 114 **'_**' is_BEZ ,_, however_RB ,_, so_QL free_JJ that_CS to_IN C01 114 anybody_PN who_WPR knows_VBZ China_NP and_CC the_ATI Chinese_NNPS C01 115 nothing_PN of_IN a_AT Chinese_JNP flavour_NN remains_VBZ ._. ^ what_WDT C01 115 the_ATI various_JJ characters_NNS say_VB C01 116 and_CC do_DO often_RB seems_VBZ utterly_RB alien_JJ to_IN China_NP ._. C01 117 ^ for_IN example_NN ,_, we_PP1AS are_BER shown_VBN a_AT Chinese_JNP C01 117 host_NN placing_VBG his_PP$ principal_JJB C01 118 guest_NN from_IN the_ATI foreign_JJ office_NN in_IN the_ATI lowest_JJT C01 118 seat_NN at_IN dinner_NN ,_, accusing_VBG C01 119 him_PP3O of_IN being_BEG homosexual_JJ ,_, and_CC generally_RB C01 119 behaving_VBG as_CS no_ATI educated_JJ Chinese_NNP C01 120 ever_RB could_MD behave_VB ._. ^ again_RB ,_, the_ATI Chinese_NNPS ,_, C01 120 whether_CS drunk_JJ or_CC sober_JJ ,_, never_RB C01 121 kiss_VB in_RB public_RB" ,_, and_CC least_RBT of_IN all_ABN would_MD C01 121 a_AT Chinese_JNP monk_NN meeting_VBG an_AT C01 122 Englishman_NNP for_IN the_ATI first_OD time_NN kiss_VB him_PP3O ._. C01 123 ^ the_ATI period_NN covered_VBN by_IN the_ATI tale_NN runs_VBZ C01 123 from_IN about_RB 1850_CD to_IN 1913_CD :_: and_CC C01 124 all_ABN the_ATI characters_NNS have_HV one_CD1 thing_NN in_RB C01 124 common_RB" ,_, their_PP$ coarse_JJ behaviour_NN C01 125 and_CC abnormal_JJ appetites_NNS ._. ^ while_CS there_EX is_BEZ a_AT C01 125 story_NN meandering_VBG through_IN the_ATI C01 126 book_NN ,_, the_ATI main_JJB object_NN of_IN many_AP chapters_NNS C01 126 is_BEZ to_TO record_VB some_DTI improbable_JJ C01 127 and_CC unpleasant_JJ anecdote_NN ._. C01 128 ^ amahs_&FW into_IN ladies_NNS ._. C01 129 ^ the_ATI hero_NN ,_, if_CS such_ABL \0Mr_NPT David_NP Winterlea_NP C01 129 can_MD be_BE called_VBN ,_, tries_VBZ to_TO C01 130 turn_VB two_CD Cantonese_JNP sisters_NNS from_IN amahs_&FW into_IN C01 130 ladies_NNS and_CC teach_VB them_PP3OS C01 131 English_NNP :_: and_CC they_PP3AS on_IN their_PP$ side_NN plan_VB to_TO C01 131 marry_VB him_PP3O jointly_RB and_CC finally_RB C01 132 to_TO reside_VB ,_, not_XNOT in_IN unfashionable_JJ Kowloon_NP ,_, C01 132 but_CC in_IN snobbish_JJ Hongkong_NP ,_, C01 133 where_WRB he_PP3A *'_*' would_MD have_HV a_AT position_NN to_TO keep_VB C01 133 up_RP ._. **'_**' C01 134 ^ the_ATI main_JJB incidents_NNS occur_VB on_IN a_AT country_NN C01 134 estate_NN near_IN London_NP ,_, owned_VBN C01 135 by_IN the_ATI Chinese_JNP legation_NN and_CC used_VBN by_IN the_ATI C01 135 staff_NN ,_, Chinese_JNP and_CC foreign_JJ ,_, to_TO C01 136 amuse_VB themselves_PPLS ,_, mainly_RB at_IN night_NN ._. C01 137 ^ Byron's_NP$ vexed_JJ repute_NN ._. C01 138 ^ by_IN Margaret_NP Lane_NPL ._. C01 139 ^ the_ATI late_JJ Lord_NPT Byron_NP ._. by_IN Doris_NP Langley_NP C01 139 Moore_NP ._. (_( Murray_NP ._. 2_CD \0gns_NNUS )_) ._. C01 140 ^ never_RB has_HVZ a_AT greater_JJR coil_NN been_BEN made_VBN C01 140 about_IN any_DTI man_NN than_CS about_IN C01 141 Byron_NP ._. ^ he_PP3A sowed_VBD passions_NNS ,_, jealousies_NNS ,_, C01 141 loyalties_NNS ,_, scandals_NNS ,_, C01 142 animosities_NNS and_CC treacheries_NNS as_QL effortlessly_RB as_CS C01 142 some_DTI far_RB worthier_JJR C01 143 characters_NNS scatter_VB boredom_NN ._. C01 144 ^ the_ATI tumult_NN is_BEZ by_IN no_ATI means_NNS over_RP ,_, and_CC C01 144 this_DT being_BEG a_AT biographical_JJ age_NN C01 145 and_CC Byron_NP a_AT magnificent_JJ documenter_NN of_IN his_PP$ own_AP C01 145 life_NN ,_, he_PP3A has_HVZ reached_VBN the_ATI C01 146 stage_NN (_( I_PP1A can_MD not_XNOT remember_VB any_DTI other_AP C01 146 great_JJ literary_JJ figure_NN doing_VBG so_PN )_) C01 147 when_WRB a_AT monumental_JJ work_NN can_MD be_BE written_VBN on_IN C01 147 the_ATI dramas_NNS that_WPR seethed_VBD and_CC C01 148 simmered_VBD after_IN his_PP$ death_NN ,_, taking_VBG off_RP from_IN C01 148 the_ATI point_NN at_IN which_WDTR the_ATI C01 149 reader_NN is_BEZ accustomed_VBN to_TO close_VB a_AT poet's_NN$ C01 149 biography_NN ._. C01 150 ^ is_BEZ it_PP3 really_RB worth_IN while_NN *-_*- one_CD1 is_BEZ C01 150 bound_VBN to_TO ask_VB the_ATI question_NN C01 151 sooner_RBR or_CC later_RBR *-_*- to_TO devote_VB years_NNS of_IN C01 151 research_NN and_CC over_IN 500_CD closely_RB C01 152 printed_VBN pages_NNS to_IN disentangling_VBG the_ATI labyrinthine_JJ C01 152 quarrels_NNS ,_, blackmails_NNS ,_, C01 153 machinations_NNS and_CC correspondences_NNS which_WDTR raged_VBD for_IN C01 153 so_QL many_AP years_NNS over_IN C01 154 Byron's_NP$ grave_NN ?_? ^ the_ATI answer_NN is_BEZ ,_, on_IN one_CD1 C01 154 condition_NN ,_, that_CS it_PP3 is_BEZ ;_; the_ATI C01 155 condition_NN being_BEG that_CS one_CD1 should_MD have_HV an_AT C01 155 appetite_NN for_IN detail_NN and_CC for_IN C01 156 knowing_VBG as_QL much_AP as_CS possible_JJ about_IN one_CD1 of_IN C01 156 the_ATI most_QL dynamic_JJ geniuses_NNS who_WPR C01 157 ever_RB lived_VBD ._. C01 158 ^ leisured_JJ mischief-makers_NNS ._. C01 159 ^ the_ATI evil_JJ that_CS Byron_NP did_DOD certainly_RB lived_VBD C01 159 after_IN him_PP3O ,_, and_CC was_BEDZ even_RB C01 160 outmatched_VBN by_IN the_ATI mischief_NN perpetrated_VBN by_IN C01 160 almost_RB every_AT person_NN who_WPR had_HVD C01 161 been_BEN close_RB to_IN him_PP3O ._. ^ in_IN turning_VBG over_RP C01 161 the_ATI bones_NNS Doris_NP Langley_NP Moore_NP has_HVZ C01 162 brought_VBN to_IN light_NN a_AT great_JJ deal_NN of_IN discreditable_JJ C01 162 behaviour_NN and_CC a_AT vision_NN C01 163 of_IN mischief-making_JJ propensities_NNS of_IN the_ATI leisured_JJ C01 163 classes_NNS in_IN the_ATI early_JJ C01 164 19th_OD century_NN which_WDTR leaves_VBZ one_CD1 a_RB little_RB" C01 164 breathless_JJ ._. C01 165 ^ no_ATI previous_JJ Byron_NP biographer_NN ,_, I_PP1A fancy_VB (_( C01 165 and_CC they_PP3AS have_HV been_BEN many_AP )_) C01 166 has_HVZ had_HVN access_NN at_IN the_ATI same_AP time_NN to_IN so_QL C01 166 many_AP important_JJ manuscript_NN C01 167 sources_NNS ._. ^ the_ATI late_JJ Lady_NPT Wentworth_NP ,_, Byron's_NP$ C01 167 great-granddaughter_NN ,_, opened_VBD C01 168 the_ATI whole_NN of_IN the_ATI Lovelace_NP papers_NNS to_IN \0Mrs_NPT C01 168 Moore_NP in_IN 1957_CD ;_; she_PP3A was_BEDZ able_JJ C01 169 to_TO continue_VB her_PP$ work_NN on_IN them_PP3OS for_IN more_AP C01 169 than_IN a_AT year_NN after_IN Lady_NPT C01 170 Wentworth's_NP$ death_NN ._. C01 171 ^ these_DTS papers_NNS ,_, the_ATI contents_NNS of_IN several_AP C01 171 trunks_NNS ,_, are_BER the_ATI accumulated_JJ C01 172 letters_NNS and_CC personal_JJ documents_NNS left_VBN by_IN Lady_NPT C01 172 Byron_NP ,_, who_WPR never_RB recovered_VBD C01 173 from_IN the_ATI shock_NN of_IN her_PP$ brief_JJ marriage_NN with_IN C01 173 the_ATI poet_NN ,_, and_CC dedicated_VBD the_ATI C01 174 rest_NN of_IN her_PP$ life_NN (_( she_PP3A was_BEDZ 23_CD when_WRB C01 174 they_PP3AS parted_VBD )_) to_IN self-justification_NN C01 175 and_CC resentment_NN ._. C01 176 ^ would_MD that_CS Byron's_NP$ memoirs_NNS had_HVD also_RB C01 176 survived_VBN !_! ^ how_WRB the_ATI ghost_NN of_IN C01 177 the_ATI first_OD John_NP Murray_NP must_MD moan_VB in_IN his_PP$ C01 177 Albemarle_NP Street_NPL vaults_NNS to_TO C01 178 think_VB how_WRB self-righteously_RB ,_, urged_VBN and_CC abetted_VBN C01 178 by_IN Byron's_NP$ lifelong_JJ C01 179 friend_NN ,_, John_NP Cam_NP Hobhouse_NP ,_, he_PP3A burned_VBD C01 179 them_PP3OS there_RN in_IN the_ATI fireplace_NN ,_, C01 180 condemning_VBG the_ATI work_NN unread_JJ ,_, as_CS Tom_NP Moore_NP C01 180 said_VBD ,_, *'_*' and_CC without_IN opening_VBG C01 181 it_PP3 ,_, as_CS if_CS" it_PP3 were_BED a_AT pest_NN bag_NN !_! **'_**' C01 182 ^ Byron's_NP$ marriage_NN ,_, the_ATI reasons_NNS (_( real_JJ C01 182 enough_QLP though_CS embroidered_VBN C01 183 later_RBR )_) for_IN Lady_NPT Byron's_NP$ leaving_VBG him_PP3O ,_, C01 183 the_ATI scandal_NN of_IN his_PP$ love_NN affair_NN C01 184 with_IN his_PP$ half-sister_NN ,_, Augusta_NP Leigh_NP ,_, the_ATI C01 184 question_NN of_IN the_ATI paternity_NN of_IN C01 185 Medora_NP Leigh_NP her_PP$ daughter_NN ,_, the_ATI long_JJ C01 185 inquisitorial_JJ persecution_NN of_IN C01 186 Augusta_NP by_IN Lady_NPT Byron_NP (_( who_WPR seems_VBZ to_TO have_HV C01 186 been_BEN as_QL neurotic_JJ as_CS the_ATI most_QL C01 187 ghoulish_JJ novelist_NN could_MD wish_VB )_) ,_, the_ATI patient_JJ C01 187 ferreting_NN for_IN evidence_NN to_TO C01 188 add_VB homosexuality_NN to_IN incest_NN as_IN an_AT extra_JJ nail_NN C01 188 in_IN his_PP$ coffin_NN ,_, the_ATI C01 189 unspeakable_JJ treacheries_NNS of_IN Lady_NPT Caroline_NP Lamb_NP ,_, C01 189 the_ATI scarcely_RB less_QL C01 190 heinous_JJ treacheries_NNS of_IN Augusta_NP *-_*- it_PP3 is_BEZ the_ATI C01 190 Lovelace_NP papers_NNS ,_, surely_RB ,_, C01 191 that_WPR deserve_VB to_TO be_BE called_VBN a_AT *'_*' pest_NN bag_NN C01 191 **'_**' ,_, not_XNOT Byron's_NP$ consumed_JJ C01 192 memoirs_NNS ,_, which_WDTR at_RB least_RB" would_MD have_HV C01 192 possessed_VBN the_ATI merit_NN of_IN being_BEG well_RB C01 193 and_CC entertainingly_RB written_VBN ._. C01 194 ^ equally_RB important_JJ have_HV been_BEN the_ATI Hobhouse_NP C01 194 journals_NNS ,_, a_AT vast_JJ mass_NN of_IN C01 195 material_NN partly_RB in_IN the_ATI British_JNP Museum_NPL ,_, C01 195 partly_RB in_IN the_ATI possession_NN of_IN the_ATI C01 196 Hobhouse_NP family_NN in_IN Somerset_NP ._. ^ Hobhouse_NP ,_, later_RBR C01 196 Lord_NPT Broughton_NP ,_, was_BEDZ C01 197 Byron's_NP$ intimate_NN (_( if_CS a_RB little_RB" stuffy_JJ and_CC C01 197 unimaginative_JJ )_) friend_NN from_IN C01 198 their_PP$ Cambridge_NP days_NNS ,_, who_WPR had_HVD travelled_VBN C01 198 widely_RB with_IN him_PP3O ,_, been_BEN C01 199 fascinated_VBN by_IN him_PP3O to_IN a_AT point_NN that_WPR looks_VBZ C01 199 like_IN love_NN ,_, had_HVD fanned_VBN the_ATI C01 200 enthusiasm_NN which_WDTR had_HVD sent_VBN Byron_NP finally_RB to_IN C01 200 Greece_NP ,_, and_CC suffered_VBN years_NNS C01 201 of_IN loyal_JJ exasperation_NN as_IN Byron's_NP$ executor_NN ._. C01 202 ^ sturdy_JJ friends_NNS ._. C01 203 ^ Byron_NP as_IN a_AT man_NN is_BEZ seen_VBN at_IN his_PP$ best_JJT C01 203 in_IN relation_NN to_IN such_ABL sturdy_JJ C01 204 male_JJ friends_NNS ._. ^ he_PP3A brought_VBD out_RP the_ATI worst_JJT C01 204 in_IN women_NNS ,_, as_CS they_PP3AS certainly_RB C01 205 brought_VBD it_PP3 out_RP in_IN him_PP3O ._. ^ there_EX is_BEZ C01 205 scarcely_RB a_AT woman_NN in_IN his_PP$ life_NN besides_IN C01 206 Teresa_NP Guiccioli_NP ,_, last_AP and_CC most_QL reasonable_JJ love_NN C01 206 ,_, who_WPR does_DOZ not_XNOT affect_VB C01 207 the_ATI modern_JJ reader_NN with_IN nausea_NN ._. C01 208 ^ the_ATI Countess_NPT Guiccioli_NP was_BEDZ by_IN birth_NN a_AT C01 208 Gamba_NP ;_; her_PP$ brother_NN Pietro_NP C01 209 accompanied_VBD Byron_NP to_IN Greece_NP ,_, shared_VBD the_ATI C01 209 misery_NN and_CC ruinous_JJ C01 210 frustrations_NNS of_IN the_ATI campaign_NN ,_, and_CC was_BEDZ with_IN C01 210 him_PP3O when_WRB he_PP3A died_VBD ._. ^ the_ATI C01 211 Gamba_NP papers_NNS in_IN Ravenna_NP have_HV shed_VBN some_DTI C01 211 valuable_JJ light_NN on_IN this_DT last_AP C01 212 phase_NN ,_, wholesomely_RB contradicting_VBG the_ATI lies_NNS of_IN C01 212 that_DT strangely_RB theatrical_JJ C01 213 blackguard_NN ,_, Edward_NP Trelawney_NP ,_, who_WPR played_VBD a_AT C01 213 highly_RB discreditable_JJ part_NN C01 214 in_IN the_ATI Greek_JNP campaign_NN himself_PPL ,_, and_CC wished_VBD C01 214 ,_, as_CS did_DOD many_AP others_APS ,_, to_TO make_VB C01 215 capital_NN out_RP of_IN his_PP$ association_NN with_IN Byron_NP ._. C01 216 ^ a_AT modern_JJ voice_NN ._. C01 217 ^ few_AP people_NNS come_VB out_RP of_IN this_DT detailed_JJ C01 217 post-mortem_NN with_IN much_AP C01 218 credit_NN ._. ^ Hobhouse_NP certainly_RB ,_, though_CS one_CD1 C01 218 respects_VBZ him_PP3O more_RBR than_CS one_CD1 C01 219 likes_VBZ him_PP3O ,_, Byron_NP himself_PPL ,_, who_WPR ,_, C01 219 whenever_WRB his_PP$ voice_NN is_BEZ heard_VBN above_IN the_ATI C01 220 banshee_NN wail_NN (_( Augusta_NP ,_, Caroline_NP Lamb_NP ,_, Lady_NPT C01 220 Byron_NP keeping_VBG in_IN chorus_NN )_) C01 221 surprises_VBZ one_CD1 by_IN his_PP$ tone_NN of_IN humanity_NN ,_, of_IN C01 221 common_JJ sense_NN ,_, of_IN candour_NN :_: a_AT C01 222 startlingly_RB modern_JJ voice_NN ._. ^ Lady_NPT Byron_NP most_QL C01 222 dislikeable_JJ ,_, Augusta_NP a_AT C01 223 shifty_JJ fool_NN and_CC not_XNOT altogether_RB a_AT nice_JJ one_CD1 C01 223 ,_, Lady_NPT Caroline_NP Lamb_NP a_AT bitch_NN C01 224 goddess_NN in_IN an_AT age_NN which_WDTR (_( thanks_IN to_IN" C01 224 plentiful_JJ domestic_JJ service_NN and_CC C01 225 gracious_JJ living_NN )_) was_BEDZ notably_RB rich_JJ both_ABX in_IN C01 225 goddesses_NNS and_CC bitches_NNS ._. C02 2 masterpiece_NN of_IN horror_NN ._. C02 4 ^ after_IN ten_CD days_NNS of_IN intermittent_JJ ,_, near_RI C02 4 fatal_JJ ennui_NN ,_, the_ATI C02 5 eleventh_OD Berlin_NP international_JJ film_NN festival_NN was_BEDZ C02 5 suddenly_RB jolted_VBN back_RP C02 6 to_IN life_NN by_IN two_CD extraordinary_JJ films_NNS ,_, Bernhard_NP C02 6 Wicki's_NP$ *'_*' das_&FW Wunder_&FW C02 7 des_&FW Malachias_&FW **'_**' (_( *'_*' the_ATI miracle_NN of_IN C02 7 Father_NPT Malachias_NP **'_**' )_) and_CC C02 8 Michaelangelo_NP Antonioni's_NP$ *'_*' la_&FW notte_&FW ._. **'_**' C02 9 ^ the_ATI number_NN of_IN German_JNP film_NN directors_NNS who_WPR C02 9 have_HV made_VBN first_OD rate_NN C02 10 works_NNS in_IN the_ATI last_AP 25_CD years_NNS can_MD be_BE C02 10 counted_VBN on_IN the_ATI fingers_NNS of_IN one_CD1 hand_NN :_: C02 11 Frank_NP Wysbar_NP (_( *'_*' Fa"hrmann_&FW Maria_&FW **'_**' )_) ,_, C02 11 Helmut_NP Ka"utner_NP (_( *'_*' die_&FW C02 12 grosse_&FW freiheit_&FW \0No_&FW 7_&FW **'_**' )_) ,_, Herbert_NP C02 12 Selpin_NP (_( *'_*' Titanic_NP **'_**' )_) ,_, Wolfgang_NP C02 13 Staudte_NP (_( *'_*' rotation_NN **'_**' )_) ,_, and_CC Georg_NP C02 13 Klaren_NP (_( *'_*' Wozzeck_NP **'_**' )_) ._. ^ it_PP3 would_MD C02 14 now_RN seem_VB that_CS Wicki's_NP$ name_NN must_MD be_BE added_VBN C02 14 to_IN this_DT list_NN ,_, for_CS his_PP$ new_JJ C02 15 film_NN may_MD well_RB be_BE a_AT landmark_NN in_IN the_ATI C02 15 revitalisation_NN of_IN the_ATI German_JNP C02 16 cinema_NN ._. C02 17 ^ Wicki_NP is_BEZ not_XNOT only_RB a_AT director_NN ._. ^ he_PP3A C02 17 began_VBD his_PP$ career_NN as_IN an_AT actor_NN ,_, C02 18 had_HVD his_PP$ first_OD important_JJ film_NN ro*?5le_NN in_IN C02 18 Ka"utner's_NP$ *'_*' die_&FW letzt_&FW C02 19 bru"cke_&FW ,_, **'_**' and_CC he_PP3A also_RB appears_VBZ in_IN C02 19 the_ATI new_JJ Antonioni_NP film_NN ._. ^ in_IN 1950_CD C02 20 he_PP3A began_VBD to_TO take_VB photographs_NNS not_XNOT only_RB in_IN C02 20 Germany_NP but_CC also_RB in_IN Africa_NP C02 21 and_CC America_NP ._. ^ an_AT exhibition_NN of_IN these_DTS works_NNS C02 21 which_WDTR is_BEZ now_RN on_IN view_NN in_IN a_AT C02 22 Berlin_NP gallery_NN is_BEZ most_QL impressive_JJ ._. ^ as_CS C02 22 Friedrich_NP Du"rrenmatt_NP ,_, the_ATI C02 23 Swiss_JNP playwright_NN and_CC author_NN ,_, wrote_VBD :_: ^ *'_*' C02 23 Wicki's_NP$ blacks_NNS and_CC greys_NNS are_BER C02 24 not_XNOT only_RB the_ATI colours_NNS of_IN the_ATI lost_JJ and_CC C02 24 the_ATI forgotten_JJ ,_, but_CC they_PP3AS are_BER also_RB C02 25 the_ATI technical_JJ means_NNS of_IN abstraction_NN ._. ^ every_AT C02 25 unnecessary_JJ detail_NN ,_, all_ABN C02 26 superfluous_JJ local_JJ colouring_NN must_MD be_BE eliminated_VBN ._. ^ C02 26 he_PP3A does_DOZ not_XNOT want_VB the_ATI C02 27 accuracy_NN of_IN a_AT police_NNS photograph_NN ,_, but_CC rather_RB C02 27 he_PP3A wants_VBZ to_TO show_VB the_ATI C02 28 eternal_JJ in_IN every_AT instant_NN ._. **'_**' C02 29 ^ the_ATI chilling_JJ horror_NN of_IN *'_*' Malachias_NP **'_**' C02 29 is_BEZ due_JJ as_QL much_RB to_IN Wicki_NP the_ATI C02 30 photographer_NN as_CS to_IN Wicki_NP the_ATI director_NN ._. ^ his_PP$ C02 30 earlier_JJR film_NN ,_, *'_*' die_&FW C02 31 bru"cke_&FW ,_, **'_**' was_BEDZ equally_RB terrifying_JJ ,_, but_CC C02 31 here_RN the_ATI director_NN moves_VBZ out_RP C02 32 of_IN the_ATI world_NN of_IN reality_NN into_IN an_AT icy_JJ C02 32 supernatural_JJ vacuum_NN where_WRB the_ATI sun_NN C02 33 never_RB shines_VBZ ._. ^ following_IN Bruce_NP Marshall's_NP$ C02 33 original_JJ novel_NN with_IN C02 34 considerable_JJ fidelity_NN ,_, the_ATI film_NN tells_VBZ the_ATI C02 34 story_NN of_IN a_AT little_JJ monk_NN who_WPR C02 35 prays_VBZ that_CS a_AT disreputable_JJ night_NN club_NN near_IN his_PP$ C02 35 church_NN be_BE removed_VBN ._. ^ one_CD1 C02 36 night_NN his_PP$ prayer_NN is_BEZ answered_VBN and_CC the_ATI C02 36 offending_JJ establishment_NN is_BEZ C02 37 suddenly_RB transplanted_VBN to_IN an_AT island_NN in_IN the_ATI C02 37 North_NP Sea_NPL ._. C02 38 ^ but_CC Father_NPT Malachias's_NP$ troubles_NNS have_HV only_RB C02 38 begun_VBN ._. ^ instead_RB of_IN C02 39 having_HVG the_ATI desired_JJ effect_NN ,_, the_ATI miracle_NN C02 39 becomes_VBZ exploited_VBN by_IN a_AT group_NN of_IN C02 40 shrewd_JJ newspapermen_NNS ._. ^ soon_RB a_AT carnival_NN springs_VBZ C02 40 up_RP on_IN the_ATI sight_NN of_IN the_ATI C02 41 missing_JJ building_NN ._. ^ the_ATI Church_NPL rebukes_VBZ the_ATI C02 41 poor_JJ monk_NN for_IN his_PP$ miracle_NN ,_, C02 42 and_CC as_IN a_AT crowning_JJ indignity_NN the_ATI night_NN club_NN C02 42 is_BEZ given_VBN a_AT gala_JJ society_NN C02 43 reopening_NN on_IN the_ATI island_NN ._. ^ Father_NPT Malachias_NP C02 43 goes_VBZ to_IN the_ATI island_NN ,_, prays_VBZ ,_, C02 44 and_CC in_IN a_AT second_OD miracle_NN the_ATI night_NN club_NN is_BEZ C02 44 replaced_VBN in_IN its_PP$ original_JJ C02 45 setting_NN ._. C02 46 ^ a_AT summary_NN of_IN the_ATI story_NN can_MD give_VB almost_RB C02 46 no_ATI indication_NN of_IN the_ATI scope_NN C02 47 of_IN Wicki's_NP$ artistry_NN ._. ^ he_PP3A tells_VBZ his_PP$ story_NN C02 47 best_RBT in_IN the_ATI faces_NNS of_IN his_PP$ C02 48 crowds_NNS ,_, recording_VBG every_AT wrinkle_NN and_CC drop_NN of_IN C02 48 sweat_NN with_IN brutal_JJ honesty_NN ,_, C02 49 building_VBG up_RP to_IN a_AT tremendous_JJ climax_NN in_IN the_ATI C02 49 island_NN orgy_NN ._. ^ here_RN ,_, the_ATI C02 50 guests_NNS arrive_VB in_IN ghost-like_JJ yachts_NNS ,_, the_ATI C02 50 wildly_RB flapping_JJ white_JJ sails_NNS C02 51 slashed_VBN by_IN the_ATI glaring_JJ beacon_NN of_IN a_AT lighthouse_NN C02 51 ._. ^ when_WRB the_ATI final_JJ miracle_NN C02 52 does_DOZ occur_VB ,_, it_PP3 is_BEZ accepted_VBN as_IN a_AT C02 52 marvellous_JJ joke_NN ;_; no_PN one_PN" has_HVZ learned_VBN C02 53 anything_PN ._. ^ Wicki_NP suddenly_RB returns_VBZ to_IN the_ATI C02 53 city_NN for_IN a_AT final_JJ epilogue_NN ._. C02 54 ^ in_IN complete_JJ silence_NN he_PP3A shows_VBZ the_ATI faces_NNS C02 54 of_IN people_NNS walking_VBG in_IN the_ATI C02 55 streets_NNS ,_, smug_JJ ,_, content_JJ ,_, satisfied_JJ ,_, and_CC C02 55 thoroughly_RB frightening_JJ ._. C02 56 ^ Wicki_NP has_HVZ succeeded_VBN in_IN his_PP$ second_OD film_NN C02 56 in_IN recording_VBG his_PP$ personal_JJ C02 57 apocalypse_NN of_IN the_ATI last_AP days_NNS of_IN a_AT sick_JJ C02 57 society_NN ._. ^ it_PP3 is_BEZ most_QL unfair_JJ to_TO C02 58 call_VB *'_*' Malachias_NP **'_**' a_AT cut-rate_JJB *'_*' dolce_&FW C02 58 vita_&FW ,_, **'_**' for_CS it_PP3 is_BEZ far_RB more_QL C02 59 intimate_JJ and_CC deeply_RB felt_VBN ._. ^ in_IN 1944_CD Herbert_NP C02 59 Selpin_NP tried_VBD a_AT similar_JJ feat_NN C02 60 in_IN *'_*' Titanic_NP **'_**' by_IN paralleling_VBG the_ATI last_AP C02 60 days_NNS of_IN the_ATI third_OD Reich_NN with_IN C02 61 the_ATI sinking_NN of_IN the_ATI great_JJ ocean_NN liner_NN ,_, and_CC C02 61 paid_VBD for_IN his_PP$ audacity_NN with_IN C02 62 his_PP$ life_NN ._. ^ to_TO judge_VB from_IN the_ATI press_NN ,_, C02 62 Wicki_NP is_BEZ to_TO pay_VB by_IN being_BEG C02 63 journalistically_RB crucified_VBN in_IN his_PP$ own_AP country_NN ._. ^ C02 63 certainly_RB there_EX are_BER C02 64 things_NNS wrong_JJ with_IN the_ATI film_NN ,_, but_CC the_ATI print_NN C02 64 arrived_VBD from_IN the_ATI cutting_NN C02 65 room_NN only_RB a_AP few_AP" hours_NNS before_IN its_PP$ showing_NN C02 65 and_CC could_MD not_XNOT be_BE considered_VBN C02 66 in_IN finished_JJ state_NN ._. ^ one_CD1 can_MD only_RB hope_VB that_CS C02 66 British_JNP audiences_NNS will_MD have_HV C02 67 a_AT chance_NN to_TO judge_VB this_DT powerful_JJ creation_NN for_IN C02 67 themselves_PPLS in_IN the_ATI near_JJ C02 68 future_NN ;_; *'_*' die_&FW bru"cke_&FW **'_**' is_BEZ still_RB C02 68 waiting_VBG two_CD years_NNS after_IN its_PP$ C02 69 German_JNP premie*?3re_NN ._. C02 70 ^ *'_*' la_&FW notte_&FW **'_**' will_MD be_BE shortly_RB shown_VBN C02 70 in_IN London_NP and_CC for_IN that_DT C02 71 reason_NN deserves_VBZ shorter_JJR mention_NN here_RN ._. ^ those_DTS C02 71 who_WPR feared_VBD that_CS Antonioni_NP C02 72 could_MD never_RB follow_VB *'_*' l'avventura_&FW **'_**' with_IN C02 72 another_DT masterpiece_NN can_MD C02 73 rest_VB easy_RB ;_; he_PP3A has_HVZ done_VBN the_ATI near_RI C02 73 impossible_JJ and_CC turned_VBN out_RP what_WDT C02 74 certainly_RB must_MD be_BE one_CD1 of_IN the_ATI greatest_JJT C02 74 studies_NNS of_IN the_ATI renewal_NN of_IN love_NN C02 75 that_WPR the_ATI screen_NN has_HVZ ever_RB seen_VBN ._. ^ less_QL C02 75 obviously_RB complex_JJ than_IN his_PP$ last_AP C02 76 film_NN ,_, *'_*' la_&FW notte_&FW **'_**' will_MD undoubtedly_RB C02 76 have_HV more_QL popular_JJ appeal_NN ,_, but_CC C02 77 this_DT is_BEZ in_IN no_ATI way_NN a_AT reflection_NN on_IN its_PP$ C02 77 seriousness_NN ._. ^ his_PP$ method_NN of_IN C02 78 painting_VBG with_IN the_ATI camera_NN has_HVZ never_RB been_BEN C02 78 more_QL exciting_JJ ,_, exchanging_VBG the_ATI C02 79 rocks_NNS of_IN Sicily_NP for_IN the_ATI skyscrapers_NNS of_IN Milan_NP C02 79 ._. ^ but_CC his_PP$ society_NN is_BEZ the_ATI C02 80 same_AP ,_, now_RN even_RB clearer_JJR ,_, but_CC touched_VBN with_IN C02 80 a_AT melancholy_JJ compassion_NN which_WDTR C02 81 is_BEZ a_AT strong_JJ sign_NN of_IN the_ATI maturity_NN of_IN his_PP$ C02 81 ultimate_JJ artistic_JJ vision_NN ._. C02 82 ^ strangely_RB enough_QLP ,_, the_ATI Berlin_NP audience_NN C02 82 received_VBD the_ATI film_NN with_IN C02 83 extreme_JJ coolness_NN ,_, much_RB preferring_VBG Jean-Luc_NP C02 83 Godard's_NP$ disappointing_JJ C02 84 *'_*' une_&FW femme_&FW est_&FW une_&FW femme_&FW ,_, **'_**' a_AT C02 84 ninety-one_CD minute_NN hymn_NN to_IN C02 85 *'_*' vogue_NN ,_, **'_**' *'_*' cahiers_&FW du_&FW cinema_&FW ,_, C02 85 **'_**' and_CC the_ATI worst_JJT aspects_NNS of_IN the_ATI C02 86 American_JNP cinema_NN ._. ^ from_IN a_AT brilliantly_RB funny_JJ C02 86 start_NN ,_, the_ATI work_NN fizzles_VBZ out_RP C02 87 into_IN a_AT series_NN of_IN repetitious_JJ sight-gags_NNS and_CC C02 87 personal_JJ jokes_NNS C02 88 incomprehensible_JJ to_IN the_ATI uninitiated_JJ (_( including_IN C02 88 four_CD plugs_NNS for_IN Charles_NP C02 89 Aznavour_NP )_) ._. ^ certainly_RB one_CD1 had_HVD the_ATI right_NN C02 89 to_TO expect_VB better_JJR ._. ^ the_ATI other_AP C02 90 French_JNP entry_NN ,_, Michel_NP Drach's_NP$ *'_*' Ame*?2lie_&FW ,_, C02 90 ou_&FW de_&FW temps_&FW d'aimer_&FW ,_, **'_**' C02 91 was_BEDZ late_JJ nineteenth-century_JJB French_JNP opera_NN at_IN C02 91 its_PP$ most_QL beautiful_JJ ,_, subtly_RB C02 92 romantic_JJ with_IN a_AT twilight_NN melancholy_NN which_WDTR C02 92 lifted_VBD an_AT involved_JJ story_NN to_IN C02 93 real_JJ heights_NNS ._. C02 94 ^ as_IN a_AT refuge_NN from_IN the_ATI welter_NN of_IN mediocre_JJ C02 94 features_NNS ,_, the_ATI C02 95 retrospective_JJ shows_NNS are_BER always_RB of_IN great_JJ interest_NN C02 95 ,_, particularly_RB the_ATI C02 96 programmes_NNS devoted_VBN to_IN the_ATI works_NNS of_IN Richard_NP C02 96 Oswald_NP ._. ^ this_DT director_NN is_BEZ C02 97 at_RB last_RB" being_BEG re-evaluated_VBN and_CC given_VBN his_PP$ C02 97 proper_JJ place_NN in_IN the_ATI history_NN C02 98 of_IN the_ATI German_JNP film_NN ._. ^ most_QL charming_JJ was_BEDZ C02 98 his_PP$ tongue-in-cheek_JJB C02 99 *'_*' unheimliche_&FW geschichten_&FW **'_**' (_( 1920_CD )_) ,_, C02 99 five_CD ghost_NN stories_NNS with_IN a_AT C02 100 light_JJ touch_NN ,_, and_CC there_EX was_BEDZ much_AP to_TO admire_VB C02 100 in_IN *'_*' Dreyfus_NP **'_**' (_( 1930_CD )_) and_CC C02 101 the_ATI virtually_RB unknown_JJ but_CC extremely_RB important_JJ *'_*' C02 101 1914_CD **'_**' (_( 1931_CD )_) ,_, which_WDTR C02 102 tries_VBZ to_TO show_VB that_CS it_PP3 took_VBD more_AP than_IN just_RB C02 102 Germany_NP to_TO start_VB the_ATI first_OD C02 103 world_NN war_NN ._. C02 104 ^ prizes_NNS being_BEG what_WDT they_PP3AS are_BER ,_, Berlin_NP C02 104 is_BEZ unusually_RB generous_JJ in_IN C02 105 giving_VBG everyone_PN something_PN ,_, and_CC silver_NN bears_NNS C02 105 are_BER awarded_VBN in_IN every_AT C02 106 direction_NN ._. ^ both_ABX the_ATI Antonioni_NP and_CC Wicki_NP C02 106 films_NNS took_VBD high_JJ honours_NNS ,_, and_CC C02 107 the_ATI audience_NN at_IN the_ATI awards_NNS was_BEDZ particularly_RB C02 107 enthusiastic_JJ when_WRB one_CD1 Miss_NPT C02 108 Anna_NP Kerima_NP was_BEDZ selected_VBN as_IN best_JJT actress_NN C02 108 for_IN her_PP$ work_NN in_IN the_ATI Godard_NP C02 109 film_NN ._. ^ gifted_JJ with_IN an_AT interesting_JJ face_NN ,_, C02 109 although_CS little_AP acting_NN C02 110 ability_NN ,_, she_PP3A would_MD seem_VB to_TO be_BE well_RB worth_IN C02 110 watching_VBG in_IN the_ATI months_NNS to_TO C02 111 come_VB ._. C02 112 ^ new_JJ films_NNS ._. C02 113 ^ by_IN Isabel_NP Quigly_NP ._. C02 114 ^ for_RB once_RB" a_AT cinema's_NN$ advertisement_NN does_DOZ C02 114 not_XNOT exaggerate_VB ._. ^ the_ATI C02 115 academy_NN advertises_VBZ Jean-Luc_NP Godard's_NP$ a_&FW bout_&FW C02 115 de_&FW souffle*?2_&FW C02 116 (_( translated_VBN as_IN breathless_JJ ,_, X_ZZ certificate_NN )_) C02 116 as_IN *'_*' the_ATI most_QL eagerly_RB C02 117 awaited_JJ new_JJ film_NN of_IN the_ATI nouvelle_JJ vague_JJ ,_, C02 117 **'_**' and_CC although_CS *'_*' new_JJ C02 118 **'_**' is_BEZ hardly_RB accurate_JJ (_( the_ATI film_NN is_BEZ two_CD C02 118 years_NNS old_JJ and_CC one_CD1 of_IN those_DTS that_WPR C02 119 gave_VBD the_ATI new_JJ wave_NN its_PP$ original_JJ impetus_NN and_CC C02 119 excitement_NN )_) ,_, certainly_RB the_ATI C02 120 film_NN that_WPR *'_*' sight_NN and_CC sound_NN **'_**' called_VBD C02 120 *'_*' the_ATI group's_NN$ intellectual_JJ C02 121 manifesto_NN **'_**' is_BEZ one_CD1 that_WPR anyone_PN with_IN an_AT C02 121 interest_NN in_IN what_WDT the_ATI cinema_NN is_BEZ C02 122 up_RP to_IN has_HVZ been_BEN waiting_VBG to_TO see_VB ._. ^ few_AP C02 122 films_NNS have_HV been_BEN so_QL widely_RB C02 123 discussed_VBN before_IN their_PP$ public_JJ showing_NN ;_; and_CC ,_, C02 123 as_CS it_PP3 turns_VBZ out_RP ,_, few_AP can_MD C02 124 ever_RB have_HV seemed_VBN such_ABL obvious_JJ prototypes_NNS ,_, or_CC C02 124 have_HV embodied_VBN so_QL many_AP C02 125 attitudes_NNS and_CC techniques_NNS that_WPR have_HV since_RI been_BEN C02 125 imitated_VBN ,_, exaggerated_VBN ,_, C02 126 caricatured_VBN ,_, and_CC (_( therefore_RB )_) weakened_VBN ,_, C02 126 even_RB made_VBN absurd_JJ ._. C02 127 ^ it_PP3 is_BEZ disappointing_JJ though_CS perhaps_RB inevitable_JJ C02 127 that_CS the_ATI young_JJ C02 128 directors_NNS of_IN the_ATI new_JJ wave_NN made_VBD their_PP$ best_JJT C02 128 films_NNS at_IN the_ATI beginning_NN ,_, and_CC C02 129 in_IN most_AP cases_NNS ,_, far_RB from_IN going_VBG from_IN C02 129 strength_NN to_IN strength_NN ,_, have_HV since_RI C02 130 either_DTX repeated_VBN themselves_PPLS or_CC deteriorated_VBN or_CC C02 130 (_( generally_RB )_) both_ABX ;_; for_CS C02 131 their_PP$ great_JJ limitation_NN is_BEZ the_ATI lack_NN ,_, once_CS C02 131 they_PP3AS have_HV made_VBN their_PP$ original_JJ C02 132 point_NN and_CC asserted_VBN their_PP$ independence_NN of_IN what_WDT C02 132 went_VBD before_IN them_PP3OS ,_, of_IN C02 133 anything_PN much_RB to_TO say_VB ,_, and_CC the_ATI fact_NN that_CS C02 133 the_ATI world_NN they_PP3AS deal_VB with_IN ,_, C02 134 though_CS at_RB first_RB" it_PP3 may_MD look_VB excitingly_RB C02 134 emancipated_VBN ,_, is_BEZ in_IN fact_NN as_QL C02 135 restricted_JJ as_IN that_DT of_IN drawing-room_NN comedy_NN ._. ^ C02 135 its_PP$ centre_NN of_IN gravity_NN is_BEZ C02 136 Paris_NP ,_, its_PP$ inhabitants_NNS young_JJ people_NNS *-_*- C02 136 students_NNS ,_, spivs_NNS ,_, petty_JJ crooks_NNS ,_, C02 137 layabouts_NNS of_IN every_AT kind_NN *-_*- all_ABN with_IN a_AT C02 137 uniform_JJ sort_NN (_( and_CC style_NN )_) of_IN C02 138 sexual_JJ promiscuity_NN and_CC social_JJ aimlessness_NN ._. C02 140 ^ here_RN in_IN London_NP in_IN 1961_CD ,_, we_PP1AS are_BER C02 140 seeing_VBG *'_*' a_&FW bout_&FW de_&FW C02 141 souffle*?2_&FW **'_**' too_QL late_RB ,_, of_RB course_RB" ,_, to_TO C02 141 feel_VB its_PP$ original_JJ impact_NN ,_, or_CC C02 142 even_RB its_PP$ originality_NN very_QL forcefully_RB :_: but_CC even_RB C02 142 a_AT short_JJ time_NN ago_RB it_PP3 C02 143 must_MD have_HV seemed_VBN excitingly_RB new_JJ ,_, even_RB C02 143 revolutionary_JJ ,_, one_CD1 of_IN the_ATI films_NNS C02 144 that_WPR ,_, sick_JJ of_IN the_ATI old_JJ guard's_NN$ deadness_NN ,_, C02 144 stageyness_NN ,_, and_CC sheer_JJB lack_NN of_IN C02 145 film_NN sense_NN ,_, started_VBD what_WDT was_BEDZ then_RN an_AT C02 145 anti-cliche*?2_JJB movement_NN ,_, a_AT new_JJ C02 146 way_NN of_IN looking_VBG at_IN the_ATI world_NN ._. ^ but_CC there_EX C02 146 is_BEZ a_AT gloomy_JJ truth_NN in_IN the_ATI old_JJ C02 147 saws_NNS about_IN revolutionaries_NNS turning_VBG into_IN C02 147 conservatives_NNS overnight_RB :_: it_PP3 is_BEZ C02 148 not_XNOT that_CS they_PP3AS are_BER bribed_VBN or_CC bludgeoned_VBN C02 148 by_IN the_ATI establishment_NN ,_, but_CC that_CS C02 149 they_PP3AS turn_VB into_IN an_AT establishment_NN of_IN their_PP$ C02 149 own_AP ._. ^ in_IN no_ATI time_NN at_IN all_ABN their_PP$ C02 150 very_QL revolutionary_JJ qualities_NNS are_BER copied_VBN ,_, and_CC C02 150 appear_VB quite_RB dismally_RB C02 151 hackneyed_JJ :_: what_WDT was_BEDZ once_RB fresh_JJ and_CC C02 151 surprising_JJ becomes_VBZ tricksy_JJ and_CC C02 152 affected_JJ ,_, and_CC by_IN now_RN ,_, in_IN the_ATI case_NN of_IN C02 152 the_ATI new_JJ wave_NN ,_, the_ATI movement_NN is_BEZ so_QL C02 153 barnacled_JJ with_IN its_PP$ own_AP cliche*?2s_NNS that_CS it_PP3 C02 153 is_BEZ hard_JJ to_TO remember_VB the_ATI C02 154 high_JJ *-_*- inordinately_RB high_JJ *-_*- hopes_NNS it_PP3 began_VBD C02 154 with_IN ._. C02 155 ^ certainly_RB *'_*' a_&FW bout_&FW de_&FW souffle*?2_&FW **'_**' C02 155 (_( which_WDTR is_BEZ almost_RB a_AT group_NN C02 156 achievement_NN :_: Godard_NP directed_VBD ,_, but_CC Truffaut_NP *-_*- C02 156 *'_*' les_&FW 400_&FW coups_&FW ,_, **'_**' C02 157 *'_*' shoot_VB the_ATI pianist_NN **'_**' *-_*- wrote_VBD the_ATI C02 157 script_NN and_CC Chabrol_NP *-_*- *'_*' the_ATI C02 158 cousins_NNS ,_, **'_**' *'_*' les_&FW bonnes_&FW femmes_&FW **'_**' C02 158 *-_*- was_BEDZ technical_JJ supervisor_NN )_) is_BEZ C02 159 extremely_RB exciting_JJ ,_, especially_RB if_CS you_PP2 can_MD C02 159 forget_VB what_WDT has_HVZ come_VBN since_RI ._. C02 160 ^ it_PP3 has_HVZ now_RN the_ATI familiar_JJ ingredients_NNS *-_*- a_AT C02 160 nihilistic_JJ attitude_NN to_IN C02 161 everything_PN ,_, wry_JJ ,_, built-in_JJB jokes_NNS ,_, a_AT C02 161 murderer-thief_NN hero_NN *-_*- but_CC it_PP3 has_HVZ ,_, C02 162 too_RB ,_, a_AT startling_JJ freshness_NN of_IN style_NN ,_, a_AT C02 162 really_RB surprising_JJ and_CC C02 163 illuminating_JJ way_NN of_IN looking_VBG at_IN objects_NNS ,_, C02 163 faces_NNS ,_, people_NNS as_CS they_PP3AS talk_VB and_CC C02 164 feel_VB ,_, conversations_NNS as_CS they_PP3AS perform_VB (_( or_CC C02 164 do_DO n't_XNOT manage_VB to_TO perform_VB )_) their_PP$ C02 165 function_NN of_IN bringing_VBG people_NNS closer_RBR ._. ^ it_PP3 C02 165 has_HVZ a_AT great_JJ look_NN of_IN speed_NN and_CC C02 166 technical_JJ fun_NN about_IN it_PP3 ,_, of_IN enormous_JJ cinematic_JJ C02 166 enjoyment_NN ,_, and_CC above_IN all_ABN C02 167 of_IN cinematic_JJ sense_NN ._. ^ much_AP of_IN it_PP3 has_HVZ that_DT C02 167 air_NN of_IN improvisation_NN ,_, as_CS of_IN C02 168 off-the-cuff_JJB living_NN ,_, that_WPR once_RB seemed_VBD so_QL new_JJ C02 168 and_CC so_QL attractive_JJ ._. ^ the_ATI C02 169 story_NN (_( not_XNOT that_CS the_ATI story_NN ,_, in_IN the_ATI C02 169 sense_NN of_IN plot_NN ,_, matters_VBZ much_RB ;_; but_CC in_IN C02 170 the_ATI sense_NN of_IN situation_NN and_CC movement_NN it_PP3 C02 170 matters_VBZ a_AT lot_NN )_) is_BEZ that_DT of_IN a_AT man_NN C02 171 on_IN the_ATI run_NN (_( Jean-Paul_NP Belmondo_NP )_) ,_, who_WPR C02 171 spends_VBZ a_AP few_AP" days_NNS with_IN an_AT C02 172 American_JNP girl_NN (_( Jean_NP Seberg_NP )_) who_WPR is_BEZ C02 172 bearing_VBG his_PP$ child_NN (_( though_CS paternity_NN C02 173 is_BEZ always_RB a_AT rather_RB dubious_JJ business_NN among_IN the_ATI C02 173 new_JJ wave_NN )_) :_: an_AT affair_NN C02 174 that_WPR remains_VBZ spiritually_RB unconsummated_JJ as_CS they_PP3AS C02 174 move_VB on_RP to_IN the_ATI final_JJ C02 175 betrayal_NN ._. C02 177 ^ Belmondo_NP reappears_VBZ at_IN the_ATI Paris_NP Pullman_NP in_IN C02 177 moderato_&FW C02 178 cantabile_&FW (_( curiously_RB translated_VBN into_IN seven_CD days_NNS C02 178 ..._... seven_CD nights_NNS C02 179 ..._... A_ZZ certificate_NN )_) ,_, Peter_NP Brook's_NP$ film_NN C02 179 made_VBN in_IN France_NP and_CC shown_VBN last_AP C02 180 autumn_NN at_IN the_ATI London_NP film_NN festival_NN ._. ^ in_IN C02 180 spite_IN" of_IN" magnificent_JJ C02 181 performances_NNS from_IN him_PP3O and_CC from_IN Jeanne_NP Moreau_NP C02 181 ,_, this_DT has_HVZ been_BEN fairly_RB C02 182 well_RB trounced_VBN by_IN the_ATI critics_NNS wherever_WRB it_PP3 C02 182 has_HVZ appeared_VBN ._. ^ leisurely_JJ ,_, C02 183 even_RB slow_JJ ,_, rhythmically_RB repetitive_JJ ,_, the_ATI C02 183 mysteriously_RB simple_JJ story_NN C02 184 takes_VBZ place_NN on_IN the_ATI banks_NNS of_IN the_ATI Garonne_NP ,_, C02 184 which_WDTR becomes_VBZ an_AT C02 185 unforgettable_JJ image_NN ._. ^ this_DT is_BEZ a_AT very_QL C02 185 individual_JJ film_NN ,_, mannered_JJ ,_, C02 186 subtle_JJ ,_, literary_JJ ,_, made_VBN by_IN a_AT man_NN who_WPR is_BEZ C02 186 not_XNOT necessarily_RB a_AT film-maker_NN ,_, C02 187 without_IN the_ATI exclusively_RB ,_, ferociously_RB cinematic_JJ C02 187 eye_NN of_IN ,_, say_VB ,_, Godard_NP or_CC C02 188 Truffaut_NP ;_; but_CC ,_, to_IN me_PP1O at_RB least_RB" ,_, C02 188 strangely_RB satisfying_JJ and_CC memorable_JJ ._. C02 189 ^ and_CC for_IN those_DTS who_WPR complain_VB that_CS Hollywood_NP C02 189 has_HVZ grown_VBN too_QL C02 190 sophisticated_JJ to_TO turn_VB out_RP anything_PN really_RB C02 190 amusingly_RB bad_JJ these_DTS days_NNS ,_, C02 191 anything_PN like_IN the_ATI old_JJ riproaring_JJ nonsenses_NNS in_IN C02 191 which_WDTR Joan_NP Crawford_NP or_CC C02 192 Lana_NP Turner_NP broke_VBD their_PP$ hearts_NNS in_IN black_JJ C02 192 velvet_NN and_CC mink_NN ,_, there_EX is_BEZ C02 193 Parrish_NP (_( director_NN :_: Delmer_NP Daves_NP ,_, A_ZZ C02 193 certificate_NN :_: Warner_NP )_) ,_, a_AT C02 194 concoction_NN as_QL absurd_JJ as_CS you_PP2 could_MD hope_VB for_IN ,_, C02 194 and_CC a_AT parody_NN of_IN every_AT C02 195 family_NN saga_NN and_CC regional-folksy_JJ film_NN from_IN giant_NN C02 195 downwards_RB ._. ^ with_IN a_AT C02 196 large_JJ blond_JJ youth_NN of_IN quite_RB dazzling_JJ dumbness_NN C02 196 called_VBN Troy_NP Donahue_NP ;_; and_CC C02 197 Claudette_NP Colbert_NP ,_, still_RB charming_JJ amid_IN the_ATI C02 197 nonsense_NN ,_, and_CC Karl_NP Malden_NP C02 198 not_XNOT knowing_VBG how_WRB to_TO take_VB it_PP3 ,_, all_RB rolling_JJ C02 198 eyeballs_NNS like_IN a_AT villain_NN from_IN C02 199 East_NP Lynne_NP ._. C03 2 film_NN virtues_NNS in_IN a_AT taste_NN of_IN honey_NN ._. C03 3 ^ \0Mr_NPT Richardson's_NP$ skilful_JJ direction_NN ._. C03 4 ^ the_ATI film_NN version_NN of_IN Miss_NPT Shelagh_NP Delaney's_NP$ C03 4 play_NN a_AT taste_NN of_IN C03 5 honey_NN opens_VBZ at_IN the_ATI Leicester_NP Square_NPL Theatre_NPL C03 5 tomorrow_NR ._. ^ it_PP3 has_HVZ been_BEN C03 6 produced_VBN and_CC directed_VBN by_IN \0Mr_NPT Tony_NP Richardson_NP C03 6 ,_, who_WPR is_BEZ also_RB C03 7 part-author_NN with_IN Miss_NPT Delaney_NP of_IN the_ATI script_NN ,_, C03 7 and_CC the_ATI great_JJ advantages_NNS C03 8 to_TO be_BE derived_VBN from_IN this_DT unity_NN of_IN conception_NN C03 8 and_CC control_NN are_BER everywhere_RB C03 9 apparent_JJ ._. C03 10 ^ this_DT is_BEZ not_XNOT a_AT filmed_JJ play_NN ._. ^ it_PP3 C03 10 has_HVZ been_BEN conceived_VBN throughout_RI in_IN C03 11 terms_NNS of_IN the_ATI cinema_NN ,_, and_CC again_RB and_CC again_RB C03 11 it_PP3 is_BEZ the_ATI visual_JJ qualities_NNS of_IN C03 12 the_ATI story_NN ,_, and_CC the_ATI marriage_NN of_IN the_ATI C03 12 central_JJ characters_NNS to_IN their_PP$ C03 13 background_NN ,_, which_WDTR bring_VB the_ATI film_NN so_QL vividly_RB C03 13 to_IN life_NN ._. C03 14 ^ in_IN Fanny_NP ,_, which_WDTR also_RB has_HVZ its_PP$ premiere_NN C03 14 tomorrow_NR ,_, the_ATI director_NN ,_, C03 15 \0Mr_NPT Joshua_NP Logan_NP ,_, attempted_VBD but_CC failed_VBD to_TO C03 15 create_VB the_ATI atmosphere_NN of_IN a_AT C03 16 city_NN ._. ^ in_IN a_AT taste_NN of_IN honey_NN \0Mr_NPT Richardson_NP C03 16 has_HVZ taken_VBN a_AT town_NN in_IN C03 17 the_ATI industrial_JJ north_NR of_IN England_NP and_CC has_HVZ made_VBN C03 17 it_PP3 live_VB ._. ^ the_ATI shabby_JJ C03 18 streets_NNS and_CC wet_JJ pavements_NNS ,_, the_ATI school_NN C03 18 play-grounds_NNS ,_, the_ATI public_JJ C03 19 monuments_NNS and_CC the_ATI rubbish_NN strewn_VBN canals_NNS *-_*- C03 19 even_RB the_ATI worn_JJ head-stones_NNS in_IN C03 20 the_ATI churchyard_NN ,_, *'_*' sacred_JJ to_IN the_ATI memory_NN of_IN C03 20 **'_**' *-_*- are_BER seen_VBN as_IN an_AT integral_JJ C03 21 part_NN of_IN the_ATI story_NN ._. ^ the_ATI background_NN is_BEZ C03 21 always_RB alive_JJ and_CC always_RB C03 22 changing_VBG ;_; but_CC the_ATI visual_JJ image_NN is_BEZ in_IN C03 22 keeping_NN with_IN the_ATI spoken_JJ word_NN ._. ^ we_PP1AS C03 23 accept_VB implicitly_RB that_CS these_DTS characters_NNS have_HV C03 23 grown_VBN naturally_RB and_CC C03 24 inevitably_RB from_IN out_RP of_IN these_DTS surroundings_NNS ._. C03 25 ^ against_IN this_DT industrial_JJ setting_NN \0Mr_NPT Richardson_NP C03 25 has_HVZ told_VBN Miss_NPT C03 26 Delaney's_NP$ story_NN ._. ^ its_PP$ faults_NNS are_BER still_RB C03 26 apparent_JJ ._. ^ the_ATI plot_NN is_BEZ still_RB C03 27 shapeless_JJ and_CC inconclusive_JJ *-_*- indeed_RB it_PP3 is_BEZ C03 27 little_AP more_AP than_IN an_AT anecdote_NN C03 28 of_IN city_NN life_NN ,_, with_IN a_AT beginning_NN but_CC no_ATI C03 28 end_NN *-_*- and_CC the_ATI characters_NNS often_RB C03 29 seem_VB to_TO lack_VB consistency_NN ._. ^ but_CC there_EX is_BEZ C03 29 heart_NN in_IN the_ATI telling_NN ,_, and_CC an_AT C03 30 intense_JJ realism_NN in_IN the_ATI situation_NN ._. C03 31 ^ a_AT young_JJ girl_NN lives_VBZ in_IN a_AT single_JJ dingy_JJ C03 31 room_NN with_IN her_PP$ slatternly_JJ ,_, C03 32 promiscuous_JJ mother_NN ._. ^ in_IN such_ABL surroundings_NNS she_PP3A C03 32 learns_VBZ sex_NN is_BEZ something_PN C03 33 sordid_JJ ,_, and_CC when_WRB she_PP3A experiences_VBZ it_PP3 for_IN C03 33 the_ATI first_OD time_NN herself_PPL it_PP3 is_BEZ C03 34 incoherently_RB ,_, clumsily_RB ,_, but_CC half_RB shyly_RB and_CC C03 34 half_RB inquisitively_RB ._. ^ as_CS is_BEZ C03 35 the_ATI case_NN in_IN Fanny_NP her_PP$ first_OD lover_NN is_BEZ a_AT C03 35 sailor_NN who_WPR leaves_VBZ her_PP3O to_TO C03 36 bear_VB his_PP$ child_NN and_CC sails_VBZ away_RP ._. ^ in_IN Fanny_NP C03 36 the_ATI pregnant_JJ girl_NN is_BEZ C03 37 befriended_VBN by_IN an_AT old_JJ man_NN ._. ^ here_RN it_PP3 is_BEZ C03 37 a_AT young_JJ homosexual_NN ,_, estranged_JJ C03 38 from_IN women_NNS but_CC yet_RB moved_VBN by_IN a_AT strong_JJ C03 38 maternal_JJ instinct_NN to_IN the_ATI unborn_JJ C03 39 child_NN as_QL much_RB as_CS to_IN the_ATI expectant_JJ mother_NN ,_, C03 39 who_WPR acts_VBZ as_IN a_AT protector_NN and_CC C03 40 comforter_NN to_IN her_PP3O in_IN her_PP$ hour_NN of_IN need_NN ._. ^ C03 40 he_PP3A shares_VBZ her_PP$ room_NN and_CC gives_VBZ C03 41 her_PP3O his_PP$ forlorn_JJ gift_NN of_IN companionship_NN and_CC C03 41 sympathy_NN *-_*- *'_*' you_PP2 need_VB C03 42 someone_PN to_TO love_VB you_PP2 while_CS you_PP2 are_BER looking_VBG C03 42 for_IN someone_PN to_TO love_VB **'_**' ._. C03 43 ^ Miss_NPT Dora_NP Bryan_NP plays_VBZ the_ATI mother_NN as_IN a_AT C03 43 flamboyant_JJ ,_, down-to-earth_JJB C03 44 sensualist_NN who_WPR lacks_VBZ perception_NN but_CC is_BEZ not_XNOT C03 44 altogether_RB without_IN heart_NN ._. C03 45 ^ \0Mr_NPT Murray_NP Melvin_NP is_BEZ the_ATI homosexual_NN ,_, his_PP$ C03 45 long_JJ lugubrious_JJ face_NN C03 46 reflecting_VBG a_AT hidden_JJ and_CC unexpressed_JJ compassion_NN ._. C03 47 ^ Miss_NPT Rita_NP Tushingham_NP is_BEZ the_ATI girl_NN ._. ^ it_PP3 C03 47 is_BEZ always_RB difficult_JJ when_WRB C03 48 assessing_VBG a_AT moving_JJ and_CC eloquent_JJ performance_NN by_IN C03 48 a_AT young_JJ and_CC immature_JJ C03 49 screen_NN actress_NN to_TO judge_VB the_ATI extent_NN to_IN which_WDTR C03 49 her_PP$ acting_NN has_HVZ been_BEN C03 50 inspired_VBN by_IN skilled_JJ and_CC sensitive_JJ direction_NN ._. ^ C03 50 \0Mr_NPT Richardson_NP has_HVZ C03 51 left_VBN his_PP$ stamp_NN so_QL clearly_RB on_IN the_ATI rest_NN of_IN C03 51 this_DT film_NN that_CS some_DTI credit_NN C03 52 must_MD be_BE given_VBN to_IN him_PP3O ;_; but_CC here_RN is_BEZ C03 52 undeniably_RB a_AT performance_NN of_IN C03 53 surprising_JJ range_NN and_CC deep_JJ emotion_NN ,_, reflected_VBN C03 53 in_IN the_ATI face_NN of_IN an_AT C03 54 ordinary_JJ schoolgirl_NN that_WPR is_BEZ seemingly_RB without_IN C03 54 make-up_NN but_CC is_BEZ C03 55 illuminated_VBN by_IN a_AT wonderful_JJ pair_NN of_IN eyes_NNS ._. C03 56 ^ it_PP3 is_BEZ \0Mr_NPT Richardson's_NP$ great_JJ gift_NN that_CS C03 56 he_PP3A can_MD show_VB a_AT face_NN in_IN C03 57 close-up_NN and_CC reveal_VB the_ATI thoughts_NNS of_IN the_ATI mind_NN C03 57 without_IN a_AT word_NN being_BEG C03 58 spoken_VBN ._. ^ this_DT he_PP3A does_DOZ repeatedly_RB in_IN this_DT C03 58 film_NN ,_, especially_RB with_IN Miss_NPT C03 59 Tushingham_NP ._. C03 60 ^ concertos_NNS enliven_VB programme_NN ._. C03 61 ^ apart_IN from_IN" Tchaikovsky's_NP$ Romeo_NP and_CC Juliet_NP C03 61 fantasy_NN overture_NN ,_, C03 62 last_AP night's_NN$ prom_NN was_BEDZ entirely_RB devoted_VBN to_IN C03 62 twentieth-century_JJB music_NN ,_, C03 63 with_IN two_CD piano_NN concertos_NNS by_IN Alan_NP Rawsthorne_NP C03 63 and_CC Prokofiev_NP (_( each_DT C03 64 composer's_NN$ \0no_NN 1_CD1 in_IN the_ATI medium_NN )_) to_TO C03 64 enliven_VB both_ABX halves_NNS of_IN the_ATI C03 65 programme_NN ._. C03 66 ^ the_ATI two_CD works_NNS are_BER true_JJ bravura_NN concertos_NNS C03 66 lying_VBG within_IN the_ATI grasp_NN C03 67 only_RB of_IN players_NNS of_IN virtuoso_NN technique_NN ;_; they_PP3AS C03 67 are_BER alike_JJ ,_, too_RB ,_, in_IN placing_VBG C03 68 far_RB more_AP emphasis_NN on_IN crisply_RB sparkling_JJ extravert_JJ C03 68 brilliance_NN than_CS on_IN C03 69 inwardness_NN of_IN feeling_NN though_CS admittedly_RB Rawsthorne_NP C03 69 briefly_RB becomes_VBZ C03 70 more_QL searching_JJ in_IN his_PP$ beautiful_JJ central_JJ chaconne_NN C03 70 ._. ^ the_ATI soloist_NN ,_, Miss_NPT C03 71 Moura_NP Lympany_NP ,_, could_MD not_XNOT have_HV been_BEN better_RBR C03 71 chosen_VBN ,_, for_CS she_PP3A has_HVZ the_ATI C03 72 clear-cut_JJ agility_NN and_CC vivacity_NN of_IN musicianship_NN C03 72 necessary_JJ for_IN this_DT kind_NN C03 73 of_IN music_NN ,_, and_CC temperamentally_RB does_DOZ not_XNOT C03 73 suffer_VB from_IN any_DTI temptation_NN to_TO C03 74 delve_VB more_QL deeply_RB into_IN the_ATI notes_NNS than_CS they_PP3AS C03 74 warrant_VB ._. C03 75 ^ on_IN their_PP$ own_AP ,_, the_ATI \0B.B.C_NP symphony_NN C03 75 orchestra_NN and_CC Sir_NPT Malcolm_NP C03 76 Sargent_NP went_VBD to_IN the_ATI rescue_NN of_IN *'_*' Pohjola's_NP$ C03 76 daughter_NN **'_**' ,_, one_CD1 of_IN C03 77 Sibelius's_NP$ offspring_NN now_RN very_QL much_RB on_IN the_ATI C03 77 shelf_NN ._. ^ this_DT is_BEZ vividly_RB C03 78 scored_VBN but_CC essentially_RB naive_JJ programme_NN music_NN ,_, C03 78 perhaps_RB more_QL likely_JJ to_TO C03 79 appeal_VB on_IN home_NR ground_NN where_WRB the_ATI Kalevala_NP is_BEZ C03 79 as_QL real_JJ as_IN the_ATI Bible_NP ._. C03 80 ^ Sir_NPT Malcolm_NP Sargent_NP and_CC the_ATI orchestra_NN made_VBD C03 80 every_AT point_NN with_IN C03 81 graphic_JJ clarity_NN ,_, and_CC almost_RB the_ATI same_AP was_BEDZ C03 81 true_JJ of_IN Vaughan_NP Williams's_NP$ C03 82 sixth_OD symphony_NN ,_, which_WDTR stood_VBD as_IN the_ATI C03 82 centrepiece_NN of_IN the_ATI programme_NN ._. ^ the_ATI C03 83 exception_NN was_BEDZ the_ATI finale_NN of_IN the_ATI symphony_NN ,_, C03 83 which_WDTR was_BEDZ played_VBN just_RB a_AT C03 84 shade_NN too_QL fast_RB and_CC not_XNOT quite_RB insubstantially_RB C03 84 enough_QLP to_TO convey_VB the_ATI C03 85 full_JJ ,_, hollow_JJ horror_NN of_IN its_PP$ implications_NNS *-_*- C03 85 the_ATI globe's_NN$ vast_JJ desolation_NN C03 86 after_IN the_ATI extinction_NN of_IN all_ABN human_JJ life_NN ._. C03 87 ^ Miss_NPT Dodie_NP Smith_NP provides_VBZ for_IN kitchen_NN sink_NN ._. C03 88 ^ from_IN our_PP$ special_JJ correspondent_NN ._. C03 89 ^ Liverpool_NP ,_, \0Sept_NR 12_CD ._. C03 90 ^ in_IN her_PP$ latest_JJT play_NN ,_, launched_VBN here_RN last_AP C03 90 night_NN ,_, Miss_NPT Dodie_NP Smith_NP ,_, C03 91 accepting_VBG the_ATI challenge_NN of_IN the_ATI times_NNS ,_, has_HVZ C03 91 made_VBN room_NN for_IN a_AT kitchen_NN C03 92 sink_NN ._. ^ its_PP$ presence_NN does_DOZ nothing_PN to_TO sour_VB C03 92 these_DTS new_JJ arrivals_NNS among_IN the_ATI C03 93 author's_NN$ brood_NN of_IN brain_NN children_NNS ._. ^ or_CC should_MD C03 93 one_CD1 call_VB them_PP3OS heart_NN C03 94 children_NNS ?_? ^ all_ABN their_PP$ hearts_NNS are_BER in_IN the_ATI C03 94 right_JJ place_NN ,_, and_CC they_PP3AS run_VB true_JJ C03 95 and_CC sweet_JJ to_IN family_NN form_NN ._. C03 96 ^ there_EX is_BEZ even_RB an_AT older_JJR and_CC more_QL C03 96 formidable_JJ challenge_NN than_IN the_ATI C03 97 sink_NN itself_PPL to_TO test_VB their_PP$ fundamental_JJ niceness_NN C03 97 ,_, for_CS this_DT basement_NN C03 98 kitchen_NN of_IN an_AT old_JJ house_NN in_IN a_AT London_NP square_NN C03 98 is_BEZ also_RB the_ATI dining_NN room_NN of_IN C03 99 a_AT boarding_NN establishment_NN run_VBN by_IN an_AT amiable_JJ and_CC C03 99 fluttery_JJ spinster_NN ._. ^ all_ABN C03 100 her_PP$ guests_NNS ,_, whatever_WDT their_PP$ age_NN ,_, lend_VB a_AT C03 100 hand_NN with_IN the_ATI washing_NN up_RP (_( which_WDTR C03 101 is_BEZ frequent_JJ )_) with_IN almost_RB as_QL much_AP enjoyment_NN C03 101 as_CS if_CS" at_RB last_RB" some_DTI C03 102 miraculous_JJ detergent_NN were_BED being_BEG advertised_VBN in_IN C03 102 the_ATI live_JJ theatre_NN ._. C03 103 ^ no_PN one_PN" is_BEZ cantankerous_JJ ,_, there_EX are_BER no_ATI C03 103 petty_JJ jealousies_NNS or_CC mutual_JJ C03 104 animosities_NNS ._. ^ who_WP but_IN Miss_NPT Dodie_NP Smith_NP would_MD C03 104 have_HV thought_VBN boarding_NN C03 105 house_NN comedy_NN could_MD be_BE written_VBN without_IN them_PP3OS ?_? C03 106 ^ this_DT boarding_NN house_NN has_HVZ a_AT pronounced_JJ list_NN C03 106 to_IN stageward_RB ._. ^ it_PP3 C03 107 accommodates_VBZ young_JJ members_NNS of_IN the_ATI profession_NN C03 107 and_CC also_RB a_AT middle-aged_JJ C03 108 actor_NN manque*?2_JJ who_WPR has_HVZ been_BEN out_RP of_IN touch_NN C03 108 with_IN the_ATI world_NN for_IN 20_CD years_NNS C03 109 and_CC is_BEZ at_RB first_RB" suspected_VBN of_IN having_HVG been_BEN C03 109 serving_VBG a_AT prison_NN sentence_NN ._. C03 110 ^ actually_RB he_PP3A has_HVZ been_BEN caring_VBG for_IN his_PP$ C03 110 invalid_JJ but_CC equally_RB C03 111 histrionic_JJ wife_NN who_WPR has_HVZ died_VBN and_CC left_VBN him_PP3O C03 111 free_JJ to_TO fulfil_VB ,_, with_IN her_PP$ C03 112 blessing_NN ,_, his_PP$ long_RB thwarted_JJ ambition_NN ._. ^ when_WRB C03 112 he_PP3A has_HVZ been_BEN gently_RB C03 113 de-hammed_VBN for_IN the_ATI modern_JJ stage_NN by_IN a_AT young_JJ C03 113 actress_NN who_WPR is_BEZ his_PP$ C03 114 fellow-lodger_NN he_PP3A does_DOZ land_VB a_AT contract_NN ._. ^ in_IN C03 114 the_ATI meanwhile_NN we_PP1AS watch_VB him_PP3O C03 115 perform_VB marvels_NNS of_IN cooking_NN and_CC ,_, generally_RB at_IN C03 115 the_ATI same_AP time_NN ,_, listen_VB to_IN C03 116 him_PP3O delivering_VBG the_ATI most_QL purple_JJ and_CC familiar_JJ C03 116 patches_NNS of_IN Shakespeare_NP ._. C03 117 ^ there_EX are_BER a_AT pair_NN of_IN pathetic_JJ fuddy-duddies_NNS C03 117 who_WPR have_HV parted_VBN with_IN C03 118 their_PP$ house_NN because_CS they_PP3AS have_HV had_HVN *'_*' a_AT C03 118 good_JJ offer_NN **'_**' for_IN it_PP3 ,_, and_CC a_AT C03 119 hypochondriacal_JJ old_JJ bachelor_NN who_WPR proposes_VBZ to_IN C03 119 the_ATI gentle_JJ proprietress_NN ,_, C03 120 but_CC is_BEZ not_XNOT accepted_VBN until_CS she_PP3A has_HVZ made_VBN C03 120 the_ATI surprising_JJ confession_NN that_CS C03 121 she_PP3A ,_, unlike_IN her_PP3O once_RB suspected_JJ guest_NN ,_, C03 121 has_HVZ really_RB been_BEN to_IN prison_NN ._. C03 122 ^ this_DT is_BEZ Miss_NPT Smith's_NP$ highest_JJT flight_NN of_IN C03 122 imagination_NN ;_; the_ATI offence_NN C03 123 was_BEDZ the_ATI absentminded_JJ theft_NN of_IN a_AT library_NN book_NN C03 123 for_IN which_WDTR in_IN her_PP$ youth_NN C03 124 the_ATI otherwise_RB innocent_JJ Miss_NPT Edie_NP got_VBD 14_CD C03 124 days_NNS without_IN the_ATI option_NN ._. ^ the_ATI C03 125 inclusion_NN of_IN a_AT titled_JJ *'_*' char_NN **'_**' on_IN the_ATI C03 125 establishment_NN is_BEZ perhaps_RB the_ATI C03 126 most_QL deliberately_RB modern_JJ touch_NN ._. C03 127 ^ Miss_NPT Jennifer_NP Stirling_NP plays_VBZ Miss_NPT Edie_NP C03 127 with_IN great_JJ skill_NN and_CC charm_NN C03 128 and_CC \0Mr_NPT Willard_NP Stoker_NP effectively_RB coordinates_VBZ C03 128 a_AT good_JJ cast_NN ._. C03 129 ^ rare_JJ acting_NN in_IN Betti_NP play_NN ._. C03 130 ^ a_AT quietly_RB effective_JJ production_NN ._. C03 131 ^ Oxford_NP Playhouse_NPL :_: Irene_NP ._. C03 133 ^ directed_VBN by_IN Bryan_NP Stonehouse_NP ._. C03 134 ^ from_IN our_PP$ special_JJ correspondent_NN ._. C03 135 ^ Oxford_NP ,_, \0Sept_NR 12_CD ._. C03 136 ^ Irene_NP is_BEZ not_XNOT perhaps_RB one_CD1 of_IN Betti's_NP$ C03 136 masterpieces_NNS ,_, but_CC it_PP3 is_BEZ a_AT C03 137 splendidly_RB efficient_JJ play_NN ,_, constructed_VBN with_IN sure_JJ C03 137 instinct_NN for_IN C03 138 theatrical_JJ effect_NN which_WDTR never_RB seemed_VBD to_TO let_VB C03 138 this_DT dramatist_NN down_RP ._. C03 139 ^ the_ATI background_NN is_BEZ that_DT rough_JJ ,_, raw_JJ ,_, C03 139 savage_JJ land_NN of_IN southern_JJ Italy_NP C03 140 which_WDTR Betti_NP explored_VBD in_IN a_AT number_NN of_IN plays_NNS C03 140 ._. ^ here_RN it_PP3 is_BEZ combined_VBN with_IN C03 141 another_DT theme_NN dear_JJ to_IN his_PP$ heart_NN ,_, the_ATI C03 141 workings_NNS of_IN justice_NN ._. ^ a_AT nice_JJ ,_, C03 142 simple_JJ sergeant_NN of_IN the_ATI Carabinieri_NP arrives_VBZ in_IN C03 142 a_AT strange_JJ village_NN at_IN C03 143 night_NN to_TO investigate_VB some_DTI irregularities_NNS concerning_IN C03 143 the_ATI town_NN clerk_NN ._. C03 144 ^ by_IN chance_NN he_PP3A lights_VBZ first_RB of_IN all_ABN upon_IN C03 144 the_ATI clerk's_NN$ house_NN ,_, stays_VBZ there_RN C03 145 for_IN the_ATI night_NN and_CC becomes_VBZ disturbingly_RB involved_VBN C03 145 with_IN the_ATI clerk_NN ,_, his_PP$ C03 146 faded_JJ ,_, pretentious_JJ wife_NN and_CC ,_, particularly_RB ,_, C03 146 his_PP$ beautiful_JJ crippled_JJ C03 147 daughter_NN ,_, Irene_NP ._. C03 148 ^ the_ATI next_AP morning_NN he_PP3A hears_VBZ the_ATI evidence_NN C03 148 against_IN his_PP$ erstwhile_JJB C03 149 host_NN ,_, and_CC learns_VBZ of_IN the_ATI bitter_JJ enmity_NN in_IN C03 149 which_WDTR the_ATI mayor_NN and_CC the_ATI rest_NN C03 150 hold_VB him_PP3O ._. ^ where_WRB does_DOZ the_ATI truth_NN lie_VB ?_? ^ C03 150 how_WRB far_RB can_MD the_ATI sergeant_NN ,_, caught_VBN C03 151 between_IN his_PP$ feelings_NNS for_IN Irene_NP and_CC her_PP$ C03 151 family_NN on_IN the_ATI one_CD1 hand_NN and_CC the_ATI C03 152 evidence_NN and_CC the_ATI veiled_JJ blackmail_NN of_IN the_ATI C03 152 mayor_NN on_IN the_ATI other_AP reach_VB a_AT C03 153 fair_JJ and_CC unbiased_JJ decision_NN ?_? C03 154 ^ especially_RB when_WRB he_PP3A learns_VBZ that_CS the_ATI girl_NN C03 154 ,_, whom_WPOR he_PP3A believed_VBD pure_JJ C03 155 and_CC innocent_JJ ,_, is_BEZ in_IN fact_NN the_ATI local_JJ C03 155 prostitute_NN ._. ^ despite_IN this_DT she_PP3A still_RB C03 156 retains_VBZ a_AT strange_JJ innocence_NN ,_, somewhere_RB between_IN C03 156 that_DT of_IN the_ATI idiot_NN and_CC C03 157 that_DT of_IN the_ATI saint_NN ,_, which_WDTR sets_VBZ up_RP violent_JJ C03 157 and_CC contradictory_JJ emotions_NNS in_IN C03 158 those_DTS who_WPR visit_VB her_PP3O as_CC well_CC" as_CC" in_IN the_ATI C03 158 sergeant_NN :_: they_PP3AS want_VB her_PP3O to_TO go_VB C03 159 and_CC yet_RB they_PP3AS want_VB her_PP3O to_TO stay_VB ;_; he_PP3A C03 159 does_DOZ not_XNOT know_VB until_CS almost_RB too_QL late_RB C03 160 whether_CS he_PP3A loves_VBZ her_PP3O or_CC loathes_VBZ her_PP3O ._. C03 161 ^ arguably_RB ,_, the_ATI dramatist_NN has_HVZ committed_VBN a_AT C03 161 technical_JJ error_NN in_IN C03 162 allowing_VBG Irene_NP to_TO speak_VB for_IN herself_PPL ;_; we_PP1AS C03 162 would_MD be_BE altogether_RB clearer_JJR in_IN C03 163 our_PP$ minds_NNS about_IN her_PP3O if_CS she_PP3A remained_VBD a_AT C03 163 flawed_JJ but_CC beautiful_JJ enigma_NN ,_, C03 164 seen_VBN but_CC not_XNOT heard_VBN ._. ^ however_RB ,_, Miss_NPT C03 164 Pinkie_NP Johnstone_NP makes_VBZ her_PP$ few_AP C03 165 brief_JJ scenes_NNS effective_JJ ,_, and_CC \0Mr_NPT Dinsdale_NP C03 165 Landen_NP ,_, in_IN the_ATI longest_JJT and_CC C03 166 most_QL exacting_JJ role_NN ,_, that_DT of_IN the_ATI sergeant_NN ,_, C03 166 gives_VBZ a_AT performance_NN of_IN rare_JJ C03 167 intelligence_NN and_CC restrained_JJ power_NN ._. ^ \0Mr_NPT Bryan_NP C03 167 Stonehouse's_NP$ C03 168 production_NN is_BEZ quietly_RB effective_JJ ,_, giving_VBG full_JJ C03 168 value_NN to_IN the_ATI formal_JJ C03 169 elements_NNS of_IN Betti's_NP$ writing_NN without_IN C03 169 over-emphasizing_VBG them_PP3OS ._. C03 170 ^ a_AT morality_NN play_NN on_IN ambition_NN ._. C03 171 ^ last_AP night's_NN$ play_NN in_IN the_ATI *'_*' play_NN of_IN C03 171 the_ATI week_NN **'_**' series_NN on_IN C03 172 independent_JJ television_NN ,_, then_RN we_PP1AS fall_VB ,_, by_IN C03 172 \0Mr_NPT Paul_NP Ferris_NP ,_, was_BEDZ a_AT C03 173 morality_NN on_IN the_ATI not_XNOT unfamiliar_JJ theme_NN of_IN the_ATI C03 173 destructive_JJ power_NN of_IN C03 174 unbridled_JJ ambition_NN ._. ^ it_PP3 went_VBD ,_, perhaps_RB ,_, C03 174 some_DTI distance_NN beyond_IN most_AP C03 175 treatments_NNS of_IN its_PP$ subject_NN by_IN attempting_VBG to_TO C03 175 generate_VB a_AT melodramatic_JJ C03 176 inevitability_NN which_WDTR left_VBD its_PP$ central_JJ character_NN C03 176 and_CC the_ATI world_NN around_IN C03 177 him_PP3O in_IN complete_JJ ,_, unredeemable_JJ desolation_NN ._. C03 178 ^ we_PP1AS could_MD ,_, perhaps_RB ,_, say_VB whether_CS or_CC C03 178 not_XNOT the_ATI attempt_NN succeeded_VBD if_CS we_PP1AS C03 179 had_HVD a_AP little_AP" more_AP faith_NN in_IN the_ATI way_NN in_IN C03 179 which_WDTR \0Mr_NPT Ferris_NP manipulated_VBD C03 180 his_PP$ characters_NNS ._. ^ Mervyn_NP Morris_NP abandons_VBZ his_PP$ C03 180 job_NN as_IN a_AT pilot_NN in_IN a_AT Welsh_JNP C03 181 seaport_NN ,_, finds_VBZ a_AT position_NN with_IN the_ATI local_JJ C03 181 paper_NN ,_, treads_VBZ underfoot_RB C03 182 everyone_PN ,_, especially_RB his_PP$ wife_NN ,_, with_IN whom_WPOR C03 182 he_PP3A deals_VBZ :_: his_PP$ wife_NN leaves_VBZ him_PP3O C03 183 for_IN the_ATI paper's_NN$ shy_JJ ,_, gentle_JJ editor_NN ._. ^ at_IN C03 183 which_WDTR he_PP3A prevails_VBZ upon_IN his_PP$ C03 184 father-in-law_NN ,_, a_AT miserly_JJ ,_, fanatical_JJ Welsh_JNP C03 184 nationalist_NN ,_, to_TO murder_VB the_ATI C03 185 editor_NN for_IN him_PP3O ._. ^ no_ATI suspicions_NNS are_BER C03 185 aroused_VBN but_CC no_ATI problems_NNS are_BER solved_VBN C03 186 for_CS he_PP3A loses_VBZ his_PP$ job_NN because_CS ,_, at_IN the_ATI C03 186 moment_NN of_IN the_ATI murder_NN ,_, he_PP3A is_BEZ C03 187 standing_VBG in_IN front_IN" of_IN" television_NN cameras_NNS and_CC C03 187 ,_, with_IN his_PP$ nerves_NNS on_IN edge_NN ,_, C03 188 talking_VBG tactlessly_RB ._. C03 189 ^ \0Mr_NPT William_NP Lucas_NP (_( Morris_NP )_) is_BEZ always_RB C03 189 insensitively_RB pushing_JJ ,_, C03 190 Miss_NPT Sheila_NP Allen_NP his_PP$ wife_NN ,_, always_RB palely_RB C03 190 appealing_JJ ,_, \0Mr_NPT James_NP C03 191 Maxwell_NP ,_, the_ATI editor_NN ,_, always_RB comically_RB abashed_VBN C03 191 by_IN the_ATI events_NNS ,_, and_CC \0Mr_NPT C03 192 Aubrey_NP Richards_NP ,_, the_ATI father-in-law_NN ,_, always_RB C03 192 comically_RB grotesque_JJ ;_; they_PP3AS C03 193 were_BED not_XNOT asked_VBN to_TO modulate_VB from_IN their_PP$ set_JJ C03 193 moods_NNS but_CC played_VBN with_IN proper_JJ C03 194 efficiency_NN and_CC ,_, in_IN the_ATI case_NN of_IN \0Mr_NPT C03 194 Richards_NP ,_, with_IN lavish_JJ and_CC C03 195 suitably_RB gaudy_JJ colour_NN ._. ^ only_RB \0Mr_NPT Lucas's_NP$ C03 195 actions_NNS ,_, therefore_RB ,_, arose_VBD C03 196 explicably_RB from_IN appreciable_JJ motives_NNS ._. ^ the_ATI rest_NN C03 196 ,_, one_CD1 feels_VBZ ,_, were_BED driven_VBN C03 197 to_IN effective_JJ action_NN by_IN the_ATI author_NN in_IN spite_IN" C03 197 of_IN" the_ATI ineffectuality_NN with_IN C03 198 which_WDTR he_PP3A had_HVD endowed_VBN them_PP3OS ._. ^ one_CD1 C03 198 hopes_VBZ that_CS he_PP3A is_BEZ not_XNOT asking_VBG us_PP1OS to_TO C03 199 believe_VB that_CS ,_, because_IN of_IN" their_PP$ odd_JJ accents_NNS C03 199 ,_, they_PP3AS act_VB oddly_RB like_IN the_ATI C03 200 queer_JJ foreigners_NNS of_IN tradition_NN ._. C04 2 frankly_RB ,_, it_PP3 's_BEZ not_XNOT for_IN Frankie_NP ..._... ._. C04 3 ^ next_AP month_NN that_CS friendly_JJ ,_, effervescent_JJ C04 3 performer_NN Frankie_NP C04 4 Vaughan_NP will_MD burst_VB on_RP to_IN the_ATI London_NP Palladium_NP C04 4 stage_NN in_IN a_AT new_JJ show_NN ._. C04 5 ^ to_TO paraphrase_VB his_PP$ well-known_JJ ditty_NN :_: ^ *'_*' C04 5 he_PP3A 'll_MD have_HV the_ATI C04 6 limelight_NN ,_, they_PP3AS 'll_MD give_VB him_PP3O the_ATI girls_NNS C04 6 *-_*- and_CC leave_VB the_ATI rest_NN to_IN him_PP3O ._. **'_**' C04 7 ^ I_PP1A have_HV a_AT hunch_NN that_CS he_PP3A will_MD feel_VB C04 7 more_RBR at_IN home_NR in_IN the_ATI old_JJ ,_, C04 8 star-studded_JJ West_NP End_NP than_CS he_PP3A will_MD ever_RB feel_VB C04 8 in_IN Hollywood_NP ._. C04 9 ^ his_PP$ American_JNP bosses_NNS ,_, 20th-Century_NP Fox_NP ,_, C04 9 have_HV recently_RB given_VBN C04 10 Frankie_NP the_ATI full_JJ ,_, razzamataz_NN ,_, red-carpet_JJB C04 10 treatment_NN ._. C04 11 ^ but_CC they_PP3AS have_HV n't_XNOT done_VBN a_AT thing_NN for_IN C04 11 his_PP$ film_NN career_NN that_WPR Anna_NP C04 12 Neagle_NP and_CC Herbert_NP Wilcox_NP were_BED not_XNOT doing_VBG C04 12 better_RBR here_RN ,_, before_CS the_ATI C04 13 platinum-plated_JJ Hollywood_NP carrot_NN was_BEDZ dangled_VBN C04 13 before_IN his_PP$ nose_NN ._. C04 14 ^ in_IN his_PP$ first_OD Hollywood_NP picture_NN ,_, *'_*' let_VB C04 14 's_PP1OS make_VB love_NN ,_, **'_**' he_PP3A was_BEDZ C04 15 swamped_VBN by_IN the_ATI know-how_NN of_IN Marilyn_NP Monroe_NP and_CC C04 15 Yves_NP Montand_NP ._. ^ against_IN C04 16 this_DT couple_NN Frankie_NP ,_, in_IN a_AT cardboard_NN role_NN ,_, C04 16 did_DOD n't_XNOT stand_VB a_AT chance_NN ._. C04 17 ^ now_RN comes_VBZ *'_*' the_ATI right_JJ approach_NN **'_**' (_( C04 17 Rialto_NP ,_, *'_*' A_ZZ **'_**' )_) ,_, and_CC it_PP3 's_BEZ C04 18 a_AT glum_JJ business_NN ._. C04 19 ^ he_PP3A plays_VBZ an_AT aspiring_JJ actor_NN *-_*- a_AT selfish_JJ C04 19 ,_, arrogant_JJ ,_, brash_JJ ,_, C04 20 ambitious_JJ ,_, unscrupulous_JJ heel_NN *-_*- who_WPR would_MD C04 20 tread_VB on_IN anybody's_PN$ neck_NN to_TO C04 21 get_VB a_AT break_NN in_IN the_ATI Hollywood_NP ratrace_NN ._. C04 22 ^ cynical_JJ ._. C04 23 ^ he_PP3A double-crosses_VBZ the_ATI five_CD pals_NNS with_IN C04 23 whom_WPOR he_PP3A lives_VBZ ,_, cheats_VBZ a_AT C04 24 waitress_NN (_( Juliet_NP Prowse_NP )_) and_CC cynically_RB uses_VBZ C04 24 a_AT magazine_NN editress_NN C04 25 (_( Martha_NP Hyer_NP )_) to_TO get_VB ahead_RB ._. C04 26 ^ Frankie_NP Vaughan_NP is_BEZ too_QL nice_JJ a_AT chap_NN to_TO C04 26 ring_VB quite_RB true_JJ as_IN a_AT C04 27 smooth-tongued_JJ ,_, ill-mannered_JJ Yank_NNP ._. C04 28 ^ his_PP$ best_JJT moments_NNS are_BER when_WRB he_PP3A swings_VBZ C04 28 breezily_RB into_IN the_ATI title_NN C04 29 song_NN ._. ^ but_CC 6,000_CD miles_NNS seems_VBZ a_AT heck_NN of_IN C04 29 a_AT way_NN to_TO go_VB for_IN a_AT new_JJ hit_NN song_NN ._. C04 30 ^ he_PP3A might_MD be_BE well_RB advised_VBN to_TO think_VB hard_RB C04 30 and_CC long_RB before_IN his_PP$ next_AP C04 31 jump_NN into_IN the_ATI Hollywood_NP arena_NN ._. C04 32 ^ verdict_NN :_: ^ Vaughan_NP should_MD have_HV by-passed_VBN C04 32 this_DT approach_NN ._. C04 34 ^ Ronald_NP Lewis_NP has_HVZ just_RB left_VBN for_IN his_PP$ C04 34 first_OD taste_NN of_IN the_ATI C04 35 Hollywood_NP treatment_NN ,_, thanks_IN to_IN" a_AT sound_JJ C04 35 performance_NN in_IN *'_*' taste_NN of_IN C04 36 fear_NN **'_**' (_( Warner_NP Theatre_NPL ,_, *'_*' X_ZZ **'_**' )_) C04 36 ._. C04 37 ^ he_PP3A has_HVZ earned_VBN his_PP$ break_NN ._. C04 38 ^ the_ATI film_NN is_BEZ a_AT well-made_JJ variation_NN on_IN C04 38 that_DT sinister_JJ yarn_NN in_IN C04 39 which_WDTR half_ABN the_ATI cast_NN try_VB to_TO persuade_VB the_ATI C04 39 heroine_NN that_CS she_PP3A is_BEZ out_RP of_IN her_PP$ C04 40 mind_NN ._. C04 41 ^ despite_IN flagrant_JJ cheating_NN the_ATI eerie_JJ atmosphere_NN C04 41 is_BEZ built_VBN up_RP C04 42 neatly_RB ._. C04 43 ^ Susan_NP Strasberg_NP is_BEZ the_ATI crippled_JJ damsel_NN in_IN C04 43 distress_NN ._. C04 44 ^ stepmother_NN Ann_NP Todd_NP and_CC doctor_NN Christopher_NP C04 44 Lee_NP are_BER also_RB C04 45 effectively_RB around_RP ._. C04 46 ^ they_PP3AS provide_VB some_DTI chilly_JJ red_JJ herrings_NNS in_IN C04 46 this_DT *'_*' find-the-body_JJB C04 47 **'_**' thriller_NN ._. C04 48 ^ verdict_NN :_: ^ do_DO n't_XNOT believe_VB all_ABN you_PP2 see_VB C04 48 and_CC hear_VB !_! C04 50 ^ not_XNOT for_IN the_ATI first_OD time_NN the_ATI homely_JJ mug_NN C04 50 of_IN Sidney_NP James_NP has_HVZ C04 51 pumped_VBN life_NN into_IN a_AT slim_JJ ,_, strained_JJ comedy_NN ._. C04 52 ^ he_PP3A does_DOZ his_PP$ rescue_NN act_NN in_IN *'_*' double_JJ C04 52 bunk_NN **'_**' (_( Leicester-square_NP C04 53 Theatre_NPL ,_, *'_*' A_ZZ **'_**' )_) ._. C04 54 ^ strength_NN ._. C04 55 ^ navigator_NN Sid_NP is_BEZ a_AT tower_NN of_IN strength_NN C04 55 when_WRB newly-weds_NNS Ian_NP C04 56 Carmichael_NP and_CC Janette_NP Scott_NP let_VB loose_JJ their_PP$ C04 56 ancient_JJ houseboat_NN on_IN a_AT C04 57 honeymoon_NN trip_NN down_IN the_ATI river_NN ._. C04 58 ^ the_ATI film_NN starts_VBZ off_RP brightly_RB enough_QLP but_CC C04 58 ,_, half-way_RB through_RP ,_, the_ATI C04 59 plot_NN (_( as_CC well_CC" as_CC" the_ATI boat_NN )_) springs_VBZ a_AT C04 59 near-disastrous_JJB leak_NN ._. C04 60 ^ familiar_JJ members_NNS of_IN Britain's_NP$ repertory_NN team_NN C04 60 of_IN comedy_NN C04 61 character-actors_NNS jump_VB through_IN equally_RB familiar_JJ C04 61 hoops_NNS to_IN mild_JJ laughter_NN ._. C04 62 ^ verdict_NN :_: ^ the_ATI *'_*' bunk_NN **'_**' needed_VBD C04 62 doubling_VBG ._. C04 63 ^ Donald_NP *'_*' takes_VBZ **'_**' the_ATI evening_NN ._. C04 64 ^ last_AP night's_NN$ \0TV_NN ._. C04 65 ^ by_IN Clifford_NP Davis_NP ._. C04 66 ^ Donald_NP Houston_NP had_HVD a_AT big_JJ success_NN on_IN C04 66 \0ATV's_NP$ *'_*' drama_NN C04 67 '61_CD **'_**' last_AP night_NN as_IN a_AT smooth_JJ ,_, scheming_JJ C04 67 jewel_NN thief_NN in_IN a_AT play_NN by_IN C04 68 Jacques_NP Gillies_NP ,_, *'_*' the_ATI takers_NNS ._. **'_**' C04 69 ^ a_AT polished_JJ production_NN by_IN Quentin_NP Lawrence_NP ,_, C04 69 here_RN ,_, held_VBN together_RB C04 70 by_IN \0Mr_NPT Houston's_NP$ accomplished_JJ performance_NN as_IN C04 70 the_ATI master_NN mind_NN behind_IN C04 71 a_AT gang_NN of_IN crooks_NNS ._. C04 72 ^ this_DT plot_NN to_TO rob_VB a_AT French_JNP millionaire_NN of_IN C04 72 *+300,000_NNU worth_NN of_IN C04 73 jewellery_NN struck_VBD me_PP1O as_CS ingenious_JJ ._. ^ the_ATI C04 73 play_NN had_HVD style_NN ,_, moved_VBD at_IN a_AT C04 74 quick_JJ pace_NN and_CC everyone_PN did_DOD well_RB ._. C04 75 ^ but_CC it_PP3 was_BEDZ \0Mr_NPT Houston's_NP$ evening_NN ._. C04 76 ^ earlier_RBR ,_, on_IN the_ATI Palladium_NP show_NN I_PP1A C04 76 found_VBD Stanley_NP Holloway's_NP$ act_NN too_QL C04 77 long_JJ and_CC not_XNOT particularly_RB entertaining_JJ ._. C04 78 ^ it_PP3 was_BEDZ also_RB a_AT mistake_NN to_TO re-book_VB Gene_NP C04 78 Detroy_NP and_CC his_PP$ performing_JJ C04 79 chimpanzees_NNS so_QL soon_RB after_IN their_PP$ previous_JJ C04 79 appearance_NN ._. C04 80 ^ their_PP$ offering_NN last_AP night_NN differed_VBD little_RB C04 80 from_IN their_PP$ earlier_JJR act_NN C04 81 on_IN this_DT show_NN a_AT week_NN or_CC so_PN ago_RB ._. ^ but_CC C04 81 the_ATI Mudlarks_NPS ,_, with_IN Jeff_NP Mudd_NP out_RP C04 82 of_IN the_ATI army_NN and_CC back_NN with_IN sister_NN Mary_NP and_CC C04 82 brother_NN Fred_NP ,_, were_BED in_IN C04 83 bright_JJ ,_, zestful_JJ form_NN ._. C04 84 ^ why_WRB only_RB two_CD numbers_NNS ,_, though_RB ?_? ^ it_PP3 C04 84 was_BEDZ not_XNOT enough_DTI ._. C04 85 ^ a_AT Rix_NP mix_NN ._. C04 86 ^ by_IN Richard_NP Sear_NP ._. C04 87 ^ *'_*' a_AT fair_JJ cop_NN ,_, **'_**' the_ATI \0BBC_NP C04 87 Whitehall_NP farce_NN last_AP night_NN ,_, C04 88 looked_VBD like_IN a_AT rabbit_NN warren_NN in_IN a_AT field_NN of_IN C04 88 corn_NN ._. C04 89 ^ I_PP1A can_MD n't_XNOT recall_VB a_AT production_NN where_WRB C04 89 so_QL many_AP comics_NNS bolted_VBD in_RP and_CC C04 90 out_RP of_IN holes_NNS so_QL often_RB ._. C04 91 ^ the_ATI jokes_NNS were_BED a_AT reshuffle_NN of_IN the_ATI same_AP C04 91 old_JJ lot_NN *-_*- this_DT time_NN Brian_NP C04 92 Rix_NP lost_VBD his_PP$ skirt_NN instead_RB of_IN his_PP$ trousers_NNS C04 92 ._. C04 93 ^ the_ATI action_NN moved_VBD at_IN tremendous_JJ speed_NN ,_, C04 93 backed_VBN by_IN some_DTI wonderful_JJ C04 94 timing_NN by_IN the_ATI cast_NN ._. C04 95 ^ I_PP1A especially_RB liked_VBD the_ATI tea-cup_NN scene_NN C04 95 where_WRB six_CD of_IN the_ATI cast_NN C04 96 changed_VBD cups_NNS with_IN the_ATI dexterity_NN of_IN Chinese_JNP C04 96 jugglers_NNS ._. C04 97 ^ Carole_NP Shelley_NP as_IN the_ATI newly-wed_NN and_CC Larry_NP C04 97 Noble_NP as_IN Smiler_NP Perkins_NP C04 98 were_BED the_ATI most_QL laughable_JJ ._. C04 99 ^ they_PP3AS alone_RB used_VBD a_AT sharp_JJ edge_NN to_IN their_PP$ C04 99 humour_NN and_CC cut_VBD through_IN the_ATI C04 100 gormless_JJ standing_JJ corn_NN around_IN them_PP3OS ._. ^ perhaps_RB C04 100 it_PP3 was_BEDZ accidental_JJ *-_*- I_PP1A C04 101 hope_VB not_XNOT ._. C04 102 ^ if_CS ever_RB a_AT bag_NN of_IN humour_NN needed_VBD a_AT C04 102 thorough_JJ shaking_NN up_RP the_ATI C04 103 Whitehall_NP farce_NN is_BEZ it_PP3 when_WRB it_PP3 comes_VBZ to_IN C04 103 television_NN ._. C04 104 ^ it_PP3 's_BEZ an_AT old_JJ pianna_NN pin-up_NN ._. C04 105 ^ on_IN the_ATI record_NN ._. C04 106 ^ by_IN Patrick_NP Doncaster_NP ._. C04 107 ^ how_WRB do_DO you_PP2 get_VB on_IN records_NNS ?_? ^ well_UH ,_, C04 107 you_PP2 've_HV got_VBN to_TO have_HV C04 108 something_PN different_JJ ._. C04 109 ^ sing_VB slightly_RB flat_RB ._. ^ all_ABN the_ATI good_JJ C04 109 singers_NNS sing_VB in_IN tune_NN ._. C04 110 ^ twang_VB a_AT guitar_NN slightly_RB off_IN key_NN ._. ^ C04 110 everybody_PN 's_BEZ fed_JJ up_JJ" with_IN the_ATI C04 111 right_JJ way_NN *-_*- so_PN the_ATI best-seller_NN charts_NNS say_VB C04 111 ._. ^ play_VB an_AT old_JJ pianna_NN C04 112 instead_RB of_IN a_AT new_JJ one_CD1 ._. C04 113 ^ you_PP2 got_VBN to_TO get_VB it_PP3 into_IN your_PP$ head_NN ,_, C04 113 son_NN ..._... people_NNS do_DO n't_XNOT like_VB C04 114 things_NNS as_CS they_PP3AS should_MD be_BE *-_*- not_XNOT on_IN C04 114 record_NN ,_, anyway_RB ._. C04 115 ^ thus_RB ,_, musician_NN David_NP Lisbon's_NP$ chances_NNS of_IN C04 115 being_BEG a_AT starred_JJ disc_NN C04 116 solo_JJB pianist_NN were_BED greatly_RB enhanced_VBN when_WRB he_PP3A C04 116 dug_VBD out_RP a_AT packet_NN of_IN C04 117 drawing-pins_NNS ._. C04 118 ^ *'_*' why_WRB not_XNOT ,_, **'_**' thought_VBD ex-soldier_NN C04 118 \0Mr_NPT Lisbon_NP ,_, who_WPR is_BEZ C04 119 twenty-three_CD ,_, and_CC lives_VBZ in_IN Dagenham_NP ,_, Essex_NP ,_, C04 119 *'_*' press_VB a_AT thumb-tack_NN into_IN C04 120 the_ATI nose_NN of_IN the_ATI hammers_NNS that_WPR strike_VB the_ATI C04 120 piano_NN strings_NNS ?_? **'_**' C04 121 ^ he_PP3A did_DOD ,_, on_IN his_PP$ piano_NN at_IN home_NR ._. ^ C04 121 there_EX were_BED n't_XNOT enough_DTI tacks_NNS and_CC he_PP3A C04 122 got_VBD only_RB the_ATI middle_JJB hammers_NNS done_VBN ._. C04 123 ^ then_RN he_PP3A tried_VBD it_PP3 out_RP for_IN sound_NN ._. C04 124 ^ um-chink_UH ..._... um-chink_UH ..._... it_PP3 went_VBD ._. ^ C04 124 slightly_RB flat_JJ and_CC jangly_JJ in_IN C04 125 part_NN ._. ^ delightful_JJ !_! C04 126 ^ he_PP3A put_VBD the_ATI sound_NN on_IN tape_NN ._. ^ the_ATI C04 126 tape_NN went_VBD to_IN the_ATI Philips_NP C04 127 company_NN ._. C04 128 ^ within_IN two_CD days_NNS \0Mr_NPT Lisbon_NP had_HVD a_AT C04 128 record_NN contract_NN ._. ^ and_CC they_PP3AS C04 129 hauled_VBD his_PP$ thumb-tacked_JJ joanna_NN the_ATI thirteen_CD C04 129 miles_NNS to_IN London_NP for_IN his_PP$ C04 130 first_OD session_NN ._. C04 131 ^ now_RN along_RP comes_VBZ his_PP$ solo_JJB disc_NN ,_, C04 131 featuring_VBG two_CD of_IN his_PP$ own_AP C04 132 compositions_NNS ,_, *'_*' deerstalker_NN **'_**' and_CC *'_*' C04 132 almost_RB grown_VBN up_RP ._. **'_**' C04 133 ^ verdict_NN :_: ^ \0Mr_NPT Lisbon_NP has_HVZ it_PP3 taped_VBN ._. ^ C04 133 and_CC tacked_VBN ._. C04 134 ^ and_CC he_PP3A says_VBZ :_: ^ *'_*' just_RB as_QL well_JJ I_PP1A C04 134 had_HVD only_RB one_CD1 box_NN of_IN tacks_NNS *-_*- it_PP3 C04 135 might_MD have_HV been_BEN so_QL different_JJ ..._... ._. **'_**' C04 136 ^ more_AP news_NN from_IN the_ATI ivory-thumping_JJ \0dept_NN C04 136 ..._... ._. ^ Russ_NP Conway_NP ,_, C04 137 who_WPR has_HVZ tinkled_VBN his_PP$ way_NN to_IN fame_NN on_IN an_AT C04 137 old_JJ pianna_NN ,_, comes_VBZ in_RP with_IN C04 138 another_DT of_IN his_PP$ own_AP works_NNS :_: *'_*' parade_NN of_IN C04 138 the_ATI poppets_NNS **'_**' (_( Columbia_NP )_) ._. C04 139 ^ but_CC not_XNOT one_CD1 of_IN his_PP$ nimble-fingered_JJ best_JJT C04 139 ._. C04 140 ^ cute_JJ ._. C04 141 ^ Germany's_NP$ Russ_NP Conway_NP is_BEZ a_AT pianist_NN who_WPR C04 141 calls_VBZ himself_PPL crazy_JJ C04 142 Otto_NP ._. ^ but_CC nothing_PN crazy_JJ about_IN his_PP$ pianistics_NN C04 142 ._. C04 143 ^ he_PP3A pounds_VBZ merrily_RB away_RP at_IN a_AT piece_NN C04 143 called_VBN *'_*' Piccadilly_NP C04 144 **'_**' (_( Polydor_NP )_) ._. ^ I_PP1A find_VB it_PP3 cute_JJ ._. C04 145 ^ American_JNP pianist_NN Floyd_NP Cramer_NP ,_, who_WPR played_VBD C04 145 for_IN Elvis_NP on_IN *'_*' it_PP3 's_BEZ C04 146 now_RN or_CC never_RB ,_, **'_**' looks_VBZ like_IN having_HVG a_AT C04 146 success_NN on_IN his_PP$ own_AP with_IN *'_*' on_IN the_ATI C04 147 rebound_NN **'_**' (_( \0RCA_NP )_) ._. C04 149 ^ new_JJ boy_NN on_IN the_ATI vocal_JJ front_NN is_BEZ Rolly_NP C04 149 Daniels_NP ,_, who_WPR comes_VBZ C04 150 5,000_CD miles_NNS from_IN India_NP to_TO seek_VB disc_NN fame_NN ._. C04 151 ^ comedian_NN Hal_NP Monty_NP saw_VBD him_PP3O in_IN Bombay_NP ,_, C04 151 became_VBD his_PP$ manager_NN ._. ^ and_CC C04 152 such_ABL is_BEZ Hal's_NP$ faith_NN that_CS he_PP3A brings_VBZ him_PP3O C04 152 to_IN Europe_NP ._. C04 153 ^ now_RN Rolly_NP gets_VBZ his_PP$ big_JJ break_NN *-_*- a_AT C04 153 record_NN ,_, the_ATI modern_JJ Aladdin's_NP$ C04 154 lamp_NN of_IN show_NN business_NN ._. ^ become_VB a_AT success_NN C04 154 with_IN a_AT disc_NN and_CC hey_UH presto_UH !_! C04 155 ^ you_PP2 're_BER a_AT star_NN ..._... ._. C04 156 ^ Rolly_NP sings_VBZ with_IN assuredness_NN *'_*' bella_&FW C04 156 bella_&FW Marie_NP C04 157 **'_**' (_( Parlophone_NP )_) ,_, a_AT lively_JJ song_NN that_WPR C04 157 changes_VBZ tempo_NN mid-way_RB ._. C04 158 ^ I_PP1A do_DO n't_XNOT think_VB he_PP3A will_MD storm_VB the_ATI C04 158 charts_NNS with_IN this_DT one_CD1 ,_, but_CC it_PP3 's_BEZ a_AT C04 159 good_JJ start_NN ._. C04 161 ^ Chris_NP Charles_NP ,_, 39_CD ,_, who_WPR lives_VBZ in_IN C04 161 Stockton-on-Tees_NP ,_, is_BEZ an_AT C04 162 accountant_NN ._. ^ he_PP3A is_BEZ also_RB a_AT director_NN of_IN a_AT C04 162 couple_NN of_IN garages_NNS ._. C04 163 ^ and_CC he_PP3A finds_VBZ time_NN as_RB well_RB" to_TO be_BE a_AT C04 163 lyric_JJ writer_NN ._. C04 164 ^ obliged_VBD ._. C04 165 ^ he_PP3A writes_VBZ with_IN Tolchard_NP Evans_NP ,_, composer_NN C04 165 of_IN *'_*' Lady_NPT of_IN C04 166 Spain_NP **'_**' and_CC other_AP big_JJ hits_NNS ._. C04 167 ^ Tolch_NP ,_, as_CS he_PP3A is_BEZ known_VBN in_IN Tin_NP Pan_NP C04 167 Alley_NPL ,_, likes_VBZ songs_NNS with_IN a_AT month_NN C04 168 in_IN the_ATI title_NN ._. ^ he_PP3A wrote_VBD *'_*' my_PP$ C04 168 September_NR love_NN ,_, **'_**' the_ATI big_JJ David_NP C04 169 Whitfield_NP hit_NN of_IN 1956_CD ._. C04 170 ^ *'_*' let_VB 's_PP1OS have_HV another_DT song_NN with_IN a_AT C04 170 month_NN in_IN it_PP3 ,_, **'_**' said_VBD Tolch_NP ._. C04 171 ^ \0Mr_NPT Charles_NP obliged_VBD with_IN *'_*' April_NR serenade_NN C04 171 ._. **'_**' C04 172 ^ this_DT week_NN it_PP3 appears_VBZ ,_, a_AT tuneful_JJ melody_NN C04 172 sung_VBN impeccably_RB by_IN Robert_NP C04 173 Earl_NPT (_( Philips_NP )_) ._. C04 174 ^ telepage_NN by_IN Jack_NP Bell_NP ._. C04 175 ^ a_AT producer_NN vanishes_VBZ ._. C04 176 ^ producer_NN Russell_NP Turner_NP ,_, 33_CD ,_, provides_VBZ C04 176 his_PP$ last_AP programme_NN for_IN C04 177 the_ATI \0BBC_NP tonight_NR with_IN Robert_NP Harbin's_NP$ *'_*' C04 177 mystery_NN and_CC magic_NN C04 178 **'_**' (_( 7.30_CD )_) ._. C04 179 ^ after_IN six_CD years_NNS with_IN the_ATI corporation_NN ,_, C04 179 during_IN which_WDTR he_PP3A started_VBD C04 180 *'_*' juke_NN box_NN jury_NN **'_**' and_CC directed_VBD *'_*' C04 180 six-five_CD-CD special_NN ,_, **'_**' Turner_NP is_BEZ C04 181 aiming_VBG to_TO go_VB into_IN free-lance_NN \0TV_NN ,_, film_NN and_CC C04 181 stage_NN production_NN work_NN ._. C04 182 ^ *'_*' I_PP1A feel_VB I_PP1A 've_HV done_VBN all_ABN I_PP1A can_MD C04 182 at_IN the_ATI \0BBC_NP ,_, **'_**' he_PP3A told_VBD me_PP1O ._. C04 183 ^ *'_*' we_PP1AS mutually_RB agreed_VBD to_TO part_VB ._. **'_**' C04 184 ^ escapologist_NN Dill-Russell_NP is_BEZ a_AT guest_NN in_IN C04 184 Harbin's_NP$ show_NN tonight_NR ._. C04 185 ^ boxing_NN fans_NNS can_MD see_VB an_AT eight-round_JJB C04 185 feather-weight_JJB contest_NN C04 186 between_IN Chris_NP Elliot_NP and_CC Harry_NP Carroll_NP from_IN C04 186 Leicester_NP (_( \0BBC_NP ,_, C04 187 8.25_CD )_) ._. C04 188 ^ *'_*' national_JJ **'_**' airs_NNS ._. C04 189 ^ a_AT songs-of-Britain_JJB medley_NN is_BEZ sung_VBN by_IN David_NP C04 189 Hughes_NP in_IN his_PP$ C04 190 *'_*' make_VB mine_PP$$ music_NN **'_**' (_( \0BBC_NP ,_, 9.30_CD C04 190 \0p.m_RB )_) ._. C04 191 ^ the_ATI numbers_NNS include_VB *'_*' Scotland_NP the_ATI brave_JJ C04 191 ,_, **'_**' *'_*' men_NNS of_IN Harlech_NP ,_, **'_**' C04 192 *'_*' McNamara's_NP$ band_NN ,_, **'_**' *'_*' Greensleeves_NP **'_**' C04 192 and_CC *'_*' English_JNP rose_NN ._. **'_**' C04 193 ^ Fay_NP Compton_NP stars_VBZ in_IN *'_*' no_ATI hiding_NN place_NN C04 193 **'_**' (_( \0ITV_NP ,_, 9.35_CD C04 194 \0p.m_RB )_) ._. ^ she_PP3A plays_VBZ the_ATI possessive_JJ mother_NN C04 194 of_IN a_AT man_NN whose_WP$R hobby_NN C04 195 revolves_NNS round_IN a_AT doll's_NN$ house_NN ._. C04 197 ^ three_CD people_NNS will_MD be_BE hypnotised_VBN in_IN C04 197 tonight's_NR$ *'_*' lifeline_NN C04 198 **'_**' (_( \0BBC_NP ,_, 10.15_CD )_) ._. C04 199 ^ they_PP3AS will_MD be_BE asked_VBN to_TO comment_VB on_IN the_ATI C04 199 design_NN of_IN everyday_JJB C04 200 articles_NNS such_IN as_IN" a_AT chair_NN and_CC a_AT motor-car_NN ._. C04 201 ^ what_WDT ?_? C04 202 ^ the_ATI idea_NN is_BEZ to_TO see_VB what_WDT happens_VBZ when_WRB C04 202 parts_NNS of_IN the_ATI mind_NN not_XNOT C04 203 normally_RB available_JJ without_IN hypnosis_NN are_BER used_VBN ._. C04 204 ^ \0ITV_NP have_HV postponed_VBN Malcolm_NP Muggeridge's_NP$ *'_*' C04 204 appointment_NN C04 205 with_IN playwright_NN Arnold_NP Wesker_NP ._. **'_**' C04 206 ^ instead_RB ,_, Muggeridge's_NP$ appointment_NN will_MD be_BE C04 206 with_IN Sir_NPT Roy_NP Welensky_NP C04 207 the_ATI Premier_NPT of_IN the_ATI federation_NN of_IN Rhodesia_NP C04 207 and_CC Nyasaland_NP (_( 10.30_CD C04 208 \0p.m_RB )_) ._. C04 209 ^ say_VB Granada_NP \0TV_NN ,_, the_ATI producers_NNS :_: ^ *'_*' C04 209 we_PP1AS decided_VBD to_TO make_VB the_ATI C04 210 switch_NN because_IN of_IN" the_ATI topicality_NN of_IN African_JNP C04 210 affairs_NNS ._. ^ the_ATI Wesker_NP C04 211 interview_NN will_MD be_BE seen_VBN at_IN a_AT later_JJR date_NN ._. C04 211 **'_**' C04 212 ^ last_AP night's_NN$ \0TV_NN ._. C04 213 ^ the_ATI soldier_NN who_WPR was_BEDZ scared_JJ ._. C04 214 ^ by_IN Richard_NP Sear_NP ._. C04 215 ^ actor_NN Tom_NP Courtenay_NP was_BEDZ an_AT outstanding_JJ C04 215 success_NN last_AP night_NN in_IN C04 216 \0ITV_NP *'_*' Private_NPT Potter_NP ,_, **'_**' his_PP$ first_OD C04 216 big_JJ \0TV_NN part_NN ._. C04 217 ^ the_ATI play_NN was_BEDZ a_AT brilliantly-written_JJB essay_NN C04 217 on_IN soldiering_NN which_WDTR C04 218 stated_VBD that_CS a_AT fighting_JJ man_NN could_MD only_RB be_BE C04 218 regarded_VBN as_IN a_AT machine_NN ._. C04 219 ^ Potter_NP screamed_VBD during_IN an_AT action_NN ,_, and_CC C04 219 was_BEDZ arrested_VBN ._. ^ he_PP3A claimed_VBD C04 220 he_PP3A had_HVD seen_VBN a_AT vision_NN of_IN God_NP *-_*- only_RB C04 220 the_ATI padre_NN and_CC his_PP$ \0C.O_NPT believed_VBD C04 221 him_PP3O ._. C04 222 ^ Courtenay_NP played_VBD the_ATI part_NN with_IN a_AT gawky_JJ ,_, C04 222 northern_JJ defiance_NN ._. ^ the_ATI C04 223 cameras_NNS played_VBD continuously_RB on_IN his_PP$ craggy_JJ face_NN C04 223 ,_, and_CC obstinate_JJ ,_, baffled_JJ C04 224 eyes_NNS ._. ^ they_PP3AS stripped_VBD him_PP3O of_IN his_PP$ ugly_JJ C04 224 battle-dress_NN ,_, to_TO leave_VB him_PP3O for_IN C04 225 what_WDT he_PP3A was_BEDZ *-_*- Potter_NP ,_, a_AT frightened_JJ boy_NN C04 225 who_WPR had_HVD a_AT vision_NN ._. C04 226 ^ it_PP3 was_BEDZ a_AT splendid_JJ interpretation_NN of_IN the_ATI C04 226 part_NN ._. C04 227 ^ the_ATI rest_NN of_IN the_ATI cast_NN were_BED well_RB chosen_VBN C04 227 ,_, with_IN James_NP Maxwell_NP C04 228 making_VBG a_AT fine_JJ job_NN of_IN the_ATI sympathetic_JJ \0C.O_NPT C04 229 ._. ^ impossible_JJ ?_? *-_*- no_UH !_! C04 230 ^ Paul_NP Daneman_NP gave_VBD another_DT first-class_JJ C04 230 performance_NN last_AP night_NN as_IN C04 231 a_AT wartime_NN naval_JJ officer_NN in_IN the_ATI \0BBC_NP *'_*' C04 231 the_ATI little_JJ key_NN ._. **'_**' C04 232 ^ the_ATI play_NN was_BEDZ no_ATI more_AP than_IN a_AT figment_NN C04 232 of_IN the_ATI imagination_NN which_WDTR C04 233 asked_VBD the_ATI viewer_NN to_TO believe_VB in_IN a_AT beautiful_JJ C04 233 ghost_NN ._. ^ it_PP3 would_MD have_HV been_BEN C04 234 an_AT impossible_JJ piece_NN of_IN television_NN but_CC for_IN C04 234 clever_JJ production_NN by_IN Michael_NP C04 235 Hayes_NP ._. C04 236 ^ he_PP3A captured_VBD the_ATI atmosphere_NN of_IN fog_NN and_CC C04 236 mystery_NN to_IN great_JJ effect_NN ._. C04 237 ^ *'_*' not_XNOT fair_JJ **'_**' say_VB viewers_NNS ._. C04 238 ^ last_AP night's_NN$ \0TV_NN ._. C04 239 ^ by_IN Richard_NP Sear_NP ._. C04 240 ^ more_AP than_IN 100_CD viewers_NNS complained_VBD to_IN the_ATI C04 240 \0BBC_NP last_AP night_NN C04 241 that_CS an_AT American_JNP film_NN ,_, *'_*' Britain_NP *-_*- blood_NN C04 241 ,_, sweat_NN ,_, and_CC tears_NNS ..._... plus_IN C04 242 twenty_CD years_NNS ,_, **'_**' was_BEDZ anti-British_JNP ._. C04 243 ^ the_ATI film_NN replaced_VBD *'_*' what_WDT 's_BEZ my_PP$ line_NN C04 243 ?_? **'_**' and_CC *'_*' be_BE my_PP$ guest_NN C04 244 **'_**' programmes_NNS because_IN of_IN" an_AT electricians'_NNS$ C04 244 strike_NN ._. C04 245 ^ it_PP3 showed_VBD Britain_NP today_NR through_IN the_ATI eyes_NNS C04 245 of_IN an_AT American_JNP \0TV_NN C04 246 reporter_NN ,_, Eric_NP Sevareid_NP ,_, and_CC British_JNP C04 246 personalities_NNS ._. ^ among_IN them_PP3OS *-_*- C04 247 Professor_NPT Dennis_NP Brogan_NP ,_, Shelagh_NP Delaney_NP ,_, and_CC C04 247 Alan_NP Sillitoe_NP ._. C04 248 ^ the_ATI film_NN covered_VBD a_AT wide_JJ aspect_NN of_IN the_ATI C04 248 British_JNP scene_NN ,_, ranging_VBG from_IN C04 249 pubs_NNS ,_, the_ATI Eton_NP wall_NN game_NN ,_, to_IN the_ATI C04 249 European_JNP common_JJ market_NN ._. C04 250 ^ Shelagh_NP Delaney_NP and_CC Alan_NP Sillitoe_NP attacked_VBD C04 250 education_NN ._. C04 251 ^ it_PP3 was_BEDZ left_VBN to_IN reporter_NN Sevareid_NP to_TO C04 251 make_VB the_ATI strongest_JJT C04 252 criticisms_NNS ._. ^ he_PP3A said_VBD that_CS in_IN the_ATI race_NN C04 252 of_IN the_ATI modern_JJ nations_NNS ,_, Britain_NP C04 253 was_BEDZ slipping_VBG behind_RP ..._... ._. C05 2 fine_JJ classical_JJ chorus_NN ._. C05 3 ^ imparting_VBG ritual_JJB significance_NN ._. C05 4 ^ Scala_NP Theatre_NPL :_: the_ATI Choephori_NPS ._. C05 5 ^ though_CS \0Mr_NPT Dimitrios_NP Rondiris's_NP$ ideas_NNS about_IN C05 5 the_ATI use_NN of_IN C05 6 material_NN from_IN folksong_NN and_CC folkdance_NN in_IN C05 6 accommodating_VBG a_AT classical_JJ C05 7 chorus_NN to_IN the_ATI modern_JJ stage_NN had_HVD some_DTI chances_NNS C05 7 of_IN expression_NN in_IN his_PP$ C05 8 production_NN of_IN the_ATI Sophocles_NP Electra_NP last_AP week_NN ,_, C05 8 the_ATI real_JJ test_NN comes_VBZ C05 9 with_IN the_ATI Aeschylian_JNP equivalent_NN ,_, the_ATI Choephori_NPS C05 9 ,_, and_CC its_PP$ tailpiece_NN ,_, C05 10 the_ATI Eumenides_NPS ,_, which_WDTR make_VB up_RP the_ATI second_OD C05 10 programme_NN of_IN the_ATI Greek_JNP C05 11 tragedy_NN Theatre's_NPL$ season_NN ._. C05 12 ^ for_CS the_ATI role_NN of_IN the_ATI chorus_NN here_RN is_BEZ C05 12 much_RB more_QL important_JJ and_CC C05 13 active_JJ ,_, particularly_RB in_IN the_ATI Eumenides_NPS ,_, than_CS C05 13 it_PP3 ever_RB is_BEZ in_IN C05 14 Sophocles_NP ,_, and_CC the_ATI ritual_JJB element_NN in_IN the_ATI C05 14 drama_NN ,_, always_RB a_AT stumbling_NN C05 15 block_NN for_IN modern_JJ audiences_NNS ,_, is_BEZ much_RB closer_RBR C05 15 to_IN the_ATI surface_NN ._. ^ in_IN the_ATI C05 16 first_OD play_NN the_ATI chorus_NN are_BER embodiments_NNS of_IN C05 16 right_JJ judgment_NN in_IN the_ATI C05 17 abstract_NN ,_, applying_VBG the_ATI tests_NNS of_IN religion_NN to_IN C05 17 the_ATI situations_NNS before_IN them_PP3OS C05 18 and_CC urging_VBG the_ATI characters_NNS to_IN the_ATI proper_JJ C05 18 actions_NNS even_RB when_WRB these_DTS ,_, mere_JJB C05 19 individual_JJ human_JJ beings_NNS ,_, may_MD be_BE torn_VBN by_IN C05 19 doubt_NN ._. C05 20 ^ in_IN the_ATI second_OD they_PP3AS become_VB the_ATI Furies_NPS C05 20 ,_, the_ATI embodiments_NNS of_IN one_CD1 C05 21 aspect_NN of_IN the_ATI divine_JJ vengeance_NN ,_, which_WDTR C05 21 pursues_VBZ the_ATI slayer_NN of_IN his_PP$ own_AP C05 22 kind_NN ,_, even_CS if_CS" that_DT slaughter_NN was_BEDZ divinely_RB C05 22 ordained_VBN ,_, and_CC finally_RB the_ATI C05 23 impersonal_JJ prophets_NNS of_IN universal_JJ reconciliation_NN ._. C05 24 ^ \0Mr_NPT Rondiris's_NP$ handling_NN of_IN the_ATI chorus_NN C05 24 here_RN is_BEZ masterly_JJ C05 25 throughout_RI :_: in_IN the_ATI Choephori_NPS they_PP3AS still_RB C05 25 perform_VB the_ATI function_NN of_IN C05 26 sympathetic_JJ decor_NN ,_, as_CS in_IN Electra_NP ,_, but_CC if_CS C05 26 anything_PN with_IN more_AP C05 27 subtlety_NN and_CC control_NN ,_, and_CC when_WRB their_PP$ measured_JJ C05 27 speech_NN passes_VBZ over_RP into_IN C05 28 song_NN the_ATI tones_NNS are_BER ,_, remotely_RB but_CC C05 28 unmistakably_RB ,_, those_DTS taught_VBN by_IN the_ATI C05 29 orthodox_JJ liturgy_NN *-_*- the_ATI readiest_JJT way_NN of_IN C05 29 imparting_VBG ritual_JJB significance_NN C05 30 to_IN their_PP$ words_NNS for_IN a_AT modern_JJ audience_NN ._. C05 31 ^ in_IN the_ATI Eumenides_NPS they_PP3AS are_BER different_JJ C05 31 again_RB ;_; as_IN the_ATI Furies_NPS C05 32 pursuing_VBG Orestes_NP they_PP3AS take_VB a_AT direct_JJ part_NN in_IN C05 32 the_ATI action_NN ,_, and_CC are_BER thus_RB C05 33 required_VBN to_TO project_VB emotions_NNS of_IN their_PP$ own_AP C05 33 instead_RB of_IN merely_RB reflecting_VBG C05 34 the_ATI emotions_NNS of_IN the_ATI central_JJ characters_NNS ._. ^ C05 34 savage_JJ and_CC weirdly_RB masked_VBN ,_, C05 35 they_PP3AS swirl_VB in_IN a_AT turbulent_JJ mass_NN about_IN the_ATI C05 35 stage_NN ,_, eschewing_VBG until_IN the_ATI C05 36 very_AP end_NN the_ATI regular_JJ ,_, balanced_JJ compositions_NNS C05 36 of_IN the_ATI earlier_JJR play_NN ._. C05 37 ^ the_ATI human_JJ beings_NNS involved_VBN in_IN the_ATI C05 37 intricate_JJ working_NN out_RP of_IN divine_JJ C05 38 justice_NN are_BER relatively_RB less_QL important_JJ than_CS in_IN C05 38 later_JJR Greek_JNP tragedy_NN ,_, but_CC C05 39 they_PP3AS are_BER strongly_RB played_VBN by_IN actors_NNS with_IN C05 39 whom_WPOR we_PP1AS are_BER already_RB familiar_JJ C05 40 from_IN Electra_NP ._. ^ the_ATI protagonist_NN in_IN both_ABX C05 40 plays_NNS is_BEZ Orestes_NP ,_, and_CC \0Mr_NPT C05 41 \0D_NP Veakis_NP has_HVZ more_AP chance_NN than_CS he_PP3A had_HVD C05 41 in_IN the_ATI Sophocles_NP to_TO win_VB us_PP1OS C05 42 over_RP to_IN his_PP$ rather_RB exaggerated_JJ style_NN of_IN acting_NN C05 42 ,_, though_CS he_PP3A still_RB does_DOZ C05 43 not_XNOT quite_RB succeed_VB ._. C05 44 ^ the_ATI Electra_NP and_CC Clytemnestra_NP of_IN this_DT C05 44 earlier_JJR production_NN have_HV C05 45 changed_VBN places_NNS this_DT time_NN (_( presumably_RB so_CS that_CS" C05 45 Miss_NPT Aspassia_NP C05 46 Papathanassiou_NP could_MD appear_VB in_IN both_ABX plays_NNS ,_, as_IN C05 46 Clytemnestra_NP and_CC her_PP$ C05 47 ghost_NN )_) ._. ^ Miss_NPT Thalia_NP Kalliga's_NP$ Electra_NP is_BEZ C05 47 as_QL impressive_JJ as_IN her_PP$ C05 48 Clytemnestra_NP ,_, but_CC inevitably_RB Miss_NPT Papathanassiou_NP C05 48 with_IN her_PP$ incandescent_JJ C05 49 pallor_NN and_CC the_ATI vibrant_JJ intensity_NN of_IN her_PP$ stage_NN C05 49 presence_NN seizes_VBZ our_PP$ C05 50 attention_NN every_AT moment_NN she_PP3A is_BEZ on_IN the_ATI scene_NN C05 50 and_CC it_PP3 is_BEZ a_AT measure_NN of_IN her_PP$ C05 51 power_NN over_IN the_ATI whole_JJ production_NN that_CS when_WRB C05 51 the_ATI curtain_NN finally_RB descends_VBZ C05 52 it_PP3 is_BEZ not_XNOT the_ATI harmony_NN of_IN the_ATI close_NN ,_, C05 52 but_CC Clytemnestra's_NP$ ghost_NN crying_NN in_IN C05 53 the_ATI night_NN for_IN vengeance_NN ,_, which_WDTR remains_VBZ most_QL C05 53 potently_RB in_IN our_PP$ minds_NNS ._. C05 54 ^ fine_JJ exhibition_NN of_IN sporting_NN prints_NNS ._. C05 55 ^ age_NN of_IN the_ATI coloured_JJ aquatint_NN ._. C05 56 ^ the_ATI exhibition_NN of_IN English_JNP and_CC French_JNP C05 56 engravings_NNS of_IN the_ATI C05 57 eighteenth_OD and_CC nineteenth_OD centuries_NNS at_IN \0Messrs_NPTS C05 57 Agnew's_NP$ Galleries_NPLS ,_, C05 58 43_CD ,_, Old_NP Bond_NP Street_NPL ,_, until_IN July_NR 8_CD ,_, C05 58 is_BEZ a_AT pleasant_JJ reminder_NN mainly_RB of_IN C05 59 the_ATI age_NN of_IN the_ATI coloured_JJ aquatint_NN though_CS it_PP3 C05 59 includes_VBZ also_RB examples_NNS of_IN C05 60 the_ATI delicate_JJ French_JNP line-engravings_NNS after_IN Moreau_NP C05 60 le_&FW Jeune_NP from_IN le_&FW C05 61 monument_&FW de_&FW costume_&FW ._. C05 62 ^ it_PP3 represents_VBZ in_IN impressions_NNS of_IN excellent_JJ C05 62 quality_NN such_ABL famous_JJ C05 63 prints_NNS as_IN Debucourt's_NP$ *'_*' la_&FW promenade_&FW C05 63 publique_&FW **'_**' of_IN 1792_CD ,_, the_ATI view_NN C05 64 of_IN Westminster_NP Hall_NPL and_CC Abbey_NPL engraved_VBN by_IN C05 64 \0D_NP Havell_NP after_IN \0J_NP C05 65 Glendall_NP ,_, and_CC the_ATI now_RN rare_JJ coaching_JJ subjects_NNS C05 65 of_IN James_NP Pollard_NP of_IN which_WDTR C05 66 *'_*' the_ATI royal_JJ mails_NNS preparing_VBG to_TO start_VB for_IN C05 66 the_ATI west_NR of_IN England_NP ,_, 1831_CD C05 67 **'_**' (_( from_IN the_ATI *'_*' swan_NN with_IN two_CD necks_NNS C05 67 **'_**' ,_, Cheapside_NP )_) is_BEZ a_AT notable_JJ example_NN ._. C05 68 ^ Joseph_NP Farington_NP gains_VBZ from_IN translation_NN into_IN C05 68 aquatint_NN in_IN the_ATI plates_NNS C05 69 from_IN Boydell's_NP$ *'_*' history_NN of_IN the_ATI River_NPL C05 69 Thames_NP **'_**' and_CC some_DTI interesting_JJ C05 70 views_NNS of_IN early_JJ nineteenth_OD century_NN Greece_NP include_VB C05 70 an_AT aquatint_NN of_IN the_ATI C05 71 Parthenon_NP (_( Dodwell-Bennett_NP )_) as_CS it_PP3 must_MD have_HV C05 71 appeared_VBN shortly_RB after_CS C05 72 Lord_NPT Elgin_NP had_HVD removed_VBN the_ATI *'_*' marbles_NNS **'_**' C05 72 ._. ^ the_ATI sporting_NN prints_NNS by_IN C05 73 Herring_NP and_CC Alken_NP are_BER good_JJ examples_NNS of_IN an_AT C05 73 always_RB popular_JJ genre_NN ._. C05 74 ^ pictorial_JJ confections_NNS ._. C05 75 ^ closely_RB alike_JJ in_IN style_NN ,_, the_ATI pictures_NNS of_IN C05 75 Dietz_NP Edzard_NP and_CC C05 76 Suzanne_NP Eisendieck_NP may_MD be_BE suitably_RB described_VBN as_IN C05 76 *'_*' confections_NNS **'_**' and_CC C05 77 the_ATI sugared_JJ quality_NN the_ATI word_NN implies_VBZ pervades_VBZ C05 77 the_ATI current_JJ exhibition_NN C05 78 of_IN their_PP$ work_NN at_IN the_ATI Adams_NP Gallery_NPL ,_, 24_CD C05 78 ,_, Davis_NP Street_NPL ,_, \0W.1_NP ,_, C05 79 giving_VBG to_IN views_NNS of_IN Venice_NP and_CC Normandy_NP a_AT C05 79 charm_NN curiously_RB remote_JJ from_IN C05 80 reality_NN ._. ^ the_ATI idyllic_JJ combination_NN of_IN figure_NN C05 80 and_CC landscape_NN in_IN which_WDTR C05 81 these_DTS artists_NNS have_HV specialized_VBN needs_VBZ a_AT sweet_JJ C05 81 tooth_NN of_IN appreciation_NN ._. C05 82 ^ the_ATI exhibition_NN continues_VBZ until_IN June_NR 30_CD ._. C05 83 ^ moral_JJ earnestness_NN in_IN ballet_NN ._. C05 84 ^ the_ATI social_JJ and_CC aesthetic_JJ climate_NN of_IN Soviet_NP C05 84 ballet_NN is_BEZ so_QL C05 85 different_JJ from_IN our_PP$ own_AP that_CS in_IN considering_VBG C05 85 Russian_JNP ballet_NN today_NR we_PP1AS C05 86 start_VB at_IN a_AT considerable_JJ disadvantage_NN ._. ^ the_ATI C05 86 sense_NN of_IN moral_JJ earnestness_NN ,_, C05 87 the_ATI view_NN that_CS art_NN should_MD be_BE a_AT guide_NN and_CC C05 87 mentor_NN for_IN the_ATI people_NNS ,_, which_WDTR C05 88 is_BEZ the_ATI substructure_NN of_IN Soviet_NP choreography_NN ,_, C05 88 can_MD produce_VB effects_NNS which_WDTR C05 89 will_MD strike_VB us_PP1OS as_CS naive_JJ or_CC old-fashioned_JJ ;_; C05 89 yet_RB this_DT would_MD not_XNOT perhaps_RB C05 90 be_BE so_QL important_JJ were_BED it_PP3 not_XNOT for_IN the_ATI C05 90 fact_NN that_CS the_ATI use_NN made_VBN of_IN dance_NN C05 91 movement_NN and_CC of_IN performers_NNS must_MD necessarily_RB C05 91 reflect_VB this_DT same_AP feeling_NN ._. C05 92 ^ the_ATI choreographic_JJ manner_NN *-_*- where_WRB the_ATI C05 92 hero's_NN$ leaps_NNS are_BER an_AT C05 93 affirmation_NN of_IN faith_NN ,_, and_CC the_ATI heroine_NN ,_, C05 93 held_VBN aloft_RB ,_, is_BEZ woman-kind_NN as_IN a_AT C05 94 triumphant_JJ inspiration_NN and_CC reward_NN for_IN the_ATI hero's_NN$ C05 94 endeavours_NNS *-_*- has_HVZ an_AT C05 95 initial_JJ excitement_NN which_WDTR too_QL often_RB declines_VBZ C05 95 into_IN dramatic_JJ cliche*?2_NN C05 96 to_IN the_ATI detriment_NN of_IN our_PP$ western_JJ enjoyment_NN of_IN C05 96 the_ATI dancing_NN as_IN a_AT stage_NN C05 97 spectacle_NN ._. C05 98 ^ these_DTS are_BER the_ATI very_AP faults_NNS of_IN the_ATI C05 98 stone_NN flower_NN with_IN which_WDTR the_ATI C05 99 Leningrad_NP state_NN Kirov_NP ballet_NN opened_VBD their_PP$ season_NN C05 99 at_IN Covent_NP Garden_NPL last_AP C05 100 night_NN ._. ^ the_ATI plot_NN tells_VBZ of_IN a_AT stone-cutter_NN ,_, C05 100 Danila_NP ,_, loving_VBG a_AT young_JJ girl_NN ,_, C05 101 Katerina_NP ,_, and_CC dissatisfied_JJ with_IN his_PP$ art_NN ._. ^ C05 101 his_PP$ longing_NN to_TO create_VB a_AT C05 102 perfect_JJ stone_NN flower_NN takes_VBZ him_PP3O to_IN a_AT magical_JJ C05 102 cavern_NN ,_, presided_VBN over_IN by_IN C05 103 the_ATI Mistress_NPT of_IN the_ATI copper_NN Mountain_NPL ._. ^ C05 103 there_RN he_PP3A learns_VBZ the_ATI secrets_NNS of_IN C05 104 his_PP$ craft_NN ,_, and_CC there_RN Katerina_NP comes_VBZ at_RB C05 104 last_RB" to_TO fetch_VB him_PP3O away_RP from_IN the_ATI C05 105 Mistress_NPT of_IN the_ATI Mountain_NPL ,_, who_WPR reluctantly_RB C05 105 lets_VBZ him_PP3O go_VB ._. C05 106 ^ it_PP3 is_BEZ ,_, baldly_RB ,_, an_AT uneven_JJ work_NN ,_, but_CC C05 106 even_RB in_IN our_PP$ limited_JJ experience_NN C05 107 of_IN Soviet_NP ballet_NN ,_, an_AT interesting_JJ one_CD1 ,_, and_CC C05 107 an_AT unusual_JJ departure_NN from_IN C05 108 anything_PN we_PP1AS have_HV seen_VBN previously_RB from_IN Russia_NP C05 108 ._. ^ gone_VBN is_BEZ the_ATI realist_JJ C05 109 de*?2cor_NN ;_; instead_RB ,_, a_AT back_JJB drop_NN rises_VBZ to_TO C05 109 reveal_VB the_ATI various_JJ changes_NNS for_IN C05 110 scenes_NNS which_WDTR are_BER otherwise_RB played_VBN on_IN a_AT C05 110 bare_JJ stage_NN and_CC with_IN simple_JJ C05 111 black_JJ wings_NNS ._. C05 112 ^ the_ATI choreography_NN is_BEZ the_ATI first_OD major_JJ C05 112 creation_NN of_IN the_ATI young_JJ Yuri_NP C05 113 Grigorovich_NP ,_, and_CC it_PP3 demonstrates_VBZ a_AT talent_NN C05 113 not_XNOT as_RB yet_RB" up_RP to_IN the_ATI demands_NNS C05 114 of_IN a_AT large_JJ work_NN ._. ^ for_IN Danila_NP and_CC Katerina_NP C05 114 he_PP3A uses_VBZ a_AT free-flowering_JJ C05 115 classicism_NN ,_, while_CS for_IN the_ATI Mistress_NPT of_IN the_ATI C05 115 Mountain_NPL he_PP3A has_HVZ devised_VBN a_AT C05 116 quasi-acrobatic_JJ style_NN ,_, sinuous_JJ ,_, angular_JJ ,_, and_CC C05 116 very_QL brilliant_JJ ._. ^ he_PP3A is_BEZ C05 117 most_QL successful_JJ in_IN adapting_VBG folk-dancing_NN for_IN the_ATI C05 117 chorus_NN of_IN peasants_NNS C05 118 and_CC gipsies_NNS ,_, and_CC he_PP3A shows_VBZ a_AT remarkable_JJ C05 118 gift_NN for_IN movement_NN for_IN a_AT large_JJ C05 119 corps_NN ,_, dazzling_JJ ,_, intricate_JJ ,_, and_CC with_IN a_AT C05 119 muscular_JJ brio_NN that_WPR is_BEZ C05 120 enormously_RB effective_JJ ._. ^ but_CC against_IN this_DT we_PP1AS C05 120 have_HV to_TO set_VB scenes_NNS for_IN the_ATI C05 121 corps_NN de_&FW ballet_NN of_IN jewels_NNS that_WPR seem_VB fidgety_JJ C05 121 and_CC sterile_JJ exercises_NNS C05 122 in_IN academic_JJ movement_NN ,_, lacking_VBG any_DTI originality_NN C05 122 ._. C05 123 ^ the_ATI three_CD principals_NNS are_BER admirable_JJ :_: as_IN C05 123 Danila_NP ,_, \0Mr_NPT Yuri_NP C05 124 Soloviev_NP gives_VBZ a_AT tremendous_JJ performance_NN ;_; he_PP3A C05 124 has_HVZ a_AT prodigious_JJ technique_NN C05 125 in_IN leaps_NNS and_CC turns_NNS ,_, he_PP3A is_BEZ a_AT fine_JJ C05 125 partner_NN ,_, and_CC conveys_VBZ that_DT sense_NN of_IN C05 126 dramatic_JJ conviction_NN that_WPR can_MD disarm_VB our_PP$ C05 126 criticism_NN of_IN a_AT character_NN that_WPR C05 127 is_BEZ not_XNOT fully_RB explored_VBN in_IN the_ATI ballet_NN ._. ^ C05 127 as_IN Katerina_NP and_CC the_ATI Mistress_NPT of_IN C05 128 the_ATI Mountain_NPL Miss_NPT Alla_NP Sizova_NP and_CC Miss_NPT Alla_NP C05 128 Osipenko_NP are_BER well_RB C05 129 contrasted_VBN ,_, with_IN Miss_NPT Sizova's_NP$ warm_JJ lyrical_JJ C05 129 style_NN matched_VBN against_IN the_ATI C05 130 force_NN and_CC e*?2clat_NN of_IN Miss_NPT Osipenko_NP ._. C05 131 ^ the_ATI company_NN are_BER seen_VBN best_RBT in_IN the_ATI C05 131 character_NN dances_NNS ;_; as_IN peasants_NNS C05 132 and_CC gypsies_NNS in_IN a_AT fair_NN scene_NN that_WPR inevitably_RB C05 132 recalls_VBZ Petrushka_NP they_PP3AS C05 133 show_VB just_RB how_WRB much_AP dramatic_JJ variety_NN can_MD be_BE C05 133 obtained_VBN from_IN a_AT superb_JJ C05 134 corps_NN ._. ^ in_IN the_ATI *'_*' classical_JJ **'_**' sequences_NNS C05 134 we_PP1AS can_MD only_RB appreciate_VB the_ATI C05 135 difference_NN that_WPR still_RB exists_VBZ between_IN Leningrad_NP C05 135 and_CC Moscow_NP dancers_NNS ;_; C05 136 here_RN is_BEZ a_AT style_NN that_WPR seems_VBZ nearer_IN our_PP$ C05 136 own_AP ,_, more_QL reserved_JJ and_CC less_QL C05 137 emotionally_RB extreme_JJ than_IN the_ATI Bolshoi_NP ._. C05 138 ^ the_ATI Prokofiev_NP score_NN ,_, magnificently_RB handled_VBN C05 138 by_IN \0Mr_NPT Niazi_NP ,_, is_BEZ C05 139 adequate_JJ as_IN ballet_NN music_NN ,_, but_CC a_AT first_OD C05 139 hearing_NN does_DOZ not_XNOT reveal_VB it_PP3 as_CS of_IN C05 140 the_ATI standard_NN of_IN Romeo_NP and_CC Juliet_NP ,_, or_CC even_RB C05 140 as_QL appealing_JJ as_IN C05 141 Cinderella_NP ._. C05 142 ^ wide_JJ colour_NN on_IN harpsichord_NN ._. C05 143 ^ Miss_NPT Silvia_NP Kind's_NP$ recital_NN ._. C05 144 ^ in_IN spite_IN" of_IN" the_ATI harpsichord's_NN$ popularity_NN ,_, C05 144 true_JJ harpsichordists_NNS C05 145 these_DTS days_NNS are_BER very_QL rare_JJ ._. ^ Miss_NPT Silvia_NP C05 145 Kind_NP ,_, who_WPR played_VBD a_AT varied_JJ and_CC C05 146 consistently_RB interesting_JJ programme_NN at_IN Wigmore_NP Hall_NPL C05 146 last_AP night_NN ,_, can_MD C05 147 hardly_RB be_BE considered_VBN one_CD1 just_RB yet_RB ._. C05 148 ^ an_AT attack_NN of_IN nerves_NNS in_IN Bach's_NP$ Italian_JNP C05 148 concerto_NN caused_VBD her_PP3O to_TO take_VB C05 149 the_ATI outer_JJB movements_NNS at_IN perilously_RB fast_JJ tempi_NNS C05 149 with_IN scarcely_RB a_AT thought_NN C05 150 for_IN any_DTI detailed_JJ phrasing_NN of_IN their_PP$ melodic_JJ C05 150 lines_NNS ;_; if_CS at_IN the_ATI start_NN of_IN a_AT C05 151 recital_NN this_DT could_MD be_BE forgiven_VBN ,_, her_PP$ reliance_NN C05 151 on_IN colour_NN effects_NNS to_TO C05 152 underline_VB the_ATI structure_NN of_IN the_ATI music_NN *-_*- C05 152 which_WDTR unfortunately_RB persisted_VBD C05 153 throughout_IN much_AP of_IN the_ATI remainder_NN of_IN it_PP3 *-_*- C05 153 most_QL certainly_RB could_MD not_XNOT ._. C05 154 ^ the_ATI expressive_JJ powers_NNS of_IN a_AT harpsichord_NN are_BER C05 154 by_IN no_ATI means_NNS directly_RB C05 155 proportionate_JJ to_IN the_ATI number_NN of_IN registrations_NNS it_PP3 C05 155 possesses_VBZ ._. C05 156 ^ in_IN some_DTI seventeenth-century_JJB programme_NN pieces_NNS C05 156 by_IN John_NP Bull_NP ,_, C05 157 Bernardo_NP Pasquini_NP and_CC Alessandro_NP Poglietti_NP the_ATI C05 157 employment_NN of_IN a_AT wide_JJ C05 158 variety_NN of_IN colour_NN per_RB se_RB" seemed_VBD appropriate_JJ C05 158 enough_QLP ;_; in_IN C05 159 Mozart_NP ,_, however_RB (_( the_ATI Duport_NP variations_NNS C05 159 \0K.573_&FO )_) ,_, such_ABL superficial_JJ C05 160 treatment_NN chopped_VBD up_RP the_ATI music_NN altogether_RB too_QL C05 160 much_RB ._. C05 161 ^ but_CC the_ATI performance_NN of_IN Bach's_NP$ D_ZZ major_NN C05 161 toccata_NN bwv_&FO 912_CD ,_, with_IN C05 162 which_WDTR Miss_NPT Kind_NP ended_VBD her_PP$ recital_NN ,_, C05 162 combined_VBD some_DTI splendidly_RB bold_JJ and_CC C05 163 free_JJ declamatory_JJ playing_NN with_IN keen_JJ perception_NN of_IN C05 163 the_ATI work's_NN$ continuity_NN C05 164 and_CC nobility_NN of_IN outline_NN ._. ^ it_PP3 suggested_VBD ,_, C05 164 in_IN fact_NN ,_, that_CS Miss_NPT Kind_NP is_BEZ a_AT C05 165 very_QL much_RB better_JJR harpsichordist_NN than_CS this_DT recital_NN C05 165 as_IN a_AT whole_NN revealed_VBD ._. C05 166 ^ unequal_JJ support_NN for_IN three_CD authors_NNS ._. C05 167 ^ Webber-Douglas_NP School_NPL :_: triple_JJ bill_NN C05 168 ._. ^ thirteen_CD second-year_JJB students_NNS appeared_VBD in_IN C05 168 last_AP night's_NN$ C05 169 performance_NN ,_, and_CC one's_CD1$ judgment_NN of_IN them_PP3OS C05 169 might_MD have_HV been_BEN fairer_JJR ,_, if_CS the_ATI C05 170 running_NN order_NN of_IN the_ATI programme_NN had_HVD been_BEN C05 170 reversed_VBN ._. ^ as_CS it_PP3 was_BEDZ ,_, their_PP$ C05 171 failure_NN to_TO make_VB the_ATI first_OD two_CD items_NNS work_VB C05 171 as_IN play_NN ,_, was_BEDZ irritating_JJ ,_, and_CC C05 172 caused_VBD one_CD1 to_TO undervalue_VB even_RB those_DTS pieces_NNS C05 172 of_IN acting_VBG which_WDTR obviously_RB C05 173 had_HVD merit_NN ,_, such_IN as_IN" those_DTS of_IN Miss_NPT Jocelyn_NP C05 173 Carney_NP in_IN act_NN 1_CD1 of_IN the_ATI C05 174 chalk_NN garden_NN and_CC of_IN all_ABN three_CD players_NNS in_IN a_AT C05 174 phoenix_NN too_QL frequent_JJ ,_, C05 175 Miss_NPT Amanda_NP Reeves_NP ,_, Miss_NPT Sonia_NP Hughes_NP ,_, and_CC C05 175 \0Mr_NPT Aart_NP van_&FW Bergen_NP ._. C05 176 ^ the_ATI cast_NN of_IN the_ATI third_OD piece_NN ,_, the_ATI C05 176 dark_JJ lady_NN of_IN the_ATI sonnets_NNS ,_, C05 177 did_DOD not_XNOT reach_VB a_AT noticeably_RB higher_JJR standard_NN C05 177 than_IN that_DT of_IN \0Mr_NPT C05 178 Christopher_NP Fry's_NP$ play_NN ,_, yet_CC the_ATI former_AP ,_, C05 178 consisting_VBG of_IN \0Mr_NPT Gerald_NP C05 179 Curtis_NP (_( Shakespeare_NP )_) ,_, Miss_NPT Gabrielle_NP Griffin_NP C05 179 (_( Queen_NPT Elizabeth_NP 1_CD1 )_) ,_, C05 180 Miss_NPT Hazel_NP Prance_NP and_CC \0Mr_NPT Gilbert_NP Sutherland_NP C05 180 ,_, seemed_VBD to_TO have_HV no_ATI C05 181 trouble_NN in_IN persuading_VBG us_PP1OS to_TO take_VB Shaw's_NP$ C05 181 50-year-old_JJB plea_NN for_IN a_AT C05 182 national_JJ theatre_NN in_IN excellent_JJ part_NN ._. C05 183 ^ the_ATI movement_NN at_IN the_ATI beginning_NN when_WRB the_ATI C05 183 Tudor_NP beefeater_NN made_VBD the_ATI C05 184 same_AP damning_JJ criticism_NN of_IN Shakespeare's_NP$ play_NN that_WPR C05 184 people_NNS were_BED still_RB C05 185 making_VBG of_IN Shaw's_NP$ plays_NNS in_IN 1910_CD was_BEDZ such_ABL C05 185 a_AT delight_NN that_CS we_PP1AS were_BED C05 186 prepared_VBN from_IN then_RN onwards_RB to_TO be_BE satisfied_JJ C05 186 with_IN everything_PN ._. ^ but_CC to_TO C05 187 accept_VB so_QL much_AP help_NN from_IN Shaw_NP and_CC themselves_PPLS C05 187 to_TO give_VB so_QL little_AP help_NN to_IN C05 188 their_PP$ other_AP two_CD authors_NNS ,_, Miss_NPT Enid_NP Bagnold_NP C05 188 and_CC \0Mr_NPT Fry_NP ,_, looked_VBD like_IN C05 189 weakness_NN in_IN this_DT student_NN company_NN ._. C05 190 ^ Zurich_NP sees_VBZ two_CD contrasting_JJ versions_NNS of_IN C05 190 Dostoevsky's_NP$ crime_NN and_CC C05 191 punishment_NN ._. C05 192 ^ from_IN our_PP$ special_JJ correspondent_NN ._. C05 193 ^ two_CD stage_NN versions_NNS of_IN Raskolnikoff_NP have_HV C05 193 been_BEN presented_VBN here_RN C05 194 in_IN Zurich_NP during_IN the_ATI June_NR festival_NN ._. ^ Leopold_NP C05 194 Ahlsen's_NP$ play_NN was_BEDZ brought_VBN C05 195 to_IN the_ATI Schauspielhaus_NP in_IN the_ATI production_NN of_IN C05 195 the_ATI Berlin_NP C05 196 Schlosspark-theater_NP and_CC Heinrich_NP Sutermeister's_NP$ opera_NN C05 196 is_BEZ in_IN the_ATI C05 197 season's_NN$ repertory_NN of_IN the_ATI Stadtheater_NP ._. ^ seen_VBN C05 197 here_RN on_IN consecutive_JJ days_NNS C05 198 these_DTS two_CD adaptations_NNS of_IN Dostoevsky's_NP$ novel_NN C05 198 seem_VB as_QL different_JJ from_IN C05 199 each_PPLS other_PPLS" *-_*- and_CC in_IN many_AP ways_NNS from_IN C05 199 the_ATI book_NN itself_PPL *-_*- as_IN current_JJ C05 200 opinions_NNS on_IN crime_NN and_CC punishment_NN are_BER sometimes_RB C05 200 at_IN variance_NN ._. C05 201 ^ \0Mr_NPT Ahlsen's_NP$ play_NN might_MD well_RB have_HV been_BEN C05 201 given_VBN the_ATI alternative_JJ C05 202 title_NN of_IN *'_*' crime_NN and_CC detection_NN **'_**' ,_, and_CC C05 202 derives_VBZ much_AP of_IN its_PP$ dramatic_JJ C05 203 impetus_NN from_IN being_BEG a_AT good_JJ thriller_NN ._. ^ but_CC C05 203 it_PP3 goes_VBZ deeper_RBR than_IN that_DT ,_, C05 204 too_RB ._. ^ it_PP3 is_BEZ a_AT fascinating_JJ psychological_JJ C05 204 study_NN and_CC draws_VBZ some_DTI attention_NN C05 205 to_IN the_ATI political_JJ ,_, metaphysical_JJ ,_, religious_JJ ,_, C05 205 and_CC moral_JJ aspects_NNS of_IN the_ATI C05 206 subject_NN under_IN discussion_NN ,_, namely_RB ,_, the_ATI taking_NN C05 206 of_IN human_JJ life_NN ._. C06 2 the_ATI Thursday_NR critics_NNS ._. C06 3 ^ Kenneth_NP Allsop_NP ._. C06 4 ^ the_ATI new_JJ books_NNS ._. C06 5 ^ Behan_NP bestows_VBZ an_AT accolade_NN on_IN Delaney_NP ._. C06 6 ^ she_PP3A 's_BEZ the_ATI flower_NN in_IN a_AT cultural_JJ desert_NN C06 6 ,_, he_PP3A says_VBZ ._. C06 7 ^ it_PP3 is_BEZ mid-morning_NN on_IN a_AT Dublin_NP Sunday_NR ._. ^ C06 7 the_ATI streets_NNS are_BER C06 8 tranquilly_RB sunny_JJ and_CC still_JJ ,_, for_IN the_ATI town_NN C06 8 is_BEZ at_IN mass_NN ._. ^ most_AP of_IN it_PP3 ._. ^ in_IN C06 9 the_ATI front_JJB room_NN of_IN a_AT house_NN in_IN Anglesey-road_NP C06 9 is_BEZ a_AT congregation_NN who_WPR never_RB C06 10 actually_RB got_VBN to_IN church_NN ,_, but_CC who_WPR are_BER C06 10 gathered_VBN with_IN devotion_NN around_IN C06 11 Brendan_NP Behan_NP and_CC a_AT brandy_NN bottle_NN ._. C06 12 ^ where_WRB the_ATI bhoys_NNS are_BER ._. ^ in_IN the_ATI hallway_NN C06 12 are_BER the_ATI empties_NNS ;_; through_IN C06 13 the_ATI door_NN hearts_NNS are_BER full_JJ ,_, hopes_NNS are_BER C06 13 high_JJ ._. ^ there_EX are_BER still_RB a_AP few_AP" amber_JJ C06 14 inches_NNS in_IN the_ATI bottle_NN ._. C06 15 ^ present_JJ are_BER some_DTI hard-core_JJB friends_NNS of_IN C06 15 Brendan_NP ._. ^ they_PP3AS listen_VB with_IN C06 16 many_AP an_AT obliging_JJ guffaw_NN to_IN the_ATI brandy_NN owner's_NN$ C06 16 solo_JJB swish_NN on_IN his_PP$ C06 17 anecdotal_JJ roller-coaster_NN ,_, with_IN occasional_JJ stops_NNS C06 17 for_IN an_AT old_JJ \0I.R.A_NP C06 18 air_NN or_CC a_AT Connemara_NP tear-jerker_NN ._. C06 19 ^ pluckily_RB ._. C06 20 ^ also_RB present_JJ is_BEZ a_AT London_NP journalist_NN who_WPR C06 20 arrived_VBD two_CD hours_NNS C06 21 earlier_RBR by_IN appointment_NN to_TO talk_VB to_IN the_ATI author_NN C06 21 of_IN borstal_NN boy_NN and_CC C06 22 the_ATI hostage_NN about_IN his_PP$ new_JJ work_NN ,_, if_CS any_DTI C06 22 ,_, and_CC who_WPR is_BEZ now_RN being_BEG C06 23 pluckily_RB convivial_JJ to_TO fight_VB off_RP the_ATI frustration_NN C06 23 ._. C06 24 ^ the_ATI telephone_NN has_HVZ rung_VBN a_AT couple_NN of_IN C06 24 times_NNS ,_, calls_NNS from_IN other_AP chums_NNS C06 25 sniffing_VBG the_ATI wind_NN and_CC offering_VBG to_TO drop_VB by_RP C06 25 for_IN a_AT chat_NN ._. C06 26 ^ at_RB last_RB" Brendan_NP *-_*- to_IN the_ATI journalist's_NN$ C06 26 relief_NN *-_*- turns_VBZ his_PP$ C06 27 attention_NN to_IN the_ATI writing_NN scene_NN ._. ^ he_PP3A C06 27 proceeds_VBZ to_TO place_VB himself_PPL in_IN the_ATI C06 28 literary_JJ hierarchy_NN ._. C06 29 ^ *'_*' I_PP1A consider_VB myself_PPL ,_, **'_**' he_PP3A says_VBZ C06 29 ,_, *'_*' a_AT cut_NN above_IN Evelyn_NP Waugh_NP C06 30 socially_RB ,_, a_AT cut_NN above_IN Nancy_NP Mitford_NP C06 30 artistically_RB ,_, a_AT cut_NN above_IN Frank_NP C06 31 Haxell_NP conversationally_RB ._. C06 32 ^ *'_*' but_CC ,_, **'_**' he_PP3A continues_VBZ ,_, *'_*' the_ATI C06 32 greatest_JJT is_BEZ Shelagh_NP Delaney_NP ._. ^ just_RB C06 33 because_CS a_AT taste_NN of_IN honey_NN was_BEDZ set_VBN in_IN C06 33 Salford_NP they_PP3AS put_VBD on_IN her_PP3O the_ATI C06 34 limiting_JJ label_NN of_IN working-class_JJ writer_NN ._. ^ that_DT C06 34 's_BEZ as_QL bloody_RB silly_JJ as_CS C06 35 calling_VBG a_AT Rolls-Royce_NP a_AT type_NN of_IN transport_NN ._. ^ C06 35 she_PP3A 's_BEZ the_ATI flower_NN in_IN a_AT C06 36 cultural_JJ desert_NN ._. C06 37 ^ *'_*' now_RN ,_, me_PP1O *-_*- I_PP1A 'm_BEM a_AT journalist_NN C06 37 ,_, I_PP1A write_VB to_TO entertain_VB rather_RB than_CS C06 38 educate_VB ._. ^ and_CC I_PP1A do_DO n't_XNOT write_VB at_IN all_ABN C06 38 unless_CS I_PP1A 'm_BEM exceedingly_RB skint_JJ ._. C06 39 ^ *'_*' but_CC I_PP1A 'll_MD say_VB this_DT ._. ^ I_PP1A 'd_MD C06 39 like_VB to_TO live_VB in_IN America_NP and_CC do_DO some_DTI C06 40 writing_NN there_RN ._. ^ it_PP3 's_BEZ a_AT very_QL free_JJ place_NN C06 40 to_TO write_VB in_IN ,_, and_CC there_EX 's_BEZ the_ATI C06 41 advantage_NN that_CS no_PN one_PN" knows_VBZ what_WDT you_PP2 're_BER C06 41 writing_VBG about_IN anyway_RB ._. C06 42 ^ *'_*' not_XNOT that_CS I_PP1A did_DOD much_AP when_WRB I_PP1A C06 42 was_BEDZ over_RP this_DT past_JJB two_CD times_NNS ,_, not_XNOT C06 43 with_IN that_DT great_JJ little_JJ Irish_JNP bar_NN on_IN Seventh_NP C06 43 Avenue_NPL ,_, the_ATI pigsty_NN ,_, always_RB C06 44 open_JJ ._. ^ I_PP1A was_BEDZ there_RN ,_, in_IN even_RB faster_JJR C06 44 orbit_NN ,_, when_WRB that_DT third_OD astronaut_NN C06 45 went_VBD up_RP *-_*- what_WDT 's_BEZ his_PP$ name_NN ?_? ^ I_PP1A C06 45 'm_BEM the_ATI only_AP man_NN on_IN earth_NN who_WPR does_DOZ n't_XNOT C06 45 know_VB C06 46 what_WDT his_PP$ name_NN is_BEZ ._. ^ do_DO n't_XNOT tell_VB me_PP1O C06 46 ._. ^ I_PP1A want_VB to_TO preserve_VB that_DT C06 47 distinction_NN ._. C06 48 ^ *'_*' I_PP1A already_RB know_VB about_IN Shepard_NP and_CC that_DT C06 48 salvation_NN army_NN chap_NN C06 49 Gagarin_NP *-_*- the_ATI two_CD biggest_JJT bores_NNS since_IN C06 49 Cardinal_NPT Newman_NP ._. ^ that_DT 's_BEZ enough_DTI C06 50 of_IN all_ABN that_DT hooey_NN ._. **'_**' C06 51 ^ gravely_RB ._. C06 52 ^ he_PP3A plunges_VBZ on_RP into_IN reminiscences_NNS of_IN his_PP$ C06 52 trips_NNS ._. ^ there_EX is_BEZ C06 53 much_AP to_TO recall_VB ._. C06 54 ^ among_IN other_AP incidents_NNS he_PP3A was_BEDZ banned_VBN C06 54 from_IN New_NP York's_NP$ \0St_NPT C06 55 Patrick's_NP$ day_NN parade_NN as_IN a_AT *'_*' disorderly_JJ person_NN C06 55 ._. **'_**' C06 56 ^ he_PP3A was_BEDZ in_IN a_AT fight_NN after_IN telling_VBG a_AT C06 56 Canadian_NNP ,_, during_IN a_AT chat_NN about_IN C06 57 space-flight_NN :_: ^ *'_*' Ireland_NP will_MD put_VB a_AT C06 57 shillelagh_NN into_IN orbit_NN ,_, Israel_NP will_MD C06 58 put_VB a_AT matzo_NN ball_NN into_IN orbit_NN ,_, and_CC C06 58 Lichtenstein_NP will_MD put_VB a_AT postage_NN stamp_NN C06 59 into_IN orbit_NN before_CS you_PP2 Canadians_NNPS put_VB up_RP a_AT C06 59 mouse_NN ._. **'_**' C06 60 ^ and_CC he_PP3A suffered_VBD an_AT alcoholic_JJ seizure_NN and_CC C06 60 was_BEDZ gravely_RB ill_JJ in_IN C06 61 hospital_NN with_IN a_AT diabetic_JJ and_CC heart_NN condition_NN ._. C06 62 ^ his_PP$ return_NN to_IN Dublin_NP was_BEDZ heralded_VBN by_IN C06 62 the_ATI announcement_NN that_CS he_PP3A was_BEDZ C06 63 *'_*' off_IN the_ATI gargle_NN *-_*- a_AT retired_JJ alcoholic_NN ._. C06 63 **'_**' ^ since_IN then_RN he_PP3A has_HVZ been_BEN C06 64 heard_VBN of_IN often_RB in_IN the_ATI newspapers_NNS *-_*- three_CD C06 64 times_NNS up_RP before_IN the_ATI beaks_NNS for_IN C06 65 drunk_JJ and_CC disorderly_JJ conduct_NN ._. C06 66 ^ partially_RB ._. C06 67 ^ less_AP has_HVZ been_BEN heard_VBN of_IN Brendan's_NP$ work_NN ._. C06 67 ^ it_PP3 is_BEZ now_RN five_CD C06 68 years_NNS since_IN his_PP$ first_OD play_NN ,_, the_ATI quare_JJ C06 68 fellow_NN ,_, was_BEDZ produced_VBN ,_, three_CD C06 69 years_NNS since_CS borstal_NN boy_NN was_BEDZ published_VBN and_CC C06 69 the_ATI hostage_NN was_BEDZ put_VBN C06 70 on_RP ._. C06 71 ^ what_WDT has_HVZ happened_VBN to_IN the_ATI play_NN ,_, C06 71 Richard's_NP$ cork_NN leg_NN ,_, begun_VBN 18_CD C06 72 months_NNS ago_RB and_CC due_JJ for_IN presentation_NN at_IN the_ATI C06 72 Theatre_NPL Royal_NPT ,_, Stratford_NP ,_, C06 73 last_AP spring_NN ?_? ^ it_PP3 was_BEDZ never_RB finished_VBN ._. C06 74 ^ what_WDT happened_VBD to_IN the_ATI new_JJ book_NN partially_RB C06 74 tape-recorded_VBN by_IN his_PP$ C06 75 publishers_NNS in_IN March_NR of_IN last_AP year_NN ?_? ^ still_RB a_AT C06 75 skeleton_NN ._. C06 76 ^ yet_RB I_PP1A have_HV before_IN me_PP1O now_RN a_AT C06 76 12,000-word_JJB manuscript_NN of_IN a_AT book_NN C06 77 planned_VBN to_TO be_BE called_VBN confessions_NNS of_IN an_AT C06 77 Irish_JNP rebel_NN which_WDTR was_BEDZ C06 78 delivered_VBN to_IN his_PP$ agents_NNS in_IN June_NR ._. C06 79 ^ zestfully_RB ._. C06 80 ^ it_PP3 begins_VBZ :_: ^ *'_*' there_EX was_BEDZ a_AT party_NN C06 80 to_TO celebrate_VB Deirdre's_NP$ C06 81 return_NN from_IN her_PP$ abortion_NN in_IN Bristol_NP ._. **'_**' ^ C06 81 it_PP3 is_BEZ ribald_JJ ,_, funny_JJ ,_, C06 82 brilliantly_RB observant_JJ of_IN character_NN ,_, and_CC authentic_JJ C06 82 as_IN a_AT glass_NN of_IN C06 83 draught_NN porter_NN ._. C06 84 ^ but_CC will_MD we_PP1AS see_VB its_PP$ end_NN ?_? ^ the_ATI C06 84 last_AP scene_NN of_IN this_DT fragment_NN is_BEZ in_IN a_AT C06 85 pub_NN where_WRB the_ATI author_NN throws_VBZ a_AT *+10_NNU note_NN C06 85 on_RP to_IN the_ATI bar_NN and_CC orders_VBZ a_AT C06 86 round_NN for_IN the_ATI pals_NNS ,_, one_CD1 of_IN whom_WPOR cries_VBZ C06 86 :_: ^ *'_*' now_RN are_BER n't_XNOT you_PP2 the_ATI great_JJ C06 87 sport_NN ,_, though_RB ,_, Brendan_NP Behan_NP !_! **'_**' C06 88 ^ it_PP3 is_BEZ apparently_RB praise_NN that_WPR is_BEZ still_RB C06 88 so_QL important_JJ to_IN him_PP3O that_CS he_PP3A C06 89 lets_VBZ his_PP$ talent_NN drown_VB *-_*- for_CS not_XNOT very_QL C06 89 deep_RB under_IN the_ATI histrionics_NNS of_IN C06 90 having_HVG a_AT zest_NN for_IN life_NN must_MD be_BE a_AT great_JJ C06 90 fear_NN of_IN living_NN ._. C06 91 ^ books_NNS in_RB brief_RB" ._. C06 92 ^ Stephen_NP Morris_NP ,_, by_IN Nevil_NP Shute_NP (_( Heinemann_NP C06 92 ,_, 16_CD \0s_NNU )_) ._. ^ this_DT C06 93 first_OD attempt_NN at_IN novel_NN writing_NN *-_*- two_CD C06 93 unpublished_JJ stories_NNS from_IN the_ATI C06 94 '20s_CDS *-_*- is_BEZ the_ATI last_AP work_NN we_PP1AS shall_MD see_VB C06 94 of_IN the_ATI late_JJ Nevil_NP Shute_NP ._. ^ it_PP3 will_MD C06 95 interest_VB devotees_NNS ,_, but_CC ,_, despite_IN the_ATI accurate_JJ C06 95 flying-lore_NN and_CC natural_JJ C06 96 story-telling_NN skill_NN ,_, it_PP3 is_BEZ a_AT creaky_JJ piece_NN C06 96 of_IN apprenticeship_NN ._. C06 97 ^ \0L_NP \0S_NP Lowry_NP (_( Studio_NP books_NNS ,_, 21_CD \0s_NNU C06 97 )_) ._. ^ the_ATI painters_NNS of_IN C06 98 today_NR series_NN issues_VBZ this_DT attractive_JJ collection_NN of_IN C06 98 the_ATI work_NN of_IN perhaps_RB C06 99 the_ATI most_QL fascinating_JJ artist_NN in_IN Britain_NP today_NR C06 99 *-_*- the_ATI Lancastrian_NNP who_WPR C06 100 does_DOZ those_DTS vivid_JJ crowded_JJ dream_NN pictures_NNS of_IN C06 100 the_ATI industrial_JJ scene_NN ._. C06 101 ^ there_EX is_BEZ a_AT warm_JJ and_CC illuminating_JJ monograph_NN C06 101 by_IN Mervyn_NP Levy_NP ._. C06 102 ^ pull_VB my_PP$ daisy_NN (_( Evergreen_NP books_NNS ,_, 10_CD C06 102 \0s_NNU 6_CD \0d_NNU )_) ._. ^ Jack_NP C06 103 Kerouac's_NP$ ad-libbed_JJ text_NN for_IN the_ATI beat_JJ film_NN C06 103 made_VBN in_IN a_AT Bowery_NP flat_NN by_IN C06 104 Robert_NP Frank_NP and_CC Alfred_NP Leslie_NP ,_, with_IN stills_NNS C06 104 of_IN the_ATI strolling_JJ players_NNS ,_, C06 105 including_IN Allen_NP Ginsberg_NP and_CC Gregory_NP Corso_NP ._. ^ C06 105 it_PP3 reads_VBZ like_IN a_AT demented_JJ C06 106 kind_NN of_IN litany_NN *-_*- the_ATI American_JNP free-livers_NNS C06 106 doing_VBG what_WDT comes_VBZ naturally_RB ,_, C06 107 and_CC with_IN the_ATI beat_NN between_IN their_PP$ teeth_NNS ._. C06 108 ^ Eve_NP Perrick_NP ._. C06 109 ^ the_ATI new_JJ films_NNS ._. C06 110 ^ la_&FW Lollo_NP and_CC the_ATI hockey_NN girl_NN bully-off_NN ._. C06 111 ^ I_PP1A am_BEM happy_JJ to_TO report_VB that_CS I_PP1A saw_VBD C06 111 something_PN this_DT week_NN I_PP1A have_HV C06 112 never_RB before_RI witnessed_VBN ,_, either_DTX in_IN pictures_NNS C06 112 or_CC outside_RP *-_*- a_AT budgerigar_NN C06 113 playing_VBG a_AT drunk_JJ scene_NN ,_, and_CC playing_VBG it_PP3 C06 113 with_IN perfect_JJ timing_NN and_CC C06 114 technique_NN ._. C06 115 ^ it_PP3 gives_VBZ one_CD1 loud_JJ ,_, clear_JJ hiccup_NN and_CC C06 115 falls_VBZ flat_JJ on_IN its_PP$ back_NN ._. C06 116 ^ this_DT brilliant_JJ budge_NN ,_, I_PP1A may_MD add_VB ,_, C06 116 gets_VBZ no_ATI credit_NN in_IN the_ATI cast_NN list_NN C06 117 of_IN come_VB September_NR (_( Odeon_NP ,_, Leicester-square_NP )_) ,_, C06 117 which_WDTR suggests_VBZ that_CS C06 118 it_PP3 is_BEZ either_DTX using_VBG a_AT stand-in_NN for_IN the_ATI C06 118 stunt_NN stuff_NN or_CC needs_VBZ a_AT more_QL C06 119 pushful_JJ personal_JJ manager_NN ._. C06 120 ^ the_ATI performance_NN of_IN our_PP$ talented_JJ feathered_JJ C06 120 friend_NN is_BEZ not_XNOT the_ATI only_AP C06 121 good_JJ thing_NN (_( although_CS the_ATI one_CD1 original_JJ touch_NN C06 121 )_) in_IN the_ATI film_NN ,_, which_WDTR is_BEZ C06 122 better-than-average_JJB glossy_JJ comedy_NN ,_, Hollywood-styled_JJ ,_, C06 122 European_JNP set_VBN ._. C06 123 ^ most_AP of_IN it_PP3 has_HVZ been_BEN shot_VBN in_IN and_CC C06 123 around_IN the_ATI sun-terrace_NN of_IN the_ATI C06 124 Hotel_NPL Splendido_NP (_( renamed_VBN the_ATI Dolce_NP Vista_NP for_IN C06 124 the_ATI picture_NN )_) in_IN C06 125 Portofino_NP *-_*- and_CC if_CS there_EX 's_BEZ a_AT better_JJR view_NN C06 125 to_TO be_BE had_HVN from_IN a_AT more_QL C06 126 comfortable_JJ vantage_NN point_NN anywhere_RB ,_, I_PP1A 'd_MD like_VB C06 126 to_TO see_VB it_PP3 ._. C06 127 ^ nighties_NNS ._. C06 128 ^ it_PP3 also_RB parades_VBZ Gina_NP Lollobrigida_NP in_IN a_AT C06 128 selection_NN of_IN C06 129 neglige*?2e-and-nightie_JJB ensembles_NNS not_XNOT too_QL well_RB C06 129 designed_VBN for_IN sleeping_VBG C06 130 in_IN ,_, and_CC Rock_NP Hudson_NP at_IN the_ATI wheel_NN of_IN a_AT C06 130 shining_JJ silver_JJ Rolls-Royce_NP ._. C06 131 ^ \0Mr_NPT Hudson_NP is_BEZ an_AT American_JNP millionaire_NN who_WPR C06 131 spends_VBZ each_DT September_NR C06 132 in_IN his_PP$ Italian_JNP villa_NN and_CC the_ATI company_NN of_IN C06 132 Signorina_NPT Lollobrigida_NP ._. C06 133 ^ in_IN the_ATI holiday_NN seasonal_JJ months_NNS before_IN and_CC C06 133 after_IN this_DT annual_JJ idyll_NN C06 134 his_PP$ major-domo_NN (_( Walter_NP Slezak_NP at_IN his_PP$ most_QL C06 134 nauseating_JJ )_) turns_VBZ the_ATI C06 135 palazzo_NN into_IN a_AT luxury_NN hotel_NN ._. C06 136 ^ inevitably_RB there_EX comes_VBZ the_ATI time_NN when_WRB \0Mr_NPT C06 136 Hudson_NP suddenly_RB breaks_VBZ C06 137 with_IN tradition_NN and_CC arrives_VBZ there_RN in_IN July_NR ,_, C06 137 when_WRB ,_, just_RB as_QL inevitably_RB ,_, C06 138 the_ATI place_NN is_BEZ full_JJ of_IN American_JNP teenagers_NNS on_IN C06 138 an_AT escorted_JJ tour_NN ._. C06 139 ^ result_NN :_: ^ \0Mr_NPT Hudson_NP and_CC lady_NN love_NN Lollo_NP C06 139 find_VB themselves_PPLS playing_VBG C06 140 chaperon_NN (_( Brenda_NP de_&FW Banzie_NP ,_, the_ATI official_JJ C06 140 one_CD1 ,_, has_HVZ broken_VBN a_AT leg_NN )_) to_IN C06 141 the_ATI girls_NNS ,_, who_WPR have_HV just_RB been_BEN joined_VBN by_IN C06 141 a_AT jeep-load_NN of_IN boys_NNS ._. C06 142 ^ it_PP3 's_BEZ hereabouts_RB that_CS the_ATI budge_NN takes_VBZ C06 142 to_IN the_ATI bottle_NN ,_, but_CC I_PP1A do_DO n't_XNOT C06 143 think_VB it_PP3 was_BEDZ through_IN boredom_NN ._. C06 144 ^ the_ATI film_NN is_BEZ funny_JJ enough_QLP in_IN places_NNS and_CC C06 144 has_HVZ a_AT line_NN or_CC two_CD of_IN C06 145 painful_JJ home_NR truths_NNS thrown_VBN in_RP ._. C06 146 ^ goodies_NNS ._. C06 147 ^ *'_*' I_PP1A do_DO n't_XNOT want_VB to_TO talk_VB like_IN an_AT C06 147 adult_NN ,_, **'_**' screams_VBZ Gina_NP ,_, walking_VBG C06 148 out_RP on_IN the_ATI man_NN who_WPR has_HVZ so_QL far_RB failed_VBN C06 148 to_TO make_VB an_AT honest_JJ woman_NN of_IN her_PP3O ._. C06 149 ^ *'_*' that_DT 's_BEZ how_WRB I_PP1A got_VBD into_IN all_ABN this_DT C06 149 trouble_NN ._. **'_**' C06 150 ^ *'_*' he_PP3A 's_HVZ got_VBN to_TO be_BE 35_CD ,_, **'_**' C06 150 says_VBZ Bobby_NP Darin_NP ,_, the_ATI chief_JJB spokesman_NN of_IN C06 151 the_ATI jeans-and-jeep_JJB brigadiers_NNS as_CS they_PP3AS 're_BER C06 151 scheming_VBG to_TO get_VB rid_VBN of_IN old_JJ C06 152 man_NN ,_, solid_JJ Rock_NP ._. ^ *'_*' how_WRB many_AP hills_NNS C06 152 can_MD he_PP3A take_VB ?_? **'_**' C06 153 ^ of_RB course_RB" \0Mr_NPT Hudson_NP can_MD take_VB one_CD1 more_AP C06 153 hill_NN than_IN the_ATI C06 154 youngsters_NNS ._. ^ so_RB all_ABN ends_VBZ as_CS you_PP2 know_VB C06 154 it_PP3 will_MD ,_, with_IN the_ATI middle-aged_JJ C06 155 romancers_NNS respectably_RB wed_VBN and_CC Master_NPT Darin_NP C06 155 going_VBG steady_RB with_IN the_ATI C06 156 delectable_JJ Sandra_NP Dee_NP (_( to_IN whom_WPOR ,_, I_PP1A C06 156 believe_VB ,_, he_PP3A is_BEZ married_VBN in_IN real_JJ C06 157 life_NN )_) ._. C06 158 ^ Miss_NPT Dee_NP ,_, incidentally_RB ,_, who_WPR keeps_VBZ C06 158 turning_VBG up_RP as_IN the_ATI typical_JJ C06 159 teenager_NN in_IN all_ABN the_ATI *'_*' good_JJ girl_NN **'_**' C06 159 parts_NNS (_( Tuesday_NR Weld_NP gets_VBZ the_ATI *'_*' bad_JJ C06 160 girl_NN **'_**' ones_CD1S )_) ,_, is_BEZ becoming_VBG quite_ABL an_AT C06 160 accomplished_JJ actress_NN ._. C06 161 ^ studies_NNS ._. C06 162 ^ the_ATI marriage-go-round_NN (_( Carlton_NP )_) is_BEZ also_RB C06 162 a_AT comedy_NN of_IN C06 163 manners_NNS ,_, but_CC fun-films_NNS toting_VBG an_AT X_ZZ C06 163 certificate_NN have_HV to_TO keep_VB a_AT sharp_JJ C06 164 look-out_NN that_CS the_ATI jokes_NNS about_IN sex_NN (_( what_WDT C06 164 else_RB would_MD they_PP3AS joke_VB about_IN C06 165 with_IN an_AT X_ZZ ?_? )_) are_BER of_IN the_ATI witty_JJ ,_, verbal_JJ C06 165 variety_NN and_CC not_XNOT the_ATI visual_JJ C06 166 slapstick_NN ._. C06 167 ^ this_DT has_HVZ only_RB one_CD1 gag_NN *-_*- that_DT of_IN the_ATI C06 167 entry_NN of_IN a_AT gladiator_NN (_( female_JJ ,_, C06 168 7_CD \0ft_NNU high_JJ ,_, *'_*' stacked_JJ **'_**' and_CC C06 168 Scandinavian_JNP )_) into_IN the_ATI cosy_JJ but_CC C06 169 unbelievably_RB elegant_JJ household_NN of_IN a_AT pair_NN of_IN C06 169 married_JJ college_NN C06 170 professors_NNS ._. C06 171 ^ the_ATI girl_NN is_BEZ a_AT knock-out_NN (_( see_VB picture_NN C06 171 of_IN Julie_NP Newmar_NP for_IN C06 172 confirmation_NN )_) ._. ^ she_PP3A also_RB has_HVZ quite_ABL a_AT C06 172 mission_NN in_IN mind_NN ._. C06 173 ^ she_PP3A ,_, *'_*' younger_JJR ,_, prettier_JJR ,_, stronger_JJR C06 173 ,_, and_CC more_QL intelligent_JJ **'_**' than_IN C06 174 the_ATI wife_NN (_( as_CS she_PP3A soon_RB tells_VBZ her_PP3O )_) ,_, C06 174 wants_VBZ to_TO have_HV the_ATI perfect_JJ baby_NN ._. ^ and_CC C06 175 she_PP3A has_HVZ chosen_VBN the_ATI husband_NN (_( James_NP Mason_NP C06 175 )_) ,_, who_WPR is_BEZ an_AT academic_JJ friend_NN of_IN C06 176 her_PP$ Nobel_NP prize-winning_JJ father_NN to_TO be_BE big_JJ C06 176 Daddy_NPT ._. C06 177 ^ this_DT sort_NN of_IN situation_NN calls_VBZ for_IN some_DTI C06 177 subtle_JJ ,_, slightly_RB sardonic_JJ C06 178 handling_NN ._. ^ it_PP3 does_DOZ n't_XNOT get_VB it_PP3 ._. C06 179 ^ but_CC the_ATI marriage-go-round_NN is_BEZ not_XNOT entirely_RB C06 179 a_AT waste_NN of_IN time_NN ._. ^ I_PP1A C06 180 learned_VBD from_IN it_PP3 that_CS in_IN the_ATI institutes_NNS of_IN C06 180 advanced_JJ studies_NNS attached_VBN to_IN C06 181 some_DTI American_JNP universities_NNS the_ATI subject_NN social_JJ C06 181 psychology_NN used_VBD to_TO be_BE C06 182 called_VBN home-making_NN and_CC is_BEZ now_RN known_VBN as_IN C06 182 domestic_JJ relations_NNS ._. C06 183 ^ Susan_NP Hayward_NP plays_VBZ the_ATI wife_NN sharply_RB and_CC C06 183 sweetly_RB ._. ^ Mason_NP is_BEZ C06 184 always_RB good_JJ for_IN a_AT glower_NN ._. ^ and_CC Miss_NPT Newmar_NP C06 184 is_BEZ a_AT stunner_NN in_IN every_AT sense_NN C06 185 of_IN the_ATI word_NN ._. C06 186 ^ according_IN to_IN" the_ATI script_NN she_PP3A was_BEDZ once_RB C06 186 captain_NN of_IN the_ATI junior_JJ hockey_NN C06 187 team_NN at_IN her_PP$ school_NN ._. ^ so_RB help_VB me_PP1O so_PN C06 187 was_BEDZ I_PP1A ._. C06 188 ^ essays_NNS ._. C06 189 ^ il_&FW grido_&FW (_( the_ATI cry_NN )_) *-_*- Paris_NP Pullman_NP C06 189 *-_*- is_BEZ an_AT earlier_JJR essay_NN C06 190 in_IN atmospheric_JJ meandering_NN by_IN the_ATI l'Avventura_&FW man_NN C06 190 ,_, Michelangelo_NP C06 191 Antonioni_NP ._. C06 192 ^ in_IN it_PP3 Steve_NP Cochran_NP ,_, deserted_VBN by_IN Alida_NP C06 192 Valli_NP ,_, roams_VBZ the_ATI Pontine_NP C06 193 Marshes_NPLS ,_, alternately_RB enjoying_VBG the_ATI hospitality_NN C06 193 of_IN three_CD lonely_JJ ,_, C06 194 sex-starved_JJ women_NNS ,_, before_IN returning_VBG home_NR ._. C06 195 ^ whereupon_CS he_PP3A climbs_VBZ to_IN the_ATI top_NN of_IN the_ATI C06 195 tower_NN in_IN the_ATI sugar-beet_NN C06 196 refinery_NN ,_, suffers_VBZ an_AT unexplained_JJ attack_NN of_IN C06 196 vertigo_NN and_CC falls_VBZ to_IN his_PP$ C06 197 death_NN ._. C06 198 ^ maybe_RB this_DT is_BEZ a_AT masterpiece_NN ,_, too_RB ._. ^ C06 198 I_PP1A just_RB would_MD n't_XNOT know_VB ._. C06 199 ^ the_ATI Thursday_NR critics_NNS ._. C06 200 ^ Kenneth_NP Allsop_NP ._. C06 201 ^ did_DOD the_ATI electric_JJ chair_NN fully_RB avenge_VB this_DT C06 201 baby's_NN$ murder_NN ?_? C06 202 ^ now_RN new_JJ doubts_NNS are_BER raised_VBN about_IN the_ATI most_QL C06 202 notorious_JJ kidnapping_NN of_IN C06 203 the_ATI century_NN ._. C06 204 ^ on_IN a_AT March_NR evening_NN in_IN 1932_CD in_IN the_ATI New_NP C06 204 Jersey_NP family_NN C06 205 household_NN the_ATI nursemaid_NN tiptoed_VBD into_IN the_ATI C06 205 baby's_NN$ room_NN to_TO see_VB that_CS C06 206 20-month-old_JJB Charles_NP \0Jun_JJ was_BEDZ sleeping_VBG ._. C06 207 ^ bending_VBG over_IN the_ATI cot_NN ,_, she_PP3A suddenly_RB C06 207 realised_VBD that_CS there_EX was_BEDZ no_ATI C06 208 sound_NN of_IN breathing_NN ._. ^ she_PP3A thrust_VBD out_RP her_PP$ C06 208 hand_NN *-_*- and_CC felt_VBD emptiness_NN ._. C06 209 ^ national_JJ agony_NN ._. C06 210 ^ a_AP few_AP" minutes_NNS later_RBR the_ATI father_NN gripping_VBG C06 210 a_AT loaded_JJ rifle_NN ,_, told_VBD C06 211 his_PP$ wife_NN :_: ^ *'_*' Anne_NP ,_, they_PP3AS have_HV stolen_VBN C06 211 our_PP$ baby_NN ._. **'_**' C06 212 ^ it_PP3 was_BEDZ not_XNOT only_RB their_PP$ baby_NN *-_*- it_PP3 C06 212 was_BEDZ America's_NP$ ._. ^ the_ATI grief_NN of_IN the_ATI C06 213 young_JJ parents_NNS became_VBD a_AT national_JJ agony_NN that_WPR C06 213 erupted_VBD into_IN hysteria_NN when_WRB C06 214 nine_CD weeks_NNS later_RBR the_ATI child_NN of_IN Charles_NP C06 214 Lindbergh_NP ,_, hero_NN aviator_NN and_CC C06 215 golden_JJ boy_NN ,_, was_BEDZ found_VBN murdered_JJ ._. ^ kidnap_NN ,_, C06 215 by_IN George_NP Waller_NP (_( out_RP C06 216 today_NR ,_, Hamish_NP Hamilton_NP 30_CD \0s_NNU )_) ,_, is_BEZ a_AT C06 216 painstaking_JJ ,_, meticulous_JJ account_NN C06 217 of_IN the_ATI most_QL notorious_JJ and_CC publicised_JJ crime_NN of_IN C06 217 the_ATI 30's_CDS ._. C06 218 ^ the_ATI plain_JJ ,_, sober_JJ manner_NN of_IN its_PP$ style_NN C06 218 all_RB the_ATI more_QL tellingly_RB C06 219 points_VBZ up_RP not_XNOT only_RB the_ATI horror_NN of_IN the_ATI C06 219 case_NN itself_PPL ,_, which_WDTR floundered_VBD on_RP C06 220 to_IN the_ATI electrocution_NN four_CD years_NNS later_RBR of_IN a_AT C06 220 German-born_JJ Bronx_NP carpenter_NN C06 221 named_VBN Bruno_NP Richard_NP Hauptmann_NP ,_, but_CC to_IN the_ATI C06 221 raree-show_NN emotionalism_NN and_CC C06 222 sensation-hunger_NN of_IN that_DT era_NN ._. C07 2 Toulouse-Lautrec_NP at_IN the_ATI Tate_NP ._. C07 4 ^ vigour_NN and_CC decay_NN ._. C07 5 ^ by_IN David_NP Sylvester_NP ._. C07 6 ^ an_AT exhibition_NN of_IN paintings_NNS and_CC drawings_NNS by_IN C07 6 Toulouse-Lautrec_NP ,_, C07 7 organised_VBN by_IN the_ATI arts_NNS council_NN ,_, opened_VBN at_IN C07 7 the_ATI Tate_NP Gallery_NPL on_IN Friday_NR ._. C07 8 ^ Lautrec's_NP$ liking_NN for_IN whores_NNS and_CC dancers_NNS C07 8 and_CC singers_NNS and_CC C07 9 acrobats_NNS as_IN subjects_NNS was_BEDZ ,_, of_RB course_RB" ,_, a_AT C07 9 perfectly_RB commonplace_JJ taste_NN C07 10 among_IN artists_NNS of_IN his_PP$ time_NN ._. ^ what_WDT is_BEZ C07 10 singular_JJ about_IN his_PP$ use_NN of_IN them_PP3OS is_BEZ C07 11 that_CS no_ATI other_AP artist_NN ,_, of_IN his_PP$ time_NN or_CC C07 11 any_DTI other_AP ,_, has_HVZ painted_VBN them_PP3OS so_QL C07 12 directly_RB ,_, intimately_RB and_CC pertinently_RB ._. C07 13 ^ he_PP3A does_DOZ n't_XNOT ,_, on_IN the_ATI one_CD1 hand_NN ,_, C07 13 use_VB them_PP3OS as_IN symbols_NNS ,_, pegs_NNS for_IN a_AT C07 14 moral_JJ or_CC aesthetic_JJ attitude_NN ,_, as_CS the_ATI young_JJ C07 14 Picasso_NP does_DOZ (_( to_TO take_VB one_CD1 C07 15 example_NN among_IN many_AP )_) ;_; and_CC on_IN the_ATI other_AP C07 15 hand_NN ,_, he_PP3A does_DOZ n't_XNOT use_VB them_PP3OS only_RB C07 16 for_IN the_ATI way_NN they_PP3AS look_VB ,_, like_IN Degas_NP ,_, C07 16 whose_WP$R dancers_NNS are_BER more_QL or_CC less_QL C07 17 interchangeable_JJ with_IN his_PP$ laundrywomen_NNS *-_*- the_ATI C07 17 same_AP breed_NN with_IN a_AT C07 18 different_JJ set_NN of_IN gestures_NNS ._. ^ he_PP3A is_BEZ C07 18 concerned_VBN with_IN them_PP3OS as_CS they_PP3AS are_BER and_CC C07 19 also_RB for_IN what_WDT they_PP3AS are_BER ._. C07 20 ^ the_ATI artist_NN and_CC his_PP$ obsessions_NNS ._. C07 21 ^ this_DT can_MD n't_XNOT be_BE explained_VBN away_RP by_IN his_PP$ C07 21 extreme_JJ personal_JJ C07 22 involvement_NN with_IN them_PP3OS ._. ^ artists_NNS do_DO n't_XNOT C07 22 necessarily_RB bring_VB the_ATI deepest_JJT C07 23 obsessions_NNS of_IN their_PP$ life_NN into_IN their_PP$ art_NN *-_*- C07 23 not_XNOT in_IN a_AT direct_JJ way_NN ._. ^ a_AT poet_NN C07 24 who_WPR is_BEZ drunk_JJ does_DOZ n't_XNOT necessarily_RB write_VB C07 24 odes_NNS to_IN Bacchus_NP ._. ^ a_AT painter_NN who_WPR C07 25 loves_VBZ whores_NNS does_DOZ n't_XNOT have_HV to_TO paint_VB C07 25 whores_NNS in_TO order_TO" to_TO" express_VB in_IN art_NN C07 26 what_WDT it_PP3 is_BEZ in_IN himself_PPL that_WPR makes_VBZ him_PP3O C07 26 love_VB them_PP3OS ._. ^ he_PP3A may_MD be_BE able_JJ to_TO C07 27 express_VB this_DT better_RBR by_IN painting_VBG duchesses_NNS or_CC C07 27 cats_NNS or_CC velvet-curtained_JJ C07 28 rooms_NNS ._. C07 29 ^ in_IN painting_VBG whores_NNS and_CC entertainers_NNS ,_, C07 29 Lautrec_NP was_BEDZ choosing_VBG to_TO C07 30 paint_VB those_DTS whose_WP$R body_NN is_BEZ their_PP$ fortune_NN ._. ^ C07 30 his_PP$ own_AP body_NN was_BEDZ his_PP$ C07 31 misfortune_NN ._. ^ he_PP3A must_MD have_HV felt_VBN this_DT all_RB C07 31 the_ATI more_QL poignantly_RB for_IN not_XNOT C07 32 having_HVG been_BEN a_AT cripple_NN from_IN birth_NN ,_, but_CC from_IN C07 32 an_AT age_NN ,_, fourteen_CD ,_, by_IN which_WDTR C07 33 he_PP3A had_HVD acquired_VBN some_DTI relish_NN in_IN using_VBG his_PP$ C07 33 body_NN ,_, in_IN riding_NN and_CC shooting_NN ._. C07 34 ^ he_PP3A must_MD have_HV suffered_VBN not_XNOT only_RB from_IN C07 34 knowing_VBG what_WDT a_AT monster_NN he_PP3A was_BEDZ C07 35 to_TO look_VB at_IN ,_, but_CC also_RB from_IN the_ATI uselessness_NN C07 35 to_IN himself_PPL of_IN his_PP$ distorted_JJ C07 36 body_NN ._. ^ this_DT perhaps_RB is_BEZ what_WDT gave_VBD him_PP3O a_AT C07 36 fascination_NN with_IN bodies_NNS that_WPR C07 37 were_BED agile_JJ ,_, bodies_NNS that_WPR could_MD do_DO what_WDT C07 37 was_BEDZ asked_VBN of_IN them_PP3OS ,_, and_CC bodies_NNS C07 38 that_CS others_APS wanted_VBD to_TO use_VB ._. C07 39 ^ at_IN the_ATI same_AP time_NN ,_, he_PP3A needed_VBD to_TO C07 39 reassure_VB himself_PPL about_IN his_PP$ own_AP C07 40 deformity_NN with_IN his_PP$ consciousness_NN that_CS these_DTS C07 40 bodies_NNS also_RB would_MD in_IN time_NN C07 41 become_VBN ,_, as_CS his_PP$$ had_HVD ,_, useless_JJ and_CC hideous_JJ C07 41 and_CC unwanted_JJ ,_, and_CC that_CS they_PP3AS C07 42 would_MD become_VB so_RB through_IN the_ATI very_AP exploitation_NN C07 42 of_IN their_PP$ desirability_NN ._. C07 43 ^ Lautrec's_NP$ vision_NN of_IN his_PP$ women_NNS is_BEZ ,_, I_PP1A C07 43 think_VB ,_, the_ATI outcome_NN of_IN some_DTI C07 44 such_ABL ambivalence_NN as_IN this_DT :_: on_IN the_ATI one_CD1 hand_NN C07 44 ,_, celebration_NN of_IN their_PP$ easy_JJ C07 45 animal_JJ vigour_NN and_CC grace_NN ;_; on_IN the_ATI other_AP ,_, C07 45 celebration_NN of_IN the_ATI knowledge_NN C07 46 that_CS they_PP3AS too_RB would_MD fall_VB into_IN decrepitude_NN ._. ^ C07 46 for_CS it_PP3 is_BEZ not_XNOT a_AT present_JJ C07 47 state_NN of_IN decay_NN that_WPR Lautrec_NP presents_VBZ as_IN a_AT C07 47 rule_NN ,_, but_CC only_RB an_AT intimation_NN C07 48 of_IN decay_NN ._. C07 49 ^ partaking_VBG of_IN vitality_NN ._. C07 50 ^ he_PP3A is_BEZ n't_XNOT at_IN all_ABN Swiftian_JNP about_IN C07 50 women_NNS :_: he_PP3A does_DOZ n't_XNOT ,_, getting_VBG C07 51 close_RB ,_, rejoice_VB in_IN recoiling_VBG from_IN their_PP$ C07 51 enlarged_JJ pores_NNS ._. ^ he_PP3A paints_VBZ them_PP3OS C07 52 as_CS desirable_JJ *-_*- not_XNOT glamourised_VBN ,_, but_CC C07 52 desirable_JJ as_CS women_NNS are_BER in_IN the_ATI C07 53 flesh_NN ._. ^ his_PP$ women_NNS are_BER excitingly_RB depraved_JJ ,_, C07 53 but_CC they_PP3AS are_BER n't_XNOT sick_JJ ,_, they_PP3AS C07 54 are_BER anything_RB but_RB" sick_JJ ;_; they_PP3AS convey_VB a_AT C07 54 terrific_JJ sense_NN of_IN well-being_NN ._. C07 55 ^ and_CC they_PP3AS are_BER drawn_VBN with_IN a_AT longing_NN to_TO C07 55 share_VB in_IN that_DT well-being_NN ,_, as_CS if_CS" C07 56 the_ATI painter_NN ,_, by_IN transmitting_VBG to_IN canvas_NN the_ATI C07 56 tautness_NN and_CC flexibility_NN C07 57 and_CC plasticity_NN of_IN their_PP$ limbs_NNS ,_, were_BED by_IN C07 57 this_DT somehow_RB partaking_VBG of_IN their_PP$ C07 58 vitality_NN ._. C07 59 ^ he_PP3A is_BEZ no_ATI moralist_NN ,_, then_RN ;_; he_PP3A does_DOZ C07 59 n't_XNOT use_VB art_NN as_IN a_AT means_NN of_IN C07 60 revenge_NN ._. ^ he_PP3A is_BEZ no_ATI expressionist_NN ,_, C07 60 inflicting_VBG (_( like_IN those_DTS central_JJ C07 61 European_JNP artists_NNS who_WPR have_HV borrowed_VBN from_IN his_PP$ C07 61 style_NN and_CC iconography_NN )_) C07 62 upon_IN the_ATI appearance_NN of_IN his_PP$ whores_NNS an_AT idea_NN C07 62 of_IN their_PP$ inner_JJB corruption_NN ,_, C07 63 making_VBG their_PP$ bodies_NNS reflect_VB the_ATI supposed_JJ state_NN C07 63 of_IN their_PP$ souls_NNS ._. ^ he_PP3A C07 64 paints_VBZ them_PP3OS in_IN all_ABN their_PP$ ambiguity_NN ._. ^ C07 64 he_PP3A paints_VBZ the_ATI presence_NN of_IN their_PP$ C07 65 beautiful_JJ vitality_NN ,_, the_ATI promise_NN of_IN their_PP$ C07 65 decay_NN ,_, the_ATI process_NN of_IN C07 66 transition_NN between_IN them_PP3OS ._. C07 67 ^ the_ATI artist_NN he_PP3A resembles_VBZ most_QL closely_RB in_IN C07 67 spirit_NN is_BEZ ,_, I_PP1A think_VB ,_, C07 68 Watteau_NP ._. ^ Watteau_NP ,_, dangerously_RB delicate_JJ in_IN C07 68 health_NN ,_, paints_VBZ a_AT world_NN of_IN C07 69 pleasure_NN in_IN which_WDTR the_ATI threat_NN of_IN death_NN is_BEZ C07 69 as_QL surely_RB present_JJ as_CS in_IN those_DTS C07 70 medieval_JJ images_NNS in_IN which_WDTR skeletons_NNS dance_VB among_IN C07 70 the_ATI ladies_NNS of_IN the_ATI C07 71 court_NN ._. ^ Lautrec_NP ,_, misshapen_JJ and_CC useless_JJ ,_, C07 71 paints_VBZ the_ATI agile_JJ and_CC usable_JJ C07 72 bodies_NNS of_IN women_NNS who_WPR are_BER well_RB aware_JJ that_CS C07 72 they_PP3AS are_BER on_IN the_ATI way_NN to_IN being_BEG C07 73 used-up_VBN ._. ^ the_ATI transience_NN of_IN youth_NN is_BEZ the_ATI C07 73 common_JJ theme_NN ,_, and_CC Lautrec_NP as_QL C07 74 much_RB as_IN Watteau_NP is_BEZ a_AT truly_RB tragic_JJ artist_NN in_CS C07 74 that_CS" he_PP3A communicates_VBZ not_XNOT C07 75 only_RB the_ATI certainty_NN of_IN loss_NN but_CC the_ATI sense_NN C07 75 of_IN how_WRB much_AP there_EX is_BEZ to_TO lose_VB ._. C07 76 ^ the_ATI arts_NNS council_NN show_NN of_IN paintings_NNS and_CC C07 76 drawings_NNS at_IN the_ATI Tate_NP is_BEZ C07 77 not_XNOT a_AT major_JJ exhibition_NN ._. ^ it_PP3 consists_VBZ of_IN C07 77 a_AT selection_NN of_IN works_NNS from_IN the_ATI C07 78 Toulouse-Lautrec_NP Museum_NPL at_IN Albi_NP ,_, France_NP ,_, plus_IN C07 78 a_AT score_NN of_IN things_NNS from_IN C07 79 other_AP collections_NNS in_IN France_NP and_CC England_NP ._. ^ C07 79 the_ATI Albi_NP contribution_NN ,_, C07 80 helped_VBN by_IN \0Mr_NPT Jeffress's_NP$ portrait_NN of_IN Emile_NP C07 80 Bernard_NP ,_, makes_VBZ the_ATI C07 81 representation_NN of_IN the_ATI early_JJ work_NN as_QL strong_JJ as_CS C07 81 could_MD be_BE wished_VBN :_: it_PP3 C07 82 shows_VBZ how_WRB his_PP$ art_NN was_BEDZ based_VBN on_IN a_AT C07 82 wonderfully_RB sure_JJ grasp_NN of_IN form_NN in_IN the_ATI C07 83 round_NN ._. ^ there_EX are_BER a_AT number_NN of_IN notable_JJ C07 83 drawings_NNS and_CC sketches_NNS ._. ^ but_CC of_IN C07 84 his_PP$ finest_JJT paintings_NNS there_EX are_BER no_ATI more_AP C07 84 than_IN a_AT handful_NN ._. C07 85 ^ at_IN the_ATI galleries_NNS ._. C07 86 ^ brave_JJ new_JJ age_NN of_IN bronze_NN ._. C07 87 ^ by_IN Nevile_NP Wallis_NP ._. C07 88 ^ Rodin's_NP$ ghost_NN will_MD not_XNOT be_BE laid_VBN ._. ^ it_PP3 C07 88 is_BEZ that_DT old_JJ master's_NN$ C07 89 energy_NN and_CC rugged_JJ form_NN ,_, rather_RB than_IN his_PP$ C07 89 aspirations_NNS ,_, which_WDTR have_HV C07 90 influenced_VBN two_CD of_IN the_ATI three_CD conspicuous_JJ C07 90 sculptors_NNS this_DT week_NN :_: Ralph_NP C07 91 Brown_NP (_( Leicester_NP Galleries_NPLS )_) and_CC the_ATI C07 91 American_JNP Jack_NP Zajac_NP (_( Roland_NP ,_, C07 92 Browse's_NP$ )_) ._. C07 93 ^ Ralph_NP Brown_NP began_VBD as_IN a_AT social_JJ realist_JJ C07 93 sculptor_NN infusing_VBG C07 94 tenderness_NN into_IN a_AT gawky_JJ mother_NN fondling_VBG a_AT C07 94 child_NN ,_, an_AT infant_NN bowling_VBG a_AT C07 95 hoop_NN ._. ^ his_PP$ responsiveness_NN to_IN the_ATI earthy_JJ C07 95 human_JJ being_NN ,_, often_RB in_IN turning_VBG C07 96 or_CC more_QL lively_JJ movement_NN ,_, is_BEZ well_RB seen_VBN in_IN C07 96 the_ATI swing_NN of_IN an_AT adolescent_JJ C07 97 girl_NN and_CC in_IN some_DTI fine_JJ figure_NN drawings_NNS ._. ^ C07 97 but_CC recently_RB his_PP$ sculptural_JJ C07 98 conceptions_NNS ,_, carried_VBN out_RP in_IN ciment_&FW fondu_&FW C07 98 for_IN bronze_NN ,_, have_HV C07 99 become_VBN more_QL complex_JJ ._. ^ his_PP$ search_NN now_RN is_BEZ C07 99 for_IN a_AT metaphor_NN for_IN the_ATI human_JJ C07 100 figure_NN ._. ^ preserving_VBG the_ATI human_JJ attributes_NNS in_IN C07 100 out-thrust_JJ scrawny_JJ limbs_NNS C07 101 and_CC references_NNS to_IN the_ATI ribbed_JJ torso_NN ,_, his_PP$ C07 101 images_NNS also_RB resemble_VB the_ATI C07 102 growth_NN of_IN trees_NNS ._. ^ thus_RB his_PP$ forms_NNS have_HV C07 102 become_VBN bunched_JJ ,_, with_IN knobbly_JJ C07 103 casing_NN and_CC clefts_NNS hard_JJ to_TO read_VB anatomically_RB ,_, C07 103 and_CC with_IN lean_JJ stumpy_JJ C07 104 extremities_NNS ._. C07 106 ^ this_DT works_VBZ well_RB in_IN the_ATI more_QL fluid_JJ forms_NNS C07 106 of_IN his_PP$ swimmers_NNS where_WRB C07 107 the_ATI whole_JJ emphasis_NN is_BEZ on_IN their_PP$ gliding_JJ C07 107 motion_NN or_CC contortions_NNS ._. ^ it_PP3 C07 108 does_DOZ n't_XNOT work_VB ,_, I_PP1A think_VB ,_, in_IN the_ATI C07 108 arbitrary_JJ protrusions_NNS of_IN the_ATI trunks_NNS of_IN C07 109 his_PP$ humanistic_JJ standing_JJ figures_NNS ._. ^ Henry_NP C07 109 Moore's_NP$ stylisation_NN is_BEZ C07 110 entirely_RB consistent_JJ when_WRB one_CD1 recognises_VBZ that_CS C07 110 the_ATI twist_NN of_IN a_AT worn_JJ C07 111 ridged_JJ pebble_NN has_HVZ suggested_VBN the_ATI bony_JJ structure_NN C07 111 of_IN a_AT figure_NN as_CS C07 112 timeless_JJ ._. ^ Brown's_NP$ distortions_NNS ,_, on_IN the_ATI C07 112 other_AP hand_NN ,_, seem_VB superimposed_VBN C07 113 on_IN the_ATI anatomical_JJ structure_NN of_IN his_PP$ statue_NN of_IN C07 113 a_AT man_NN with_IN a_AT child_NN on_IN his_PP$ C07 114 shoulders_NNS ,_, whose_WP$R first_OD impression_NN of_IN brute_JJB C07 114 strength_NN yields_VBZ to_IN a_AT sense_NN C07 115 of_IN uncertain_JJ architecture_NN and_CC even_RB pretentiousness_NN C07 115 ._. ^ the_ATI search_NN for_IN a_AT C07 116 synthesis_NN ,_, a_AT metaphor_NN for_IN tough_JJ masculinity_NN ,_, C07 116 continues_VBZ ._. ^ Brown_NP is_BEZ C07 117 happiest_JJT here_RN in_IN recent_JJ reliefs_NNS as_QL sensitive_JJ C07 117 as_IN the_ATI shapes_NNS of_IN his_PP$ C07 118 swimmers_NNS surfacing_VBG ._. C07 119 ^ whereas_CS Brown_NP gropes_VBZ ambitiously_RB and_CC often_RB C07 119 clumsily_RB ,_, Jack_NP Zajac_NP C07 120 seems_VBZ perfectly_RB assured_JJ ._. ^ this_DT young_JJ sculptor_NN C07 120 from_IN Ohio_NP has_HVZ worked_VBN in_IN C07 121 Rome_NP ,_, and_CC the_ATI exuberant_JJ baroque_NN of_IN his_PP$ C07 121 prancing_JJ hybrid_NN figures_VBZ is_BEZ as_QL C07 122 clearly_RB Italianate_JNP as_CS his_PP$ rugged_JJ porters_NNS are_BER C07 122 Rodinesque_JNP ._. ^ Italy_NP has_HVZ C07 123 moulded_VBN the_ATI elegance_NN of_IN his_PP$ bronze_NN forms_NNS ,_, C07 123 elegantly_RB mannered_JJ even_RB when_WRB C07 124 the_ATI theme_NN is_BEZ as_QL violent_JJ as_IN a_AT sacrificial_JJ C07 124 goat_NN trapped_VBN by_IN a_AT stake_NN ._. ^ the_ATI C07 125 volumes_NNS and_CC agitated_JJ silhouettes_NNS in_IN this_DT Easter_NP C07 125 goat_NN series_NN are_BER always_RB C07 126 expressive_JJ ._. ^ the_ATI drama_NN of_IN imminent_JJ death_NN C07 126 reaches_VBZ its_PP$ climax_NN in_IN the_ATI C07 127 cruciform_JJ design_NN of_IN the_ATI beast_NN with_IN rearing_JJ C07 127 neck_NN and_CC spreadeagled_JJ legs_NNS C07 128 against_IN the_ATI long_JJ goad_NN ._. ^ one_CD1 admires_VBZ the_ATI C07 128 inventive_JJ interplay_NN of_IN hard_JJ ,_, C07 129 tusky_JJ forms_NNS and_CC vulnerable_JJ belly_NN without_IN being_BEG C07 129 in_IN the_ATI least_AP moved_VBN by_IN C07 130 the_ATI torture_NN ._. ^ aplomb_NN is_BEZ a_AT cooling_JJ quality_NN C07 130 ._. C07 132 ^ more_QL mature_JJ than_IN either_DTX ,_, with_IN a_AT certainty_NN C07 132 of_IN architectonic_JJ C07 133 design_NN still_RB denied_VBN to_IN Brown_NP ,_, \0F_NP \0E_NP C07 133 McWilliam_NP held_VBD me_PP1O longest_JJT C07 134 with_IN his_PP$ recent_JJ bronzes_NNS sparely_RB arranged_VBN at_IN C07 134 Waddington's_NP$ galleries_NNS ._. ^ I_PP1A C07 135 was_BEDZ quite_RB unsympathetic_JJ to_IN his_PP$ earlier_JJR C07 135 surrealist_JJ figures_NNS ,_, dismembered_VBN C07 136 and_CC reassembled_VBN ,_, their_PP$ capriciousness_NN masking_VBG C07 136 for_IN me_PP1O the_ATI C07 137 reflectiveness_NN of_IN his_PP$ mind_NN ._. ^ from_IN these_DTS C07 137 carvings_NNS he_PP3A moved_VBD on_RP to_IN metal_NN C07 138 totem_NN figures_NNS ,_, two_CD of_IN these_DTS aloof_JJ ,_, highly_RB C07 138 wrought_JJ effigies_NNS standing_VBG C07 139 here_RN as_IN a_AT reminder_NN of_IN them_PP3OS ._. ^ his_PP$ more_QL C07 139 recent_JJ shield-like_JJ emblems_NNS or_CC C07 140 icons_NNS yield_VB their_PP$ dark_JJ spell_NN without_IN the_ATI C07 140 demonstrativeness_NN of_IN C07 141 Paolozzi's_NP$ encrusted_JJ objects_NNS ._. C07 142 ^ they_PP3AS are_BER deliberately_RB frontal_JJ in_IN aspect_NN ._. ^ C07 142 their_PP$ intricately_RB C07 143 textured_VBN and_CC symbolic_JJ relief_NN sometimes_RB appears_VBZ C07 143 positive_JJ on_IN the_ATI front_NN ,_, C07 144 negative_JJ on_IN the_ATI back_JJB surface_NN ._. ^ the_ATI mood_NN C07 144 is_BEZ equivocal_JJ ,_, more_QL capricious_JJ C07 145 in_IN small_JJ variations_NNS of_IN cult_NN objects_NNS ,_, C07 145 contemplative_JJ in_IN his_PP$ large_JJ C07 146 bronzes_NNS ._. ^ McWilliam_NP may_MD be_BE unconscious_JJ of_IN C07 146 the_ATI distinction_NN ,_, for_CS his_PP$ C07 147 appeal_NN is_BEZ to_IN different_JJ levels_NNS of_IN consciousness_NN C07 147 ._. ^ a_AT trinity_NN of_IN figures_NNS C07 148 communes_VBZ in_IN the_ATI hollow_NN of_IN a_AT great_JJ saucer_NN ._. ^ C07 148 a_AT beacon_NN seen_VBN on_IN the_ATI shore_NN C07 149 becomes_VBZ transfigured_VBN into_IN an_AT ominous_JJ C07 149 signal-cum-lookout_NN post_NN ._. ^ a_AT C07 150 Corinthian_JNP helmet_NN inspires_VBZ an_AT exploration_NN of_IN C07 150 hollow_JJ form_NN ,_, with_IN the_ATI C07 151 inscrutable_JJ menace_NN of_IN the_ATI visor_NN still_RB preserved_VBN C07 151 ._. ^ his_PP$ personality_NN is_BEZ C07 152 impressed_VBN on_IN every_AT delphic_JJ image_NN ._. C07 153 ^ how_WRB it_PP3 is_BEZ that_CS Celtic_JNP mystery_NN and_CC C07 153 individual_JJ beauty_NN can_MD coalesce_VB C07 154 in_IN a_AT flaky_JJ ,_, metal_NN shield_NN on_IN prongs_NNS is_BEZ C07 154 hard_JJ to_TO say_VB in_IN simple_JJ terms_NNS ._. ^ it_PP3 C07 155 is_BEZ simplest_JJT to_TO say_VB that_CS McWilliam's_NP$ restless_JJ C07 155 fancy_NN has_HVZ found_VBN C07 156 fulfilment_NN in_IN his_PP$ most_QL satisfying_JJ sculptures_NNS to_IN C07 156 date_NN ._. C07 157 ^ the_ATI supremacy_NN of_IN personality_NN ._. C07 158 ^ the_ATI characters_NNS of_IN love_NN ._. by_IN John_NP Bayley_NP ._. C07 158 (_( Constable_NP ._. 21_CD \0s_NNU )_) ._. C07 159 ^ by_IN Philip_NP Toynbee_NP ._. C07 160 ^ the_ATI ambiguous_JJ title_NN reveals_VBZ ,_, by_IN the_ATI end_NN C07 160 of_IN this_DT book_NN ,_, a_AT C07 161 depth_NN of_IN meaning_NN ._. ^ *'_*' love_NN ,_, **'_**' writes_VBZ C07 161 \0Mr_NPT Bayley_NP ,_, *'_*' is_BEZ the_ATI C07 162 potentiality_NN of_IN men_NNS and_CC women_NNS which_WDTR keeps_VBZ C07 162 them_PP3OS most_QL interested_JJ in_IN each_PPLS C07 163 other_PPLS" ._. **'_**' ^ and_CC later_RBR ,_, writing_VBG of_IN C07 163 his_PP$ reasons_NNS for_IN choosing_VBG *'_*' Troilus_NP C07 164 and_CC Criseyde_NP ,_, **'_**' *'_*' Othello_NP **'_**' and_CC *'_*' C07 164 the_ATI golden_JJ bowl_NN **'_**' to_TO illustrate_VB C07 165 his_PP$ thesis_NN ,_, he_PP3A has_HVZ this_DT to_TO say_VB :_: *-_*- C07 167 *"_*' C07 168 ^ their_PP$ achievement_NN becomes_VBZ more_QL impressive_JJ and_CC C07 168 their_PP$ status_NN more_QL C07 169 clear_JJ if_CS we_PP1AS realise_VB how_WRB decisive_JJ in_IN all_ABN C07 169 of_IN them_PP3OS is_BEZ the_ATI idea_NN of_IN a_AT C07 170 conflict_NN of_IN sympathies_NNS ,_, the_ATI kind_NN of_IN conflict_NN C07 170 which_WDTR can_MD only_RB be_BE set_VBN up_RP C07 171 by_IN an_AT opposition_NN of_IN characters_NNS of_IN the_ATI old_JJ C07 171 kind_NN ._. C07 172 **"_**' C07 174 ^ in_IN a_AT sense_NN the_ATI theme_NN of_IN love_NN is_BEZ C07 174 secondary_JJ to_IN \0Mr_NPT Bayley's_NP$ main_JJB C07 175 purpose_NN ,_, which_WDTR is_BEZ to_TO vindicate_VB his_PP$ faith_NN C07 175 in_IN *'_*' the_ATI supremacy_NN of_IN C07 176 personality_NN in_IN the_ATI greatest_JJT literature_NN ._. **'_**' C07 177 ^ it_PP3 is_BEZ a_AT theme_NN ,_, of_RB course_RB" ,_, which_WDTR C07 177 is_BEZ extremely_RB familiar_JJ ._. ^ countless_JJ C07 178 old_JJ Dickensian_JNP hacks_NNS have_HV been_BEN bemoaning_VBG C07 178 Pickwick_NP and_CC Micawber_NP ever_RB C07 179 since_CS novelists_NNS and_CC critics_NNS first_RB began_VBD their_PP$ C07 179 resolute_JJ march_NN in_IN a_AT C07 180 different_JJ direction_NN ._. ^ but_CC the_ATI point_NN about_IN C07 180 \0Mr_NPT Bayley's_NP$ book_NN ,_, which_WDTR C07 181 makes_VBZ it_PP3 ,_, I_PP1A believe_VB ,_, a_AT critical_JJ work_NN C07 181 of_IN the_ATI first_OD importance_NN ,_, is_BEZ that_CS C07 182 he_PP3A is_BEZ a_AT man_NN of_IN great_JJ intelligence_NN and_CC C07 182 deep_JJ reading_NN who_WPR is_BEZ very_QL well_RB C07 183 aware_JJ of_IN all_ABN the_ATI arguments_NNS which_WDTR have_HV C07 183 been_BEN used_VBN against_IN his_PP$ position_NN ._. C07 184 ^ he_PP3A is_BEZ ,_, in_IN the_ATI literal_JJ sense_NN ,_, a_AT C07 184 reactionary_NN ;_; and_CC he_PP3A is_BEZ reacting_VBG with_IN C07 185 passion_NN and_CC intellect_NN against_IN some_DTI of_IN the_ATI C07 185 principal_JJB assumptions_NNS of_IN C07 186 modern_JJ criticism_NN and_CC modern_JJ fictional_JJ practice_NN ._. C07 188 ^ it_PP3 is_BEZ impossible_JJ to_TO summarise_VB the_ATI long_JJ C07 188 chapters_NNS in_IN which_WDTR C07 189 \0Mr_NPT Bayley_NP has_HVZ investigated_VBN the_ATI chosen_JJ C07 189 illustrations_NNS of_IN his_PP$ theme_NN ._. C07 190 ^ I_PP1A shall_MD allow_VB him_PP3O ,_, where_WRB possible_JJ ,_, to_TO C07 190 speak_VB for_IN himself_PPL ._. ^ of_IN C07 191 Chaucer's_NP$ poem_NN and_CC its_PP$ origins_NNS he_PP3A has_HVZ C07 191 this_DT to_TO say_VB :_: *-_*- C07 193 *"_*' C07 194 ^ all_ABN these_DTS (_( qualities_NNS in_IN Boccaccio_NP )_) C07 194 Chaucer_NP modifies_VBZ in_IN some_DTI way_NN ,_, C07 195 throwing_VBG round_IN them_PP3OS a_AT haze_NN of_IN the_ATI atypical_JJ C07 195 and_CC the_ATI individual_JJ ._. C07 196 ^ whereas_CS everything_PN in_IN Boccaccio_NP is_BEZ hard_JJ ,_, C07 196 elegant_JJ and_CC general_JJ ,_, in_IN C07 197 Chaucer_NP it_PP3 is_BEZ muted_JJ ,_, peculiar_JJ ,_, full_JJ of_IN C07 197 objects_NNS that_WPR are_BER unexpected_JJ and_CC C07 198 yet_RB oddly_RB characteristic_JJ ._. C07 199 **"_**' C07 201 ^ *'_*' Othello_NP ,_, **'_**' for_IN \0Mr_NPT Bayley_NP ,_, *'_*' C07 201 has_HVZ a_AT subtle_JJ and_CC singular_JJ C07 202 function_NN ,_, unique_JJ among_IN Shakespeare's_NP$ plays_NNS ,_, C07 202 and_CC in_IN its_PP$ peculiar_JJ blend_NN C07 203 of_IN effect_NN reminds_VBZ us_PP1OS ..._... of_IN the_ATI novel_NN ._. C07 203 **'_**' ^ and_CC against_IN the_ATI many_AP C07 204 hostile_JJ critics_NNS of_IN the_ATI play_NN he_PP3A suggests_VBZ C07 204 that_CS they_PP3AS have_HV adopted_VBN the_ATI C07 205 false_JJ premise_NN of_IN supposing_VBG *'_*' that_CS the_ATI great_JJ C07 205 play_NN should_MD be_BE impersonal_JJ ,_, C07 206 that_CS the_ATI quirks_NNS and_CC undercurrents_NNS of_IN individual_JJ C07 206 psychology_NN should_MD be_BE C07 207 swallowed_VBN up_RP in_IN a_AT grand_JJ tragic_JJ generality_NN ._. C07 207 **'_**' C07 208 ^ as_IN for_IN" *'_*' the_ATI golden_JJ bowl_NN ,_, **'_**' among_IN C07 208 many_AP other_AP personalising_JJ C07 209 qualities_NNS which_WDTR he_PP3A finds_VBZ in_IN it_PP3 ,_, \0Mr_NPT C07 209 Bayley_NP praises_VBZ the_ATI novel_NN C07 210 because_CS :_: *-_*- C07 212 *"_*' C07 213 ^ not_XNOT only_RB are_BER the_ATI details_NNS of_IN personal_JJ C07 213 appearance_NN and_CC of_IN town_NN and_CC C07 214 country_NN landscape_NN selected_VBN with_IN a_AT vividness_NN and_CC C07 214 subtlety_NN unmatched_JJ in_IN C07 215 the_ATI James_NP canon_NN ,_, but_CC the_ATI physical_JJ nature_NN C07 215 of_IN life_NN is_BEZ recorded_VBN with_IN C07 216 unique_JJ emphasis_NN ._. C07 217 **"_**' C08 2 book_NN reviews_NNS ._. C08 3 ^ Raglan's_NP$ sorry_JJ role_NN in_IN the_ATI Crimea_NP ._. C08 4 ^ the_ATI destruction_NN of_IN Lord_NPT Raglan_NP :_: a_AT tragedy_NN C08 4 of_IN the_ATI Crimean_JNP war_NN ._. by_IN C08 5 Christopher_NP Hibbert_NP ._. (_( Longmans_NP ._. 30_CD \0s_NNU )_) ._. C08 6 ^ by_IN Raymond_NP Mortimer_NP ._. C08 7 ^ there_EX never_RB was_BEDZ a_AT Crimean_JNP war_NN :_: the_ATI C08 7 whole_JJ story_NN must_MD be_BE the_ATI C08 8 invention_NN of_IN some_DTI satirist_NN frantic_JJ with_IN hatred_NN C08 8 for_IN warfare_NN and_CC C08 9 aristocracy_NN ._. ^ so_RB at_RB least_RB" I_PP1A felt_VBD more_QL C08 9 strongly_RB than_CS ever_RB when_WRB reading_VBG C08 10 the_ATI book_NN under_IN review_NN ._. ^ not_XNOT that_CS \0Mr_NPT C08 10 Hibbert_NP denounces_VBZ our_PP$ C08 11 government_NN for_IN feebly_RB drifting_VBG into_IN so_QL C08 11 unnecessary_JJ a_AT war_NN :_: his_PP$ account_NN C08 12 of_IN its_PP$ origins_NNS is_BEZ restricted_VBN to_IN three_CD C08 12 colourless_JJ pages_NNS ,_, for_CS he_PP3A writes_VBZ C08 13 as_IN a_AT military_JJ historian_NN concerned_VBN only_RB with_IN C08 13 the_ATI conduct_NN of_IN the_ATI C08 14 campaign_NN ._. ^ the_ATI picture_NN that_WPR emerges_VBZ is_BEZ C08 14 often_RB ,_, however_RB ,_, too_QL horrid_JJ to_TO C08 15 seem_VB credible_JJ ._. C08 16 ^ to_TO vindicate_VB Lord_NPT Raglan_NP ,_, the_ATI C08 16 Commander-in-Chief_NPT ,_, is_BEZ his_PP$ C08 17 purpose_NN *-_*- as_CS it_PP3 was_BEDZ Kinglake's_NP$ ;_; but_CC C08 17 Kinglake_NP was_BEDZ animated_VBN also_RB with_IN C08 18 hatred_NN of_IN Napoleon_NP 3_CD ,_, with_IN whose_WP$R mistress_NN C08 18 he_PP3A had_HVD been_BEN in_IN love_NN ;_; and_CC C08 19 \0Mr_NPT Hibbert_NP is_BEZ not_XNOT biased_VBN by_IN frustrated_JJ C08 19 desire_NN ._. ^ his_PP$ book_NN seems_VBZ to_IN C08 20 me_PP1O far_RB the_ATI most_QL trustworthy_JJ account_NN yet_RB C08 20 written_VBN of_IN the_ATI Crimean_JNP C08 21 campaign_NN ._. ^ it_PP3 is_BEZ based_VBN upon_IN vast_JJ research_NN C08 21 into_IN unpublished_JJ material_NN ,_, C08 22 including_IN not_XNOT only_RB the_ATI Raglan_NP papers_NNS but_CC C08 22 hundreds_CDS of_IN letters_NNS from_IN C08 23 obscure_JJ fighting_JJ men_NNS ._. ^ he_PP3A quotes_VBZ also_RB from_IN C08 23 Russian_JNP books_NNS that_WPR have_HV not_XNOT C08 24 been_BEN translated_VBN ._. C08 25 ^ cowardly_JJ government_NN ._. C08 26 ^ the_ATI battles_NNS are_BER described_VBN in_IN great_JJ detail_NN C08 26 and_CC illustrated_VBN C08 27 with_IN the_ATI usual_JJ plans_NNS *-_*- rectangles_NNS showing_VBG C08 27 troop-positions_NNS among_IN C08 28 vermiculated_JJ hills_NNS ._. ^ readers_NNS who_WPR share_VB my_PP$ C08 28 distrust_NN of_IN such_ABL tactical_JJ C08 29 exegesis_NN must_MD not_XNOT skip_VB the_ATI superb_JJ account_NN of_IN C08 29 Inkerman_NP with_IN its_PP$ C08 30 hand-to-hand_JJB tussles_NNS in_IN the_ATI fog_NN ._. ^ C08 30 unfortunately_RB the_ATI author_NN throws_VBZ C08 31 little_AP light_NN upon_IN the_ATI military_JJ departments_NNS at_IN C08 31 home_NR ,_, which_WDTR with_IN their_PP$ C08 32 archaic_JJ incompetence_NN and_CC divided_JJ responsibilities_NNS C08 32 were_BED chiefly_RB to_TO C08 33 blame_VB for_IN the_ATI suffering_NN of_IN the_ATI troops_NNS ._. ^ C08 33 otherwise_RB he_PP3A has_HVZ been_BEN C08 34 admirably_RB thorough_JJ ;_; and_CC the_ATI writing_NN is_BEZ lucid_JJ C08 34 ,_, correct_JJ and_CC lively_JJ ._. C08 35 ^ our_PP$ exceptionally_RB pacific_JJ government_NN declared_VBD C08 35 war_NN only_RB because_CS it_PP3 C08 36 had_HVD not_XNOT the_ATI courage_NN to_TO resist_VB the_ATI jingoism_NN C08 36 of_IN the_ATI public_NN and_CC the_ATI C08 37 newspapers_NNS ._. ^ the_ATI pretext_NN was_BEDZ an_AT invasion_NN C08 37 of_IN what_WDT is_BEZ now_RN Rumania_NP by_IN C08 38 Russian_JNP troops_NNS ,_, who_WPR were_BED quickly_RB expelled_VBN C08 38 by_IN the_ATI Turks_NNPS with_IN no_ATI help_NN C08 39 from_IN us_PP1OS ._. ^ however_RB ,_, having_HVG sent_VBN an_AT army_NN C08 39 as_QL far_RB as_IN Turkey_NP ,_, we_PP1AS felt_VBD C08 40 something_PN or_CC other_AP must_MD be_BE done_VBN with_IN it_PP3 ,_, C08 40 and_CC the_ATI Crimean_JNP port_NN of_IN C08 41 Sebastopol_NP seemed_VBD easy_JJ to_TO capture_VB ._. ^ after_IN C08 41 over_IN a_AT year_NN of_IN fighting_NN C08 42 captured_VBN it_PP3 was_BEDZ ,_, but_CC with_IN no_ATI lasting_JJ C08 42 advantage_NN to_IN us_PP1OS or_CC our_PP$ allies_NNS ._. C08 43 ^ the_ATI jaunt_NN cost_VBD the_ATI lives_NNS of_IN over_RB half_ABN C08 43 a_AT million_CD men_NNS ._. C08 44 ^ experienced_JJ Generals_NPTS from_IN our_PP$ Indian_JNP army_NN C08 44 were_BED available_JJ ,_, but_CC C08 45 they_PP3AS did_DOD not_XNOT belong_VB to_IN the_ATI nobility_NN :_: C08 45 and_CC so_RB the_ATI commands_NNS were_BED given_VBN to_IN C08 46 men_NNS who_WPR had_HVD seen_VBN active_JJ service_NN ,_, if_CS at_IN C08 46 all_ABN ,_, not_XNOT less_AP than_IN thirty-nine_CD C08 47 years_NNS previously_RB ._. ^ two_CD of_IN them_PP3OS suffered_VBD C08 47 from_IN feeble_JJ eyesight_NN ;_; one_CD1 C08 48 refused_VBD to_TO wear_VB spectacles_NNS ._. ^ an_AT officer_NN C08 48 could_MD bring_VB unlimited_JJ luggage_NN ,_, C08 49 his_PP$ wife_NN ,_, his_PP$ French_JNP cook_NN ,_, and_CC a_AT yacht_NN C08 49 to_TO live_VB in_IN ;_; there_EX were_BED not_XNOT even_RB C08 50 tents_NNS for_IN the_ATI men_NNS ,_, and_CC what_WDT little_AP C08 50 equipment_NN they_PP3AS were_BED given_VBN was_BEDZ for_IN C08 51 the_ATI most_AP part_NN shoddy_JJ ,_, boots_NNS that_WPR fell_VBD to_IN C08 51 pieces_NNS ,_, swords_NNS so_QL soft_JJ that_CS C08 52 they_PP3AS would_MD bend_VB instead_RB of_IN cutting_VBG ._. C08 53 ^ rotting_JJ cargoes_NNS ._. C08 54 ^ though_CS we_PP1AS boasted_VBD far_RB the_ATI largest_JJT navy_NN C08 54 and_CC mercantile_JJ C08 55 marine_NN in_IN the_ATI world_NN ,_, these_DTS could_MD not_XNOT C08 55 bring_VB enough_DTI supplies_NNS for_IN our_PP$ C08 56 expeditionary_JJ force_NN ;_; and_CC cargoes_NNS moreover_RB were_BED C08 56 allowed_VBN to_TO rot_VB C08 57 unloaded_JJ ._. ^ the_ATI two_CD admirals_NNS were_BED at_IN odds_NNS C08 57 with_IN one_PPLS another_PPLS" ._. ^ the_ATI C08 58 commissioners_NNS in_IN charge_NN of_IN supplies_NNS ,_, when_WRB C08 58 asked_VBN for_IN a_AP few_AP" nails_NNS ,_, C08 59 refused_VBD to_TO issue_VB less_AP than_IN a_AT ton_NN ._. ^ C08 59 half-starved_JJ and_CC unprotected_JJ C08 60 against_IN the_ATI Russian_JNP winter_NN ,_, our_PP$ troops_NNS C08 60 died_VBD in_IN their_PP$ thousands_CDS :_: lack_NN C08 61 of_IN fodder_NN killed_VBD the_ATI horses_NNS and_CC mules_NNS ;_; C08 61 there_EX was_BEDZ no_ATI other_AP transport_NN ._. C08 62 ^ the_ATI \0C.O_NPT of_IN the_ATI grenadiers_NNS would_MD not_XNOT C08 62 allow_VB a_AT mere_JJB line_NN regiment_NN C08 63 to_TO fight_VB on_IN the_ATI flank_NN of_IN his_PP$ beautiful_JJ C08 63 guardsmen_NNS ,_, who_WPR were_BED therefore_RB C08 64 compelled_VBN to_TO retreat_VB in_IN disorder_NN ._. C08 65 ^ officers_NNS like_IN Lord_NPT Cardigan_NP and_CC Lord_NPT C08 65 George_NP Paget_NP found_VBD the_ATI war_NN C08 66 so_QL disagreeable_JJ that_CS they_PP3AS returned_VBD to_IN England_NP C08 66 in_IN a_AT huff_NN ._. ^ of_RB course_RB" C08 67 no_ATI such_ABL escape_NN was_BEDZ possible_JJ for_IN the_ATI men_NNS C08 67 ,_, who_WPR at_RB first_RB" fought_VBD with_IN C08 68 staggering_JJ courage_NN ._. ^ gradually_RB those_DTS who_WPR C08 68 survived_VBD grew_VBD bitter_JJ ;_; the_ATI C08 69 reinforcements_NNS were_BED for_IN the_ATI most_AP part_NN raw_JJ C08 69 recruits_NNS ;_; morale_NN collapsed_VBD ._. C08 70 ^ in_IN the_ATI final_JJ action_NN at_IN Sebastopol_NP our_PP$ C08 70 troops_NNS refused_VBD the_ATI order_NN to_TO C08 71 advance_VB ;_; and_CC the_ATI fortress_NN was_BEDZ taken_VBN by_IN C08 71 the_ATI French_NNPS ,_, who_WPR throughout_IN the_ATI C08 72 campaign_NN had_HVD been_BEN better_RBR equipped_VBN ,_, better_RBR C08 72 fed_VBN and_CC better_RBR led_VBN ._. C08 73 ^ worn_VBN out_RP by_IN his_PP$ labours_NNS ,_, insulted_VBN in_IN C08 73 parliament_NN and_CC by_IN the_ATI press_NN ,_, C08 74 no_RB longer_RBR supported_VBN by_IN his_PP$ Queen_NPT ,_, Raglan_NP C08 74 had_HVD died_VBN three_CD months_NNS C08 75 previously_RB ._. ^ a_AT wiser_JJR man_NN would_MD not_XNOT have_HV C08 75 accepted_VBN the_ATI command_NN at_IN the_ATI C08 76 age_NN of_IN sixty-five_CD after_IN forty_CD years_NNS of_IN C08 76 sitting_VBG at_IN a_AT desk_NN ._. ^ he_PP3A did_DOD C08 77 accept_VB it_PP3 ,_, not_XNOT from_IN conceit_NN but_CC from_IN a_AT C08 77 sense_NN of_IN duty_NN ._. ^ no_PN one_PN" could_MD C08 78 have_HV been_BEN more_QL courageous_JJ ,_, more_QL hard-working_JJ ,_, C08 78 more_QL fair-minded_JJ ,_, more_QL C08 79 amiable_JJ ._. ^ he_PP3A behaved_VBD to_IN the_ATI French_NNPS with_IN C08 79 exemplary_JJ and_CC invaluable_JJ C08 80 patience_NN ._. ^ but_CC then_RN he_PP3A proved_VBD equally_RB C08 80 patient_JJ with_IN the_ATI military_JJ C08 81 departments_NNS at_IN home_NR that_WPR were_BED murdering_VBG his_PP$ C08 81 troops_NNS ._. ^ he_PP3A could_MD not_XNOT bear_VB C08 82 to_TO say_VB an_AT unkind_JJ word_NN to_IN anyone_PN ._. C08 83 ^ creature_NN of_IN habit_NN ._. C08 84 ^ we_PP1AS can_MD not_XNOT refuse_VB him_PP3O our_PP$ pity_NN ._. ^ C08 84 he_PP3A worked_VBD himself_PPL to_IN death_NN C08 85 at_IN a_AT Herculean_JNP task_NN for_IN which_WDTR he_PP3A was_BEDZ C08 85 fitted_VBN by_IN neither_DTX character_NN nor_CC C08 86 experience_NN ._. ^ we_PP1AS must_MD remember_VB at_IN the_ATI same_AP C08 86 time_NN that_CS he_PP3A had_HVD been_BEN for_IN C08 87 the_ATI previous_JJ twenty-eight_CD years_NNS Secretary_NPT at_IN C08 87 the_ATI horse_NN guards_NNS C08 88 apparently_RB without_IN attempting_VBG any_DTI reform_NN in_IN the_ATI C08 88 administration_NN of_IN the_ATI C08 89 army_NN ._. ^ he_PP3A was_BEDZ described_VBN by_IN Palmerston_NP as_IN C08 89 *'_*' a_AT creature_NN of_IN habit_NN **'_**' ;_; and_CC C08 90 in_IN the_ATI Crimea_NP he_PP3A found_VBD himself_PPL a_AT victim_NN C08 90 of_IN the_ATI grotesque_JJ system_NN he_PP3A had_HVD C08 91 helped_VBN to_TO maintain_VB ._. ^ the_ATI conservative_NN who_WPR C08 91 dislikes_VBZ changes_NNS even_RB when_WRB C08 92 they_PP3AS are_BER improvements_NNS may_MD ,_, like_IN Raglan_NP ,_, C08 92 be_BE a_AT good_JJ man_NN ._. ^ he_PP3A can_MD not_XNOT be_BE a_AT C08 93 good_JJ Commander-in-Chief_NPT ._. C08 94 ^ iron_NN duke_NN on_IN paper_NN ._. C08 95 ^ Wellington_NP at_IN war_NN ._. letters_NNS selected_VBN and_CC C08 95 edited_VBN by_IN Anthony_NP C08 96 Brett-James_NP ._. (_( Macmillan_NP ._. 42_CD \0s_NNU )_) ._. C08 97 ^ by_IN Sir_NPT Arthur_NP Bryant_NP ._. C08 98 ^ not_XNOT even_RB \0Dr_NPT Johnson_NP could_MD hit_VB a_AT C08 98 verbal_JJ nail_NN on_IN the_ATI head_NN C08 99 more_QL effectively_RB than_IN the_ATI Duke_NPT of_IN Wellington_NP ._. C08 99 ^ he_PP3A once_RB said_VBD that_CS there_EX C08 100 was_BEDZ nothing_PN in_IN life_NN like_IN a_AT clear_JJ definition_NN C08 100 ,_, and_CC during_IN his_PP$ years_NNS of_IN C08 101 command_NN he_PP3A was_BEDZ incessantly_RB engaged_VBN in_IN C08 101 defining_VBG things_NNS clearly_RB ._. ^ it_PP3 was_BEDZ C08 102 one_CD1 of_IN the_ATI qualities_NNS that_WPR made_VBD him_PP3O so_QL C08 102 great_JJ a_AT Commander_NPT ;_; as_CS with_IN C08 103 Field-Marshal_NPT Montgomery_NP it_PP3 was_BEDZ almost_RB impossible_JJ C08 103 to_TO mistake_VB his_PP$ C08 104 meaning_NN ,_, however_WRB unpalatable_JJ ._. ^ as_CS the_ATI human_JJ C08 104 capacity_NN for_IN getting_VBG the_ATI C08 105 wrong_JJ end_NN of_IN the_ATI stick_NN ,_, especially_RB in_IN the_ATI C08 105 fog_NN and_CC confusion_NN of_IN war_NN ,_, is_BEZ C08 106 almost_RB infinite_JJ ,_, this_DT quality_NN is_BEZ an_AT essential_JJ C08 106 part_NN of_IN the_ATI military_JJ C08 107 art_NN ._. C08 108 ^ if_CS good_JJ writing_NN be_BE the_ATI art_NN of_IN conveying_VBG C08 108 meaning_NN with_IN the_ATI greatest_JJT C08 109 possible_JJ force_NN in_IN the_ATI fewest_AP possible_JJ words_NNS C08 109 *-_*- and_CC I_PP1A can_MD think_VB of_IN no_ATI C08 110 better_JJR definition_NN *-_*- Wellington_NP was_BEDZ a_AT very_QL C08 110 good_JJ writer_NN ._. ^ his_PP$ military_JJ C08 111 correspondence_NN ,_, like_IN his_PP$ recorded_JJ conversation_NN ,_, C08 111 is_BEZ delightful_JJ reading_NN ._. C08 113 ^ *'_*' it_PP3 is_BEZ not_XNOT very_QL agreeable_JJ to_IN anybody_PN C08 113 ,_, **'_**' he_PP3A reminded_VBD a_AT C08 114 complaining_JJ Portuguese_JNP magnate_NN ,_, *'_*' to_TO have_HV C08 114 strangers_NNS quartered_VBN in_IN his_PP$ C08 115 house_NN ;_; nor_CC is_BEZ it_PP3 very_QL agreeable_JJ to_IN us_PP1OS C08 115 strangers_NNS ,_, who_WPR have_HV good_JJ houses_NNS C08 116 in_IN our_PP$ own_AP country_NN ,_, to_TO be_BE obliged_VBN to_TO C08 116 seek_VB for_IN quarters_NNS here_RN ._. ^ we_PP1AS are_BER C08 117 not_XNOT here_RN for_IN our_PP$ pleasure_NN ;_; the_ATI situation_NN C08 117 of_IN your_PP$ country_NN renders_VBZ it_PP3 C08 118 necessary_JJ ._. **'_**' ^ could_MD anything_PN be_BE neater_JJR ?_? C08 119 ^ or_CC anything_PN more_QL true_JJ than_IN this_DT ?_? ^ *'_*' C08 119 half_ABN the_ATI business_NN of_IN the_ATI C08 120 world_NN ,_, particularly_RB that_DT of_IN our_PP$ country_NN ,_, C08 120 is_BEZ done_VBN by_IN accommodation_NN and_CC C08 121 by_IN the_ATI parties_NNS understanding_VBG each_PPLS other_PPLS" ._. C08 121 **'_**' C08 122 ^ or_CC this_DT ,_, quoted_VBN by_IN \0Mr_NPT Brett-James_NP in_IN C08 122 his_PP$ admirable_JJ C08 123 introduction_NN *-_*- ^ *'_*' I_PP1A do_DO not_XNOT know_VB how_WRB C08 123 \0Mr_NPT ..._... has_HVZ discovered_VBN that_CS my_PP$ C08 124 channels_NNS of_IN intelligence_NN are_BER of_IN doubtful_JJ C08 124 fidelity_NN ._. ^ I_PP1A should_MD find_VB it_PP3 C08 125 very_QL difficult_JJ to_TO point_VB out_RP what_WDT channels_NNS of_IN C08 125 intelligence_NN I_PP1A have_HV :_: but_CC C08 126 probably_RB \0Mr_NPT ..._... knows_VBZ ._. **'_**' C08 128 ^ \0Mr_NPT Brett-James_NP has_HVZ done_VBN modern_JJ readers_NNS C08 128 *-_*- who_WPR turn_VB to_IN the_ATI C08 129 great_JJ classics_NNS of_IN our_PP$ past_NN too_QL little_RB *-_*- a_AT C08 129 service_NN by_IN producing_VBG a_AT new_JJ C08 130 selection_NN from_IN Wellington's_NP$ letters_NNS ._. ^ most_AP of_IN C08 130 them_PP3OS are_BER taken_VBN from_IN C08 131 twelve_CD volumes_NNS and_CC two_CD and_CC a_AT half_ABN million_CD C08 131 words_NNS of_IN Colonel_NPT Gurwood's_NP$ C08 132 *'_*' dispatches_NNS of_IN the_ATI Duke_NPT of_IN Wellington_NP **'_**' C08 132 and_CC from_IN the_ATI fifteen_CD volumes_NNS C08 133 of_IN the_ATI Duke's_NPT$ *'_*' supplementary_JJ dispatches_NNS ._. C08 133 **'_**' C08 134 ^ I_PP1A will_MD not_XNOT say_VB that_CS no_ATI better_JJR C08 134 selection_NN could_MD have_HV been_BEN made_VBN ;_; C08 135 \0Mr_NPT Brett-James's_NP$ book_NN does_DOZ not_XNOT compare_VB ,_, C08 135 for_IN instance_NN ,_, with_IN the_ATI much_RB C08 136 fuller_JJR selection_NN made_VBN by_IN Colonel_NPT Gurwood_NP C08 136 himself_PPL and_CC published_VBN in_IN C08 137 early_JJ Victorian_JNP days_NNS in_IN a_AT single_JJ volume_NN of_IN C08 137 nearly_RB a_AT thousand_CD pages_NNS ._. C08 138 ^ in_IN deference_NN to_IN the_ATI reading_NN tastes_NNS of_IN our_PP$ C08 138 day_NN \0Mr_NPT Brett-James's_NP$ C08 139 compass_NN is_BEZ far_RB smaller_JJR ._. C08 140 ^ the_ATI truth_NN is_BEZ that_CS at_RB least_RB" a_AT dozen_CD C08 140 selections_NNS of_IN equal_JJ size_NN ,_, C08 141 equally_RB good_JJ and_CC equally_RB representative_JJ ,_, could_MD C08 141 have_HV been_BEN made_VBN from_IN the_ATI C08 142 same_AP source_NN ._. ^ what_WDT matters_VBZ is_BEZ that_CS the_ATI C08 142 editor_NN has_HVZ given_VBN us_PP1OS the_ATI essence_NN C08 143 of_IN Wellington's_NP$ genius_NN *-_*- his_PP$ clarity_NN ,_, his_PP$ C08 143 good_JJ sense_NN ,_, his_PP$ powers_NNS of_IN C08 144 observation_NN ,_, his_PP$ understanding_NN of_IN human_JJ nature_NN C08 144 ,_, his_PP$ dry_JJ irony_NN ,_, his_PP$ C08 145 wonderful_JJ balance_NN and_CC foresight_NN ._. ^ it_PP3 is_BEZ like_IN C08 145 offering_VBG the_ATI reader_NN a_AT C08 146 small_JJ parcel_NN of_IN a_AT superb_JJ cellar_NN ;_; it_PP3 is_BEZ C08 146 all_ABN there_RN for_IN his_PP$ buying_NN if_CS he_PP3A C08 147 wants_VBZ more_AP ._. C08 148 ^ I_PP1A can_MD not_XNOT help_VB adding_VBG one_CD1 sample_NN of_IN C08 148 Wellington's_NP$ style_NN ._. ^ he_PP3A had_HVD C08 149 been_BEN approached_VBN about_IN the_ATI return_NN to_IN England_NP C08 149 of_IN a_AT major_NN whose_WP$R fiance*?2_NN C08 150 was_BEDZ pining_VBG in_IN his_PP$ absence_NN ._. C08 152 ^ *'_*' I_PP1A can_MD not_XNOT say_VB that_CS I_PP1A have_HV ever_RB C08 152 known_VBN of_IN a_AT young_JJ lady_NN dying_VBG of_IN C08 153 love_NN ._. ^ they_PP3AS contrive_VB ,_, in_IN some_DTI manner_NN ,_, C08 153 to_TO live_VB and_CC look_VB tolerably_RB well_JJ ,_, C08 154 notwithstanding_IN their_PP$ despair_NN and_CC the_ATI continued_JJ C08 154 absence_NN of_IN their_PP$ C08 155 lover_NN ;_; and_CC some_DTI even_RB have_HV been_BEN known_VBN to_TO C08 155 recover_VB so_QL far_RB as_CS to_TO be_BE C08 156 inclined_VBN to_TO take_VB another_DT lover_NN ,_, if_CS the_ATI C08 156 absence_NN of_IN the_ATI first_OD has_HVZ lasted_VBN C08 157 too_QL long_RB ._. ^ I_PP1A do_DO n't_XNOT suppose_VB that_CS your_PP$ C08 157 prote*?2ge*?2e_NN can_MD ever_RB C08 158 recover_VB so_QL far_RB ,_, but_CC I_PP1A do_DO hope_VB that_CS C08 158 she_PP3A will_MD survive_VB the_ATI continued_JJ C08 159 necessary_JJ absence_NN of_IN the_ATI Major_NPT ,_, and_CC enjoy_VB C08 159 with_IN him_PP3O here-after_RB many_AP C08 160 happy_JJ days_NNS ._. **'_**' C08 162 ^ advice_NN for_IN a_AT lady_NN in_IN love_NN ._. C08 163 ^ to_IN a_AT young_JJ actress_NN :_: the_ATI letters_NNS of_IN C08 163 Bernard_NP Shaw_NP to_IN Molly_NP C08 164 Tompkins_NP ._. (_( Constable_NP ._. 63_CD \0s_NNU )_) ._. C08 165 ^ by_IN Hesketh_NP Pearson_NP ._. C08 166 ^ for_IN sheer_JJB entertainment_NN and_CC humorous_JJ common_JJ C08 166 sense_NN the_ATI C08 167 letters_NNS and_CC criticisms_NNS of_IN Bernard_NP Shaw_NP are_BER C08 167 unrivalled_JJ ._. ^ much_AP of_IN their_PP$ C08 168 scintillation_NN and_CC gaiety_NN is_BEZ due_JJ to_IN his_PP$ C08 168 emotional_JJ detachment_NN from_IN life_NN ,_, C08 169 and_CC his_PP$ peculiar_JJ genius_NN derives_VBZ from_IN the_ATI C08 169 fact_NN that_CS ,_, being_BEG removed_VBN from_IN C08 170 the_ATI complicated_JJ agitations_NNS of_IN ordinary_JJ human_JJ C08 170 beings_NNS ,_, he_PP3A could_MD observe_VB C08 171 with_IN cool_JJ clarity_NN the_ATI actions_NNS resulting_VBG from_IN C08 171 their_PP$ temperamental_JJ C08 172 disturbances_NNS ._. C08 173 ^ this_DT oddity_NN in_IN his_PP$ nature_NN appears_VBZ again_RB C08 173 and_CC again_RB in_IN his_PP$ letters_NNS C08 174 to_IN women_NNS ,_, who_WPR fell_VBD in_IN love_NN with_IN him_PP3O C08 174 and_CC had_HVD to_TO be_BE coaxed_VBN out_RP of_IN their_PP$ C08 175 enraptured_JJ condition_NN ._. ^ one_CD1 of_IN them_PP3OS ,_, a_AT C08 175 young_JJ actress_NN named_VBN Molly_NP C08 176 Tompkins_NP ,_, arrived_VBD in_IN England_NP from_IN America_NP with_IN C08 176 her_PP$ husband_NN and_CC small_JJ C08 177 son_NN ,_, for_IN the_ATI sole_JJB purpose_NN of_IN meeting_VBG the_ATI C08 177 prophet_NN Shaw_NP ,_, who_WPR sent_VBD her_PP3O C08 178 well_RB over_RB a_AT hundred_CD letters_NNS and_CC post-cards_NNS C08 178 between_IN 1921_CD and_CC his_PP$ death_NN ._. C08 180 ^ *'_*' is_BEZ it_PP3 not_XNOT delightful_JJ ,_, to_TO be_BE in_IN C08 180 love_NN ?_? **'_**' he_PP3A wrote_VBD to_IN her_PP3O ;_; C08 181 *'_*' it_PP3 has_HVZ happened_VBN to_IN me_PP1O twice_RB ._. ^ it_PP3 C08 181 does_DOZ not_XNOT last_VB ,_, because_CS it_PP3 does_DOZ not_XNOT C08 182 belong_VB to_IN this_DT earth_NN ;_; and_CC when_WRB you_PP2 clasp_VB C08 182 the_ATI idol_NN it_PP3 turns_VBZ out_RP to_TO be_BE a_AT C08 183 rag_NN doll_NN like_IN yourself_PPL ;_; for_CS the_ATI immortal_JJ C08 183 part_NN must_MD elude_VB you_PP2 if_CS C08 184 you_PP2 grab_VB at_IN it_PP3 ._. **'_**' ^ but_CC while_CS he_PP3A C08 184 was_BEDZ content_JJ with_IN dreams_NNS of_IN fair_JJ C08 185 women_NNS ,_, they_PP3AS were_BED looking_VBG for_IN something_PN C08 185 more_QL corporeal_JJ ,_, which_WDTR he_PP3A could_MD C08 186 only_RB supply_VB by_IN giving_VBG them_PP3OS excellent_JJ advice_NN C08 186 on_IN how_WRB to_TO order_VB their_PP$ C08 187 lives_NNS ._. C08 189 ^ in_IN this_DT handsome_JJ volume_NN many_AP of_IN his_PP$ C08 189 letters_NNS to_IN Molly_NP C08 190 Tompkins_NP are_BER reproduced_VBN in_IN photostat_NN ._. ^ with_IN C08 190 a_AP few_AP" alterations_NNS carbon_NN C08 191 copies_NNS could_MD have_HV been_BEN sent_VBN to_IN any_DTI of_IN C08 191 his_PP$ adoring_JJ female_JJ C08 192 correspondents_NNS without_IN surprising_VBG them_PP3OS ._. ^ C08 192 they_PP3AS contain_VB advice_NN on_IN such_ABL C08 193 matters_NNS as_IN the_ATI disadvantage_NN of_IN an_AT actress_NN C08 193 using_VBG make-up_NN off_IN the_ATI stage_NN C08 194 and_CC the_ATI advantage_NN of_IN using_VBG it_PP3 when_WRB C08 194 interviewing_VBG managers_NNS ,_, on_IN the_ATI C08 195 correct_JJ pronunciation_NN of_IN words_NNS ,_, on_IN how_WRB to_TO C08 195 behave_VB as_IN a_AT mother_NN and_CC the_ATI C08 196 proper_JJ way_NN to_TO bring_VB up_RP a_AT son_NN ,_, on_IN the_ATI C08 196 process_NN of_IN buying_VBG white_JJ oxen_NNS in_IN C08 197 Italy_NP ,_, on_IN the_ATI necessity_NN in_IN England_NP of_IN C08 197 putting_VBG *'_*' \0Esq_NC **'_**' not_XNOT C08 198 *'_*' \0Mr_NC **'_**' on_IN envelopes_NNS addressed_VBN to_IN men_NNS C08 198 ,_, on_IN how_WRB to_TO catch_VB a_AT bat_NN ,_, and_CC C08 199 on_IN the_ATI expediency_NN of_IN keeping_VBG a_AT parrot_NN instead_RB C08 199 of_IN a_AT dog_NN :_: ^ *'_*' parrots_NNS are_BER C08 200 amusing_JJ ,_, and_CC never_RB die_VB ._. ^ you_PP2 wish_VB they_PP3AS C08 200 did_DOD ._. **'_**' C08 201 ^ frequently_RB in_IN these_DTS letters_NNS his_PP$ intuition_NN C08 201 or_CC observation_NN is_BEZ C08 202 crystallised_VBN in_IN a_AT phrase_NN ,_, \0e.g_RB ,_, ~ *'_*' C08 202 learning_VBG to_TO live_VB is_BEZ like_IN C08 203 learning_NN to_TO skate_VB :_: you_PP2 begin_VB by_IN making_VBG a_AT C08 203 ridiculous_JJ spectacle_NN of_IN C08 204 yourself_PPL ,_, **'_**' and_CC ~ *'_*' the_ATI fear_NN of_IN God_NP C08 204 may_MD be_BE the_ATI beginning_NN of_IN wisdom_NN ,_, C08 205 but_CC the_ATI fear_NN of_IN man_NN is_BEZ the_ATI beginning_NN of_IN C08 205 murder_NN ,_, **'_**' and_CC ~ *'_*' it_PP3 is_BEZ C08 206 useless_JJ to_TO try_VB to_TO help_VB people_NNS whom_WPOR God_NP C08 206 does_DOZ not_XNOT mean_VB to_TO be_BE helped_VBN ._. **'_**' C09 2 fiction_NN ._. C09 3 ^ keeping_VBG the_ATI beasts_NNS in_IN their_PP$ place_NN ._. C09 4 ^ by_IN Nigel_NP Dennis_NP ._. C09 5 ^ Angus_NP Wilson_NP ,_, the_ATI old_JJ men_NNS at_IN the_ATI zoo_NN C09 5 ._. Secker_NP &_CC Warburg_NP ,_, 18_CD \0s_NNU ._. C09 6 ^ *'_*' our_PP$ island_NN ,_, it_PP3 would_MD appear_VB ,_, is_BEZ C09 6 too_QL small_JJ to_TO allow_VB even_RB C09 7 for_IN the_ATI controlled_JJ return_NN of_IN the_ATI wolf_NN ,_, C09 7 the_ATI bear_NN and_CC the_ATI boar_NN ._. **'_**' C09 8 ^ so_PN says_VBZ the_ATI Times_NP *-_*- or_CC rather_RB ,_, Angus_NP C09 8 Wilson_NP makes_VBZ the_ATI Times_NP say_VB C09 9 so_PN in_IN his_PP$ new_JJ novel_NN ,_, which_WDTR is_BEZ set_VBN in_IN C09 9 London_NP in_IN 1970_CD ._. ^ there_EX is_BEZ no_ATI C09 10 reason_NN to_TO doubt_VB that_CS his_PP$ sober_JJ ,_, careful_JJ C09 10 verdict_NN on_IN the_ATI danger_NN of_IN C09 11 *'_*' open_JJ **'_**' zoos_NNS catches_VBZ exactly_RB the_ATI tone_NN C09 11 of_IN the_ATI Times_NP of_IN 1970_CD ;_; but_CC we_PP1AS C09 12 are_BER left_VBN worrying_VBG about_IN \0Mr_NPT Wilson_NP himself_PPL C09 12 ._. ^ he_PP3A has_HVZ written_VBN the_ATI C09 13 future_JJB *'_*' editorial_NN ._. **'_**' ^ he_PP3A has_HVZ written_VBN C09 13 the_ATI present_JJ novel_NN ._. ^ are_BER they_PP3AS at_IN C09 14 odds_NNS with_IN one_PPLS another_PPLS" ?_? C09 15 ^ the_ATI matter_NN is_BEZ mentioned_VBN because_CS the_ATI C09 15 puzzle_NN of_IN \0Mr_NPT Wilson's_NP$ new_JJ C09 16 novel_NN is_BEZ to_TO know_VB clearly_RB what_WDT he_PP3A is_BEZ C09 16 saying_VBG and_CC where_WRB he_PP3A is_BEZ standing_VBG ._. C09 17 ^ this_DT was_BEDZ never_RB a_AT problem_NN in_IN \0Mr_NPT Wilson's_NP$ C09 17 early_JJ days_NNS ._. ^ his_PP$ first_OD C09 18 books_NNS of_IN short_JJ stories_NNS were_BED as_QL clear_JJ as_CS C09 18 only_RB crystals_NNS of_IN poison_NN can_MD C09 19 be_BE ,_, and_CC the_ATI horrors_NNS he_PP3A held_VBD up_RP to_IN C09 19 our_PP$ inspection_NN were_BED almost_RB too_QL C09 20 recognisable_JJ to_TO be_BE faced_VBN ._. C09 21 ^ but_CC ,_, since_IN then_RN ,_, \0Mr_NPT Wilson_NP has_HVZ C09 21 widened_VBN both_ABX his_PP$ medium_NN and_CC his_PP$ C09 22 heart_NN ._. ^ he_PP3A writes_VBZ big_JJ novels_NNS now_RN and_CC C09 22 expresses_VBZ his_PP$ griefs_NNS and_CC pains_NNS C09 23 quite_RB openly_RB ;_; he_PP3A still_RB has_HVZ plenty_NN of_IN C09 23 poison_NN ,_, but_CC he_PP3A doles_VBZ it_PP3 out_RP with_IN C09 24 a_AT more_QL distressed_JJ hand_NN *-_*- in_RB brief_RB" ,_, he_PP3A C09 24 is_BEZ no_RB longer_RBR a_AT pure_JJ satirist_NN ._. C09 25 ^ one_CD1 may_MD mourn_VB the_ATI change_NN ,_, but_CC one_CD1 C09 25 has_HVZ no_ATI right_NN to_TO condemn_VB it_PP3 ._. ^ an_AT C09 26 author_NN should_MD be_BE allowed_VBN to_TO change_VB as_CS he_PP3A C09 26 pleases_VBZ :_: the_ATI only_AP test_NN is_BEZ the_ATI C09 27 quality_NN of_IN the_ATI result_NN ._. C09 28 ^ the_ATI old_JJ men_NNS at_IN the_ATI zoo_NN has_HVZ much_AP to_TO C09 28 commend_VB it_PP3 ._. ^ it_PP3 has_HVZ been_BEN C09 29 written_VBN with_IN great_JJ feeling_NN and_CC it_PP3 has_HVZ some_DTI C09 29 very_QL enjoyable_JJ characters_NNS C09 30 in_IN it_PP3 ._. ^ it_PP3 is_BEZ also_RB a_AT very_QL just_JJ book_NN C09 30 ,_, in_CS that_CS" the_ATI most_QL absurd_JJ C09 31 characters_NNS are_BER allowed_VBN their_PP$ virtues_NNS and_CC C09 31 dignities_NNS ._. ^ even_RB when_WRB it_PP3 is_BEZ C09 32 cross_JJ ,_, angry_JJ and_CC spiteful_JJ ,_, it_PP3 is_BEZ still_RB C09 32 a_AT kindly_JJ book_NN ._. C09 33 ^ the_ATI difficulty_NN is_BEZ to_TO know_VB exactly_RB how_WRB C09 33 to_TO find_VB one's_CD1$ way_NN about_RP in_IN C09 34 it_PP3 ._. ^ the_ATI title_NN suggests_VBZ that_CS it_PP3 is_BEZ C09 34 about_IN the_ATI English_JNP masses_NNS (_( who_WPR are_BER C09 35 *'_*' the_ATI zoo_NN **'_**' )_) and_CC those_DTS who_WPR govern_VB C09 35 them_PP3OS (_( who_WPR are_BER *'_*' the_ATI old_JJ men_NNS **'_**' )_) C09 35 ._. C09 36 ^ if_CS this_DT is_BEZ correct_JJ ,_, then_RN much_AP of_IN \0Mr_NPT C09 36 Wilson's_NP$ symbolism_NN becomes_VBZ C09 37 easy_JJ to_TO follow_VB ._. ^ we_PP1AS see_VB clearly_RB that_CS if_CS C09 37 the_ATI zoo_NN is_BEZ to_TO be_BE decently_RB C09 38 conducted_VBN ,_, those_DTS who_WPR govern_VB it_PP3 must_MD do_DO C09 38 so_PN unselfishly_RB ,_, intelligently_RB C09 39 and_CC civilisedly_RB ._. C09 41 ^ they_PP3AS must_MD also_RB realise_VB that_CS animals_NNS are_BER C09 41 tricky_JJ ,_, even_RB dangerous_JJ ,_, C09 42 beasts_NNS ,_, and_CC must_MD not_XNOT feel_VB sentimental_JJ about_IN C09 42 tarantulas_NNS and_CC lynxes_NNS ._. C09 43 ^ the_ATI chiefs_NNS of_IN \0Mr_NPT Wilson's_NP$ zoo_NN lack_VB C09 43 most_AP of_IN these_DTS C09 44 qualifications_NNS ._. ^ some_DTI of_IN them_PP3OS are_BER C09 44 idealists_NNS *-_*- in_IN the_ATI sense_NN that_CS they_PP3AS C09 45 are_BER more_RBR obsessed_VBN with_IN theories_NNS and_CC dreams_NNS C09 45 about_IN animals_NNS than_CS they_PP3AS are_BER C09 46 with_IN actual_JJ ,_, living_JJ animals_NNS ._. ^ others_APS of_IN C09 46 them_PP3OS love_VB only_RB those_DTS aspects_NNS C09 47 of_IN the_ATI animal_NN that_WPR suit_VB their_PP$ professional_JJ C09 47 interests_NNS *-_*- an_AT extreme_JJ (_( and_CC C09 48 witty_JJ )_) example_NN is_BEZ the_ATI zoo_NN pathologist_NN ,_, who_WPR C09 48 loves_VBZ animals_NNS most_RBT when_WRB C09 49 they_PP3AS are_BER dead_JJ ,_, dissection_NN being_BEG his_PP$ forte_NN C09 49 ._. C09 50 ^ these_DTS persons_NNS ,_, let_VB us_PP1OS say_VB ,_, are_BER C09 50 the_ATI department_NN chiefs_NNS and_CC top_JJB C09 51 bureaucrats_NNS of_IN our_PP$ society_NN *-_*- and_CC under_IN C09 51 them_PP3OS are_BER the_ATI *'_*' keepers_NNS **'_**' and_CC C09 52 *'_*' assistant-keepers_NNS **'_**' who_WPR carry_VB out_RP their_PP$ C09 52 orders_NNS ._. ^ but_CC above_IN them_PP3OS all_ABN C09 53 are_BER the_ATI Secretary_NPT and_CC the_ATI Director_NPT *-_*- men_NNS C09 53 of_IN nearly_RB equal_JJ power_NN who_WPR C09 54 frame_VB zoo_NN policy_NN and_CC fight_VB over_IN what_WDT this_DT C09 54 policy_NN should_MD be_BE ;_; these_DTS two_CD C09 55 we_PP1AS may_MD call_VB Prime_NPT Minister_NPT and_CC leader_NN of_IN C09 55 the_ATI opposition_NN ._. C09 56 ^ the_ATI clash_NN of_IN policy_NN in_IN \0Mr_NPT Wilson's_NP$ C09 56 novel_NN is_BEZ over_IN the_ATI zoo_NN of_IN C09 57 the_ATI future_NN ._. ^ the_ATI Director_NPT hates_VBZ Regent's_NPT$ C09 57 Park_NPL :_: he_PP3A believes_VBZ that_CS C09 58 animals_NNS must_MD be_BE given_VBN *'_*' limited_JJ liberty_NN **'_**' C09 58 and_CC allowed_VBD to_TO roam_VB in_IN C09 59 Whipsnadian_JNP reserves_NNS ._. ^ the_ATI Secretary_NPT thinks_VBZ C09 59 this_DT is_BEZ nonsense_NN ._. C09 60 ^ animals_NNS ,_, he_PP3A insists_VBZ ,_, are_BER best_JJT off_RP in_IN C09 60 the_ATI cosy_JJ ,_, though_CS somewhat_RB C09 61 cramped_JJ ,_, cages_NNS designed_VBN for_IN them_PP3OS by_IN the_ATI C09 61 great_JJ Victorian_NNP ,_, Decimus_NP C09 62 Burton_NP ._. C09 63 ^ all_ABN this_DT is_BEZ most_QL prettily_RB done_VBN ._. ^ \0Mr_NPT C09 63 Wilson's_NP$ descriptions_NNS of_IN C09 64 animals_NNS are_BER first-rate_JJ *-_*- particularly_RB as_CS he_PP3A C09 64 is_BEZ most_QL honest_JJ about_IN them_PP3OS ,_, C09 65 never_RB pretending_VBG for_IN a_AT moment_NN that_CS some_DTI of_IN C09 65 them_PP3OS are_BER extremely_RB ugly_JJ ._. C09 66 ^ and_CC the_ATI problems_NNS these_DTS animals_NNS present_VB are_BER C09 66 perfectly_RB genuine_JJ ones_CD1S :_: C09 67 should_MD *'_*' the_ATI wolf_NN ,_, the_ATI bear_NN and_CC the_ATI C09 67 boar_NN **'_**' be_BE allowed_VBN considerable_JJ C09 68 liberty_NN ,_, or_CC is_BEZ the_ATI Times_NP right_JJ in_IN C09 68 concluding_VBG that_CS they_PP3AS are_BER too_QL C09 69 dangerous_JJ to_TO enjoy_VB such_ABL privileges_NNS ?_? C09 70 ^ this_DT problem_NN becomes_VBZ acutely_RB personal_JJ to_IN C09 70 every_AT reader_NN when_WRB a_AT C09 71 liberated_JJ wolf_NN eats_VBZ the_ATI Director's_NPT$ daughter_NN ._. ^ C09 71 thousands_CDS of_IN innocent_JJ C09 72 animals_NNS have_HV to_TO pay_VB for_IN the_ATI wolf's_NN$ C09 72 indiscretion_NN by_IN being_BEG shut_VBN up_RP in_IN C09 73 Regent's_NPT$ Park_NPL again_RB ._. ^ is_BEZ this_DT fair_JJ ?_? C09 74 ^ \0Mr_NPT Wilson_NP does_DOZ not_XNOT say_VB whether_CS it_PP3 C09 74 is_BEZ fair_JJ or_CC not_XNOT ._. ^ and_CC by_IN the_ATI C09 75 end_NN of_IN the_ATI book_NN we_PP1AS realise_VB that_CS the_ATI C09 75 puzzles_NNS and_CC hypotheses_NNS which_WDTR he_PP3A C09 76 presents_VBZ are_BER honest_JJ expressions_NNS of_IN his_PP$ own_AP C09 76 uncertainty_NN ._. ^ his_PP$ intention_NN C09 77 is_BEZ not_XNOT to_TO provide_VB closed_JJ answers_NNS ,_, but_CC to_TO C09 77 proffer_VB dozens_CDS of_IN open_JJ C09 78 questions_NNS ._. C09 80 ^ this_DT is_BEZ unusual_JJ and_CC stimulating_JJ in_IN theory_NN C09 80 ,_, but_CC tending_VBG to_IN C09 81 confusion_NN in_IN practice_NN ._. ^ \0Mr_NPT Wilson's_NP$ novel_NN ,_, C09 81 one_CD1 feels_VBZ ,_, would_MD have_HV C09 82 been_BEN remarkably_RB good_JJ if_CS he_PP3A had_HVD stuck_VBN C09 82 strictly_RB to_IN the_ATI zoo_NN ._. ^ instead_RB ,_, he_PP3A C09 83 has_HVZ filled_VBN out_RP his_PP$ canvas_NN of_IN the_ATI future_NN C09 83 with_IN a_AT war_NN in_IN which_WDTR England_NP is_BEZ C09 84 invaded_VBN and_CC crushed_VBN by_IN combined_JJ European_JNP C09 84 armies_NNS (_( Russia_NP and_CC America_NP C09 85 agree_VB not_XNOT to_TO intervene_VB )_) ._. ^ he_PP3A has_HVZ put_VBN C09 85 in_RP saboteurs_NNS ,_, and_CC spies_NNS ,_, and_CC C09 86 politicians_NNS ,_, and_CC resistance_NN movements_NNS *-_*- and_CC C09 86 by_IN the_ATI time_NN he_PP3A has_HVZ done_VBN he_PP3A C09 87 has_HVZ put_VBN in_RP more_AP matter_NN than_CS he_PP3A can_MD C09 87 handle_VB and_CC made_VBN an_AT artistic_JJ clutter_NN C09 88 of_IN his_PP$ humane_JJ worries_NNS ._. C09 89 ^ his_PP$ novel_NN is_BEZ still_RB a_AT good_JJ one_CD1 *-_*- but_CC C09 89 the_ATI careful_JJ ,_, precise_JJ pen_NN of_IN C09 90 the_ATI former_AP short-story_JJB writer_NN could_MD have_HV made_VBN C09 90 his_PP$ parable_NN shorter_JJR ,_, C09 91 clearer_JJR and_CC far_RB more_QL brilliant_JJ ._. C09 92 ^ people_NNS on_IN the_ATI move_NN ._. C09 93 ^ by_IN Anthony_NP Quinton_NP ._. C09 94 ^ Alasdair_NP Clayre_NP ,_, the_ATI window_NN ,_, Cape_NP ,_, 16_CD C09 94 \0s_NNU ._. C09 95 ^ Ivy_NP Compton-Burnett_NP ,_, the_ATI mighty_JJ and_CC their_PP$ C09 95 fall_NN ,_, Gollancz_NP ,_, C09 96 16_CD \0s_NNU ._. C09 97 ^ Howard_NP Spring_NP ,_, I_PP1A met_VBD a_AT lady_NN ,_, Collins_NP C09 97 ,_, 21_CD \0s_NNU ._. C09 98 ^ *'_*' \0H_NP \0D_NP **'_**' ,_, bid_VB me_PP1O to_TO live_VB ,_, C09 98 Grove_NP press_NN ,_, 25_CD \0s_NNU ._. C09 99 ^ for_IN topicality_NN ,_, Alasdair_NP Clayre's_NP$ first_OD C09 99 novel_NN the_ATI window_NN C09 100 would_MD stand_VB out_RP emphatically_RB enough_QLP at_IN any_DTI C09 100 time_NN beside_IN this_DT week's_NN$ C09 101 other_AP books_NNS ;_; in_IN the_ATI present_JJ condition_NN of_IN C09 101 the_ATI world_NN it_PP3 is_BEZ almost_RB too_QL C09 102 much_AP ._. C09 103 ^ the_ATI central_JJ figures_NNS are_BER a_AT decent_JJ ,_, C09 103 devout_JJ ,_, inarticulate_JJ organist_NN C09 104 in_IN a_AT poor_JJ district_NN of_IN Portsmouth_NP ,_, his_PP$ C09 104 frigid_JJ ,_, respectable_JJ wife_NN and_CC C09 105 their_PP$ sons_NNS ,_, Peter_NP ,_, a_AT trumpet-playing_JJ factory_NN C09 105 worker_NN ,_, and_CC Matthew_NP ,_, a_AT C09 106 pretty_JJ batman_NN whose_WP$R ambition_NN is_BEZ to_TO be_BE a_AT C09 106 butler_NN ._. C09 107 ^ also_RB involved_VBN are_BER the_ATI step-children_NNS of_IN C09 107 the_ATI vicarage_NN :_: James_NP ,_, an_AT C09 108 elaborately_RB cerebral_JJ philosopher_NN ,_, and_CC Anna_NP ,_, a_AT C09 108 bemused_JJ ,_, sensitive_JJ C09 109 pianist_NN ._. ^ the_ATI organist_NN ,_, Matthew_NP and_CC James_NP C09 109 get_VB caught_VBN up_RP ,_, in_IN different_JJ C09 110 ways_NNS and_CC with_IN fatal_JJ consequences_NNS for_IN one_CD1 of_IN C09 110 them_PP3OS ,_, in_IN the_ATI Easter_NP march_NN C09 111 of_IN an_AT idealistic_JJ organisation_NN ._. C09 113 ^ the_ATI narrative_NN is_BEZ developed_VBN with_IN great_JJ C09 113 skill_NN and_CC efficiency_NN ,_, the_ATI C09 114 point_NN of_IN view_NN shifting_VBG from_IN one_CD1 of_IN the_ATI C09 114 main_JJB characters_NNS to_IN another_DT ._. ^ in_IN C09 115 its_PP$ course_NN \0Mr_NPT Clayre_NP conducts_VBZ his_PP$ readers_NNS C09 115 on_IN a_AT convincingly_RB C09 116 authoritative_JJ tour_NN of_IN a_AT wide_JJ variety_NN of_IN C09 116 pre-eminently_RB contemporary_JJ C09 117 scenes_NNS :_: an_AT assembly-line_NN ,_, an_AT officers'_NNS$ mess_NN C09 117 ,_, a_AT jazz_NN club_NN ,_, a_AT left-wing_JJB C09 118 coffee-bar_NN ,_, a_AT deb_NN dance_NN ,_, as_CC well_CC" as_CC" C09 118 the_ATI march_NN itself_PPL ._. C09 119 ^ it_PP3 is_BEZ an_AT impressively_RB copious_JJ image_NN of_IN C09 119 our_PP$ society_NN ,_, but_CC its_PP$ C09 120 realism_NN has_HVZ the_ATI thinness_NN of_IN a_AT cross-section_NN ._. ^ C09 120 the_ATI Sands_NP family_NN are_BER not_XNOT C09 121 very_QL plausible_JJ as_IN a_AT group_NN ;_; even_RB the_ATI C09 121 accelerated_JJ social_JJ mobility_NN of_IN our_PP$ C09 122 time_NN could_MD hardly_RB accommodate_VB a_AT son_NN like_IN Peter_NP C09 122 in_IN such_ABL a_AT family_NN ._. C09 123 ^ James_NP is_BEZ an_AT Englishman's_NNP$ idea_NN of_IN a_AT C09 123 young_JJ Frenchman_NNP ,_, and_CC Matthew_NP C09 124 seems_VBZ to_TO have_HV been_BEN transferred_VBN from_IN one_CD1 of_IN C09 124 Simon_NP Raven's_NP$ amazing_JJ C09 125 regiments_NNS ._. ^ there_EX is_BEZ a_AT fairly_RB sharp_JJ line_NN C09 125 between_IN these_DTS and_CC the_ATI C09 126 characters_NNS \0Mr_NPT Clayre_NP likes_VBZ ,_, the_ATI organist_NN C09 126 and_CC Anna_NP for_IN example_NN ,_, who_WPR C09 127 are_BER honoured_VBN with_IN a_AT less_QL rigid_JJ and_CC political_JJ C09 127 treatment_NN ._. ^ but_CC this_DT is_BEZ C09 128 an_AT able_JJ and_CC intelligent_JJ book_NN whose_WP$R limitations_NNS C09 128 reflect_VB the_ATI magnitude_NN C09 129 of_IN its_PP$ ambitions_NNS ._. C09 130 ^ the_ATI mighty_JJ and_CC their_PP$ fall_NN is_BEZ absolutely_RB C09 130 standard_JJ Ivy_NP C09 131 Compton-Burnett_NP ,_, another_DT elegant_JJ construction_NN in_IN C09 131 moral_JJ geometry_NN ,_, C09 132 another_DT variation_NN on_IN her_PP$ insulated_JJ domestic_JJ theme_NN C09 132 with_IN its_PP$ normal_JJ C09 133 elements_NNS of_IN dubious_JJ paternity_NN ,_, hidden_JJ wills_NNS ,_, C09 133 a_AT despised_JJ governess_NN ,_, C09 134 gnomic_JJ servants_NNS and_CC Hobbesian_JNP toddlers_NNS ._. C09 135 ^ experts_NNS could_MD no_ATI doubt_NN identify_VB most_AP of_IN C09 135 the_ATI characters_NNS and_CC C09 136 situations_NNS with_IN those_DTS of_IN earlier_JJR books_NNS and_CC C09 136 even_RB the_ATI less_QL initiated_JJ can_MD C09 137 see_VB that_CS this_DT one_CD1 involves_VBZ no_ATI striking_JJ new_JJ C09 137 departures_NNS ._. ^ Miss_NPT C09 138 Compton-Burnett's_NP$ curious_JJ instrument_NN grates_VBZ on_IN C09 138 some_DTI ears_NNS ,_, but_CC for_IN C09 139 those_DTS who_WPR can_MD stand_VB it_PP3 there_EX is_BEZ more_AP to_TO C09 139 be_BE got_VBN from_IN it_PP3 than_IN the_ATI C09 140 incidental_JJ felicities_NNS to_TO be_BE discovered_VBN by_IN brief_JJ C09 140 dippings_NNS ._. ^ her_PP$ books_NNS C09 141 should_MD be_BE read_VBN at_IN a_AT sitting_NN if_CS possible_JJ ,_, C09 141 since_CS the_ATI plot_NN and_CC characters_NNS C09 142 are_BER only_RB revealed_VBN by_IN the_ATI cumulative_JJ effect_NN C09 142 of_IN the_ATI dialogue_NN ._. C09 143 ^ the_ATI centre_NN of_IN this_DT novel_NN is_BEZ the_ATI C09 143 struggle_NN between_IN a_AT widowed_JJ father_NN C09 144 and_CC his_PP$ eldest_JJT daughter_NN who_WPR both_ABX resort_VB to_IN C09 144 deceit_NN ,_, she_PP3A to_TO prevent_VB his_PP$ C09 145 second_OD marriage_NN ,_, he_PP3A to_TO prevent_VB her_PP3O C09 145 inheriting_VBG his_PP$ brother's_NN$ money_NN ._. ^ he_PP3A C09 146 has_HVZ a_AT more_QL impersonal_JJ justification_NN in_IN his_PP$ C09 146 concern_NN for_IN the_ATI continuing_JJ C09 147 welfare_NN of_IN the_ATI estate_NN but_CC it_PP3 gives_VBZ his_PP$ C09 147 response_NN to_IN exposure_NN a_AT more_QL C09 148 blatant_JJ and_CC so_RB more_QL discreditable_JJ quality_NN ._. C09 149 ^ Miss_NPT Compton-Burnett's_NP$ vertiginous_JJ economies_NNS C09 149 both_ABX of_IN technique_NN C09 150 and_CC material_NN have_HV a_AT charm_NN of_IN their_PP$ own_AP and_CC C09 150 there_EX is_BEZ a_AT fascination_NN in_IN C09 151 what_WDT she_PP3A manages_VBZ to_TO do_DO with_IN what_WDT is_BEZ C09 151 left_VBN ;_; but_CC they_PP3AS also_RB reflect_VB ,_, as_QL C09 152 much_RB as_IN Racine's_NP$ ,_, a_AT judgment_NN of_IN importance_NN ,_, C09 152 of_IN what_WDT really_RB matters_VBZ in_IN C09 153 the_ATI relations_NNS of_IN human_JJ beings_NNS ._. C09 155 ^ Howard_NP Spring's_NP$ I_PP1A met_VBD a_AT lady_NN is_BEZ ,_, C09 155 predictably_RB and_CC honourably_RB ,_, C09 156 a_AT thoroughly_RB good_JJ read_NN *-_*- the_ATI whole_JJ quarter_NN C09 156 of_IN a_AT million_CD words_NNS of_IN it_PP3 ._. C09 157 ^ a_AT rambling_JJ ,_, loose-jointed_JJ affair_NN ,_, it_PP3 seems_VBZ C09 157 to_TO be_BE the_ATI result_NN of_IN C09 158 throwing_VBG a_AP few_AP" human_JJ types_NNS together_RB at_RB C09 158 random_RB" to_TO see_VB what_WDT would_MD come_VB C09 159 out_RP ._. C09 160 ^ the_ATI hero_NN escapes_VBZ from_IN Manchester_NP and_CC cotton_NN C09 160 with_IN an_AT inheritance_NN C09 161 that_WPR allows_VBZ him_PP3O to_TO indulge_VB his_PP$ pronounced_JJ C09 161 negative_JJ capability_NN as_IN a_AT C09 162 writer_NN of_IN little_JJ essays_NNS ._. ^ after_IN a_AT good_JJ C09 162 deal_NN of_IN dithering_VBG he_PP3A marries_VBZ a_AT C09 163 nice_JJ rich_JJ actress_NN and_CC what_WDT with_IN her_PP$ C09 163 connections_NNS and_CC the_ATI family_NN of_IN a_AT C09 164 tycoon_NN who_WPR unaccountably_RB becomes_VBZ his_PP$ friend_NN C09 164 he_PP3A has_HVZ plenty_NN to_TO look_VB in_RP C09 165 upon_IN and_CC make_VB harmlessly_RB facetious_JJ remarks_NNS about_IN C09 165 ._. ^ it_PP3 is_BEZ a_AT C09 166 pleasant-spirited_JJ ,_, old-fashioned_JJ book_NN and_CC pretends_VBZ C09 166 to_TO do_DO no_ATI more_AP than_CS C09 167 tell_VB an_AT only_RB mildly_RB engrossing_JJ story_NN ._. C09 168 ^ *'_*' \0H_NP \0D.'s_NP$ **'_**' bid_VB me_PP1O to_TO live_VB ,_, C09 168 a_AT small_JJ ,_, handsomely-produced_JJB C09 169 volume_NN ,_, is_BEZ described_VBN as_IN *'_*' a_AT madrigal_NN of_IN C09 169 war-time_JJB love_NN and_CC death_NN in_IN the_ATI C09 170 London_NP of_IN 1917_CD ._. **'_**' ^ it_PP3 recounts_VBZ in_IN C09 170 short_JJ ,_, hectic_JJ and_CC often_RB verbless_JJ C09 171 sentences_NNS the_ATI inner_JJB life_NN of_IN Julia_NP Ashton_NP ,_, C09 171 a_AT sensitive_JJ American_NNP married_VBN C09 172 to_IN Rafe_NP ,_, who_WPR spends_VBZ his_PP$ leaves_NNS in_IN the_ATI C09 172 bed_NN of_IN the_ATI girl_NN upstairs_RN ._. ^ Julia_NP C09 173 wrongly_RB thinks_VBZ that_CS Frederick_NP ,_, a_AT red-bearded_JJ C09 173 author_NN of_IN *'_*' scandalous_JJ ,_, C09 174 volcanic_JJ novels_NNS **'_**' married_VBN to_IN an_AT ample_JJ C09 174 German_JNP aristocrat_NN ,_, is_BEZ in_IN love_NN C09 175 with_IN her_PP3O ._. C09 176 ^ the_ATI clef_NN of_IN this_DT roman_NN is_BEZ ready_JJ to_IN C09 176 hand_NN ,_, and_CC it_PP3 bears_VBZ C09 177 the_ATI imprint_NN not_XNOT ,_, as_CS the_ATI blurb_NN says_VBZ ,_, C09 177 of_IN major_JJ literature_NN ,_, but_CC of_IN a_AT C09 178 major_JJ litte*?2rateur_NN ._. ^ in_IN its_PP$ undisciplined_JJ C09 178 artiness_NN it_PP3 is_BEZ of_IN a_AT C09 179 piece_NN with_IN the_ATI odd_JJ ,_, vanished_JJ world_NN it_PP3 C09 179 obliquely_RB describes_VBZ ._. C09 180 ^ in_RB brief_RB" ._. C09 181 ^ by_IN Felicia_NP Lamb_NP ._. C09 182 ^ by_IN the_ATI Danube_NP ._. C09 183 ^ family_NN jewels_NNS by_IN Petru_NP Dumitriu_NP ,_, Collins_NP ,_, C09 183 21_CD \0s_NNU ._. ^ first_OD C09 184 part_NN of_IN mighty_JJ trilogy_NN about_IN peasants_NNS revolting_VBG C09 184 against_IN landed_JJ gentry_NN C09 185 in_IN late_JJ 19th-_OD and_CC early_JJ 20th-century_JJB Rumania_NP ._. ^ C09 185 formidable_JJ amassing_NN of_IN C09 186 detail_NN gives_VBZ interesting_JJ picture_NN of_IN Bucharest_NP and_CC C09 186 Danube_NP plain_NN life_NN ._. C09 187 ^ all_ABN gentry_NN characters_NNS unpleasant_JJ ,_, all_ABN peasant_NN C09 187 ones_CD1S unattractive_JJ ,_, but_CC C09 188 the_ATI whole_NN enjoyable_JJ once_CS difficult_JJ beginning_NN C09 188 surmounted_VBN ._. C09 189 ^ a_AT man_NN on_IN the_ATI roof_NN by_IN Kathleen_NP Sully_NP ,_, C09 189 Peter_NP Davies_NP ,_, 15_CD \0s_NNU C09 190 ._. ^ two_CD sprightly_JJ elderly_JJ ladies_NNS try_VB to_TO escape_VB C09 190 ghost_NN of_IN husband_NN of_IN one_CD1 of_IN C09 191 them_PP3OS and_CC recapture_VB youth_NN and_CC freedom_NN in_IN C09 191 their_PP$ flight_NN ._. ^ charming_VBG C09 192 fantasy_NN told_VBN with_IN perfect_JJ light_JJ touch_NN ._. ^ C09 192 delightful_JJ surprise_NN ending_NN ._. C09 193 ^ the_ATI silent_JJ speaker_NN by_IN Noel_NP Streatfeild_NP ,_, C09 193 Collins_NP ,_, C09 194 16_CD \0s_NNU ._. ^ neatly-constructed_JJ whydunit_NN ._. ^ members_NNS C09 194 of_IN unexpected_JJ suicide's_NN$ C09 195 last_AP carefree_JJ dinner_NN party_NN all_ABN dig_VB into_IN her_PP$ C09 195 apparently_RB blameless_JJ past_NN ._. C09 196 ^ skilful_JJ maintenance_NN of_IN suspense_NN right_RB up_RP to_IN C09 196 not-too-unlikely_JJB C09 197 solution_NN ._. ^ modern_JJ rich_JJ Londoners_NNPS well_RB observed_VBN C09 197 ._. C09 198 ^ every_AT night_NN and_CC all_ABN by_IN William_NP Miller_NP ,_, C09 198 Blond_NP ,_, 16_CD \0s_NNU ._. ^ young_JJ C09 199 Glaswegian_NNP on_IN the_ATI run_NN from_IN his_PP$ native_JJ slums_NNS C09 199 finds_VBZ London_NP can_MD mean_VB C09 200 luxury_NN *-_*- at_IN an_AT unpleasant_JJ price_NN ._. ^ convincing_JJ C09 200 Glasgow_NP beginning_NN tails_VBZ C09 201 off_RP into_IN forced_JJ ,_, happy_JJ ,_, socialistic_JJ ending_NN ,_, C09 201 excusable_JJ from_IN 27-year-old_JJB C09 202 author_NN ._. ^ bad_JJ characters_NNS good_JJ ,_, good_JJ C09 202 characters_NNS bad_JJ ._. C09 203 ^ children_NNS in_IN love_NN by_IN Moira_NP Verschoyle_NP ,_, C09 203 Hodder_NP ,_, 15_CD \0s_NNU C09 204 ._. ^ glamorous_JJ worldly-wise_JJ 17-year-old_NN disrupts_VBZ C09 204 backwoods_NNS Anglo-Irish_JNP C09 205 family_NN and_CC turns_VBZ perfect_JJ boy-and-girl_JJB friendship_NN C09 205 into_IN unhappy_JJ C09 206 adolescent_JJ triangle_NN ._. ^ tragic_JJ ending_NN to_IN a_AT C09 206 golden_JJ summer_NN in_IN well-evoked_JJ C09 207 Irish_JNP far_JJ west_NR ._. ^ perfect_JJ companion_NN to_IN a_AT C09 207 box_NN of_IN chocolates_NNS ._. C09 208 ^ the_ATI slap_NN by_IN Marion_NP Friedmann_NP ,_, Longmans_NP ,_, C09 208 15_CD \0s_NNU ._. ^ grim_JJ C09 209 exploration_NN situation_NN in_IN small_JJ South_NP African_JNP C09 209 country_NN town_NN ._. C10 2 the_ATI world_NN of_IN music_NN ._. C10 3 ^ a_AT drastic_JJ way_NN with_IN Verdi_NP ._. C10 4 ^ by_IN Desmond_NP Shawe-Taylor_NP ._. C10 5 ^ the_ATI score_NN of_IN *'_*' Falstaff_NP **'_**' seems_VBZ to_TO C10 5 have_HV ripened_VBN against_IN a_AT C10 6 warm_JJ orchard_NN wall_NN ._. ^ it_PP3 is_BEZ all_ABN juice_NN and_CC C10 6 goodness_NN ,_, firm_JJ flesh_NN and_CC sweet_JJ C10 7 tang_NN :_: at_RB once_RB" earthy_JJ and_CC heavenly_JJ ,_, mellow_JJ C10 7 and_CC zestful_JJ ,_, old_JJ and_CC young_JJ ._. C10 8 ^ this_DT is_BEZ one_CD1 of_IN music's_NN$ miracles_NNS ;_; and_CC C10 8 the_ATI miracle_NN was_BEDZ achieved_VBN by_IN C10 9 Boito's_NP$ cunning_NN and_CC Verdi's_NP$ genius_NN upon_IN the_ATI C10 9 basis_NN of_IN an_AT effective_JJ but_CC C10 10 prosaic_JJ Shakespearean_JNP farce_NN ._. C10 11 ^ Franco_NP Zeffirelli's_NP$ new_JJ production_NN ,_, unveiled_VBN C10 11 at_IN Covent_NP Garden_NPL C10 12 last_AP Wednesday_NR ,_, was_BEDZ eagerly_RB awaited_VBN after_IN C10 12 his_PP$ romantic_JJ *'_*' Lucia_NP **'_**' and_CC C10 13 his_PP$ wonderfully_RB brilliant_JJ *'_*' Cav_NP **'_**' and_CC *'_*' C10 13 Pag_NP **'_**' at_IN the_ATI same_AP house_NN *-_*- C10 14 not_XNOT to_TO mention_VB his_PP$ more_QL controversial_JJ *'_*' C10 14 Romeo_NP and_CC Juliet_NP **'_**' at_IN the_ATI Old_NP C10 15 Vic_NP ._. ^ his_PP$ *'_*' Falstaff_NP ,_, **'_**' though_CS likely_JJ C10 15 to_TO prove_VB a_AT hit_NN ,_, is_BEZ again_RB C10 16 controversial_JJ ._. ^ visually_RB ,_, it_PP3 is_BEZ inventive_JJ C10 16 and_CC often_RB lovely_JJ ._. C10 17 ^ dramatically_RB ,_, it_PP3 is_BEZ a_AT hotchpotch_NN :_: C10 17 imaginative_JJ ,_, eccentric_JJ ,_, frequently_RB C10 18 crude_JJ ._. C10 20 ^ the_ATI worst_JJT comes_VBZ near_IN the_ATI beginning_NN ._. ^ C10 20 if_CS you_PP2 can_MD accept_VB the_ATI C10 21 short_JJ opening_JJ scene_NN between_IN Falstaff_NP and_CC his_PP$ C10 21 followers_NNS ,_, the_ATI evening_NN C10 22 has_HVZ no_ATI further_JJB terrors_NNS for_IN you_PP2 ._. ^ the_ATI C10 22 style_NN here_RN is_BEZ that_DT of_IN the_ATI crazy_JJ C10 23 gang_NN ,_, though_CS without_IN their_PP$ sublime_JJ impudence_NN ;_; C10 23 for_CS if_CS \0Messrs_NPTS C10 24 Naughton_NP and_CC Gold_NP had_HVD played_VBN Pistol_NP and_CC C10 24 Bardolph_NP ,_, they_PP3AS would_MD at_RB least_RB" C10 25 have_HV stormed_VBN the_ATI royal_JJ box_NN and_CC tried_VBN on_RP a_AT C10 25 tiara_NN ._. ^ Michael_NP Langdon_NP and_CC C10 26 Robert_NP Bowman_NP could_MD only_RB rampage_VB and_CC roister_VB C10 26 around_IN the_ATI stage_NN ,_, though_CS C10 27 *'_*' only_NC **'_**' is_BEZ a_AT poor_JJ word_NN ,_, for_CS they_PP3AS C10 27 achieved_VBD a_AT good_JJ deal_NN ._. ^ for_IN C10 28 instance_NN ,_, Geraint_NP Evans's_NP$ admirable_JJ delivery_NN of_IN C10 28 the_ATI honour_NN tirade_NN was_BEDZ C10 29 effectively_RB diminished_VBN when_WRB to_IN each_DT one_CD1 of_IN C10 29 Falstaff's_NP$ rhetorical_JJ C10 30 questions_NNS Bardolph_NP ,_, from_IN beneath_IN a_AT table_NN or_CC C10 30 halfway_RB up_IN the_ATI stairs_NNS ,_, C10 31 insisted_VBD on_IN nodding_VBG a_AT tireless_JJ and_CC zany_JJ C10 31 affirmative_NN ._. C10 32 ^ thence_RB to_IN Ford's_NP$ garden_NN ,_, a_AT sort_NN of_IN inn_NN C10 32 courtyard_NN :_: striking_JJ ._. C10 33 ^ enter_VB two_CD letter-carrying_JJ wives_NNS (_( Mariella_NP C10 33 Angioletti_NP and_CC Josephine_NP C10 34 Veasey_NP )_) ,_, a_AT Dutch-doll_JJB Nannetta_NP (_( Mirella_NP C10 34 Freni_NP )_) and_CC ..._... but_CC who_WP is_BEZ this_DT ,_, C10 35 sweeping_VBG in_RP ,_, last_RB and_CC grandest_JJT ,_, like_IN a_AT C10 35 beruffed_JJ Lady_NPT Bracknell_NP ,_, with_IN C10 36 parasol_NN at_IN the_ATI slope_NN and_CC lorgnettes_NNS at_IN the_ATI C10 36 ready_JJ ?_? ^ can_MD it_PP3 be_BE our_PP$ old_JJ C10 37 friend_NN \0Mrs_NPT Quickly_NP ,_, servant_NN to_IN \0Dr_NPT Caius_NP C10 37 and_CC Eastcheap_NP hostess_NN ?_? C10 38 ^ of_RB course_RB" ,_, she_PP3A runs_VBZ the_ATI entire_JJB show_NN ;_; C10 38 the_ATI only_AP surprise_NN is_BEZ that_CS she_PP3A C10 39 did_DOD n't_XNOT get_VB a_AT letter_NN too_RB ._. ^ if_CS so_QL wild_JJ C10 39 a_AT misinterpretation_NN can_MD be_BE C10 40 tolerated_VBN ,_, she_PP3A is_BEZ capitally_RB sung_VBN and_CC C10 40 played_VBN by_IN the_ATI exuberant_JJ Regina_NP C10 41 Resnik_NP ._. C10 42 ^ that_CS \0Mrs_NPT Ford_NP hardly_RB got_VBD a_AT look_NN in_RP C10 42 was_BEDZ to_IN some_DTI extent_NN the_ATI C10 43 fault_NN of_IN Signora_NPT Angioletti_NP ,_, who_WPR on_IN the_ATI C10 43 first_OD night_NN continually_RB C10 44 allowed_VBD her_PP$ phrases_NNS to_TO vanish_VB in_IN mid-utterance_NN C10 44 as_CS though_CS" the_ATI current_NN C10 45 had_HVD been_BEN cut_VBN off_RP ._. ^ the_ATI explanation_NN can_MD C10 45 hardly_RB be_BE a_AT failure_NN of_IN voice_NN ,_, C10 46 for_CS a_AP few_AP" bars_NNS later_RBR all_ABN was_BEDZ well_JJ C10 46 again_RB ;_; I_PP1A fear_VB it_PP3 must_MD have_HV been_BEN art_NN ._. C10 48 ^ in_IN the_ATI second_OD act_NN things_NNS began_VBD to_TO C10 48 improve_VB ,_, although_CS \0Mrs_NPT C10 49 Quickly's_NP$ famous_JJ deep_JJ curtseys_NNS on_IN the_ATI word_NN C10 49 *'_*' Reverenza_&FW !_! **'_**' were_BED C10 50 turned_VBN into_IN nonsense_NN by_IN having_HVG to_TO be_BE C10 50 executed_VBN on_IN a_AT staircase_NN ._. ^ best_JJT of_IN C10 51 all_ABN was_BEDZ the_ATI great_JJ scene_NN between_IN Ford_NP and_CC C10 51 Falstaff_NP ,_, where_WRB no_ATI misplaced_JJ C10 52 ingenuity_NN was_BEDZ allowed_VBN to_TO impair_VB our_PP$ pleasure_NN C10 52 in_IN the_ATI excellent_JJ singing_NN C10 53 of_IN John_NP Shaw_NP and_CC \0Mr_NPT Evans_NP and_CC in_IN the_ATI C10 53 brilliant_JJ and_CC zestful_JJ playing_NN C10 54 of_IN the_ATI orchestra_NN under_IN Signor_NPT Giulini_NP ._. ^ the_ATI C10 54 orchestra_NN was_BEDZ throughout_RI C10 55 in_IN splendid_JJ form_NN ;_; particularly_RB at_IN the_ATI quiet_JJ C10 55 end_NN of_IN act_NN 3_CD ,_, scene_NN 1_CD1 ,_, C10 56 where_WRB the_ATI empty_JJ stage_NN and_CC darkening_JJ sky_NN ,_, C10 56 the_ATI calling_NN of_IN the_ATI distant_JJ C10 57 voices_NNS ,_, the_ATI magical_JJ chain_NN of_IN descending_JJ C10 57 harmonies_NNS and_CC the_ATI slowly_RB C10 58 closing_JJ curtains_NNS were_BED combined_VBN by_IN producer_NN and_CC C10 58 conductor_NN into_IN an_AT C10 59 exquisite_JJ theatrical_JJ unity_NN ._. C10 60 ^ the_ATI tapestried_JJ interior_NN of_IN Ford's_NP$ house_NN C10 60 made_VBD a_AT delightful_JJ C10 61 spectacle_NN ,_, and_CC the_ATI final_JJ scene_NN opened_VBD in_IN a_AT C10 61 vein_NN of_IN high_JJ romance_NN ,_, with_IN C10 62 pale_JJ shafts_NNS of_IN moonlight_NN striking_VBG across_IN the_ATI C10 62 forest_NN glade_NN ;_; but_CC on_IN the_ATI C10 63 arrival_NN of_IN the_ATI fairies_NNS Herne's_NP$ oak_NN split_VBD C10 63 asunder_RB and_CC soared_VBD aloft_RB ,_, C10 64 never_RB to_TO be_BE seen_VBN again_RB ._. ^ we_PP1AS found_VBD C10 64 ourselves_PPLS back_RP in_IN the_ATI inn_NN C10 65 courtyard_NN *-_*- but_CC a_AT courtyard_NN transformed_VBN into_IN C10 65 such_ABL a_AT dream-pageant_NN as_CS C10 66 might_MD have_HV been_BEN conjured_VBN up_RP by_IN a_AT Chagall_NP C10 66 given_VBN unlimited_JJ funds_NNS to_TO C10 67 stage_VB a_AT party_NN for_IN \0Mr_NPT Bestegui_NP or_CC \0Mr_NPT C10 67 Onassis_NP ._. C10 68 ^ somewhere_RB in_IN the_ATI course_NN of_IN all_ABN this_DT *-_*- C10 68 the_ATI clowning_NN and_CC the_ATI C10 69 prettiness_NN ,_, the_ATI slapstick_NN and_CC whimsy_NN and_CC C10 69 phantasmagoria_NN *-_*- Verdi's_NP$ C10 70 simplicity_NN and_CC honesty_NN have_HV fallen_VBN by_IN the_ATI C10 70 wayside_NN ._. ^ but_CC the_ATI C10 71 compensations_NNS are_BER great_JJ ,_, especially_RB on_IN the_ATI C10 71 musical_JJ side_NN *-_*- and_CC I_PP1A fear_VB C10 72 it_PP3 is_BEZ the_ATI kind_NN of_IN showy_JJ production_NN that_WPR C10 72 makes_VBZ such_ABL a_AT phrase_NN seem_VB C10 73 natural_JJ ._. ^ great_JJ pleasure_NN is_BEZ given_VBN by_IN Luigi_NP C10 73 Alva_NP and_CC Signora_NPT Freni_NP as_IN C10 74 the_ATI young_JJ lovers_NNS ._. ^ Signor_NPT Giulini_NP excels_VBZ C10 74 in_IN the_ATI purely_RB lyrical_JJ music_NN ,_, C10 75 and_CC the_ATI details_NNS are_BER always_RB handled_VBN with_IN C10 75 loving_JJ care_NN ;_; where_WRB breadth_NN and_CC C10 76 robustness_NN are_BER demanded_VBN he_PP3A is_BEZ sometimes_RB less_QL C10 76 happy_JJ ._. ^ \0Mr_NPT Evans_NP C10 77 continues_VBZ to_TO ripen_VB and_CC improve_VB his_PP$ distinguished_JJ C10 77 Falstaff_NP ,_, but_CC we_PP1AS C10 78 can_MD not_XNOT expect_VB to_TO see_VB this_DT impersonation_NN at_IN C10 78 its_PP$ best_JJT until_CS it_PP3 figures_VBZ C10 79 within_IN a_AT less_QL confusing_JJ framework_NN ._. C10 81 ^ the_ATI Welsh_JNP national_JJ opera_NN company_NN began_VBD an_AT C10 81 enterprising_JJ week_NN C10 82 of_IN opera_NN at_IN Sadler's_NP$ Wells_NP with_IN two_CD much_RB C10 82 earlier_JJR Verdi_NP operas_NNS :_: the_ATI C10 83 *'_*' Nabucco_NP **'_**' of_IN 1842_CD and_CC *'_*' la_&FW C10 83 battaglia_&FW di_&FW Legnano_&FW **'_**' of_IN 1849_CD ._. C10 84 ^ both_ABX were_BED accompanied_VBN by_IN the_ATI Bournemouth_NP C10 84 orchestra_NN and_CC conducted_VBN by_IN C10 85 Charles_NP Groves_NP with_IN no_ATI very_QL marked_JJ feeling_NN for_IN C10 85 the_ATI appropriate_JJ style_NN ._. C10 86 ^ *'_*' Nabucco_NP **'_**' was_BEDZ in_IN all_ABN essentials_NNS C10 86 the_ATI production_NN that_WPR has_HVZ been_BEN seen_VBN C10 87 in_IN London_NP twice_RB before_RI ,_, but_CC it_PP3 is_BEZ now_RN C10 87 distinguished_VBN by_IN a_AT new_JJ Abigail_NP C10 88 (_( Elizabeth_NP Vaughan_NP )_) who_WPR tackled_VBD her_PP$ very_QL C10 88 difficult_JJ music_NN with_IN C10 89 remarkable_JJ aplomb_NN and_CC accuracy_NN ,_, if_CS she_PP3A can_MD C10 89 enrich_VB her_PP$ timbre_NN she_PP3A might_MD C10 90 go_VB far_RB ._. ^ both_ABX operas_NNS are_BER full_JJ of_IN C10 90 stirring_JJ choral_JJ scenes_NNS ,_, sung_VBN C10 91 vigorously_RB but_CC with_IN a_AT faulty_JJ sense_NN of_IN legato_NN C10 91 by_IN the_ATI Welsh_JNP choir_NN ._. C10 92 ^ drastic_JJ treatment_NN was_BEDZ again_RB meted_VBN out_RP to_IN C10 92 Verdi_NP in_IN *'_*' la_&FW C10 93 battaglia_&FW di_&FW Legnano_&FW ,_, **'_**' which_WDTR lost_VBD C10 93 all_ABN connection_NN with_IN what_WDT the_ATI C10 94 press_NN statement_NN called_VBD *'_*' a_AT rather_RB dated_JJ C10 94 incident_NN in_IN the_ATI 12th_OD C10 95 century_NN **'_**' and_CC was_BEDZ lugged_VBN forward_RB into_IN C10 95 modern_JJ times_NNS by_IN John_NP Moody_NP ,_, to_TO C10 96 become_VB an_AT episode_NN of_IN the_ATI Italian_JNP resistance_NN C10 96 during_IN the_ATI German_JNP C10 97 occupation_NN ._. ^ modern_JJ diction_NN and_CC ways_NNS of_IN C10 97 thought_NN were_BED ,_, however_RB ,_, not_XNOT C10 98 consistently_RB adopted_VBN ._. ^ in_IN one_CD1 of_IN Verdi's_NP$ C10 98 furious_JJ cabalettas_NNS (_( husband_NN C10 99 discovering_VBG wife's_NN$ supposed_JJ infidelity_NN )_) ~ *'_*' C10 99 trema_&FW !_! trema_&FW !_! coppia_&FW C10 100 esecrata_&FW !_! **'_**' became_VBD ~ *'_*' damn_VB you_PP2 !_! damn_VB C10 100 you_PP2 !_! pair_NN of_IN dirty_JJ liars_NNS !_! **'_**' ;_; C10 101 but_CC when_WRB the_ATI wife_NN popped_VBD a_AT compromising_JJ C10 101 letter_NN into_IN her_PP$ *'_*' bosom_NN C10 102 **'_**' (_( standard_JJ post-box_NN for_IN operatic_JJ missives_NNS )_) C10 102 ,_, it_PP3 instantly_RB *'_*' stung_VBD her_PP3O C10 103 like_IN a_AT serpent_NN ._. **'_**' C10 104 ^ notwithstanding_IN such_ABL quaint_JJ distractions_NNS ,_, the_ATI C10 104 power_NN and_CC the_ATI C10 105 beauty_NN of_IN Verdi's_NP$ invention_NN in_IN the_ATI last_AP two_CD C10 105 acts_NNS could_MD be_BE perceived_VBN ._. C10 106 ^ the_ATI best_JJT singing_NN came_VBD from_IN Heather_NP Harper_NP ._. C10 107 ^ the_ATI Welsh_JNP opera_NN continues_VBZ to_TO deserve_VB our_PP$ C10 107 gratitude_NN ,_, but_CC could_MD C10 108 learn_VB much_AP in_IN the_ATI way_NN of_IN vocal_JJ style_NN from_IN C10 108 a_AT surprisingly_RB vocal_JJ C10 109 performance_NN of_IN Rossini's_NP$ *'_*' Otello_NP **'_**' by_IN C10 109 the_ATI Philopera_NP circle_NN at_IN \0St_NPT C10 110 Pancras_NP on_IN Friday_NR ,_, about_IN which_WDTR I_PP1A hope_VB to_TO C10 110 add_VB a_AT word_NN or_CC two_CD next_AP week_NN ._. C10 111 ^ Welsh_JNP night_NN ._. C10 112 ^ between_IN them_PP3OS ,_, Cardiff_NP and_CC \0St_NPT Pancras_NP C10 112 ensure_VB that_CS not_XNOT a_AT C10 113 note_NN written_VBN by_IN Verdi_NP remains_VBZ unheard_JJ in_IN C10 113 London_NP ._. ^ meanwhile_RB ,_, thanks_IN to_IN" C10 114 the_ATI Welsh_JNP national_JJ opera_NN company_NN for_IN bringing_VBG C10 114 ,_, if_CS only_RB for_IN a_AT single_JJ C10 115 May_NR night_NN ,_, another_DT Rimsky-Korsakov_NP opera_NN to_IN C10 115 Sadler's_NP$ Wells_NP ,_, a_AT theatre_NN C10 116 which_WDTR knew_VBD *'_*' snow_NN maiden_NN **'_**' and_CC *'_*' C10 116 Tsar_NPT Saltan_NP **'_**' in_IN pre-war_JJB days_NNS ._. C10 117 ^ *'_*' May_NR night_NN ,_, **'_**' a_AT folksy_JJ precursor_NN C10 117 of_IN the_ATI more_QL sophisticated_JJ C10 118 orientalisms_NNS of_IN *'_*' Sadko_NP **'_**' and_CC *'_*' the_ATI C10 118 golden_JJ cockerel_NN ,_, **'_**' proved_VBD a_AT C10 119 happy_JJ choice_NN ,_, with_IN the_ATI pleasing_JJ voices_NNS of_IN C10 119 John_NP Wakefield_NP (_( Levko_NP )_) ,_, Iona_NP C10 120 Jones_NP (_( Anna_NP )_) and_CC Heather_NP Harper_NP (_( Queen_NPT C10 120 of_IN the_ATI Roussalki_NPS )_) well-suited_JJ C10 121 to_IN its_PP$ melodic_JJ grace_NN ._. ^ the_ATI male_JJ topers_NNS ,_, C10 121 too_RB ,_, Harold_NP Blackburn_NP ,_, Laurie_NP C10 122 Payne_NP and_CC Stephen_NP Manton_NP ,_, entered_VBD into_IN the_ATI C10 122 spirit_NN of_IN the_ATI piece_NN ,_, but_CC C10 123 not_XNOT Phyllis_NP Ash_NP Child's_NP$ completely_RB un-shrewish_JJ C10 123 sister-in-law_NN ._. C10 124 ^ Sally_NP Hulke's_NP$ sets_NNS and_CC John_NP Moody's_NP$ C10 124 production_NN ,_, like_IN the_ATI chorus_NN ,_, C10 125 provided_VBD more_QL acceptable_JJ contributions_NNS than_IN the_ATI C10 125 Bournemouth_NP symphony_NN C10 126 orchestra_NN ,_, whose_WP$R neat_JJ rhythmic_JJ response_NN to_IN C10 126 Charles_NP Makerras's_NP$ C10 127 conducting_NN was_BEDZ too_QL often_RB wide_JJ of_IN the_ATI mark_NN C10 127 in_IN pitch_NN ._. C10 128 ^ Boito's_NP$ *'_*' Mefistofele_NP **'_**' remains_VBZ the_ATI C10 128 company's_NN$ most_QL imaginative_JJ C10 129 production_NN ._. ^ triumphing_VBG ingeniously_RB over_IN space_NN ,_, C10 129 it_PP3 depicts_VBZ heaven_NN and_CC C10 130 a_AT witches'_NNS$ sabbath_NN as_QL successfully_RB as_IN Faust's_NP$ C10 130 study_NN ._. ^ Raimund_NP Herinex_NP C10 131 has_HVZ ,_, again_RB ,_, the_ATI right_JJ voice_NN and_CC manner_NN C10 131 for_IN the_ATI prince_NN of_IN evil_NN ,_, but_CC C10 132 rejuvenation_NN brings_VBZ Tano_NP Ferendino's_NP$ Faust_NP no_ATI C10 132 increased_JJ vocal_JJ C10 133 confidence_NN ._. ^ under_IN Warwick_NP Braithwaite_NP the_ATI C10 133 orchestra_NN recovered_VBD pitch_NN ,_, C10 134 while_CS sagging_JJ intonation_NN crossed_VBD the_ATI footlights_NNS C10 134 ,_, weighing_VBG heavier_RBR on_IN C10 135 the_ATI angelic_JJ chorus_NN of_IN the_ATI prologue_NN than_IN C10 135 their_PP$ golden_JJ wings_NNS ._. C10 136 ^ \0F_NP \0A_NP C10 137 ._. ^ ballet_NN ._. C10 138 ^ by_IN Richard_NP Buckle_NP ._. C10 139 ^ what_WDT every_AT guru_NN knows_VBZ ._. C10 140 ^ on_IN Wednesday_NR night_NN ,_, when_WRB my_PP$ pampered_JJ C10 140 colleagues_NNS were_BED borne_VBN in_IN C10 141 their_PP$ capacious_JJ palanquins_NNS either_DTX to_IN *-_*- C10 141 Zeffirelli's_NP$ (_( Verdi's_NP$ C10 142 (_( Shakespeare's_NP$ )_) )_) *-_*- *'_*' Falstaff_NP **'_**' or_CC C10 142 to_TO see_VB those_DTS onychophorous_JJ C10 143 ootocoids_NNS at_IN the_ATI Fortune_NP ,_, this_DT Cinderella_NP C10 143 among_IN critics_NNS made_VBD his_PP$ way_NN C10 144 alone_JJ and_CC on_IN foot_NN to_TO watch_VB Indian_JNP dancing_NN C10 144 at_IN La_NP Scala_NP in_IN Charlotte_NP C10 145 Street_NPL ._. C10 147 ^ now_RN ,_, though_CS I_PP1A would_MD not_XNOT go_VB as_QL far_RB C10 147 as_CS to_TO agree_VB with_IN the_ATI C10 148 programme_NN that_CS the_ATI technique_NN of_IN Kamala_NP ,_, the_ATI C10 148 eldest_JJT of_IN the_ATI three_CD C10 149 sisters_NNS performing_VBG ,_, *'_*' is_BEZ in_IN the_ATI enveable_JJ C10 149 position_NN of_IN being_BEG above_IN C10 150 controversy_NN ,_, **'_**' she_PP3A has_HVZ learnt_VBN some_DTI of_IN C10 150 Bharata_NP Natya_NP and_CC she_PP3A gets_VBZ by_RP ._. C10 151 ^ Radha_NP and_CC Vasanti_NP are_BER graceful_JJ ,_, too_RB ._. ^ C10 151 it_PP3 is_BEZ how_WRB their_PP$ brother_NN \0Mr_NPT C10 152 Kumar_NP got_VBD on_IN stage_NN that_CS beats_VBZ me_PP1O *-_*- C10 152 unless_CS ,_, of_RB course_RB" ,_, he_PP3A is_BEZ really_RB C10 153 Peter_NP Sellers_NP ._. ^ from_IN his_PP$ performance_NN ,_, I_PP1A C10 153 guessed_VBD that_CS ,_, watching_VBG his_PP$ kid_NN C10 154 sisters_NNS perfecting_VBG themselves_PPLS in_IN their_PP$ art_NN ,_, C10 154 he_PP3A suddenly_RB could_MD n't_XNOT bear_VB C10 155 not_XNOT to_TO be_BE in_RP on_IN it_PP3 too_RB ,_, and_CC finally_RB C10 155 forbade_VBD them_PP3OS to_TO appear_VB without_IN C10 156 him_PP3O ._. ^ there_EX can_MD be_BE no_ATI doubt_NN that_CS ,_, C10 156 like_IN Romeo_NP Coates_NP ,_, he_PP3A believes_VBZ C10 157 utterly_RB in_IN his_PP$ mission_NN ._. ^ *'_*' dance_NN inspires_VBZ C10 157 him_PP3O ceaselessly_RB to_TO strive_VB C10 158 higher_RBR and_CC higher_RBR towards_IN the_ATI shining_JJ pinnacle_NN C10 158 of_IN perfection_NN that_WPR is_BEZ C10 159 the_ATI goal_NN of_IN every_AT artiste_NN ._. **'_**' C10 160 ^ Kathak_NP ,_, with_IN its_PP$ swift_JJ spins_NNS ,_, is_BEZ C10 160 what_WDT bedizened_JJ boys_NNS used_VBD to_TO C10 161 dance_VB before_IN Mogul_NP Emperors_NPTS ._. ^ \0Mr_NPT Kumar_NP C10 161 rashly_RB did_DOD it_PP3 stripped_VBD to_IN C10 162 the_ATI waist_NN ,_, his_PP$ long_JJ hair_NN arranged_VBN in_IN an_AT C10 162 untidy_JJ bird's-nest_NN ._. ^ he_PP3A never_RB C10 163 got_VBD up_RP much_AP speed_NN ,_, and_CC made_VBD few_AP turns_NNS ._. C10 163 ^ what_WDT he_PP3A did_DOD do_DO was_BEDZ to_TO fix_VB us_PP1OS C10 164 with_IN a_AT basilisk_NN stare_NN ,_, make_VB odd_JJ pointing_JJ C10 164 gestures_NNS and_CC keep_VB improvising_VBG C10 165 for_IN about_RB twenty_CD minutes_NNS ._. ^ a_AT polite_JJ attempt_NN C10 165 to_TO drive_VB him_PP3O offstage_RB with_IN C10 166 a_AT burst_NN of_IN applause_NN only_RB spurred_VBD him_PP3O to_TO C10 166 go_VB on_RP and_CC on_RP ._. C10 167 ^ eventually_RB his_PP$ attention_NN wandered_VBD from_IN his_PP$ C10 167 work_NN ,_, and_CC his_PP$ eye_NN hit_VBD C10 168 on_IN a_AT ground_NN mike_NN near_IN the_ATI footlights_NNS ._. ^ C10 168 he_PP3A had_HVD a_AT bright_JJ idea_NN ._. ^ he_PP3A C10 169 stopped_VBD dancing_VBG ,_, pulled_VBD the_ATI mike_NN upstage_RB C10 169 and_CC ,_, indicating_VBG his_PP$ anklets_NNS C10 170 of_IN bells_NNS ,_, told_VBD us_PP1OS ^ *'_*' now_RN I_PP1A will_MD C10 170 make_VB you_PP2 hear_VB one_CD1 bell_NN *-_*- just_RB one_CD1 C10 171 bell_NN ,_, not_XNOT four_CD hundred_CD ._. **'_**' ^ starting_VBG C10 171 with_IN the_ATI full_JJ carillon_NN (_( if_CS C10 172 someone_PN had_HVD not_XNOT turned_VBN off_RP the_ATI mike_NN we_PP1AS C10 172 should_MD have_HV been_BEN deafened_VBN )_) he_PP3A C10 173 went_VBD into_IN a_AT shuddering_JJ Antonio-type_JJB diminuendo_NN ._. ^ C10 173 even_RB so_RB I_PP1A heard_VBD not_XNOT C10 174 one_CD1 bell_NN ,_, but_CC at_RB least_RB" six_CD ._. ^ then_RN he_PP3A C10 174 started_VBD dancing_VBG again_RB ._. C10 176 ^ the_ATI able_JJ drummer_NN ,_, the_ATI flautist_NN who_WPR C10 176 was_BEDZ *'_*' a_AT worthy_JJ disciple_NN C10 177 to_IN the_ATI great_JJ living_JJ flute_NN wizard_NN Sri_NP \0T_NP C10 177 \0R_NP Mahalingam_NP ,_, *'_*' Mali_NP to_IN C10 178 his_PP$ innumerable_JJ fans_NNS **'_**' ,_, **'_**' and_CC the_ATI C10 178 nice_JJ lady_NN singer_NN who_WPR let_VBD it_PP3 be_BE C10 179 known_VBN that_CS she_PP3A was_BEDZ *'_*' married_VBN to_IN \0Mr_NPT C10 179 Narian_NP who_WPR was_BEDZ a_AT dancing_NN partner_NN C10 180 to_IN the_ATI veteran_NN dancer_NN \0Mr_NPT Ramgopal_NP **'_**' C10 180 seemed_VBD embarrassed_JJ ._. ^ and_CC I_PP1A C10 181 exchanged_VBD looks_NNS with_IN a_AT neighbour_NN who_WPR happened_VBD C10 181 to_TO be_BE a_AT one-year-old_JJB C10 182 (_( yes_UH )_) Indian_JNP boy_NN in_IN a_AT white_JJ fur_NN coat_NN ._. C10 183 ^ records_NNS ._. C10 184 ^ hands_NNS and_CC feet_NNS ._. C10 185 ^ by_IN Felix_NP Aprahamian_NP ._. C10 186 ^ recording_NN companies_NNS no_RB longer_RBR neglect_VB the_ATI C10 186 King_NPT of_IN C10 187 instruments_NNS ,_, and_CC the_ATI recent_JJ spate_NN of_IN organ_NN C10 187 records_NNS reflects_VBZ the_ATI C10 188 younger_JJR and_CC more_QL discriminating_JJ organ_NN fanciers'_NNS$ C10 188 demands_NNS for_IN C10 189 authenticity_NN of_IN timbre_NN and_CC interpretation_NN ._. C10 190 ^ the_ATI fascination_NN as_CC well_CC" as_CC" the_ATI bugbear_NN C10 190 of_IN the_ATI organ_NN is_BEZ that_CS no_ATI C10 191 two_CD are_BER alike_JJ in_IN specification_NN or_CC sound_NN ,_, so_CS C10 191 that_CS" discs_NNS of_IN organ_NN music_NN C10 192 played_VBN on_IN the_ATI very_AP instrument_NN for_IN which_WDTR it_PP3 C10 192 was_BEDZ conceived_VBN deserve_VB an_AT C10 193 especial_JJ welcome_NN ._. ^ some_DTI ,_, of_RB course_RB" ,_, C10 193 remain_VB curiosities_NNS rather_RB than_IN C10 194 performances_NNS :_: Widor_NP was_BEDZ an_AT octogenarian_NN when_WRB C10 194 he_PP3A recorded_VBD his_PP$ toccata_NN ,_, C10 195 the_ATI organist's_NN$ warhorse_NN ,_, at_IN Saint-Sulpice_NP ._. ^ C10 195 now_RN ,_, his_PP$ pupil_NN and_CC C10 196 successor_NN ,_, Marcel_NP Dupre*?2_NP ,_, himself_PPL in_IN his_PP$ C10 196 seventies_CDS and_CC a_AT pioneer_NN of_IN C10 197 organ_NN records_NNS ,_, has_HVZ re-recorded_VBN it_PP3 there_RN in_IN C10 197 a_AT coupling_NN with_IN Widor's_NP$ C10 198 fifth_OD and_CC *'_*' Gothic_JNP **'_**' symphonies_NNS which_WDTR C10 198 shows_VBZ how_WRB well_RB his_PP$ master_NN C10 199 *'_*' scored_VBD **'_**' for_IN his_PP$ beloved_JJ Cavaille*?2-Coll_NP C10 199 instrument_NN ._. C10 200 ^ (_( Westminster_NP *-_*- mono_JJ only_RB ._. )_) C10 202 ^ Mercury_NP issue_VB five_CD discs_NNS of_IN Dupre*?2_NP at_IN C10 202 Saint-Sulpice_NP ,_, of_IN C10 203 which_WDTR two_CD are_BER of_IN particular_JJ interest_NN ,_, \0Vol_NN C10 203 2_CD consisting_VBG entirely_RB of_IN C10 204 his_PP$ own_AP music_NN ,_, and_CC \0Vol_NN 5_CD which_WDTR also_RB C10 204 includes_VBZ *'_*' les_&FW bergers_&FW ,_, **'_**' C10 205 by_IN his_PP$ one-time_JJB pupil_NN Olivier_NP Messaien_NP ._. ^ C10 205 noisy_JJ surfaces_NNS ,_, but_CC the_ATI right_JJ C10 206 kind_NN of_IN noise_NN behind_IN them_PP3OS ._. C10 207 ^ another_DT Dupre*?2_NP pupil_NN ,_, the_ATI Belgian_NNP Flor_NP C10 207 Peeters_NP ,_, has_HVZ recorded_VBN C10 208 some_DTI pre-Bach_JJB organ_NN music_NN from_IN north_NR Germany_NP C10 208 and_CC the_ATI Netherlands_NP on_IN C10 209 the_ATI Schnitger_NP rebuild_NN at_IN \0St_NPT Michael's_NP$ ,_, C10 209 Zwolle_NP ._. ^ clearer_JJR C10 210 music_NN and_CC a_AT clearer_JJR sound_NN ._. ^ a_AT splendid_JJ C10 210 record_NN ._. ^ (_( \0HMV_NP *-_*- mono_JJ ._. )_) C11 2 ^ that_DT novel_NN by_IN the_ATI tutor_NN in_IN moral_JJ philosophy_NN C11 2 raises_VBZ an_AT intriguing_JJ C11 3 question_NN ._. C11 4 ^ why_WRB has_HVZ this_DT face_NN appeared_VBN among_IN the_ATI C11 4 best-sellers_NNS ?_? C11 5 ^ the_ATI book_NN page_NN *-_*- by_IN Robert_NP Pitman_NP ._. C11 7 ^ perhaps_RB you_PP2 recognise_VB that_DT heavy_JJ and_CC C11 7 somewhat_RB sullen_JJ face_NN on_IN C11 8 the_ATI left_NN ._. ^ if_CS you_PP2 are_BER fond_JJ of_IN being_BEG C11 8 in_IN the_ATI fashion_NN you_PP2 certainly_RB ought_MD C11 9 to_TO ._. C11 10 ^ for_IN weeks_NNS now_RN those_DTS thick-lidded_JJ and_CC C11 10 decidedly_RB untwinkling_JJ eyes_NNS C11 11 have_HV stared_VBN out_RP at_IN the_ATI readers_NNS of_IN a_AT C11 11 succession_NN of_IN heavy_JJ literary_JJ C11 12 magazines_NNS and_CC review_NN pages_NNS ._. ^ for_IN weeks_NNS the_ATI C11 12 owner_NN of_IN the_ATI face_NN has_HVZ had_HVN C11 13 her_PP$ name_NN at_IN the_ATI top_NN of_IN the_ATI list_NN of_IN C11 13 best-selling_JJT novelists_NNS ._. C11 14 ^ she_PP3A is_BEZ Miss_NPT Iris_NP Murdoch_NP ,_, tutor_NN in_IN C11 14 moral_JJ philosophy_NN at_IN \0St_NPT C11 15 Anne's_NP$ College_NPL ,_, Oxford_NP ;_; wife_NN of_IN \0Mr_NPT John_NP C11 15 Bayley_NP ,_, a_AT fellow_JJB don_NN ;_; and_CC C11 16 author_NN of_IN a_AT severed_JJ head_NN ,_, which_WDTR was_BEDZ C11 16 published_VBN in_IN June_NR amid_IN a_AT loud_JJ C11 17 cooing_NN of_IN intellectual_JJ approval_NN ._. C11 18 ^ Miss_NPT Murdoch_NP is_BEZ the_ATI author_NN of_IN several_AP C11 18 books_NNS ._. ^ yet_RB suddenly_RB ,_, with_IN C11 19 her_PP$ fifth_OD novel_NN ,_, she_PP3A has_HVZ been_BEN sifted_VBN C11 19 out_RP by_IN the_ATI priests_NNS of_IN culture_NN for_IN C11 20 their_PP$ own_AP honours_NNS list_NN ._. ^ her_PP$ name_NN has_HVZ C11 20 acquired_VBN an_AT almost_RB visible_JJ halo_NN ._. C11 21 ^ for_IN those_DTS who_WPR wish_VB to_TO impress_VB ,_, it_PP3 C11 21 can_MD now_RN be_BE plopped_VBN confidently_RB C11 22 into_IN a_AT conversation_NN like_IN French_JNP seasoning_NN upon_IN C11 22 a_AT salad_NN ._. C11 23 ^ soon_RB those_DTS who_WPR can_MD not_XNOT quite_RB afford_VB C11 23 Scandinavian_JNP cutlery_NN or_CC C11 24 furniture_NN from_IN Heals_NP will_MD have_HV the_ATI latest_JJT C11 24 Iris_NP Murdoch_NP in_IN their_PP$ C11 25 sitting-rooms_NNS instead_RB ._. C11 26 ^ and_CC soon_RB ,_, no_ATI doubt_NN ,_, an_AT interviewer_NN C11 26 from_IN the_ATI \0B.B.C_NP programme_NN C11 27 *'_*' monitor_NN **'_**' will_MD be_BE leading_VBG \0TV_NN cameras_NNS C11 27 around_IN Miss_NPT Murdoch's_NP$ C11 28 house_NN at_IN Steeple_NP Aston_NP outside_IN Oxford_NP with_IN the_ATI C11 28 awed_JJ ,_, hushed_JJ tread_NN C11 29 appropriate_JJ to_IN a_AT cathedral_NN ._. C11 30 ^ degenerate_JJ ._. C11 31 ^ yet_RB ,_, despite_IN all_ABN this_DT attention_NN ,_, no_PN C11 31 one_PN" has_HVZ mentioned_VBN the_ATI C11 32 really_RB outstanding_JJ characteristic_NN of_IN Miss_NPT Murdoch's_NP$ C11 32 new_JJ novel_NN ._. C11 33 ^ it_PP3 is_BEZ not_XNOT its_PP$ style_NN ,_, which_WDTR is_BEZ C11 33 often_RB pretentious_JJ and_CC sometimes_RB a_RB C11 34 little_RB" lame_JJ ._. C11 35 ^ it_PP3 is_BEZ not_XNOT its_PP$ characters_NNS ,_, which_WDTR C11 35 are_BER unbelievable_JJ ,_, nor_CC its_PP$ C11 36 background_NN ,_, which_WDTR is_BEZ inaccurate_JJ and_CC unreal_JJ ._. C11 37 ^ it_PP3 is_BEZ the_ATI fact_NN that_CS this_DT story_NN from_IN C11 37 the_ATI Oxford_NP moral_JJ philosophy_NN C11 38 department_NN is_BEZ ,_, by_IN the_ATI standards_NNS of_IN most_AP C11 38 people_NNS ,_, utterly_RB degenerate_JJ ._. C11 39 ^ that_DT is_BEZ an_AT epithet_NN I_PP1A rarely_RB use_VB on_IN C11 39 this_DT page_NN ._. ^ even_RB when_WRB it_PP3 is_BEZ C11 40 justified_VBN the_ATI best_JJT criticism_NN is_BEZ usually_RB C11 40 silence_NN ._. ^ there_EX are_BER too_QL many_AP C11 41 booksellers_NNS ,_, not_XNOT all_ABN by_IN any_DTI means_NNS in_IN C11 41 the_ATI back_JJB streets_NNS ,_, who_WPR gloat_VB over_IN C11 42 condemnation_NN of_IN their_PP$ wares_NNS with_IN the_ATI relish_NN C11 42 with_IN which_WDTR some_DTI film_NN C11 43 distributors_NNS greet_VB an_AT *'_*' X_ZZ **'_**' certificate_NN ._. C11 44 ^ yet_RB a_AT severed_JJ head_NN has_HVZ already_RB been_BEN C11 44 given_VBN its_PP$ *'_*' X_ZZ **'_**' by_IN the_ATI C11 45 mandarin_NN reviewers_NNS ._. ^ their_PP$ coy_JJ or_CC leering_JJ C11 45 references_NNS to_IN its_PP$ plot_NN have_HV C11 46 kept_VBN it_PP3 selling_VBG well_RB for_IN weeks_NNS on_IN end_NN ._. ^ C11 46 I_PP1A do_DO not_XNOT feel_VB it_PP3 out_RP of_IN place_NN C11 47 to_TO offer_VB a_AT corrective_NN ._. C11 48 ^ pleased_JJ ._. C11 49 ^ a_AT severed_JJ head_NN is_BEZ the_ATI story_NN of_IN a_AT wine_NN C11 49 merchant_NN named_VBN Martin_NP C11 50 Lynch-Gibbon_NP ._. ^ we_PP1AS meet_VB him_PP3O first_RB of_IN all_ABN C11 50 watching_VBG his_PP$ mistress_NN ,_, Georgie_NP C11 51 Hands_NP ,_, while_CS (_( *'_*' with_IN a_AT tense_JJ demure_JJ C11 51 consciousness_NN **'_**' of_IN his_PP$ gaze_NN )_) C11 52 she_PP3A draws_VBZ on_RP the_ATI peacock-blue_JJ stockings_NNS C11 52 which_WDTR Lynch-Gibbon_NP has_HVZ given_VBN C11 53 her_PP3O ._. C11 54 ^ Lynch-Gibbon_NP is_BEZ pleased_JJ with_IN life_NN ._. ^ his_PP$ C11 54 wife_NN Antonia_NP ,_, though_CS a_AP C11 55 few_AP" years_NNS older_JJR than_CS he_PP3A is_BEZ ,_, is_BEZ C11 55 beautiful_JJ ,_, intellectually_RB stimulating_JJ *-_*- C11 56 and_CC knows_VBZ nothing_PN about_IN Georgie_NP ._. ^ then_RN ,_, C11 56 piece_NN by_IN piece_NN ,_, Lynch-Gibbon's_NP$ C11 57 complacency_NN is_BEZ shattered_VBN ._. C11 58 ^ Antonia_NP falls_VBZ in_IN love_NN with_IN her_PP$ American_JNP C11 58 psychiatrist_NN and_CC goes_VBZ to_TO C11 59 live_VB with_IN him_PP3O ._. ^ the_ATI psychiatrist's_NN$ ugly_JJ C11 59 but_CC mysterious_JJ half-sister_NN ,_, C11 60 Honor_NP Klein_NP ,_, also_RB upsets_VBZ Lynch-Gibbon_NP by_IN C11 60 finding_VBG out_RP about_IN Georgie_NP and_CC C11 61 telling_VBG Antonia_NP ._. C11 62 ^ a_AT penitent_JJ Lynch-Gibbon_NP is_BEZ severely_RB rebuked_VBN C11 62 by_IN his_PP$ wife_NN and_CC her_PP$ C11 63 psychiatrist_NN lover_NN for_IN deceiving_VBG them_PP3OS over_IN C11 63 Georgie_NP ._. ^ then_RN Lynch-Gibbon_NP C11 64 has_HVZ a_AT fight_NN with_IN Honor_NP Klein_NP in_IN a_AT cellar_NN C11 64 (_( *'_*' she_PP3A came_VBD against_IN me_PP1O with_IN C11 65 both_ABX hands_NNS pushing_VBG and_CC clawing_VBG ,_, and_CC C11 65 endeavoured_VBD to_TO drive_VB her_PP$ knee_NN into_IN C11 66 my_PP$ stomach_NN ._. **'_**' )_) ._. C11 67 ^ after_IN this_DT encounter_NN ,_, Lynch-Gibbon_NP decides_VBZ C11 67 that_CS he_PP3A is_BEZ C11 68 fascinated_VBN with_IN the_ATI rather_RB repellent_JJ Miss_NPT Klein_NP C11 68 ._. ^ he_PP3A goes_VBZ to_IN her_PP$ house_NN C11 69 in_IN Cambridge_NP ,_, gets_VBZ in_RP through_IN an_AT open_JJ door_NN C11 69 ,_, and_CC finds_VBZ her_PP3O in_IN bed_NN with_IN C11 70 her_PP$ psychiatrist_NN half-brother_NN ._. C11 71 ^ before_CS the_ATI book_NN ends_VBZ Georgie_NP gives_VBZ C11 71 herself_PPL first_RB to_IN C11 72 Lynch-Gibbon's_NP$ brother_NN ,_, Alexander_NP ,_, and_CC then_RN to_IN C11 72 the_ATI psychiatrist_NN ._. C11 73 ^ Antonia_NP leaves_VBZ the_ATI psychiatrist_NN for_IN her_PP$ C11 73 brother-in-law_NN Alexander_NP ._. C11 74 ^ and_CC Lynch-Gibbon_NP is_BEZ left_VBN with_IN the_ATI incestuous_JJ C11 74 ,_, slightly-moustached_JJB C11 75 Miss_NPT Klein_NP ._. C11 76 ^ I_PP1A should_MD also_RB mention_VB that_CS in_IN addition_NN C11 76 to_IN all_ABN these_DTS humourless_JJ C11 77 couplings_NNS Lynch-Gibbon_NP suffers_VBZ from_IN a_AT homosexual_JJ C11 77 liking_NN for_IN the_ATI C11 78 psychiatrist_NN too_RB ._. C11 79 ^ such_ABL is_BEZ the_ATI novel_NN which_WDTR \0Mr_NPT Cyril_NP C11 79 Connolly_NP greeted_VBD as_IN *'_*' a_AT C11 80 heaven-sent_JJ gift_NN **'_**' and_CC which_WDTR led_VBD \0Mr_NPT C11 80 Alan_NP Pryce-Jones_NP to_TO exclaim_VB C11 81 ~ *'_*' she_PP3A triumphs_VBZ ,_, **'_**' and_CC \0Mr_NPT Kenneth_NP C11 81 Allsop_NP ,_, the_ATI *'_*' tonight_NR C11 82 **'_**' interviewer_NN ,_, to_TO give_VB as_IN his_PP$ judgment_NN :_: ^ C11 82 *'_*' she_PP3A has_HVZ the_ATI rare_JJ universal_JJ C11 83 eye_NN of_IN the_ATI great_JJ novelist_NN ._. **'_**' C11 84 ^ which_WDTR ,_, I_PP1A believe_VB you_PP2 will_MD decide_VB ,_, C11 84 is_BEZ all_ABN my_PP$ rare_JJ universal_JJ eye_NN C11 85 and_CC Betty_NP Martin_NP ._. C11 86 ^ so_QL wrong_JJ ._. C11 87 ^ true_JJ ,_, the_ATI praise_NN has_HVZ not_XNOT been_BEN C11 87 unrelieved_JJ ._. ^ \0Mr_NPT Connolly_NP C11 88 himself_PPL pointed_VBD out_RP that_CS Miss_NPT Murdoch_NP ,_, C11 88 having_HVG chosen_VBN a_AT wine_NN merchant_NN C11 89 as_IN a_AT hero_NN ,_, goes_VBZ wrong_RB over_IN almost_RB every_AT C11 89 detail_NN concerning_IN wine_NN ._. C11 90 ^ \0Mr_NPT Philip_NP Toynbee_NP ,_, with_IN some_DTI justice_NN ,_, C11 90 wrote_VBD :_: ^ *'_*' though_CS she_PP3A C11 91 does_DOZ not_XNOT wish_VB us_PP1OS to_TO admire_VB any_DTI of_IN C11 91 the_ATI characters_NNS ,_, except_IN Honor_NP ,_, she_PP3A C11 92 does_DOZ demand_VB of_IN us_PP1OS a_AT credulity_NN ,_, a_AT C11 92 sympathy_NN ,_, and_CC a_AT concern_NN which_WDTR I_PP1A have_HV C11 93 found_VBN quite_RB impossible_JJ to_TO give_VB ._. **'_**' C11 94 ^ \0Mr_NPT Peter_NP Forster_NP likened_VBD Miss_NPT Murdoch's_NP$ C11 94 dialogue_NN to_IN Ethel_NP C11 95 \0M_NP Dell_NP ._. ^ yet_RB the_ATI striking_JJ thing_NN is_BEZ that_CS C11 95 none_PN of_IN these_DTS critics_NNS C11 96 challenged_VBD Miss_NPT Murdoch's_NP$ novel_NN on_IN moral_JJ C11 96 grounds_NNS ._. C11 97 ^ I_PP1A would_MD not_XNOT ask_VB them_PP3OS to_TO denounce_VB C11 97 it_PP3 as_IN pornography_NN ._. ^ a_AT severed_JJ C11 98 head_NN is_BEZ not_XNOT pornography_NN ._. C11 99 ^ it_PP3 is_BEZ so_QL stuffed_JJ with_IN turgid_JJ and_CC often_RB C11 99 meaningless_JJ symbolism_NN that_CS C11 100 only_RB an_AT extreme_JJ masochist_NN could_MD drive_VB himself_PPL C11 100 to_TO read_VB it_PP3 for_IN the_ATI C11 101 kicks_NNS ._. ^ nor_CC is_BEZ it_PP3 propagandist_JJ as_CS Lolita_NP C11 101 was_BEDZ ._. ^ it_PP3 does_DOZ not_XNOT enthuse_VB C11 102 over_IN incest_NN or_CC homosexuality_NN ._. C11 103 ^ it_PP3 does_DOZ not_XNOT enthuse_VB ._. ^ it_PP3 does_DOZ C11 103 worse_RBR *-_*- it_PP3 merely_RB yawns_VBZ ._. C11 104 ^ it_PP3 enshrines_VBZ the_ATI bored_JJ and_CC C11 104 disgusted-by-nothing_JJB attitude_NN of_IN that_DT C11 105 shallow_JJ but_CC influential_JJ clique_NN which_WDTR dominates_VBZ C11 105 the_ATI literary_JJ weeklies_NNS C11 106 and_CC the_ATI \0B.B.C_NP brains_NNS trust_NN and_CC which_WDTR C11 106 tries_VBZ to_TO make_VB normal_JJ ,_, C11 107 human_JJ ,_, shockable_JJ people_NNS feel_VB like_IN country_NN C11 107 cousins_NNS or_CC like_IN the_ATI *'_*' pi_ZZ C11 108 **'_**' little_JJ boys_NNS who_WPR dare_VB to_TO remain_VB mute_JJ C11 108 while_CS the_ATI rest_NN of_IN the_ATI dormitory_NN is_BEZ C11 109 giggling_VBG over_IN dirty_JJ stories_NNS ._. C11 110 ^ the_ATI critics_NNS who_WPR praised_VBD Lolita_NP defended_VBD C11 110 the_ATI author's_NN$ moral_JJ C11 111 notions_NNS ._. ^ but_CC there_EX was_BEDZ no_ATI such_ABL defence_NN C11 111 of_IN Miss_NPT Murdoch_NP *-_*- the_ATI critics_NNS C11 112 were_BED so_QL sophisticated_JJ that_CS they_PP3AS saw_VBD nothing_PN C11 112 which_WDTR needed_VBD defending_VBG ._. C11 113 ^ the_ATI observer_NN wrote_VBD :_: ^ *'_*' she_PP3A is_BEZ C11 113 serious_JJ ,_, leftish_JJ ,_, and_CC C11 114 high-minded_JJ ,_, with_IN a_AT sharp_JJ brain_NN tempered_VBN by_IN C11 114 good_JJ sense_NN :_: an_AT English_JNP C11 115 university_NN seems_VBZ just_RB the_ATI right_JJ background_NN for_IN C11 115 her_PP3O ._. **'_**' ^ but_CC is_BEZ C11 116 *'_*' high_NC **'_**' the_ATI most_QL apt_JJ word_NN for_IN Miss_NPT C11 116 Murdoch's_NP$ mind_NN ?_? C11 117 ^ for_CS this_DT is_BEZ not_XNOT her_PP$ only_AP puzzling_JJ C11 117 novel_NN ._. ^ in_IN her_PP3O often_RB C11 118 brilliantly_RB funny_JJ second_OD book_NN ,_, flight_NN from_IN the_ATI C11 118 enchanter_NN ,_, Rosa_NP ,_, a_AT C11 119 sensible_JJ upper-middle-class_JJB young_JJ lady_NN ,_, befriends_VBZ C11 119 two_CD Poles_NNPS whom_WPOR she_PP3A C11 120 meets_VBZ in_IN a_AT factory_NN ._. ^ she_PP3A teaches_VBZ them_PP3OS C11 120 English_NNP in_IN their_PP$ sordid_JJ room_NN in_IN C11 121 Pimlico_NP while_CS their_PP$ aged_JJ mother_NN ,_, lying_VBG on_IN C11 121 a_AT mattress_NN on_IN the_ATI floor_NN ,_, C11 122 looks_VBZ on_RP ._. C11 123 ^ occasionally_RB the_ATI brothers_NNS dance_VB round_IN the_ATI C11 123 mother_NN or_CC prod_VB her_PP3O with_IN C11 124 their_PP$ feet_NNS ._. ^ one_CD1 cries_VBZ :_: ^ *'_*' you_PP2 old_JJ C11 124 rubbish_NN !_! ^ you_PP2 old_JJ sack_NN !_! ^ we_PP1AS C11 125 soon_RB kill_VB you_PP2 ,_, we_PP1AS put_VB you_PP2 under_IN C11 125 floorboards_NNS ,_, you_PP2 not_XNOT stink_VB there_RN worse_RBR C11 126 than_CS here_RN !_! **'_**' C11 127 ^ watching_VBG ._. C11 128 ^ one_CD1 day_NN Rosa_NP goes_VBZ to_TO meet_VB the_ATI brothers_NNS C11 128 and_CC finds_VBZ only_RB one_CD1 of_IN C11 129 them_PP3OS ,_, Stefan_NP ,_, waiting_VBG for_IN her_PP3O ._. ^ he_PP3A C11 129 takes_VBZ her_PP3O to_IN the_ATI room_NN where_WRB he_PP3A C11 130 says_VBZ :_: ^ *'_*' we_PP1AS make_VB love_NN now_RN ,_, Rosa_NP ._. ^ C11 130 it_PP3 is_BEZ time_NN ._. **'_**' C11 131 ^ *'_*' your_PP$ mother_NN !_! **'_**' exclaims_VBZ Rosa_NP ,_, C11 131 noticing_VBG the_ATI old_JJ lady's_NN$ C11 132 watching_JJ eyes_NNS ._. C11 133 ^ *'_*' she_PP3A not_XNOT see_VB ,_, not_XNOT hear_VB ,_, **'_**' C11 133 is_BEZ the_ATI reply_NN ._. C11 134 ^ the_ATI next_AP day_NN Rosa_NP finds_VBZ only_RB the_ATI other_AP C11 134 brother_NN ,_, Jan_NP ,_, waiting_VBG ._. ^ in_IN C11 135 the_ATI room_NN at_IN Pimlico_NP ,_, Rosa_NP asks_VBZ :_: ^ *'_*' C11 135 you_PP2 know_VB about_IN Stefan_NP ?_? **'_**' C11 136 ^ Jan_NP replies_VBZ sternly_RB :_: ^ *'_*' of_RB course_RB" ._. ^ C11 136 and_CC now_RN is_BEZ me_PP1O ._. **'_**' C11 137 ^ of_IN this_DT incident_NN one_CD1 critic_NN has_HVZ written_VBN C11 137 :_: *-_*- C11 138 ^ *'_*' this_DT whole_JJ episode_NN is_BEZ a_AT brutal_JJ C11 138 commentary_NN on_IN the_ATI equivocal_JJ C11 139 nature_NN of_IN pity_NN :_: the_ATI revulsion_NN of_IN feeling_NN C11 139 which_WDTR an_AT unequal_JJ relationship_NN C11 140 inspires_VBZ ._. **'_**' C11 141 ^ it_PP3 may_MD be_BE ,_, of_RB course_RB" ,_, that_CS the_ATI C11 141 stud-farm_NN entanglements_NNS of_IN Miss_NPT C11 142 Murdoch's_NP$ latest_JJT book_NN are_BER also_RB a_AT brutal_JJ C11 142 commentary_NN on_IN something's_PN$ C11 143 equivocal_JJ nature_NN ._. C11 144 ^ unfortunately_RB ,_, if_CS they_PP3AS are_BER ,_, even_RB Miss_NPT C11 144 Murdoch's_NP$ most_QL C11 145 distinguished_JJ admirers_NNS seem_VB unable_JJ to_TO discover_VB C11 145 exactly_RB what_WDT that_DT C11 146 something_PN is_BEZ ._. C11 147 ^ Miss_NPT Murdoch's_NP$ publishers_NNS claim_VB that_CS a_AT C11 147 severed_JJ head_NN *'_*' is_BEZ as_QL C11 148 exciting_JJ as_IN treasure_NN island_NN ._. **'_**' C11 149 ^ in_IN the_ATI ultra-sophisticated_JJ society_NN in_IN which_WDTR C11 149 comparisons_NNS like_IN C11 150 that_DT can_MD be_BE made_VBN and_CC in_IN which_WDTR people_NNS C11 150 like_IN Miss_NPT Murdoch_NP are_BER not_XNOT just_RB C11 151 the_ATI rebels_NNS but_CC the_ATI teachers_NNS ,_, it_PP3 is_BEZ C11 151 little_AP wonder_NN that_CS the_ATI young_JJ C11 152 are_BER occasionally_RB more_QL interested_JJ in_IN yellow_JJ C11 152 golliwogs_NNS than_CS in_IN the_ATI works_NNS C11 153 of_IN old_JJ squares_NNS like_IN \0R_NP \0L_NP Stevenson_NP ._. C11 154 ^ disturbing_JJ *-_*- this_DT novel_NN about_IN a_AT top_JJB tory_NN C11 154 ._. C11 155 ^ now_RN for_IN another_DT disturbing_JJ novel_NN ._. ^ it_PP3 C11 155 is_BEZ the_ATI Minister_NPT C11 156 (_( Hamish_NP Hamilton_NP ,_, 16_CD \0s_NNU )_) by_IN Maurice_NP C11 156 Edelman_NP ,_, the_ATI suave_JJ ,_, C11 157 culture-loving_JJ and_CC luxuriantly_RB good-looking_JJ \0M.P_NPT C11 157 who_WPR represents_VBZ C11 158 the_ATI car-workers_NNS of_IN Coventry_NP North_NP ._. ^ \0Mr_NPT C11 158 Edelman_NP has_HVZ himself_PPL made_VBN an_AT C11 159 intense_JJ study_NN of_IN British_JNP political_JJ novels_NNS ._. C11 160 ^ to_IN literary_JJ societies_NNS he_PP3A has_HVZ lectured_VBN in_IN C11 160 languorous_JJ tones_NNS about_IN C11 161 John_NP Galt_NP ,_, who_WPR wrote_VBD the_ATI borough_NN (_( subject_NN C11 161 :_: political_JJ jobbery_NN )_) in_IN C11 162 1832_CD ,_, and_CC about_IN \0A_NP \0E_NP \0W_NP Mason_NP ,_, C11 162 best-known_JJT for_IN the_ATI four_CD C11 163 feathers_NNS but_CC also_RB the_ATI author_NN of_IN the_ATI C11 163 turnstile_NN (_( based_VBN on_IN Mason's_NP$ C11 164 own_AP brief_JJ career_NN as_IN liberal_JJ \0M.P_NPT for_IN Coventry_NP C11 164 )_) ._. C11 165 ^ now_RN ,_, in_IN the_ATI Minister_NPT I_PP1A believe_VB that_CS C11 165 Edelman_NP has_HVZ produced_VBN a_AT C11 166 novel_NN which_WDTR itself_PPL deserves_VBZ a_AT very_QL high_JJ C11 166 place_NN indeed_RB in_IN the_ATI roll_NN of_IN C11 167 political_JJ fiction_NN ._. C11 168 ^ it_PP3 is_BEZ certainly_RB the_ATI novel_NN which_WDTR I_PP1A C11 168 have_HV enjoyed_VBN most_RBT in_IN 1961_CD ._. C11 169 ^ a_AT reservation_NN ._. C11 170 ^ it_PP3 tells_VBZ how_WRB Melville_NP ,_, a_AT tory_JJ Minister_NPT C11 170 ,_, achieves_VBZ the_ATI aim_NN of_IN C11 171 every_AT tory_JJ Minister_NPT ._. ^ he_PP3A becomes_VBZ tory_JJ C11 171 Prime_NPT Minister_NPT ._. ^ but_CC his_PP$ public_JJ C11 172 triumph_NN is_BEZ hollow_JJ since_CS he_PP3A has_HVZ simultaneously_RB C11 172 discovered_VBN that_CS his_PP$ C11 173 plain_JJ but_CC well-loved_JJ wife_NN has_HVZ also_RB allowed_VBN C11 173 herself_PPL to_TO be_BE well_RB loved_VBN by_IN C11 174 his_PP$ own_AP brother_NN and_CC perhaps_RB by_IN other_AP friends_NNS C11 174 as_RB well_RB" ._. C11 175 ^ set_VBN against_IN this_DT theme_NN is_BEZ the_ATI story_NN of_IN C11 175 how_WRB Melville_NP ,_, having_HVG said_VBN :_: C11 176 *'_*' I_PP1A want_VB the_ATI African_NNP to_TO be_BE my_PP$ brother_NN C11 176 ,_, **'_**' adds_VBZ in_IN an_AT indiscreet_JJ C11 177 whisper_NN ,_, *'_*' but_CC not_XNOT my_PP$ brother-in-law_NN ._. C11 177 **'_**' C11 178 ^ the_ATI pretty_JJ lady_NN at_IN whom_WPOR the_ATI indiscretion_NN C11 178 is_BEZ directed_VBN is_BEZ the_ATI C11 179 mistress_NN of_IN an_AT opposition_NN leader_NN ._. ^ duly_RB C11 179 circulated_VBN and_CC printed_VBN in_IN the_ATI C11 180 press_NN ,_, it_PP3 stirs_VBZ riots_NNS in_IN Africa_NP and_CC C11 180 almost_RB wrecks_VBZ Melville's_NP$ career_NN ._. C11 181 ^ why_WRB do_DO I_PP1A call_VB the_ATI novel_NN disturbing_JJ ?_? ^ C11 181 it_PP3 is_BEZ not_XNOT because_IN of_IN" C11 182 Edelman's_NP$ approach_NN to_IN morals_NNS which_WDTR *-_*- unlike_IN C11 182 Miss_NPT Murdoch's_NP$ *-_*- is_BEZ both_ABX C11 183 adult_JJ and_CC real_JJ ._. C11 184 ^ no_UH ,_, the_ATI disturbing_JJ thing_NN about_IN the_ATI C11 184 Minister_NPT is_BEZ that_CS far_RB from_IN C11 185 being_BEG artificial_JJ ,_, it_PP3 too_QL often_RB rings_VBZ C11 185 frighteningly_RB true_JJ ._. C11 186 ^ no_ATI malice_NN ._. C11 187 ^ for_CS it_PP3 portrays_VBZ a_AT tory_JJ leadership_NN whose_WP$R C11 187 aim_NN ,_, above_IN all_ABN ,_, is_BEZ to_TO C11 188 be_BE free_JJ from_IN any_DTI supposedly_RB naive_JJ ,_, C11 188 old-fashioned_JJ notions_NNS about_IN C11 189 patriotism_NN or_CC empire_NN or_CC national_JJ greatness_NN ._. ^ a_AT C11 189 leadership_NN which_WDTR thinks_VBZ C11 190 it_PP3 oh-so-civilised_JJ and_CC cultured_JJ to_TO be_BE just_RB a_RB C11 190 little_RB" weary_JJ and_CC cynical_JJ C11 191 about_IN everything_PN ._. C11 192 ^ socialist_NN Edelman_NP does_DOZ not_XNOT present_VB this_DT C11 192 portrait_NN with_IN political_JJ C11 193 malice_NN ._. ^ indeed_RB ,_, it_PP3 is_BEZ clear_JJ that_CS ,_, C11 193 despite_IN his_PP$ Coventry_NP connections_NNS C11 194 the_ATI Melville_NP attitude_NN is_BEZ his_PP$ attitude_NN too_RB ._. C11 195 ^ but_CC I_PP1A must_MD draw_VB attention_NN to_IN one_CD1 C11 195 fairy-tale_NN element_NN in_IN this_DT C11 196 otherwise_RB true-to-life_JJB novel_NN ._. ^ in_IN avoiding_VBG any_DTI C11 196 appearance_NN of_IN party_NN C11 197 prejudice_NN ,_, Edelman_NP goes_VBZ so_QL far_RB as_CS to_TO put_VB C11 197 epigrams_NNS *-_*- yes_UH ,_, actual_JJ C11 198 epigrams_NNS *-_*- into_IN the_ATI mouths_NNS of_IN everyday_JJB C11 198 tory_NN back-benchers_NNS ._. C11 199 ^ from_IN a_AT new_JJ book_NN ,_, an_AT intriguing_JJ account_NN of_IN C11 199 life_NN in_IN the_ATI land_NN of_IN C11 200 mists_NNS ._. C11 201 ^ the_ATI sad_JJ ,_, macabre_JJ tale_NN of_IN the_ATI bride_NN C11 201 they_PP3AS called_VBD Miss_NPT Fuegia_NP Basket_NP ._. C11 202 ^ the_ATI book_NN page_NN ._. C11 203 ^ by_IN Robert_NP Pitman_NP ._. C11 204 ^ just_RB north_NR of_IN the_ATI seas_NNS that_WPR surge_VB and_CC C11 204 shriek_VB round_IN Cape_NPL Horn_NP ,_, C11 205 the_ATI land_NN mass_NN which_WDTR we_PP1AS call_VB America_NP C11 205 tails_VBZ away_RP in_IN a_AT region_NN of_IN mist_NN ,_, C11 206 sleet_NN ,_, and_CC death_NN ._. ^ the_ATI people_NNS who_WPR live_VB C11 206 there_RN ,_, scratching_VBG a_AT bare_JJ living_NN C11 207 from_IN the_ATI rocks_NNS or_CC wading_VBG into_IN the_ATI ice-cold_JJ C11 207 surf_NN to_TO collect_VB limpets_NNS ,_, C11 208 are_BER still_RB among_IN the_ATI most_QL wretched_JJ on_IN earth_NN C11 208 ._. C11 209 ^ not_XNOT long_RB ago_RB their_PP$ life_NN was_BEDZ even_RB more_QL C11 209 desolate_JJ ._. ^ in_IN Britain_NP today_NR C11 210 it_PP3 is_BEZ fashionable_JJ to_TO discuss_VB the_ATI problem_NN of_IN C11 210 old_JJ age_NN ._. ^ during_IN the_ATI last_AP C11 211 century_NN it_PP3 was_BEDZ reported_VBN that_CS the_ATI people_NNS C11 211 north_NR of_IN Cape_NPL Horn_NP had_HVD solved_VBN C11 212 the_ATI problem_NN of_IN what_WDT to_TO do_DO with_IN the_ATI old_JJ C11 212 folk_NNS ._. C11 213 ^ in_IN times_NNS of_IN famine_NN they_PP3AS ate_VBD them_PP3OS ._. C11 214 ^ it_PP3 is_BEZ not_XNOT surprising_JJ ,_, therefore_RB ,_, that_CS C11 214 out_RP of_IN that_DT sleet_NN and_CC C11 215 mist_NN comes_VBZ one_CD1 of_IN the_ATI saddest_JJT and_CC most_QL C11 215 macabre_JJ little_JJ stories_NNS that_CS I_PP1A C11 216 have_HV ever_RB read_VBN ._. C11 217 ^ I_PP1A take_VB it_PP3 from_IN the_ATI wonders_NNS of_IN life_NN C11 217 on_IN earth_NN by_IN the_ATI editors_NNS of_IN C11 218 life_NN and_CC Lincoln_NP Barnett_NP (_( Prentice-Hall_NP ,_, 70_CD C11 218 \0s_NNU )_) ._. ^ you_PP2 would_MD C11 219 be_BE wrong_JJ to_TO shudder_VB at_IN the_ATI price_NN ._. ^ for_IN C11 219 a_AT family_NN with_IN a_AT budding_JJ C11 220 biologist_NN in_IN its_PP$ midst_NN the_ATI book_NN is_BEZ more_RB C11 220 than_RB" worth_IN it_PP3 ._. C11 221 ^ in_IN wonderful_JJ photographs_NNS and_CC paintings_NNS it_PP3 C11 221 parades_VBZ the_ATI bizarre_JJ C11 222 quirks_NNS of_IN evolution_NN *-_*- such_IN as_IN" the_ATI C11 222 dawn-flying_JJ silk_NN moth_NN ,_, with_IN its_PP$ C11 223 absurdly_RB long_JJ wing-filaments_NNS which_WDTR rustle_VB while_CS C11 223 it_PP3 flies_VBZ ._. C11 224 ^ the_ATI filaments_NNS act_VB like_IN the_ATI tin-foil_NN C11 224 dropped_VBN by_IN bombers_NNS to_TO deceive_VB C11 225 radar_NN ._. C12 2 ^ a_AT unique_JJ tone_NN of_IN voice_NN ._. C12 3 ^ the_ATI complete_JJ poems_NNS of_IN Cavafy_NP ._. C12 4 ^ translated_VBN by_IN Rae_NP Dalven_NP ._. 234_CD \0pp_NNUS Hogarth_NP C12 4 press_NN ._. 25_CD \0s_NNU ._. C12 5 ^ any_DTI new_JJ translation_NN of_IN Cavafy_NP is_BEZ to_TO be_BE C12 5 welcomed_VBN ,_, especially_RB C12 6 when_WRB it_PP3 claims_VBZ to_TO be_BE *'_*' complete_JJ **'_**' *-_*- C12 6 and_CC no_ATI doubt_NN it_PP3 is_BEZ complete_JJ in_IN C12 7 the_ATI sense_NN that_CS it_PP3 covers_VBZ all_ABN those_DTS poems_NNS C12 7 which_WDTR have_HV so_QL far_RB been_BEN C12 8 published_VBN in_IN Greek_NNP ._. ^ the_ATI previous_JJ collection_NN C12 8 in_IN English_NNP ,_, translated_VBN by_IN C12 9 Professor_NPT Mavrogordato_NP ,_, has_HVZ long_RB been_BEN difficult_JJ C12 9 to_TO acquire_VB ._. ^ thus_RB this_DT C12 10 new_JJ work_NN fulfils_VBZ an_AT important_JJ need_NN ._. C12 11 ^ some_DTI of_IN Cavafy's_NP$ most_QL celebrated_JJ and_CC most_QL C12 11 characteristic_JJ poems_NNS C12 12 were_BED written_VBN as_QL early_RB as_IN 1911_CD and_CC he_PP3A C12 12 wrote_VBD poems_NNS in_IN every_AT subsequent_JJ C12 13 year_NN until_IN his_PP$ death_NN in_IN 1933_CD ._. ^ to_IN English_JNP C12 13 readers_NNS he_PP3A was_BEDZ first_RB C12 14 introduced_VBN by_IN \0E_NP \0M_NP Forster_NP ,_, who_WPR ,_, in_IN C12 14 his_PP$ Pharos_NP and_CC Pharillon_NP ,_, C12 15 published_VBN in_IN 1923_CD ,_, wrote_VBD a_AT witty_JJ and_CC C12 15 affectionate_JJ description_NN of_IN the_ATI C12 16 poet_NN in_IN which_WDTR occur_VB the_ATI significant_JJ words_NNS C12 16 *'_*' ..._... a_AT Greek_JNP gentleman_NN in_IN a_AT C12 17 straw_NN hat_NN ,_, standing_VBG absolutely_RB motionless_JJ at_IN a_AT C12 17 slight_JJ angle_NN to_IN the_ATI C12 18 universe_NN **'_**' ._. ^ and_CC one_CD1 is_BEZ inclined_VBN to_TO C12 18 say_VB that_CS the_ATI *'_*' slight_JJ angle_NN C12 19 **'_**' implies_VBZ more_AP than_IN eccentricity_NN (_( and_CC C12 19 Cavafy_NP was_BEDZ certainly_RB eccentric_JJ )_) ;_; C12 20 it_PP3 reminds_VBZ one_CD1 ,_, too_RB ,_, of_IN the_ATI leve_&FW C12 20 clinamen_&FW of_IN Lucretius_NP *-_*- the_ATI C12 21 slight_JJ deviation_NN from_IN the_ATI regular_JJ which_WDTR is_BEZ C12 21 at_IN the_ATI root_NN of_IN all_ABN C12 22 creation_NN ._. C12 23 ^ for_CS one_CD1 of_IN the_ATI first_OD things_NNS which_WDTR C12 23 strikes_VBZ one_CD1 about_IN Cavafy_NP is_BEZ C12 24 that_CS he_PP3A is_BEZ unique_JJ ._. ^ this_DT is_BEZ a_AT point_NN C12 24 well_RB made_VBN by_IN \0Mr_NPT Auden_NP in_IN his_PP$ C12 25 introduction_NN when_WRB he_PP3A writes_VBZ :_: ^ *'_*' I_PP1A have_HV C12 25 read_VBN translations_NNS of_IN Cavafy_NP C12 26 made_VBN by_IN many_AP different_JJ hands_NNS ,_, but_CC every_AT C12 26 one_CD1 of_IN them_PP3OS was_BEDZ immediately_RB C12 27 recognizable_JJ as_IN a_AT poem_NN by_IN Cavafy_NP ;_; nobody_PN C12 27 else_RB could_MD possibly_RB have_HV C12 28 written_VBN it_PP3 ._. **'_**' ^ this_DT does_DOZ not_XNOT mean_VB ,_, C12 28 of_RB course_RB" ,_, that_CS all_ABN translations_NNS C12 29 of_IN Cavafy_NP are_BER equally_RB good_JJ ;_; but_CC it_PP3 does_DOZ C12 29 mean_VB that_CS it_PP3 is_BEZ almost_RB C12 30 impossible_JJ to_TO translate_VB him_PP3O in_IN a_AT way_NN that_WPR C12 30 is_BEZ positively_RB misleading_JJ ._. C12 31 ^ the_ATI authentic_JJ voice_NN is_BEZ certain_JJ to_TO come_VB C12 31 through_RP ._. C12 32 ^ the_ATI present_JJ translation_NN by_IN Miss_NPT Rae_NP Dalven_NP C12 32 is_BEZ no_ATI exception_NN to_IN the_ATI C12 33 rule_NN ._. ^ sometimes_RB one_CD1 may_MD deplore_VB a_AT certain_JJ C12 33 insensitivity_NN to_IN rhythm_NN ,_, C12 34 and_CC sometimes_RB one_CD1 may_MD wish_VB that_CS Miss_NPT Dalven_NP C12 34 had_HVD been_BEN more_QL ambitious_JJ *-_*- C12 35 had_HVD attempted_VBN ,_, for_IN instance_NN ,_, to_TO reproduce_VB C12 35 the_ATI rhyme_NN which_WDTR Cavafy_NP uses_VBZ C12 36 in_IN many_AP of_IN his_PP$ poems_NNS ._. ^ but_CC on_IN the_ATI C12 36 whole_NN the_ATI work_NN is_BEZ careful_JJ and_CC exact_JJ ._. C12 37 ^ what_WDT \0Mr_NPT Auden_NP calls_VBZ Cavafy's_NP$ *'_*' unique_JJ C12 37 tone_NN of_IN voice_NN **'_**' is_BEZ C12 38 everywhere_RB recognizable_JJ ._. ^ it_PP3 is_BEZ not_XNOT so_QL C12 38 gracefully_RB represented_VBN as_CS in_IN C12 39 the_ATI translations_NNS of_IN Professor_NPT Mavrogordato_NP ,_, but_CC C12 39 in_IN quantity_NN this_DT C12 40 volume_NN has_HVZ the_ATI advantage_NN over_IN the_ATI earlier_JJR C12 40 one_CD1 ._. C12 41 ^ it_PP3 is_BEZ unfortunately_RB doubtful_JJ whether_CS the_ATI C12 41 reader_NN will_MD be_BE greatly_RB C12 42 helped_VBN by_IN \0Mr_NPT Auden's_NP$ introduction_NN ._. ^ early_RB C12 42 on_RP in_IN this_DT \0Mr_NPT Auden_NP C12 43 comes_VBZ to_IN the_ATI odd_JJ conclusion_NN that_CS *'_*' if_CS C12 43 the_ATI importance_NN of_IN Cavafy's_NP$ C12 44 poetry_NN is_BEZ his_PP$ unique_JJ tone_NN of_IN voice_NN ,_, there_EX C12 44 is_BEZ nothing_PN for_IN a_AT critic_NN to_TO C12 45 say_VB ,_, for_IN criticism_NN can_MD only_RB make_VB comparisons_NNS C12 45 **'_**' ._. ^ this_DT ,_, certainly_RB ,_, C12 46 does_DOZ not_XNOT prevent_VB \0Mr_NPT Auden_NP from_IN going_VBG on_RP C12 46 himself_PPL for_IN seven_CD closely_RB C12 47 printed_VBN pages_NNS ,_, which_WDTR contain_VB few_AP *'_*' C12 47 comparisons_NNS **'_**' ._. ^ but_CC the_ATI pages_NNS are_BER C12 48 not_XNOT very_QL illuminating_JJ ._. ^ much_RB more_QL sensitive_JJ C12 48 and_CC thorough_JJ studies_NNS are_BER C12 49 to_TO be_BE found_VBN in_IN Sir_NPT Maurice_NP Bowra's_NP$ the_ATI C12 49 creative_JJ experiment_NN and_CC in_IN C12 50 \0Mr_NPT Sherrard's_NP$ the_ATI marble_NN threshing_NN floor_NN ._. ^ C12 50 these_DTS writers_NNS are_BER C12 51 aware_JJ that_CS one_CD1 function_NN of_IN criticism_NN is_BEZ to_TO C12 51 explain_VB and_CC they_PP3AS avoid_VB such_ABL C12 52 nearly_RB meaningless_JJ statements_NNS as_IN ,_, ^ *'_*' Cavafy_NP C12 52 has_HVZ three_CD principal_JJB C12 53 concerns_NNS :_: love_NN ,_, art_NN ,_, and_CC politics_NN in_IN C12 53 the_ATI original_JJ Greek_JNP sense_NN **'_**' ._. ^ is_BEZ C12 54 it_PP3 the_ATI politics_NN of_IN Homer_NP ,_, of_IN Pericles_NP ,_, C12 54 of_IN Aristotle_NP ?_? ^ nothing_PN could_MD be_BE C12 55 more_QL remote_JJ from_IN Cavafy_NP than_IN any_DTI of_IN these_DTS ._. C12 55 ^ what_WDT is_BEZ in_IN fact_NN the_ATI case_NN C12 56 is_BEZ that_CS he_PP3A was_BEDZ concerned_VBN with_IN a_AT view_NN C12 56 of_IN a_AT Greek's_NNP$ place_NN in_IN history_NN ,_, a_AT C12 57 view_NN which_WDTR was_BEDZ peculiarly_RB his_PP$ own_AP and_CC C12 57 which_WDTR has_HVZ been_BEN found_VBN by_IN his_PP$ C12 58 contemporaries_NNS and_CC successors_NNS in_IN the_ATI Greek_JNP C12 58 tradition_NN peculiarly_RB true_JJ C12 59 and_CC enlightening_JJ ._. ^ it_PP3 is_BEZ a_AT view_NN taken_VBN C12 59 from_IN *'_*' a_AT slight_JJ angle_NN to_IN the_ATI C12 60 universe_NN **'_**' ,_, but_CC is_BEZ none_RB the_RB" less_RB" C12 60 accurate_JJ for_IN that_DT ._. C12 61 ^ nearly_RB the_ATI whole_NN of_IN Cavafy's_NP$ life_NN was_BEDZ C12 61 spent_VBN in_IN Alexandria_NP ._. ^ this_DT ,_, C12 62 as_CS can_MD be_BE seen_VBN when_WRB one_CD1 knows_VBZ Cavafy_NP ,_, C12 62 was_BEDZ a_AT fitting_JJ background_NN ._. ^ it_PP3 C12 63 was_BEDZ the_ATI city_NN founded_VBN by_IN Alexander_NP the_ATI C12 63 great_JJ ,_, the_ATI city_NN where_WRB he_PP3A was_BEDZ C12 64 buried_VBN ,_, the_ATI city_NN above_IN all_ABN symbolical_JJ of_IN C12 64 the_ATI diffusion_NN of_IN Greek_JNP C12 65 language_NN and_CC culture_NN from_IN the_ATI Indus_NP to_IN the_ATI C12 65 far_JJ west_NR ._. ^ of_IN other_AP Greek_JNP C12 66 cities_NNS only_RB Athens_NP and_CC Constantinople_NP have_HV C12 66 equally_RB powerful_JJ C12 67 associations_NNS ,_, and_CC the_ATI worlds_NNS of_IN Alexandria_NP C12 67 and_CC Constantinople_NP are_BER ,_, of_RB C12 68 course_RB" ,_, utterly_RB different_JJ from_IN the_ATI world_NN of_IN C12 68 fifth-century_JJB Athens_NP ._. ^ it_PP3 C12 69 was_BEDZ out_RP of_IN the_ATI world_NN of_IN the_ATI Greek_JNP C12 69 dispersal_NN that_CS Cavafy_NP created_VBD his_PP$ C12 70 personal_JJ mythology_NN *-_*- a_AT world_NN both_ABX of_IN triumph_NN C12 70 and_CC disaster_NN ,_, a_AT world_NN of_IN C12 71 courage_NN ,_, of_IN humour_NN and_CC of_IN irony_NN ._. ^ Cavafy_NP C12 71 was_BEDZ the_ATI first_OD modern_JJ Greek_JNP C12 72 poet_NN who_WPR contrived_VBD to_TO be_BE patriotic_JJ without_IN C12 72 being_BEG romantic_JJ ,_, and_CC his_PP$ C12 73 method_NN was_BEDZ to_TO stand_VB at_IN *'_*' a_AT slight_JJ angle_NN C12 73 **'_**' to_IN what_WDT is_BEZ assumed_VBN to_TO be_BE C12 74 the_ATI universe_NN of_IN history_NN ._. ^ his_PP$ favourite_JJB C12 74 subjects_NNS are_BER from_IN Antioch_NP ,_, C12 75 Alexandria_NP ,_, Byzantium_NP ,_, or_CC from_IN Greek_JNP states_NNS C12 75 already_RB subjugated_VBN to_IN C12 76 Rome_NP ._. ^ these_DTS are_BER themes_NNS which_WDTR we_PP1AS ,_, C12 76 in_IN our_PP$ normal_JJ classical_JJ education_NN ,_, C12 77 are_BER encouraged_VBN to_TO regard_VB as_CS *'_*' decadent_JJ **'_**' C12 77 ;_; and_CC indeed_RB so_QL strong_JJ is_BEZ C12 78 prejudice_NN that_CS one_CD1 will_MD still_RB find_VB people_NNS who_WPR C12 78 will_MD apply_VB the_ATI adjective_NN C12 79 *'_*' decadent_NC **'_**' to_IN Cavafy's_NP$ poetry_NN ._. ^ it_PP3 C12 79 is_BEZ therefore_RB refreshing_JJ to_TO find_VB C12 80 such_ABL a_AT critic_NN as_IN Sir_NPT Maurice_NP Bowra_NP ,_, who_WPR C12 80 writes_VBZ :_: *'_*' ..._... respect_NN for_IN human_JJ C12 81 courage_NN and_CC character_NN is_BEZ perhaps_RB Cavafy's_NP$ most_QL C12 81 characteristic_JJ note_NN **'_**' ._. C12 82 ^ the_ATI same_AP gentle_JJ understanding_NN and_CC forceful_JJ C12 82 irony_NN are_BER to_TO be_BE found_VBN C12 83 in_IN the_ATI poems_NNS that_WPR deal_VB with_IN love_NN (_( always_RB C12 83 homosexual_JJ love_NN )_) ._. ^ here_RN again_RB C12 84 \0Mr_NPT Auden_NP does_DOZ not_XNOT help_VB our_PP$ understanding_NN C12 84 when_WRB he_PP3A writes_VBZ :_: ^ *'_*' the_ATI C12 85 erotic_JJ world_NN he_PP3A depicts_VBZ is_BEZ one_CD1 of_IN casual_JJ C12 85 pickups_NNS and_CC short-lived_JJ C12 86 affairs_NNS ._. **'_**' ^ these_DTS are_BER sometimes_RB part_NN of_IN C12 86 the_ATI theme_NN ,_, but_CC from_IN such_ABL C12 87 things_NNS emerges_VBZ a_AT splendour_NN of_IN which_WDTR \0Mr_NPT C12 87 Auden_NP seems_VBZ unaware_JJ ._. ^ has_HVZ he_PP3A C12 88 not_XNOT read_VBN *'_*' Myres_NP **'_**' or_CC *'_*' the_ATI mirror_NN C12 88 in_IN the_ATI hall_NN **'_**' ?_? C12 89 ^ however_RB ,_, Cavafy_NP can_MD speak_VB ,_, and_CC has_HVZ C12 89 spoken_VBN ,_, for_IN himself_PPL ._. ^ he_PP3A has_HVZ C12 90 been_BEN the_ATI greatest_JJT influence_NN from_IN the_ATI past_NN C12 90 on_IN contemporary_JJ Greek_JNP poetry_NN C12 91 and_CC has_HVZ already_RB influenced_VBN poets_NNS in_IN many_AP C12 91 other_AP languages_NNS ._. ^ his_PP$ C12 92 complete_JJ sincerity_NN ,_, his_PP$ angular_JJ stance_NN ,_, his_PP$ C12 92 tenderness_NN that_WPR is_BEZ C12 93 combined_VBN with_IN the_ATI accuracy_NN of_IN a_AT surgeon_NN ,_, C12 93 his_PP$ awareness_NN of_IN the_ATI past_NN in_IN C12 94 the_ATI present_NN and_CC of_IN the_ATI present_NN in_IN the_ATI C12 94 past_NN ,_, his_PP$ meticulousness_NN ,_, his_PP$ C12 95 grandeur_NN *-_*- these_DTS are_BER some_DTI of_IN the_ATI C12 95 qualities_NNS which_WDTR no_ATI reader_NN can_MD fail_VB to_TO C12 96 observe_VB and_CC which_WDTR ,_, singly_RB and_CC together_RB ,_, C12 96 make_VB him_PP3O one_CD1 of_IN the_ATI greatest_JJT C12 97 writers_NNS of_IN our_PP$ times_NNS ._. C12 98 ^ rebels_NNS with_IN a_AT pen_NN ._. C12 99 ^ Bruce_NP Ingham_NP Granger_NP :_: political_JJ satire_NN in_IN C12 99 the_ATI American_JNP C12 100 revolution_NN ,_, 1763-1783_CD-CD ._. 314_CD \0pp_NNUS Cornell_NP C12 100 University_NPL press_NN ._. London_NP :_: C12 101 Oxford_NP University_NPL press_NN ._. 40_CD \0s_NNU ._. C12 102 ^ the_ATI American_JNP revolution_NN produced_VBD some_DTI C12 102 first-class_JJ writing_NN of_IN the_ATI C12 103 solemn_JJ and_CC more_QL dignified_JJ types_NNS ._. ^ Burke_NP on_IN C12 103 one_CD1 side_NN of_IN the_ATI Atlantic_NP ,_, C12 104 Jefferson_NP on_IN the_ATI other_AP ,_, rose_VBD to_IN the_ATI C12 104 height_NN of_IN the_ATI great_JJ argument_NN ._. ^ but_CC C12 105 judging_VBG from_IN the_ATI samples_NNS quoted_VBN in_IN this_DT C12 105 learned_JJ and_CC interesting_JJ book_NN ,_, C12 106 there_EX were_BED no_ATI comic_JJ equivalents_NNS of_IN Jefferson_NP C12 106 or_CC even_RB of_IN Thomas_NP Paine_NP C12 107 at_IN work_NN in_IN north_NR America_NP during_IN these_DTS twenty_CD C12 107 years_NNS ._. ^ \0Dr_NPT Granger_NP C12 108 has_HVZ gleaned_VBN most_QL thoroughly_RB and_CC has_HVZ classified_VBN C12 108 various_JJ types_NNS of_IN C12 109 political_JJ satire_NN in_IN a_AT sensible_JJ fashion_NN ._. ^ but_CC C12 109 with_IN the_ATI possible_JJ C12 110 exception_NN of_IN Franklin_NP ,_, none_PN of_IN the_ATI writers_NNS C12 110 he_PP3A exhumes_VBZ is_BEZ of_IN great_JJ C12 111 interest_NN today_NR or_CC deserves_VBZ anything_PN but_IN C12 111 historical_JJ respect_NN ._. ^ even_RB C12 112 Hopkinson_NP ,_, even_RB Trumbull_NP are_BER dim_JJ figures_NNS and_CC C12 112 M'Fingal_NP is_BEZ a_AT C12 113 burlesque_NN much_RB more_QL completely_RB forgotten_VBN than_IN C12 113 Hudibras_NP ._. ^ from_IN the_ATI C12 114 point_NN of_IN view_NN of_IN American_JNP literary_JJ history_NN ,_, C12 114 one_CD1 of_IN the_ATI chief_JJB types_NNS of_IN C12 115 interest_NN in_IN this_DT book_NN is_BEZ the_ATI evidence_NN it_PP3 C12 115 furnishes_VBZ of_IN the_ATI close_JJ C12 116 imitation_NN of_IN English_JNP models_NNS ,_, of_IN Butler_NP ,_, C12 116 Swift_NP ,_, Addison_NP ,_, and_CC the_ATI C12 117 contemporary_JJ Charles_NP Churchill_NP ._. C12 118 ^ the_ATI versifiers_NNS do_DO not_XNOT display_VB a_AT high_JJ C12 118 degree_NN of_IN technical_JJ C12 119 competence_NN ._. ^ they_PP3AS are_BER ,_, however_RB ,_, bold_JJ in_IN C12 119 the_ATI use_NN of_IN rhyme_NN to_IN a_AT degree_NN C12 120 that_WPR would_MD astonish_VB \0Mr_NPT Ogden_NP Nash_NP ._. ^ thus_RB C12 120 ,_, one_CD1 poetaster_NN rhymes_VBZ C12 121 *'_*' mouse_NC **'_**' with_IN *'_*' sous_NC **'_**' ,_, treating_VBG C12 121 *'_*' sous_NC **'_**' as_IN a_AT singular_JJ noun_NN ._. C12 122 ^ even_RB the_ATI comparatively_RB competent_JJ Trumbull_NP writes_VBZ C12 122 :_: C12 123 *"_*' C12 124 ^ behold_VB that_DT martial_JJ Macaroni_NP ,_, C12 125 compound_NN of_IN Phoebus_NP and_CC Bellona_NP ._. C12 126 **"_**' C12 127 ^ the_ATI prose_NN writing_NN seems_VBZ vastly_RB superior_JJ ._. ^ C12 127 Arbuthnot's_NP$ history_NN C12 128 of_IN John_NP Bull_NP was_BEDZ imitated_VBN with_IN some_DTI success_NN C12 128 ,_, and_CC Franklin_NP managed_VBD C12 129 adroitly_RB the_ATI humorous_JJ atrocity_NN story_NN suggesting_VBG C12 129 that_CS the_ATI ministerial_JJ C12 130 troops_NNS should_MD castrate_VB the_ATI American_JNP males_NNS ._. ^ C12 130 it_PP3 is_BEZ possible_JJ ,_, however_RB ,_, C12 131 that_CS the_ATI editors_NNS of_IN the_ATI great_JJ new_JJ edition_NN C12 131 of_IN Franklin's_NP$ works_NNS will_MD not_XNOT C12 132 accept_VB all_ABN the_ATI identifications_NNS made_VBN here_RN ._. C12 133 ^ the_ATI themes_NNS reflect_VB the_ATI controversies_NNS of_IN C12 133 the_ATI age_NN ._. ^ the_ATI Quebec_NP act_NN C12 134 with_IN its_PP$ threat_NN of_IN popery_NN provoked_VBD a_AT great_JJ C12 134 deal_NN of_IN irrelevant_JJ C12 135 indignation_NN ._. ^ the_ATI royalists_NNS were_BED inclined_VBN to_TO C12 135 sneer_VB at_IN the_ATI low_JJ social_JJ C12 136 origins_NNS and_CC vulgar_JJ ambitions_NNS of_IN the_ATI rebel_NN C12 136 leaders_NNS ,_, and_CC Franklin's_NP$ C12 137 reputed_JJ irreligion_NN laid_VBD him_PP3O open_JJ to_TO attack_VB ._. ^ C12 137 the_ATI rebel_NN propagandists_NNS C12 138 became_VBD increasingly_RB hostile_JJ to_IN the_ATI king_NN and_CC C12 138 scornful_JJ to_IN the_ATI royal_JJ C12 139 representatives_NNS ,_, civil_JJ and_CC military_JJ ._. ^ the_ATI C12 139 alleged_JJ amorous_JJ propensities_NNS C12 140 of_IN these_DTS representatives_NNS of_IN the_ATI crown_NN were_BED C12 140 duly_RB noted_VBN ._. ^ their_PP$ morals_NNS C12 141 as_CC well_CC" as_CC" their_PP$ good_JJ faith_NN were_BED impugned_VBN C12 141 ._. ^ Hessians_NNPS ,_, Irish_NNPS ,_, Welsh_NNPS C12 142 were_BED assailed_VBN as_CC well_CC" as_CC" the_ATI universally_RB C12 142 unpopular_JJ Scots_NNPS ._. C12 143 ^ this_DT is_BEZ a_AT useful_JJ and_CC a_AT mildly_RB C12 143 entertaining_JJ book_NN ,_, although_CS its_PP$ C12 144 author_NN does_DOZ not_XNOT show_VB that_DT mastery_NN of_IN the_ATI C12 144 political_JJ background_NN C12 145 displayed_VBN by_IN Professor_NPT Arthur_NP \0M_NP Schlesinger_NP ,_, C12 145 \0Sr_NPT ,_, in_IN his_PP$ recent_JJ C12 146 investigation_NN of_IN revolutionary_JJ propaganda_NN ._. ^ it_PP3 C12 146 is_BEZ probably_RB useless_JJ to_TO C12 147 protest_VB against_IN the_ATI failure_NN to_TO give_VB the_ATI Howe_NP C12 147 brothers_NNS their_PP$ proper_JJ C12 148 titles_NNS ._. ^ and_CC the_ATI complicated_JJ history_NN of_IN C12 148 George_NP Sackville_NP may_MD excuse_VB C12 149 the_ATI fact_NN that_CS he_PP3A appears_VBZ as_IN Lord_NPT Germain_NP C12 149 ,_, a_AT title_NN he_PP3A never_RB held_VBD ._. C12 150 ^ in_IN defence_NN of_IN Lawrence_NP ._. C12 151 ^ \0F_NP \0J_NP Temple_NP :_: \0D_NP \0H_NP Lawrence_NP ._. 237_CD C12 151 \0pp_NNUS Paris_NP :_: C12 152 Seghers_NP ._. 12_CD \0N.F_NNU ._. C12 153 ^ it_PP3 is_BEZ not_XNOT difficult_JJ to_TO imagine_VB how_WRB C12 153 Lawrence's_NP$ habitual_JJ and_CC often_RB C12 154 very_QL outspoken_JJ frankness_NN together_RB with_IN his_PP$ almost_RB C12 154 incredible_JJ C12 155 confidence_NN in_IN his_PP$ own_AP insights_NNS aroused_VBD the_ATI C12 155 resentment_NN of_IN many_AP of_IN those_DTS C12 156 whom_WPOR he_PP3A knew_VBD ._. ^ (_( it_PP3 is_BEZ true_JJ that_CS C12 156 in_IN his_PP$ preface_NN to_IN \0M_NPT Temple's_NP$ C12 157 biography_NN \0Mr_NPT Richard_NP Aldington_NP claims_VBZ that_CS C12 157 he_PP3A personally_RB bore_VBD no_ATI C12 158 grudge_NN at_IN all_ABN for_IN the_ATI home_NR truths_NNS he_PP3A C12 158 was_BEDZ asked_VBN to_TO swallow_VB ._. ^ he_PP3A reminds_VBZ C12 159 his_PP$ French_JNP readers_NNS of_IN Rimbaud's_NP$ obscene_JJ C12 159 parting_NN rites_NNS in_IN the_ATI home_NR of_IN C12 160 an_AT acquaintance_NN and_CC explains_VBZ that_CS Lawrence's_NP$ own_AP C12 160 ungrateful_JJ mocking_NN of_IN C12 161 those_DTS who_WPR had_HVD helped_VBN him_PP3O was_BEDZ only_RB to_TO C12 161 be_BE expected_VBN in_IN a_AT great_JJ artist_NN ._. )_) C12 162 ^ someone_PN as_QL courageous_JJ as_IN Lawrence_NP in_IN following_VBG C12 162 the_ATI promptings_NNS of_IN his_PP$ C12 163 own_AP intuition_NN is_BEZ bound_VBN to_TO inspire_VB the_ATI C12 163 jealousy_NN or_CC the_ATI envy_NN of_IN those_DTS C12 164 who_WPR are_BER more_QL timorous_JJ and_CC conventional_JJ and_CC C12 164 it_PP3 is_BEZ probably_RB for_IN this_DT C12 165 reason_NN that_CS so_QL few_AP of_IN his_PP$ critics_NNS ,_, whether_CS C12 165 or_CC not_XNOT they_PP3AS have_HV known_VBN him_PP3O C12 166 personally_RB ,_, have_HV been_BEN capable_JJ of_IN a_AT truly_RB C12 166 disinterested_JJ assessment_NN of_IN C12 167 his_PP$ character_NN and_CC genius_NN ._. C12 168 ^ \0M_NPT Temple's_NP$ short_JJ study_NN of_IN the_ATI life_NN C12 168 and_CC works_NNS is_BEZ on_IN the_ATI whole_NN C12 169 eulogistic_JJ and_CC he_PP3A defends_VBZ Lawrence_NP vigorously_RB C12 169 against_IN some_DTI of_IN the_ATI C12 170 charges_NNS that_WPR have_HV been_BEN brought_VBN against_IN him_PP3O C12 170 in_IN the_ATI past_NN :_: that_CS he_PP3A was_BEDZ a_AT C12 171 precursor_NN of_IN Nazism_NNP ,_, that_CS he_PP3A sentimentalized_VBD C12 171 the_ATI noble_JJ Mexican_JNP savage_NN ,_, C12 172 that_CS he_PP3A suffered_VBD from_IN the_ATI neuroses_NNS described_VBN C12 172 in_IN Murry's_NP$ son_NN of_IN woman_NN C12 173 and_CC that_CS he_PP3A earned_VBD money_NN to_IN which_WDTR he_PP3A C12 173 was_BEDZ not_XNOT entitled_VBN by_IN publishing_VBG C12 174 Maurice_NP Magnus's_NP$ memoirs_NNS ._. ^ it_PP3 is_BEZ only_RB C12 174 occasionally_RB that_CS he_PP3A gives_VBZ C12 175 the_ATI impression_NN of_IN not_XNOT wanting_VBG to_TO sound_VB too_QL C12 175 impressed_VBN ,_, as_CS ,_, for_IN example_NN ,_, C12 176 when_WRB he_PP3A mentions_VBZ in_IN passing_VBG the_ATI numerous_JJ (_( C12 176 unspecified_JJ )_) C12 177 pue*?2rilite*?2s_&FW in_IN Lawrence's_NP$ daily_JJ life_NN and_CC in_IN C12 177 many_AP of_IN his_PP$ C12 178 books_NNS ._. ^ \0M_NPT Temple_NP makes_VBZ good_JJ use_NN of_IN C12 178 the_ATI available_JJ biographical_JJ C12 179 information_NN ._. ^ he_PP3A also_RB quotes_VBZ lengthily_RB and_CC C12 179 well_RB from_IN Lawrence's_NP$ C12 180 letters_NNS ._. ^ if_CS one_CD1 is_BEZ forced_VBN to_TO conclude_VB C12 180 that_CS he_PP3A seriously_RB misrepresents_VBZ C12 181 both_ABX the_ATI life_NN and_CC the_ATI work_NN of_IN Lawrence_NP C12 181 it_PP3 is_BEZ not_XNOT therefore_RB because_CS he_PP3A C12 182 is_BEZ swayed_VBN by_IN any_DTI deep_JJ prejudice_NN or_CC because_IN C12 182 of_IN" any_DTI particular_JJ C12 183 inaccuracy_NN (_( his_PP$ worst_JJT inaccuracy_NN is_BEZ to_TO C12 183 describe_VB Ursula_NP in_IN the_ATI C12 184 rainbow_NN as_IN Tom_NP Brangwen's_NP$ daughter_NN )_) ._. C12 185 ^ the_ATI principal_JJB defect_NN of_IN this_DT book_NN is_BEZ C12 185 that_CS it_PP3 is_BEZ written_VBN in_IN a_AT C12 186 style_NN which_WDTR will_MD convey_VB to_IN the_ATI reader_NN little_AP C12 186 or_CC nothing_PN of_IN the_ATI C12 187 resemblances_NNS between_IN Lawrence's_NP$ inner_JJB life_NN and_CC C12 187 his_PP$ own_AP :_: C12 188 **[FOREIGN-QUOTATION**]_&FW C12 189 ^ \0M_NPT Temple_NP writes_VBZ in_IN cliche*?2s_NNS and_CC in_IN C12 189 doing_VBG so_PN not_XNOT only_RB C12 190 distorts_VBZ the_ATI essential_JJ biographical_JJ facts_NNS but_CC C12 190 attributes_VBZ cliche*?2s_NNS of_IN C12 191 thought_NN and_CC expression_NN to_IN Lawrence_NP ._. C12 192 ^ defiant_JJ gestures_NNS ._. C12 193 ^ Alfred_NP Marnau_NP :_: Ra"uber-Requiem_&FW ._. 123_CD \0pp_NNUS C12 193 Salzburg_NP :_: Otto_NP C12 194 Mu"ller_NP ._. \0DM_NNU 10.90_CD ._. C12 195 ^ Alfred_NP Marnau_NP ,_, who_WPR was_BEDZ born_VBN in_IN C12 195 Bratislava_NP in_IN 1918_CD and_CC has_HVZ lived_VBN C12 196 in_IN England_NP since_CS before_IN the_ATI war_NN ,_, shares_VBZ C12 196 with_IN Rilke_NP and_CC Kafka_NP the_ATI C12 197 distinction_NN of_IN having_HVG origins_NNS which_WDTR seem_VB to_TO C12 197 escape_VB national_JJ C12 198 boundaries_NNS ._. ^ like_IN them_PP3OS he_PP3A also_RB makes_VBZ of_IN C12 198 German_NNP his_PP$ own_AP language_NN ,_, which_WDTR C12 199 seems_VBZ hammered_VBN out_RP ,_, a_AT medium_NN suggesting_VBG C12 199 sheets_NNS of_IN gold_NN leaf_NN ._. C13 2 ^ searcher_NN for_IN Atlantis_NP ._. C13 3 ^ *'_*' I_PP1A looked_VBD down_RP on_IN the_ATI blackness_NN C13 3 where_WRB trees_NNS filled_VBD the_ATI C13 4 quarry_NN and_CC the_ATI valley_NN bottoms_NNS ,_, and_CC it_PP3 C13 4 seemed_VBD that_CS the_ATI world_NN ,_, my_PP$ own_AP C13 5 home-world_NN ,_, was_BEDZ strange_JJ again_RB ._. **'_**' C13 6 ^ much_AP of_IN Lawrence_NP is_BEZ suggested_VBN by_IN that_DT C13 6 one_CD1 sentence_NN from_IN his_PP$ C13 7 earliest_JJT novel_NN ,_, the_ATI white_JJ peacock_NN ._. ^ his_PP$ C13 7 own_AP home-world_NN dominates_VBZ C13 8 the_ATI novels_NNS up_RP to_IN women_NNS in_IN love_NN ,_, is_BEZ C13 8 the_ATI setting_NN of_IN many_AP of_IN the_ATI C13 9 tales_NNS ,_, and_CC is_BEZ the_ATI world_NN to_IN which_WDTR he_PP3A C13 9 returns_VBZ in_IN Lady_NPT Chatterley_NP ._. C13 10 ^ it_PP3 is_BEZ described_VBN with_IN a_AT faithfulness_NN that_WPR C13 10 makes_VBZ Lawrence_NP impressive_JJ C13 11 simply_RB as_IN the_ATI recorder_NN of_IN a_AT social_JJ scene_NN ,_, C13 11 but_CC his_PP$ art_NN ,_, even_RB in_IN the_ATI C13 12 autobiographical_JJ sons_NNS and_CC lovers_NNS ,_, is_BEZ such_ABL C13 12 as_CS to_TO render_VB the_ATI C13 13 familiar_JJ original_JJ and_CC mysterious_JJ ._. ^ this_DT power_NN C13 13 to_TO make_VB the_ATI known_JJ world_NN C13 14 *'_*' strange_JJ again_RB **'_**' is_BEZ part_NN of_IN his_PP$ C13 14 inheritance_NN from_IN the_ATI great_JJ C13 15 romantics_NNS ._. C13 16 ^ the_ATI excessive_JJ amount_NN of_IN attention_NN at_IN present_NN C13 16 being_BEG given_VBN to_IN his_PP$ C13 17 treatment_NN of_IN the_ATI sexual_JJ relationship_NN (_( bringing_VBG C13 17 us_PP1OS perilously_RB close_RB to_IN C13 18 what_WDT Lawrence_NP himself_PPL despised_VBD as_IN *'_*' sex_NN in_IN C13 18 the_ATI head_NN **'_**' )_) must_MD not_XNOT be_BE C13 19 allowed_VBN to_TO obscure_VB the_ATI more_QL fundamental_JJ truth_NN C13 19 that_CS he_PP3A was_BEDZ the_ATI latest_JJT ,_, C13 20 and_CC the_ATI most_QL compelling_JJ ,_, writer_NN in_IN the_ATI C13 20 English_JNP romantic_JJ tradition_NN ._. C13 21 ^ Coleridge's_NP$ definition_NN of_IN the_ATI secondary_JJ C13 21 imagination_NN ,_, with_IN its_PP$ stress_NN C13 22 on_IN the_ATI transmutation_NN of_IN experience_NN by_IN an_AT C13 22 essentially_RB creative_JJ process_NN C13 23 into_IN something_PN of_IN visionary_JJ freshness_NN ,_, can_MD be_BE C13 23 taken_VBN as_IN an_AT exact_JJ C13 24 description_NN of_IN Lawrence's_NP$ art_NN ;_; and_CC the_ATI most_QL C13 24 illuminating_JJ parallel_NN to_IN C13 25 the_ATI symbolic_JJ passages_NNS of_IN the_ATI rainbow_NN and_CC C13 25 women_NNS in_IN love_NN ,_, in_IN C13 26 which_WDTR this_DT visionary_JJ quality_NN is_BEZ most_QL apparent_JJ C13 26 ,_, are_BER the_ATI moments_NNS of_IN C13 27 revelation_NN in_IN such_ABL poems_NNS as_IN resolution_NN and_CC C13 27 independence_NN and_CC the_ATI C13 28 prelude_NN ._. C13 29 ^ this_DT ,_, if_CS not_XNOT precisely_RB the_ATI theme_NN of_IN C13 29 the_ATI collection_NN of_IN essays_NNS C13 30 and_CC reminiscences_NNS about_IN \0D_NP \0H_NP Lawrence_NP edited_VBN C13 30 by_IN Professor_NPT Moore_NP ,_, C13 31 is_BEZ the_ATI underlying_JJ truth_NN which_WDTR they_PP3AS most_RBT C13 31 serve_VB to_TO impress_VB upon_IN the_ATI mind_NN C13 32 of_IN the_ATI reader_NN ._. ^ it_PP3 is_BEZ consciously_RB there_RN C13 32 in_IN \0Mr_NPT Herbert_NP C13 33 Lindenberger's_NP$ *'_*' Lawrence_NP and_CC the_ATI romantic_JJ C13 33 tradition_NN **'_**' and_CC probably_RB C13 34 because_IN of_IN" this_DT his_PP$ essay_NN is_BEZ the_ATI one_CD1 C13 34 which_WDTR seems_VBZ most_QL consistently_RB and_CC C13 35 most_QL satisfyingly_RB relevant_JJ to_IN the_ATI actual_JJ effects_NNS C13 35 created_VBN by_IN Lawrence's_NP$ C13 36 poems_NNS and_CC novels_NNS ._. ^ but_CC the_ATI frequency_NN with_IN C13 36 which_WDTR the_ATI contributors_NNS to_IN C13 37 \0Mr_NPT Moore's_NP$ miscellany_NN resort_VB to_IN discussion_NN of_IN C13 37 symbol_NN and_CC myth_NN C13 38 in_IN Lawrence's_NP$ work_NN also_RB draws_VBZ its_PP$ justification_NN C13 38 from_IN the_ATI almost_RB C13 39 Wordsworthian_JNP preoccupation_NN with_IN *'_*' unknown_JJ modes_NNS C13 39 of_IN being_BEG **'_**' and_CC C13 40 *'_*' fallings_NNS from_IN us_PP1OS ,_, vanishings_NNS **'_**' that_WPR C13 40 give_VB Lawrence_NP his_PP$ distinctively_RB C13 41 romantic_JJ quality_NN ._. ^ \0Mr_NPT Angelo_NP \0P_NP Bertocci_NP ,_, C13 41 for_IN example_NN ,_, picks_VBZ his_PP$ C13 42 way_NN very_QL carefully_RB through_IN the_ATI mass_NN of_IN C13 42 overlapping_JJ symbolism_NN in_IN C13 43 women_NNS in_IN love_NN to_TO demonstrate_VB how_WRB Lawrence's_NP$ C13 43 imagination_NN expands_VBZ C13 44 the_ATI details_NNS of_IN his_PP$ story_NN in_IN ever_RB widening_VBG C13 44 arcs_NNS of_IN significance_NN ,_, and_CC he_PP3A C13 45 borrows_VBZ from_IN \0Mr_NPT \0R_NP \0A_NP Foakes_NP the_ATI term_NN C13 45 *'_*' image_NN of_IN impression_NN C13 46 **'_**' to_TO describe_VB the_ATI mode_NN of_IN this_DT symbolism_NN C13 46 ,_, so_RB linking_VBG it_PP3 with_IN the_ATI poetry_NN C13 47 of_IN Shelley_NP ,_, Keats_NP ,_, Coleridge_NP and_CC Wordsworth_NP ._. C13 47 ^ \0Mr_NPT Jascha_NP Kessler_NP ,_, in_IN C13 48 *'_*' the_ATI myth_NN of_IN the_ATI plumed_JJ serpent_NN **'_**' ,_, C13 48 interprets_VBZ Kate's_NP$ progress_NN C13 49 towards_IN acceptance_NN of_IN Ramon's_NP$ Quetzalcoatl_NP cult_NN C13 49 in_IN terms_NNS of_IN the_ATI C13 50 primitive_JJ ritual_JJB pattern_NN of_IN *'_*' separation_NN *-_*- C13 50 initiation_NN *-_*- return_NN **'_**' ,_, and_CC C13 51 two_CD other_AP contributors_NNS see_VB in_IN Lawrence's_NP$ use_NN C13 51 of_IN birds_NNS in_IN various_JJ parts_NNS C13 52 of_IN his_PP$ work_NN a_AT conscious_JJ remoulding_NN of_IN C13 52 primitive_JJ ritual_NN ._. C13 53 ^ such_ABL comment_NN is_BEZ legitimate_JJ ,_, but_CC it_PP3 C13 53 needs_VBZ the_ATI check_NN of_IN a_AT more_QL C13 54 inclusive_JJ ,_, and_CC at_IN the_ATI same_AP time_NN more_QL C13 54 strictly_RB literary_JJ ,_, response_NN ._. C13 55 ^ myths_NNS as_IN such_ABL draw_VB their_PP$ power_NN from_IN C13 55 psychological_JJ sources_NNS and_CC depend_VB C13 56 upon_IN the_ATI existence_NN of_IN a_AT socio-religious_JJ culture_NN C13 56 to_IN which_WDTR no_ATI modern_JJ C13 57 writer_NN has_HVZ real_JJ access_NN (_( though_CS he_PP3A may_MD C13 57 imagine_VB that_CS he_PP3A has_HVZ )_) ._. ^ his_PP$ use_NN C13 58 of_IN myth_NN ,_, whether_CS he_PP3A wishes_VBZ it_PP3 to_TO be_BE C13 58 so_PN or_CC not_XNOT ,_, can_MD therefore_RB be_BE only_RB C13 59 part_NN of_IN a_AT larger_JJR artistic_JJ purpose_NN ._. ^ the_ATI C13 59 plumed_JJ serpent_NN is_BEZ an_AT C13 60 excellent_JJ case_NN in_IN point_NN ._. ^ \0Mr_NPT Kessler_NP C13 60 claims_VBZ that_CS his_PP$ analysis_NN of_IN C13 61 this_DT novel_NN makes_VBZ *'_*' all_ABN the_ATI politics_NN and_CC C13 61 religious_JJ demagoguery_NN **'_**' seem_VB C13 62 irrelevant_JJ compared_VBN with_IN *'_*' the_ATI drama_NN of_IN the_ATI C13 62 hidden_JJ primal_JJ mythic_JJ C13 63 adventure_NN it_PP3 subserves_VBZ **'_**' ._. ^ criticism_NN has_HVZ C13 63 been_BEN misguided_JJ and_CC has_HVZ C13 64 underestimated_VBN the_ATI book_NN because_CS it_PP3 has_HVZ *'_*' C13 64 seized_VBN upon_IN the_ATI superficial_JJ C13 65 content_NN of_IN the_ATI novel_NN and_CC confused_VBN it_PP3 with_IN C13 65 the_ATI story_NN it_PP3 is_BEZ really_RB C13 66 telling_VBG **'_**' ._. ^ but_CC it_PP3 was_BEDZ precisely_RB C13 66 because_CS the_ATI *'_*' primal_JJ mythic_JJ C13 67 adventure_NN **'_**' could_MD not_XNOT form_VB the_ATI total_JJ C13 67 substance_NN of_IN a_AT novel_NN that_CS C13 68 Lawrence_NP was_BEDZ driven_VBN to_TO invent_VB the_ATI C13 68 paraphernalia_NNS of_IN a_AT political_JJ and_CC C13 69 religious_JJ movement_NN led_VBN by_IN Ramon_NP which_WDTR \0Mr_NPT C13 69 Kessler_NP rightly_RB regards_VBZ as_CS C13 70 superficial_JJ ._. ^ it_PP3 is_BEZ impossible_JJ to_TO *'_*' rescue_VB C13 70 **'_**' the_ATI myth_NN from_IN the_ATI novel_NN ._. C13 71 ^ one_CD1 is_BEZ left_VBN with_IN something_PN which_WDTR the_ATI C13 71 modern_JJ reader_NN inevitably_RB finds_VBZ C13 72 too_QL thin_JJ ,_, too_QL remote_JJ ,_, too_QL reminiscent_JJ of_IN C13 72 the_ATI world_NN of_IN fairytale_NN ;_; it_PP3 C13 73 will_MD not_XNOT stand_VB on_IN its_PP$ own_AP ._. ^ yet_RB neither_RB C13 73 will_MD it_PP3 stand_VB on_IN the_ATI C13 74 matchboard_NN stage_NN that_CS Lawrence_NP has_HVZ contrived_VBN for_IN C13 74 it_PP3 ._. ^ without_IN the_ATI C13 75 reality_NN of_IN a_AT fully_RB created_VBN novelistic_JJ world_NN C13 75 the_ATI myth_NN is_BEZ itself_PPL C13 76 superficial_JJ and_CC unconvincing_JJ ._. C13 77 ^ in_IN placing_VBG Lawrence_NP within_IN the_ATI romantic_JJ C13 77 tradition_NN \0Mr_NPT C13 78 Lindenberger_NP does_DOZ not_XNOT make_VB this_DT mistake_NN ._. ^ C13 78 he_PP3A begins_VBZ his_PP$ essay_NN by_IN C13 79 making_VBG the_ATI important_JJ distinction_NN between_IN what_WDT C13 79 he_PP3A calls_VBZ the_ATI *'_*' novel_NN of_IN C13 80 social_JJ relations_NNS **'_**' *-_*- which_WDTR is_BEZ ,_, in_IN C13 80 effect_NN ,_, the_ATI novel_NN as_CS it_PP3 has_HVZ usually_RB C13 81 displayed_VBD itself_PPL in_IN English_JNP literature_NN ,_, from_IN C13 81 Jane_NP Austen_NP to_IN Miss_NPT Iris_NP C13 82 Murdoch_NP *-_*- and_CC the_ATI *'_*' symbolist_JJ novel_NN **'_**' C13 82 or_CC *'_*' romance_NN **'_**' ._. ^ Lawrence_NP ,_, of_RB C13 83 course_RB" ,_, belongs_VBZ to_IN the_ATI latter_AP class_NN ,_, and_CC C13 83 from_IN here_RN \0Mr_NPT Lindenberger_NP C13 84 goes_VBZ on_RP to_IN a_AT discussion_NN of_IN Lawrence's_NP$ C13 84 romanticism_NN ,_, the_ATI importance_NN of_IN C13 85 which_WDTR has_HVZ already_RB been_BEN stressed_VBN ._. ^ but_CC ,_, C13 85 he_PP3A then_RN argues_VBZ ,_, it_PP3 could_MD be_BE C13 86 said_VBN that_CS :_: C13 87 *"_*' C13 88 ^ Lawrence_NP in_IN his_PP$ best_JJT work_NN was_BEDZ able_JJ to_TO C13 88 fuse_VB the_ATI two_CD traditions_NNS ,_, C13 89 and_CC it_PP3 may_MD well_RB be_BE that_CS his_PP$ contribution_NN C13 89 to_IN the_ATI history_NN of_IN the_ATI novel_NN C13 90 will_MD be_BE seen_VBN in_IN his_PP$ success_NN in_IN instilling_VBG C13 90 the_ATI dominant_JJ strain_NN of_IN C13 91 English_JNP fiction_NN with_IN the_ATI essentially_RB poetic_JJ C13 91 materials_NNS of_IN the_ATI romantic_JJ C13 92 tradition_NN ._. C13 93 **"_**' C13 94 ^ this_DT argument_NN is_BEZ just_JJ and_CC in_IN the_ATI correct_JJ C13 94 sequence_NN ;_; it_PP3 puts_VBZ the_ATI C13 95 emphasis_NN in_IN the_ATI right_JJ place_NN ._. ^ the_ATI glimpses_NNS C13 95 of_IN *'_*' unknown_JJ modes_NNS of_IN C13 96 being_BEG **'_**' are_BER the_ATI most_QL arresting_JJ and_CC the_ATI C13 96 most_QL memorable_JJ things_NNS in_IN C13 97 Lawrence's_NP$ novels_NNS ,_, but_CC he_PP3A is_BEZ aware_JJ that_CS C13 97 when_WRB a_AT novel_NN is_BEZ given_VBN over_RP C13 98 entirely_RB to_IN the_ATI romantic_JJ experience_NN it_PP3 ceases_VBZ C13 98 to_TO be_BE a_AT novel_NN ._. ^ nor_CC is_BEZ C13 99 it_PP3 true_JJ to_TO say_VB that_CS the_ATI traditional_JJ material_NN C13 99 serves_VBZ as_IN a_AT foil_NN to_TO set_VB C13 100 off_RP the_ATI episodes_NNS in_IN which_WDTR Lawrence_NP is_BEZ more_QL C13 100 deeply_RB engaged_VBN ._. ^ the_ATI finest_JJT C13 101 of_IN his_PP$ *'_*' symbolist_JJ novels_NNS **'_**' ,_, the_ATI C13 101 rainbow_NN and_CC women_NNS in_IN love_NN ,_, C13 102 are_BER also_RB his_PP$ most_QL substantial_JJ achievements_NNS in_IN C13 102 realism_NN ._. ^ as_IN social_JJ C13 103 history_NN they_PP3AS are_BER already_RB unrivalled_JJ ,_, and_CC C13 103 their_PP$ characters_NNS (_( in_IN spite_IN" of_IN" C13 104 the_ATI now_RN famous_JJ letter_NN to_IN Edward_NP Garnett_NP in_IN C13 104 which_WDTR Lawrence_NP states_VBZ that_CS C13 105 ~ *'_*' you_PP2 must_MD n't_XNOT look_VB in_IN my_PP$ novel_NN for_IN C13 105 the_ATI old_JJ stable_JJ ego_NN of_IN the_ATI C13 106 character_NN **'_**' )_) are_BER characters_NNS in_IN the_ATI good_JJ C13 106 old-fashioned_JJ sense_NN of_IN the_ATI C13 107 word_NN ._. ^ above_IN all_ABN ,_, his_PP$ power_NN to_TO render_VB C13 107 environment_NN in_IN language_NN that_WPR not_XNOT C13 108 merely_RB describes_VBZ but_CC re-creates_VBZ it_PP3 (_( \0Mr_NPT C13 108 Mark_NP Schorer_NP writes_VBZ of_IN this_DT C13 109 in_IN his_PP$ contribution_NN to_IN the_ATI miscellany_NN ,_, *'_*' C13 109 Lawrence_NP and_CC the_ATI spirit_NN C13 110 of_IN place_NN **'_**' )_) embeds_VBZ the_ATI romantic_JJ experience_NN C13 110 in_IN a_AT solid_JJ world_NN of_IN C13 111 sensuous_JJ particularity_NN ._. ^ in_IN these_DTS novels_NNS there_EX C13 111 is_BEZ no_ATI question_NN of_IN an_AT C13 112 inner_JJB meaning_NN being_BEG the_ATI true_JJ purpose_NN to_IN C13 112 which_WDTR the_ATI surface_NN of_IN the_ATI novel_NN C13 113 is_BEZ irrelevant_JJ ._. ^ they_PP3AS are_BER coherent_JJ wholes_NNS C13 113 ._. ^ the_ATI unknown_JJ penetrates_VBZ and_CC C13 114 fuses_VBZ with_IN the_ATI known_JJ to_TO form_VB an_AT indivisible_JJ C13 114 artistic_JJ unity_NN ._. C13 115 ^ Lawrence_NP the_ATI novelist_NN is_BEZ perhaps_RB now_RN C13 115 beginning_VBG to_TO get_VB his_PP$ due_NN ._. C13 116 ^ the_ATI same_AP can_MD not_XNOT yet_RB be_BE said_VBN for_IN C13 116 Lawrence_NP the_ATI poet_NN ._. ^ Miss_NPT Dallas_NP C13 117 Kenmare_NP has_HVZ written_VBN a_AT small_JJ study_NN of_IN \0D_NP C13 117 \0H_NP Lawrence_NP ,_, which_WDTR is_BEZ in_IN C13 118 fact_NN a_AT study_NN of_IN the_ATI poetry_NN ,_, but_CC one_CD1 C13 118 weakness_NN of_IN that_DT book_NN is_BEZ its_PP$ C13 119 unwillingness_NN to_TO recognize_VB the_ATI tough_JJ ,_, pawky_JJ ,_, C13 119 realistic_JJ side_NN of_IN C13 120 Lawrence_NP expressed_VBN in_IN *'_*' pansies_NNS **'_**' and_CC *'_*' C13 120 nettles_NNS **'_**' ._. ^ even_RB \0Mr_NPT C13 121 Alvarez_NP ,_, whose_WP$R essay_NN in_IN the_ATI shaping_JJ spirit_NN C13 121 (_( here_RN reprinted_VBN by_IN C13 122 Professor_NPT Moore_NP )_) is_BEZ undoubtedly_RB the_ATI best_JJT C13 122 thing_NN yet_RB written_VBN on_IN C13 123 Lawrence's_NP$ poetry_NN ,_, seems_VBZ reluctant_JJ to_TO give_VB C13 123 the_ATI blunt_JJ ,_, sardonic_JJ quality_NN C13 124 its_PP$ full_JJ value_NN ._. ^ he_PP3A comments_VBZ excellently_RB C13 124 on_IN *'_*' red_JJ geranium_NN and_CC godly_JJ C13 125 mignonette_NN **'_**' :_: ~ *'_*' there_EX is_BEZ neither_DTX a_AT C13 125 jot_NN of_IN pretentiousness_NN in_IN the_ATI C13 126 poem_NN ,_, nor_CC of_IN vulgarity_NN ,_, though_CS the_ATI C13 126 opportunity_NN for_IN both_ABX certainly_RB C13 127 offered_VBN **'_**' ,_, yet_CC he_PP3A seems_VBZ to_TO want_VB to_TO C13 127 dignify_VB it_PP3 *-_*- oddly_RB enough_QLP ,_, by_IN C13 128 suggesting_VBG that_CS it_PP3 is_BEZ a_AT poem_NN of_IN wit_NN C13 128 which_WDTR ,_, like_IN Donne's_NP$ ,_, is_BEZ *'_*' a_AT C13 129 manifestation_NN of_IN intelligence_NN **'_**' ._. ^ this_DT is_BEZ C13 129 a_AT minor_JJ aberration_NN ,_, C13 130 however_RB ._. ^ the_ATI most_QL important_JJ aspect_NN of_IN C13 130 Lawrence's_NP$ realism_NN ,_, his_PP$ C13 131 *'_*' complete_JJ truth_NN to_IN feeling_NN **'_**' ,_, is_BEZ C13 131 thoroughly_RB grasped_VBN by_IN \0Mr_NPT C13 132 Alvarez_NP ,_, and_CC the_ATI essential_JJ effect_NN of_IN balance_NN C13 132 *-_*- the_ATI balance_NN of_IN the_ATI C13 133 sharply_RB aware_JJ ,_, never_RB half-asleep_JJ ,_, whole_JJ man_NN C13 133 *-_*- created_VBN by_IN Lawrence's_NP$ C13 134 flexibly_RB colloquial_JJ language_NN is_BEZ something_PN which_WDTR C13 134 this_DT essay_NN argues_VBZ so_QL C13 135 persuasively_RB as_CS to_TO leave_VB the_ATI greatness_NN of_IN C13 135 Lawrence's_NP$ poetic_JJ C13 136 achievement_NN beyond_IN doubt_NN ._. C13 137 ^ what_WDT Lawrence_NP owed_VBD to_IN his_PP$ working-class_JJ C13 137 background_NN has_HVZ received_VBN C13 138 some_DTI attention_NN in_IN recent_JJ years_NNS ,_, but_CC not_XNOT C13 138 enough_DTI ._. ^ the_ATI facts_NNS are_BER there_RN C13 139 in_IN Professor_NPT Moore's_NP$ own_AP biography_NN of_IN Lawrence_NP C13 139 ,_, the_ATI intelligent_JJ C13 140 heart_NN ._. ^ their_PP$ full_JJ significance_NN has_HVZ yet_RB to_TO C13 140 be_BE appreciated_VBN ._. ^ two_CD C13 141 items_NNS in_IN the_ATI miscellany_NN have_HV some_DTI bearing_NN on_IN C13 141 this_DT *-_*- C13 142 unintentionally_RB supporting_VBG one_PPLS another_PPLS" ._. ^ the_ATI C13 142 first_OD is_BEZ a_AT letter_NN from_IN C13 143 Katherine_NP Mansfield_NP to_IN \0S_NP \0S_NP Koteliansky_NP C13 143 describing_VBG a_AT row_NN between_IN C13 144 Lawrence_NP and_CC Frieda_NP at_IN Zennor_NP in_IN 1916_CD ._. ^ C13 144 Katherine_NP Mansfield_NP is_BEZ shocked_JJ C13 145 and_CC bewildered_JJ :_: ^ *'_*' it_PP3 seems_VBZ to_IN me_PP1O so_QL C13 145 degraded_JJ *-_*- so_QL horrible_JJ to_TO see_VB C13 146 I_PP1A can_MD n't_XNOT stand_VB it_PP3 ._. **'_**' ^ (_( actually_RB C13 146 ,_, it_PP3 reads_VBZ like_IN a_AT particularly_RB violent_JJ C13 147 farce_NN ._. ^ Lawrence_NP beats_VBZ Frieda_NP and_CC chases_VBZ C13 147 her_PP3O round_IN the_ATI kitchen_NN table_NN ,_, C13 148 but_CC the_ATI next_AP day_NN gives_VBZ her_PP$ breakfast_NN in_IN C13 148 bed_NN and_CC trims_VBZ her_PP$ hat_NN ._. )_) C13 149 ^ the_ATI second_OD is_BEZ a_AT reprinting_NN from_IN culture_NN C13 149 and_CC society_NN of_IN \0Mr_NPT C13 150 Raymond_NP Williams's_NP$ essay_NN on_IN *'_*' the_ATI social_JJ C13 150 thinking_NN of_IN \0D_NP \0H_NP C13 151 Lawrence_NP **'_**' ._. ^ \0Mr_NPT Williams's_NP$ cool_JJ remark_NN C13 151 that_CS comment_NN on_IN C13 152 working-class_JJ life_NN *'_*' tends_VBZ to_TO emphasize_VB the_ATI C13 152 noisier_JJR factors_NNS C13 153 **'_**' inevitably_RB throws_VBZ one_CD1 back_RP to_IN the_ATI C13 153 Katherine_NP Mansfield_NP letter_NN ._. ^ Frieda_NP ,_, C13 154 of_RB course_RB" ,_, was_BEDZ a_AT German_JNP aristocrat_NN ,_, and_CC C13 154 by_IN 1916_CD Lawrence_NP had_HVD come_VBN a_AT C13 155 good_JJ way_NN from_IN Eastwood_NP ,_, but_CC is_BEZ it_PP3 not_XNOT C13 155 possible_JJ that_CS their_PP$ middle-class_JJ C13 156 friends_NNS were_BED witnessing_VBG in_IN these_DTS open_JJ rows_NNS C13 156 the_ATI continuance_NN of_IN a_AT C13 157 different_JJ tradition_NN ?_? ^ at_IN any_DTI rate_NN ,_, \0Mr_NPT C13 157 Williams_NP is_BEZ certainly_RB right_JJ C13 158 in_IN his_PP$ comment_NN that_CS in_IN working-class_JJ life_NN (_( C13 158 of_IN Lawrence's_NP$ childhood_NN ,_, if_CS C13 159 not_XNOT of_IN our_PP$ day_NN )_) *'_*' the_ATI suffering_NN and_CC C13 159 the_ATI giving_NN of_IN comfort_NN ,_, the_ATI common_JJ C13 160 want_NN and_CC the_ATI common_JJ remedy_NN ,_, the_ATI open_JJ row_NN C13 160 and_CC the_ATI open_JJ making-up_NN ,_, are_BER C13 161 all_ABN part_NN of_IN a_AT continuous_JJ life_NN which_WDTR ,_, in_IN C13 161 good_JJ and_CC bad_JJ ,_, makes_VBZ for_IN a_AT C13 162 whole_JJ attachment_NN **'_**' ,_, and_CC the_ATI relevance_NN of_IN C13 162 this_DT to_IN Lawrence's_NP$ own_AP C13 163 treatment_NN of_IN personal_JJ relations_NNS hardly_RB needs_VBZ C13 163 comment_NN ._. C13 164 ^ no_PN one_PN" ,_, however_RB ,_, is_BEZ as_QL good_JJ ,_, or_CC C13 164 as_QL prolific_JJ ,_, a_AT commentator_NN on_IN C13 165 Lawrence_NP as_IN Lawrence_NP himself_PPL ,_, and_CC such_ABL an_AT C13 165 immense_JJ amount_NN of_IN this_DT C13 166 commentary_NN is_BEZ stored_VBN away_RP in_IN phoenix_NN that_CS C13 166 its_PP$ reappearance_NN now_RN C13 167 after_IN many_AP years_NNS of_IN being_BEG out_RP of_IN print_NN is_BEZ C13 167 a_AT happening_NN of_IN some_DTI C13 168 importance_NN ._. ^ phoenix_NN is_BEZ itself_PPL a_AT miscellany_NN ,_, C13 168 unplanned_JJ ,_, yet_CC C13 169 unified_VBN as_CS no_ATI other_AP miscellany_NN could_MD be_BE ,_, C13 169 by_IN the_ATI personality_NN of_IN C13 170 Lawrence_NP himself_PPL ._. ^ some_DTI of_IN the_ATI things_NNS it_PP3 C13 170 contains_VBZ are_BER of_IN rare_JJ quality_NN ,_, C13 171 some_DTI interesting_JJ for_IN what_WDT they_PP3AS add_VB to_IN our_PP$ C13 171 understanding_NN of_IN Lawrence's_NP$ C13 172 *'_*' philosophy_NN **'_**' ,_, some_DTI are_BER comparatively_RB C13 172 trivial_JJ pieces_NNS ;_; but_CC what_WDT C13 173 matters_VBZ even_RB more_RBR than_IN their_PP$ individual_JJ merits_NNS C13 173 is_BEZ the_ATI cumulative_JJ C13 174 effect_NN which_WDTR they_PP3AS achieve_VB when_WRB brought_VBN C13 174 together_RB in_IN this_DT way_NN ._. ^ the_ATI sum_NN C13 175 even_RB of_IN the_ATI novels_NNS and_CC poems_NNS is_BEZ greater_JJR C13 175 than_IN the_ATI parts_NNS ,_, but_CC the_ATI C13 176 existence_NN of_IN a_AT collective_JJ meaning_NN ,_, subtly_RB C13 176 influenced_VBN by_IN the_ATI presence_NN C13 177 of_IN the_ATI author_NN (_( which_WDTR is_BEZ always_RB felt_VBN in_IN C13 177 Lawrence's_NP$ work_NN )_) ,_, can_MD be_BE more_QL C13 178 easily_RB perceived_VBN in_IN the_ATI sum_NN of_IN phoenix_NN ._. C13 179 ^ the_ATI parts_NNS can_MD be_BE exasperating_JJ ._. ^ C13 179 Lawrence's_NP$ hectoring_JJ manner_NN in_IN C13 180 democracy_NN grates_VBZ on_IN the_ATI reader_NN ,_, and_CC there_EX C13 180 are_BER times_NNS when_WRB his_PP$ C13 181 bullying_JJ repetitions_NNS become_VB insufferable_JJ ._. ^ the_ATI C13 181 incantatory_JJ style_NN of_IN C13 182 the_ATI reality_NN of_IN peace_NN is_BEZ nauseating_JJ ,_, and_CC C13 182 though_CS it_PP3 is_BEZ a_AT relief_NN to_TO C13 183 turn_VB to_IN the_ATI bluff_JJ no-nonsense_NN of_IN education_NN of_IN C13 183 the_ATI people_NNS ,_, this_DT C13 184 sounds_VBZ after_IN a_AT while_NN like_IN wilful_JJ crudeness_NN ._. ^ C13 184 yet_RB overriding_VBG these_DTS C13 185 defects_NNS is_BEZ the_ATI sense_NN that_CS here_RN is_BEZ an_AT C13 185 essentially_RB fine_JJ and_CC original_JJ C13 186 intelligence_NN *-_*- an_AT energy_NN that_WPR drives_VBZ towards_IN C13 186 real_JJ understanding_NN ,_, as_IN C13 187 against_IN" the_ATI neat_JJ and_CC clever_JJ formulations_NNS that_WPR C13 187 are_BER so_QL often_RB passed_VBN off_RP C13 188 for_IN understanding_NN ._. ^ one's_CD1$ irritation_NN evaporates_VBZ C13 188 ._. C13 189 ^ there_EX is_BEZ much_AP talk_NN in_IN phoenix_NN of_IN the_ATI C13 189 *'_*' blood-consciousness_NN C13 190 **'_**' through_IN which_WDTR Lawrence_NP sought_VBD salvation_NN C13 190 from_IN the_ATI debilitating_JJ effects_NNS C13 191 of_IN twentieth-century_JJB self-consciousness_NN ._. ^ sometimes_RB C13 191 in_IN his_PP$ hatred_NN of_IN C13 192 its_PP$ evils_NNS he_PP3A seems_VBZ to_TO want_VB to_TO sweep_VB C13 192 away_RP the_ATI whole_NN of_IN modern_JJ science_NN C13 193 and_CC technology_NN ._. ^ the_ATI *'_*' autobiographical_JJ C13 193 fragment_NN **'_**' strongly_RB suggests_VBZ C13 194 the_ATI influence_NN of_IN William_NP Morris's_NP$ news_NN from_IN C13 194 nowhere_RB ._. ^ but_CC when_WRB he_PP3A C13 195 is_BEZ saying_VBG more_QL precisely_RB what_WDT he_PP3A means_VBZ C13 195 Lawrence_NP makes_VBZ it_PP3 clear_JJ that_CS C13 196 the_ATI labour-saving_JJ machine_NN is_BEZ a_AT public_JJ benefactor_NN C13 196 :_: ^ *'_*' now_RN there_EX is_BEZ a_AT C13 197 railing_NN against_IN the_ATI machine_NN ,_, as_CS if_CS" it_PP3 C13 197 were_BED an_AT evil_JJ thing_NN ._. C13 198 **"_**' C14 2 ^ new_JJ books_NNS (_( continued_VBN )_) ._. C14 3 ^ progress_NN in_IN science_NN ._. C14 4 ^ science_NN survey_NN 2_CD ._. edited_VBN by_IN \0A_NP \0W_NP C14 4 Haslett_NP and_CC John_NP C14 5 \0St_NPT John_NP ._. Vista_NP books_NNS ._. 30_CD \0s_NNU ._. C14 6 ^ a_AT year_NN ago_RB the_ATI first_OD volume_NN in_IN this_DT C14 6 series_NN successfully_RB C14 7 established_VBD the_ATI pattern_NN which_WDTR is_BEZ here_RN C14 7 continued_VBN ._. ^ the_ATI editors_NNS ask_VB some_DTI C14 8 20_CD to_IN 30_CD working_JJ scientists_NNS to_TO report_VB on_IN C14 8 the_ATI progress_NN made_VBN in_IN selected_JJ C14 9 and_CC limited_JJ fields_NNS which_WDTR are_BER their_PP$ particular_JJ C14 9 concern_NN ._. ^ they_PP3AS appear_VB C14 10 grouped_VBN together_RB ,_, three_CD or_CC four_CD at_IN a_AT time_NN C14 10 ,_, under_IN more_QL general_JJ heads_NNS ,_, C14 11 with_IN some_DTI useful_JJ cross_JJ references_NNS and_CC a_AT good_JJ C14 11 index_NN ;_; each_DT short_JJ chapter_NN C14 12 contains_VBZ suggestions_NNS for_IN further_JJB reading_NN ._. C14 13 ^ very_QL little_AP knowledge_NN of_IN the_ATI subject_NN under_IN C14 13 discussion_NN is_BEZ C14 14 presupposed_VBN ,_, though_CS in_IN spite_IN" of_IN" its_PP$ clarity_NN C14 14 this_DT could_MD not_XNOT be_BE a_AT C14 15 *'_*' popular_JJ **'_**' work_NN for_IN people_NNS innocent_JJ of_IN C14 15 all_ABN scientific_JJ training_NN ._. ^ it_PP3 C14 16 seems_VBZ aimed_VBN in_RB particular_RB" at_IN the_ATI sixth-former_NN C14 16 beginning_VBG to_TO specialize_VB ,_, C14 17 who_WPR ought_MD to_TO be_BE given_VBN every_AT chance_NN to_TO read_VB C14 17 such_ABL first-hand_JJB accounts_NNS of_IN C14 18 the_ATI advances_NNS made_VBN in_IN subjects_NNS whose_WP$R dead_JJ C14 18 past_NN is_BEZ already_RB all_RB too_QL C14 19 familiar_JJ from_IN the_ATI text-books_NNS ._. ^ in_IN his_PP$ C14 19 foreword_NN Professor_NPT Le_NP Gros_NP Clark_NP C14 20 puts_VBZ it_PP3 explicitly_RB :_: C14 22 *"_*' C14 23 ^ today_NR ,_, when_WRB the_ATI demand_NN for_IN more_AP and_CC C14 23 more_AP recruits_NNS in_IN the_ATI C14 24 different_JJ branches_NNS of_IN science_NN has_HVZ become_VBN so_QL C14 24 insistent_JJ ,_, it_PP3 is_BEZ of_IN the_ATI C14 25 highest_JJT importance_NN that_CS the_ATI interest_NN of_IN C14 25 potential_JJ scientists_NNS should_MD be_BE C14 26 early_RB aroused_VBN by_IN having_HVG accounts_NNS of_IN current_JJ C14 26 trends_NNS in_IN scientific_JJ C14 27 research_NN presented_VBN in_IN a_AT readily_RB intelligible_JJ C14 27 style_NN ._. C14 28 **"_**' C14 30 ^ future_JJB effect_NN ._. C14 31 ^ surveys_NNS such_IN as_IN" these_DTS at_IN regular_JJ C14 31 intervals_NNS may_MD well_RB have_HV a_AT real_JJ C14 32 effect_NN on_IN the_ATI future_NN through_IN their_PP$ power_NN to_TO C14 32 draw_VB the_ATI attention_NN of_IN C14 33 young_JJ scientists_NNS to_IN interesting_JJ fields_NNS of_IN C14 33 activity_NN ._. C14 34 ^ only_RB a_AT brief_JJ account_NN of_IN the_ATI contents_NNS is_BEZ C14 34 possible_JJ here_RN ._. ^ two_CD C14 35 articles_NNS on_IN astronomy_NN deal_VB in_IN turn_NN with_IN C14 35 stellar_JJ evolution_NN and_CC the_ATI C14 36 determination_NN of_IN stellar_JJ distances_NNS ._. ^ curiously_RB C14 36 the_ATI only_AP contribution_NN C14 37 to_IN pure_JJ physics_NN is_BEZ a_AT description_NN of_IN recent_JJ C14 37 tests_NNS of_IN the_ATI particular_JJ and_CC C14 38 general_JJ theories_NNS of_IN relativity_NN ._. ^ then_RN come_VB C14 38 articles_NNS about_IN the_ATI possible_JJ C14 39 ways_NNS in_IN which_WDTR mountain_NN ranges_NNS were_BED built_VBN C14 39 up_RP ,_, and_CC magnetic_JJ methods_NNS of_IN C14 40 testing_VBG the_ATI theory_NN of_IN continental_JJ drift_NN ._. ^ C14 40 these_DTS are_BER particularly_RB C14 41 stimulating_JJ because_CS little_AP can_MD be_BE taken_VBN for_CS C14 41 granted_VBN in_IN sciences_NNS at_IN so_QL C14 42 complex_JJ and_CC unsettled_JJ a_AT stage_NN ._. C14 43 ^ deep_JJ water_NN ._. C14 44 ^ after_IN the_ATI earth_NN come_VB the_ATI oceans_NNS ,_, with_IN C14 44 observations_NNS of_IN the_ATI sea_NN C14 45 floor_NN and_CC of_IN currents_NNS ._. ^ a_AT study_NN of_IN plant_NN C14 45 life_NN in_IN the_ATI sea_NN makes_VBZ the_ATI C14 46 transition_NN to_IN connected_JJ articles_NNS on_IN the_ATI C14 46 chemistry_NN of_IN plants_NNS ,_, and_CC C14 47 accounts_NNS of_IN work_NN on_IN the_ATI transmission_NN of_IN nerve_NN C14 47 impulses_NNS and_CC the_ATI C14 48 physiology_NN of_IN muscular_JJ activity_NN ._. ^ a_AT section_NN on_IN C14 48 psychology_NN ,_, *'_*' brain_NN and_CC C14 49 mind_NN **'_**' ,_, treats_VBZ of_IN the_ATI improvement_NN with_IN C14 49 practice_NN of_IN the_ATI ability_NN of_IN C14 50 animals_NNS to_TO learn_VB ,_, the_ATI measurement_NN of_IN human_JJ C14 50 mental_JJ qualities_NNS ,_, their_PP$ C14 51 localization_NN in_IN areas_NNS of_IN the_ATI brain_NN ,_, and_CC C14 51 the_ATI effect_NN of_IN the_ATI newer_JJR drugs_NNS C14 52 on_IN behaviour_NN ._. ^ this_DT is_BEZ a_AT particularly_RB C14 52 controversial_JJ area_NN in_IN which_WDTR C14 53 scientists_NNS easily_RB stray_VB beyond_IN their_PP$ competence_NN ,_, C14 53 and_CC there_EX are_BER one_CD1 or_CC C14 54 two_CD remarks_NNS ,_, such_IN as_IN" *'_*' whereas_CS the_ATI C14 54 taking_NN of_IN alcohol_NN has_HVZ always_RB been_BEN C14 55 regarded_VBN as_IN a_AT social_JJ and_CC moral_JJ question_NN ,_, C14 55 the_ATI giving_NN of_IN drugs_NNS ,_, C14 56 irrespective_IN of_IN" their_PP$ consequences_NNS ,_, must_MD always_RB C14 56 primarily_RB be_BE a_AT medical_JJ C14 57 responsibility_NN **'_**' ,_, which_WDTR certainly_RB demand_VB C14 57 further_JJB discussion_NN ._. C14 58 ^ we_PP1AS return_VB to_IN solid_JJ scientific_JJ ground_NN with_IN C14 58 the_ATI assessment_NN of_IN noise_NN C14 59 annoyance_NN ,_, the_ATI strength_NN of_IN materials_NNS ,_, metal_NN C14 59 fatigue_NN ,_, and_CC materials_NNS for_IN C14 60 use_NN at_IN high_JJ temperatures_NNS ._. ^ altogether_RB this_DT C14 60 is_BEZ a_AT useful_JJ piece_NN of_IN work_NN ,_, C14 61 which_WDTR has_HVZ increased_VBN our_PP$ debt_NN to_IN the_ATI C14 61 British_JNP association_NN ._. C14 62 ^ the_ATI real_JJ France_NP ._. C14 63 ^ village_&FW en_&FW vaucluse_&FW ._. by_IN \0L_NP Wylie_NP and_CC C14 63 \0A_NP C14 64 Be*?2gue*?2_NP ._. Harrap_NP ._. 18_CD \0s_NNU ._. C14 65 ^ this_DT is_BEZ a_AT shorter_JJR version_NN ,_, in_IN French_NNP C14 65 ,_, by_IN \0M_NP Armand_NP Be*?2gue*?2_NP C14 66 of_IN a_AT much_RB longer_JJR American_JNP sociological_JJ study_NN C14 66 compiled_VBN by_IN \0Mr_NPT C14 67 Laurence_NP Wylie_NP of_IN Harvard_NP University_NPL ,_, using_VBG C14 67 the_ATI *'_*' field_NN **'_**' techniques_NNS C14 68 of_IN sociology_NN ,_, anthropology_NN and_CC psychology_NN ,_, C14 68 applied_VBN during_IN \0Mr_NPT C14 69 Wylie's_NP$ year's_NN$ stay_NN in_IN 1950_CD with_IN his_PP$ wife_NN C14 69 and_CC two_CD sons_NNS in_IN a_AT village_NN C14 70 which_WDTR he_PP3A calls_VBZ Peyrane_NP ._. C14 71 ^ deep_JJ study_NN ._. C14 72 ^ he_PP3A presents_VBZ not_XNOT a_AT dull_JJ statistical_JJ C14 72 treatise_NN nor_CC a_AT light_JJ C14 73 surface-skimming_JJ digest_NN ,_, but_CC an_AT examination_NN in_IN C14 73 depth_NN including_VBG C14 74 \0e.g_RB the_ATI basic_JJ principles_NNS of_IN French_JNP education_NN C14 74 and_CC comparative_JJ C14 75 family_NN budgets_NNS ._. ^ nor_CC does_DOZ he_PP3A neglect_VB the_ATI C14 75 individual_NN and_CC his_PP$ C14 76 psychological_JJ reactions_NNS *-_*- the_ATI village_NN grocer's_NN$ C14 76 tirade_NN against_IN la_&FW C14 77 famille_&FW nombreuse_&FW coming_VBG to_IN her_PP$ shop_NN for_IN C14 77 credit_NN and_CC the_ATI returned_JJ C14 78 deportee's_NN$ judgment_NN on_IN the_ATI maquis_NN are_BER but_RI C14 78 two_CD examples_NNS of_IN vivid_JJ C14 79 reportage_NN ._. ^ there_EX are_BER two_CD maps_NNS ,_, an_AT C14 79 adequate_JJ vocabulary_NN and_CC intelligent_JJ C14 80 questions_NNS in_IN French_NNP at_IN the_ATI end_NN of_IN each_DT C14 80 chapter_NN ._. ^ the_ATI author's_NN$ many_AP C14 81 excellent_JJ photographs_NNS make_VB an_AT integral_JJ and_CC C14 81 illuminating_JJ contribution_NN C14 82 to_IN this_DT attempt_NN to_TO give_VB students_NNS *'_*' a_AT valid_JJ C14 82 picture_NN of_IN contemporary_JJ C14 83 French_JNP life_NN and_CC to_TO show_VB how_WRB a_AT group_NN of_IN C14 83 French_JNP people_NNS live_VB from_IN day_NN to_IN C14 84 day_NN **'_**' ._. C14 85 ^ this_DT is_BEZ a_AT fascinating_JJ book_NN ,_, from_IN the_ATI C14 85 evocative_JJ drawing_NN on_IN its_PP$ C14 86 title-page_NN to_IN its_PP$ valuable_JJ final_JJ chapter_NN ,_, *'_*' C14 86 Peyrane_&FW en_&FW 1959_&FW **'_**' ,_, C14 87 written_VBN after_IN further_JJB visits_NNS ,_, recording_VBG the_ATI C14 87 changes_NNS brought_VBN by_IN C14 88 tractors_NNS ,_, television_NN and_CC main_JJB drainage_NN and_CC C14 88 providing_VBG a_AT useful_JJ C14 89 corrective_NN to_IN so_QL many_AP nostalgic_JJ pictures_NNS of_IN a_AT C14 89 *'_*' quaint_JJ C14 90 **'_**' old-fashioned_JJ France_NP ._. ^ it_PP3 merits_VBZ inclusion_NN C14 90 in_IN any_DTI modern-languages_JJB C14 91 library_NN and_CC could_MD be_BE a_AT stimulating_JJ basis_NN for_IN C14 91 a_AT non-literary_JJ sixth-form_NN C14 92 course_NN or_CC a_AT good_JJ adult_NN class_NN ._. C14 93 ^ Oxford_NP paperbacks_NNS ._. C14 94 ^ Martin_NP Cooper's_NP$ French_JNP music_NN ,_, a_AT study_NN C14 94 covering_VBG the_ATI period_NN C14 95 from_IN the_ATI death_NN of_IN Berlioz_NP to_IN the_ATI death_NN of_IN C14 95 Faure*?2_NP ,_, has_HVZ now_RN been_BEN C14 96 issued_VBN as_IN an_AT Oxford_NP paperback_NN (_( Oxford_NP C14 96 University_NPL press_NN ,_, 7_CD \0s_NNU 6_CD \0d_NNU )_) ._. C14 97 ^ Ernest_NP Barker's_NP$ principles_NNS of_IN social_JJ and_CC C14 97 political_JJ theory_NN (_( price_NN C14 98 7_CD \0s_NNU 6_CD \0d_NNU )_) and_CC \0C_NP \0K_NP Allen's_NP$ law_NN C14 98 in_IN the_ATI making_NN (_( price_NN C14 99 10_CD \0s_NNU 6_CD \0d_NNU )_) are_BER among_IN other_AP additions_NNS C14 99 to_IN the_ATI series_NN ._. C14 100 ^ reviews_NNS in_RB brief_RB" ._. C14 101 ^ Caldero*?2n_NP :_: la_&FW vida_&FW es_&FW suen*?4o_&FW ._. edited_VBN C14 101 by_IN \0A_NP \0E_NP C14 102 Sloman_NP ._. Manchester_NP University_NPL press_NN ._. 8_CD \0s_NNU C14 102 6_CD \0d_NNU ._. C14 103 ^ this_DT edition_NN ,_, with_IN introduction_NN and_CC notes_NNS C14 103 by_IN Professor_NPT \0A_NP \0E_NP C14 104 Sloman_NP ,_, fulfils_VBZ the_ATI need_NN for_IN a_AT new_JJ ,_, C14 104 modern_JJ text_NN of_IN the_ATI play_NN ._. ^ it_PP3 is_BEZ C14 105 based_VBN on_IN the_ATI text_NN in_IN the_ATI 1636_CD edition_NN of_IN C14 105 la_&FW primera_&FW parte_&FW de_&FW C14 106 comedias_&FW and_CC takes_VBZ into_IN account_NN the_ATI two_CD C14 106 parte_&FW texts_NNS of_IN 1640_CD ,_, C14 107 the_ATI Vera_NP Tassis_NP edition_NN of_IN 1685_CD and_CC the_ATI C14 107 Zaragoza_NP version_NN of_IN 1636_CD ._. ^ it_PP3 C14 108 thus_RB makes_VBZ use_NN of_IN ,_, as_CS no_ATI previous_JJ edition_NN C14 108 has_HVZ done_VBN ,_, all_ABN the_ATI known_JJ C14 109 texts_NNS of_IN the_ATI play_NN ._. ^ Professor_NPT Sloman_NP has_HVZ C14 109 brought_VBN spelling_NN up_RP to_IN date_NN ,_, C14 110 except_CS where_WRB this_DT would_MD involve_VB changes_NNS in_IN C14 110 pronunciation_NN ,_, accentuation_NN C14 111 and_CC capitalization_NN ._. C14 112 ^ in_IN the_ATI introduction_NN he_PP3A has_HVZ covered_VBN every_AT C14 112 aspect_NN of_IN the_ATI play_NN under_IN C14 113 the_ATI headings_NNS of_IN date_NN ,_, sources_NNS ,_, structure_NN C14 113 and_CC theme_NN ,_, language_NN and_CC C14 114 metres_NNS ,_, staging_NN and_CC texts_NNS ._. ^ although_CS the_ATI C14 114 scholarly_JJ thoroughness_NN with_IN C14 115 which_WDTR every_AT point_NN is_BEZ treated_VBN would_MD satisfy_VB C14 115 the_ATI more_QL advanced_JJ and_CC C14 116 ardent_JJ student_NN ,_, the_ATI clear_JJ and_CC concise_JJ manner_NN C14 116 in_IN which_WDTR the_ATI material_NN is_BEZ C14 117 presented_VBN makes_VBZ it_PP3 interesting_JJ and_CC easily_RB C14 117 digestible_JJ for_IN the_ATI general_JJ C14 118 or_CC less_QL ambitious_JJ reader_NN ._. ^ in_RB particular_RB" ,_, C14 118 the_ATI subject_NN of_IN structure_NN and_CC C14 119 theme_NN is_BEZ discussed_VBN very_QL fully_RB ,_, with_IN frequent_JJ C14 119 references_NNS to_IN the_ATI play_NN C14 120 itself_PPL ,_, and_CC including_IN brief_JJ comments_NNS on_IN all_ABN C14 120 the_ATI characters_NNS ._. C14 121 ^ throughout_RI ,_, he_PP3A indicates_VBZ Caldero*?2n's_NP$ subtlety_NN C14 121 as_IN a_AT dramatist_NN ._. ^ a_AT C14 122 list_NN of_IN books_NNS is_BEZ provided_VBN for_IN further_JJB C14 122 reading_NN on_IN the_ATI subject_NN under_IN the_ATI C14 123 headings_NNS of_IN *'_*' Caldero*?2n_NP in_RB general_RB" **'_**' C14 123 and_CC *'_*' recent_JJ criticism_NN of_IN la_&FW C14 124 vida_&FW es_&FW suen*?4o_&FW **'_**' ._. C14 125 ^ the_ATI notes_NNS ,_, as_CS Professor_NPT Sloman_NP himself_PPL C14 125 remarks_VBZ ,_, are_BER concerned_VBN in_IN C14 126 part_NN with_IN the_ATI most_QL interesting_JJ of_IN the_ATI variant_JJ C14 126 readings_NNS he_PP3A has_HVZ C14 127 considered_VBN ,_, and_CC also_RB contain_VB comments_NNS on_IN C14 127 classical_JJ allusions_NNS ,_, passages_NNS C14 128 which_WDTR present_VB difficulty_NN in_IN comprehension_NN ,_, and_CC C14 128 differences_NNS between_IN C14 129 Caldero*?2n's_NP$ vocabulary_NN and_CC syntax_NN and_CC those_DTS of_IN C14 129 present-day_JJB Spanish_NNP ._. C14 130 ^ for_IN further_JJB assistance_NN ,_, a_AT short_JJ index_NN of_IN C14 130 annotated_JJ words_NNS and_CC names_NNS is_BEZ C14 131 included_VBN ._. C14 132 ^ in_IN addition_NN to_IN these_DTS considerations_NNS the_ATI C14 132 high_JJ quality_NN of_IN paper_NN and_CC C14 133 printing_NN ,_, and_CC the_ATI low_JJ cost_NN (_( contributed_VBN to_IN C14 133 by_IN a_AT rather_RB flimsy_JJ cover_NN )_) C14 134 make_VB the_ATI book_NN admirably_RB suited_VBN to_IN school_NN use_NN C14 134 ._. ^ it_PP3 is_BEZ certain_JJ to_TO C14 135 commend_VB itself_PPL quickly_RB to_IN the_ATI notice_NN of_IN the_ATI C14 135 examining_JJ boards_NNS ._. C14 136 ^ snorkel_NN diver_NN ._. first_OD steps_NNS in_IN underwater_JJB C14 136 swimming_NN ._. by_IN \0R_NP \0B_NP C14 137 Matkin_NP and_CC \0G_NP \0F_NP Brookes_NP ._. Macdonald_NP ._. 12_CD C14 137 \0s_NNU 6_CD \0d_NNU ._. C14 138 ^ this_DT is_BEZ a_AT book_NN with_IN plenty_NN of_IN enthusiasm_NN C14 138 for_IN a_AT sport_NN that_WPR has_HVZ C14 139 gained_VBN rapidly_RB in_IN popularity_NN ._. ^ few_AP people_NNS C14 139 would_MD attempt_VB to_TO take_VB up_RP C14 140 underwater_JJB swimming_NN without_IN an_AT experienced_JJ companion_NN C14 140 to_TO guide_VB them_PP3OS and_CC C14 141 they_PP3AS would_MD be_BE ill-advised_JJ to_TO try_VB but_CC here_RN C14 141 they_PP3AS will_MD learn_VB most_AP of_IN the_ATI C14 142 pleasures_NNS the_ATI sport_NN has_HVZ in_IN store_NN ;_; how_WRB to_TO C14 142 practise_VB in_IN a_AT swimming_NN bath_NN ;_; C14 143 and_CC how_WRB to_TO remain_VB completely_RB safe_JJ ._. C14 144 ^ many_AP people_NNS must_MD have_HV been_BEN excited_VBN by_IN C14 144 the_ATI thrills_NNS and_CC perils_NNS of_IN C14 145 \0M_NPT Cousteau's_NP$ silent_JJ world_NN or_CC been_BEN urged_VBN C14 145 to_TO explore_VB the_ATI shallow_JJ C14 146 fringes_NNS by_IN Miss_NPT Rachel_NP Carson's_NP$ the_ATI sea_NN C14 146 around_IN us_PP1OS only_RB to_TO be_BE left_VBN C14 147 the_ATI feeling_NN that_CS this_DT was_BEDZ beyond_IN them_PP3OS ._. ^ C14 147 if_CS they_PP3AS swim_VB at_IN all_ABN some_DTI of_IN C14 148 the_ATI pleasures_NNS could_MD be_BE had_HVN without_IN the_ATI C14 148 dangers_NNS ._. ^ for_CS although_CS snorkel_NN C14 149 diving_NN is_BEZ not_XNOT to_TO be_BE confused_VBN with_IN using_VBG C14 149 an_AT aqualung_NN it_PP3 is_BEZ proper_JJ C14 150 introduction_NN to_IN it_PP3 and_CC it_PP3 is_BEZ within_IN C14 150 everybody's_PN$ means_NNS ._. ^ anyone_PN who_WPR C14 151 swims_VBZ can_MD learn_VB to_TO use_VB the_ATI simple_JJ equipment_NN C14 151 to_TO get_VB more_AP fun_NN out_RP of_IN his_PP$ C14 152 bathing_NN ._. ^ even_RB a_AT comparative_JJ beginner_NN can_MD try_VB C14 152 underwater_JJB photography_NN ._. C14 153 ^ the_ATI book_NN is_BEZ small_JJ and_CC unpretentious_JJ but_CC C14 153 not_XNOT dull_JJ and_CC it_PP3 could_MD C14 154 encourage_VB many_AP young_JJ readers_NNS to_TO take_VB the_ATI C14 154 plunge_NN ._. C14 155 ^ practical_JJ inorganic_JJ and_CC organic_JJ problems_NNS ._. by_IN C14 155 \0M_NP Brown_NP ._. C14 156 Longmans_NP ._. 4_CD \0s_NNU 9_CD \0d_NNU ._. C14 157 ^ it_PP3 is_BEZ true_JJ ,_, as_CS the_ATI author_NN says_VBZ ,_, C14 157 that_CS practical_JJ chemistry_NN in_IN C14 158 schools_NNS consists_VBZ largely_RB of_IN volumetric_JJ and_CC C14 158 qualitative_JJ analysis_NN ,_, at_IN C14 159 the_ATI examination_NN stage_NN ._. ^ it_PP3 is_BEZ also_RB true_JJ C14 159 that_CS this_DT does_DOZ little_AP more_AP C14 160 than_CS provide_VB training_NN in_IN manipulation_NN ,_, coupled_VBN C14 160 with_IN some_DTI knowledge_NN of_IN C14 161 reactions_NNS ._. ^ the_ATI theme_NN here_RN is_BEZ to_TO give_VB a_AT C14 161 number_NN of_IN problems_NNS which_WDTR can_MD C14 162 be_BE solved_VBN by_IN carrying_VBG out_RP prescribed_JJ reactions_NNS C14 162 ,_, followed_VBN by_IN C14 163 application_NN of_IN the_ATI principles_NNS involved_VBN ._. C14 164 ^ some_DTI university_NN boards_NNS and_CC scholarship_NN C14 164 awarding_VBG bodies_NNS have_HV used_VBN C14 165 this_DT approach_NN for_IN a_AT long_JJ time_NN and_CC the_ATI C14 165 author_NN has_HVZ been_BEN able_JJ to_TO use_VB many_AP C14 166 of_IN the_ATI problems_NNS which_WDTR have_HV been_BEN set_VBN for_IN C14 166 their_PP$ examinations_NNS ._. ^ to_TO C14 167 complete_VB the_ATI range_NN of_IN work_NN he_PP3A has_HVZ added_VBN C14 167 problems_NNS which_WDTR he_PP3A has_HVZ himself_PPL C14 168 devised_VBN ._. ^ in_IN the_ATI organic_JJ section_NN he_PP3A has_HVZ C14 168 included_VBN a_AT number_NN of_IN reaction_NN C14 169 schemes_NNS in_IN which_WDTR the_ATI student_NN is_BEZ required_VBN C14 169 to_TO carry_VB out_RP tests_NNS on_IN the_ATI C14 170 original_JJ ,_, intermediate_JJ and_CC final_JJ products_NNS ,_, C14 170 which_WDTR serve_VB to_TO enlighten_VB C14 171 the_ATI deductive_JJ processes_NNS ._. C14 172 ^ the_ATI function_NN of_IN the_ATI book_NN is_BEZ highly_RB C14 172 commendable_JJ ._. ^ most_AP teachers_NNS ,_, C14 173 however_RB ,_, faced_VBN with_IN the_ATI difficulty_NN of_IN C14 173 raising_VBG the_ATI largest_JJT number_NN of_IN C14 174 examination_NN candidates_NNS to_IN O_ZZ and_CC A_ZZ level_NN in_IN C14 174 the_ATI short_JJ time_NN available_JJ ,_, C14 175 will_MD shrink_VB from_IN embarking_VBG on_IN a_AT scheme_NN which_WDTR C14 175 ,_, however_WRB educative_JJ ,_, C14 176 demands_VBZ a_AT level_NN of_IN intellectual_JJ ability_NN which_WDTR C14 176 only_RB a_AT smaller_JJR number_NN of_IN C14 177 candidates_NNS will_MD achieve_VB ._. C14 178 ^ the_ATI university_NN boards_NNS could_MD support_VB the_ATI C14 178 author's_NN$ initiative_NN by_IN C14 179 requiring_VBG that_CS all_ABN candidates_NNS tackle_VB a_AT question_NN C14 179 of_IN this_DT type_NN ._. C14 180 ^ the_ATI weaver's_NN$ book_NN ._. by_IN Harriet_NP Tidball_NP ._. C14 180 Macmillan_NP ,_, New_NP York_NP ._. C14 181 38_CD \0s_NNU 6_CD \0d_NNU ._. C14 182 ^ in_IN spite_IN" of_IN" the_ATI description_NN on_IN the_ATI C14 182 dust_NN jacket_NN this_DT is_BEZ not_XNOT really_RB C14 183 a_AT book_NN for_IN the_ATI absolute_JJ beginner_NN ._. ^ it_PP3 is_BEZ C14 183 ,_, however_RB ,_, an_AT excellent_JJ C14 184 text-book_NN for_IN the_ATI serious_JJ weaver_NN who_WPR wishes_VBZ C14 184 to_TO attain_VB a_AT high_JJ standard_NN C14 185 of_IN craftsmanship_NN and_CC who_WPR is_BEZ willing_JJ to_TO spend_VB C14 185 the_ATI time_NN necessary_JJ to_TO C14 186 explore_VB the_ATI many_AP possibilities_NNS of_IN design_NN in_IN C14 186 this_DT ancient_JJ craft_NN ._. C14 187 ^ in_IN addition_NN to_IN chapters_NNS on_IN the_ATI loom_NN ,_, C14 187 yarns_NNS and_CC preparations_NNS for_IN C14 188 weaving_NN ,_, much_AP of_IN the_ATI book_NN is_BEZ devoted_VBN to_IN C14 188 drafting_NN and_CC a_AT thorough_JJ C14 189 description_NN of_IN the_ATI various_JJ possible_JJ weaves_NNS ._. ^ C14 189 the_ATI 109_CD drafts_NNS C14 190 illustrated_VBN are_BER methodically_RB grouped_VBN and_CC to_IN C14 190 them_PP3OS are_BER added_VBN some_DTI C14 191 excellent_JJ photographs_NNS of_IN the_ATI finished_JJ weaves_NNS ._. ^ C14 191 Miss_NPT Tidball's_NP$ book_NN is_BEZ C14 192 the_ATI result_NN of_IN much_AP practical_JJ experience_NN and_CC C14 192 contains_VBZ much_AP sound_JJ C14 193 advice_NN ,_, not_XNOT only_RB for_IN the_ATI beginner_NN but_CC C14 193 also_RB for_IN the_ATI more_QL practical_JJ C14 194 weaver_NN ._. C14 195 ^ the_ATI London_NP theatre_NN ._. C14 196 ^ young_JJ writers_NNS on_IN the_ATI move_NN ._. C14 197 ^ from_IN a_AT correspondent_NN ._. C14 198 ^ although_CS \0Mr_NPT Edward_NP Albee's_NP$ first_OD play_NN C14 198 had_HVD its_PP$ first_OD C14 199 performance_NN here_RN ,_, at_IN the_ATI arts_NNS Theatre_NPL ,_, C14 199 he_PP3A is_BEZ better_RBR known_VBN as_IN a_AT C14 200 dramatist_NN on_IN the_ATI continent_NN and_CC in_IN New_NP York_NP ._. C14 200 ^ on_IN the_ATI evidence_NN of_IN the_ATI C14 201 death_NN of_IN Bessie_NP Smith_NP and_CC the_ATI American_JNP dream_NN C14 201 ,_, the_ATI double_JJ bill_NN at_IN C14 202 the_ATI royal_JJ Court_NPL ,_, this_DT is_BEZ a_AT state_NN of_IN C14 202 affairs_NNS that_WPR will_MD soon_RB be_BE put_VBN C14 203 right_JJ ._. ^ in_IN passing_VBG one_CD1 must_MD say_VB how_WRB good_JJ C14 203 it_PP3 is_BEZ to_TO see_VB the_ATI short_JJ play_NN C14 204 beginning_VBG to_TO have_HV a_AT look_NN in_RP again_RB ._. ^ during_IN C14 204 the_ATI past_JJB two_CD or_CC three_CD years_NNS C14 205 we_PP1AS have_HV often_RB seen_VBN plays_NNS by_IN the_ATI most_QL C14 205 promising_JJ of_IN playwrights_NNS spoiled_VBN C14 206 by_IN the_ATI absurd_JJ necessity_NN of_IN inflating_VBG a_AT C14 206 natural_JJ three-quarters_CDS of_IN an_AT C14 207 hour_NN into_IN a_AT full_JJ theatrical_JJ evening_NN ._. C14 208 ^ the_ATI death_NN of_IN Bessie_NP Smith_NP tells_VBZ a_AT simple_JJ C14 208 and_CC terrible_JJ story_NN C14 209 in_IN a_AT laconic_JJ ,_, highly_RB charged_JJ manner_NN ._. ^ on_IN C14 209 a_AT hot_JJ afternoon_NN ,_, in_IN a_AT C14 210 crumbling_JJ house_NN near_IN Memphis_NP ,_, Tennessee_NP ,_, a_AT C14 210 nurse_NN is_BEZ getting_VBG ready_JJ to_TO C14 211 go_VB to_IN work_NN ;_; her_PP$ old_JJ father_NN ,_, dreaming_VBG of_IN C14 211 past_JJB splendours_NNS ,_, is_BEZ infuriated_VBN C14 212 by_IN the_ATI blues_NN wailing_VBG out_RP of_IN his_PP$ daughter's_NN$ C14 212 gramophone_NN ._. C15 2 ^ next_AP week's_NN$ entertainment_NN in_IN the_ATI City_NPL ._. C15 3 ^ Carne's_NP$ study_NN of_IN youth's_NN$ aimlessness_NN ._. C15 4 ^ the_ATI youth_NN whose_WP$R symptom_NN is_BEZ a_AT strange_JJ C15 4 restlessness_NN and_CC a_AT C15 5 desire_NN to_TO take_VB the_ATI best_JJT from_IN life_NN without_IN C15 5 putting_VBG anything_PN into_IN it_PP3 *-_*- C15 6 the_ATI beatnik_NN *-_*- is_BEZ depicted_VBN in_IN *'_*' les_&FW C15 6 tricheurs_&FW **'_**' (_( youthful_JJ sinners_NNS )_) ,_, C15 7 the_ATI film_NN coming_VBG to_IN the_ATI Rex_NP next_AP week_NN ,_, C15 7 directed_VBN by_IN the_ATI brilliant_JJ C15 8 Frenchman_NNP ,_, Marcel_NP Carne_NP ._. C15 9 ^ the_ATI setting_NN is_BEZ \0St_NPT Germain-des-Pres_NP and_CC C15 9 the_ATI Latin_JNP quarter_NN of_IN C15 10 Paris_NP ,_, but_CC it_PP3 could_MD be_BE anywhere_RB where_WRB C15 10 semi-students_NNS and_CC semi-idle_JJ C15 11 youth_NN forgathers_VBZ ,_, with_IN negative_JJ emotions_NNS ,_, C15 11 drowning_VBG doubts_NNS in_IN jazz_NN and_CC C15 12 drink_NN ,_, betting_VBG stupidly_RB and_CC cheating_VBG with_IN C15 12 life_NN ,_, love_NN and_CC truth_NN ._. C15 13 ^ acting_NN awards_NNS ._. C15 14 ^ Marcel_NP Carne_NP does_DOZ not_XNOT condemn_VB them_PP3OS ;_; C15 14 he_PP3A believes_VBZ that_CS their_PP$ way_NN C15 15 of_IN life_NN is_BEZ caused_VBN through_IN lack_NN of_IN parental_JJ C15 15 interest_NN ,_, and_CC hopes_VBZ ,_, that_CS C15 16 through_IN this_DT film_NN ,_, some_DTI of_IN these_DTS adults_NNS C15 16 will_MD wake_VB up_RP to_IN their_PP$ C15 17 responsibilities_NNS ._. C15 18 *'_*' les_&FW tricheurs_&FW **'_**' was_BEDZ the_ATI most_QL C15 18 successful_JJ film_NN to_TO be_BE shown_VBN in_IN C15 19 France_NP last_AP year_NN ._. ^ it_PP3 was_BEDZ awarded_VBN the_ATI C15 19 grand_&FW prix_&FW du_&FW cinema_&FW Francais_&FW ,_, C15 20 and_CC its_PP$ two_CD stars_NNS ,_, Pascale_NP Petit_NP and_CC C15 20 Jacques_NP Charrier_NP ,_, were_BED given_VBN the_ATI C15 21 best_JJT actress_NN and_CC actor_NN award_NN of_IN the_ATI year_NN C15 21 for_IN their_PP$ performances_NNS ._. C15 22 ^ Mummers_NNPS in_IN play_NN debut_NN ._. C15 23 ^ to_TO follow_VB their_PP$ successful_JJ production_NN of_IN *'_*' C15 23 all_ABN my_PP$ sons_NNS **'_**' by_IN C15 24 Arthur_NP Miller_NP ,_, shortly_RB to_TO be_BE presented_VBN again_RB C15 24 for_IN the_ATI arts_NNS Theatre_NPL ,_, C15 25 \0C.U_NP Mummers_NNPS will_MD give_VB the_ATI first_OD Cambridge_NP C15 25 presentation_NN of_IN *'_*' the_ATI C15 26 dream_NN of_IN Peter_NP Mann_NP **'_**' by_IN Bernard_NP Kops_NP at_IN C15 26 the_ATI \0A.D.C_NP Theatre_NPL next_AP C15 27 week_NN ._. C15 28 ^ Kops_NP is_BEZ well_RB known_VBN for_IN his_PP$ *'_*' Hamlet_NP C15 28 of_IN Stepney_NP Green_NPL ,_, **'_**' whose_WP$R C15 29 production_NN at_IN the_ATI arts_NNS two_CD years_NNS ago_RB caused_VBD C15 29 such_ABL widespread_JJ interest_NN ._. C15 30 ^ *'_*' the_ATI dream_NN of_IN Peter_NP Mann_NP ,_, **'_**' whose_WP$R C15 30 only_AP previous_JJ production_NN was_BEDZ at_IN C15 31 last_AP year's_NN$ Edinburgh_NP festival_NN ,_, sees_VBZ Kops_NP C15 31 striking_VBG a_AT balance_NN between_IN C15 32 the_ATI urgency_NN of_IN his_PP$ ideas_NNS and_CC his_PP$ talent_NN C15 32 for_IN vital_JJ ,_, colourful_JJ C15 33 entertainment_NN ._. C15 34 ^ it_PP3 is_BEZ to_TO run_VB at_IN the_ATI \0A.D.C_NP from_IN C15 34 Tuesday_NR to_IN Saturday_NR of_IN next_AP C15 35 week_NN at_IN 8.15_CD ,_, with_IN a_AT 2.30_CD matinee_NN on_IN C15 35 Saturday_NR ._. C15 36 ^ Guinness_NP and_CC Mills_NP conflict_VB ._. C15 37 ^ based_VBN on_IN the_ATI best_JJT selling_JJT" novel_NN by_IN C15 37 James_NP Kennaway_NP ,_, the_ATI C15 38 controversial_JJ *'_*' tunes_NNS of_IN glory_NN ,_, **'_**' comes_VBZ C15 38 to_IN the_ATI Regal_NP Cinema_NPL next_AP week_NN C15 39 to_TO give_VB cinema-goers_NNS the_ATI opportunity_NN of_IN seeing_VBG C15 39 two_CD of_IN Britain's_NP$ most_QL C15 40 brilliant_JJ actors_NNS ._. C15 41 ^ for_CS playing_VBG the_ATI leading_JJ parts_NNS of_IN two_CD C15 41 \0C.O.'s_NPTS of_IN a_AT highland_NN C15 42 regiment_NN are_BER Alec_NP Guinness_NP and_CC John_NP Mills_NP ,_, C15 42 the_ATI one_CD1 having_HVG won_VBN the_ATI C15 43 affection_NN of_IN his_PP$ men_NNS by_IN leading_VBG them_PP3OS C15 43 through_IN the_ATI war_NN ,_, and_CC the_ATI other_AP a_AT C15 44 hard_JJ ,_, efficient_JJ newcomer_NN who_WPR is_BEZ heartily_RB C15 44 disliked_VBN by_IN the_ATI majority_NN of_IN C15 45 the_ATI soldiers_NNS ._. C15 46 ^ the_ATI relationship_NN between_IN the_ATI two_CD men_NNS and_CC C15 46 their_PP$ influence_NN on_IN the_ATI C15 47 regiment_NN forms_VBZ the_ATI basis_NN of_IN the_ATI plot_NN ,_, C15 47 while_CS the_ATI affairs_NNS of_IN the_ATI C15 48 soldiers_NNS in_IN their_PP$ off-time_NN ,_, provides_VBZ an_AT C15 48 opportunity_NN to_TO introduce_VB some_DTI C15 49 glamour_NN into_IN this_DT tough_JJ and_CC tragic_JJ film_NN ._. C15 50 ^ supporting_JJ roles_NNS are_BER played_VBN by_IN Dennis_NP C15 50 Price_NP ,_, John_NP Fraser_NP ,_, Kay_NP C15 51 Walsh_NP and_CC Susannah_NP Yorke_NP ._. ^ the_ATI film_NN is_BEZ C15 51 produced_VBN by_IN Colin_NP Leslie_NP and_CC C15 52 directed_VBN by_IN Ronald_NP Neaman_NP ._. C15 53 ^ Christie_NP play_NN on_IN film_NN ._. C15 54 ^ following_IN the_ATI West_NP End_NP stage_NN success_NN of_IN C15 54 *'_*' the_ATI spider's_NN$ web_NN ,_, **'_**' C15 55 Agatha_NP Christie's_NP$ thriller_NN has_HVZ now_RN been_BEN made_VBN C15 55 into_IN a_AT film_NN starring_VBG Jack_NP C15 56 Hulbert_NP ,_, Cicely_NP Courtneidge_NP ,_, Glynis_NP Johns_NP and_CC C15 56 John_NP Justin_NP ._. C15 57 ^ it_PP3 is_BEZ to_TO be_BE shown_VBN at_IN the_ATI Central_NP C15 57 Cinema_NPL next_AP week_NN ._. C15 58 ^ the_ATI action_NN covers_VBZ one_CD1 day_NN in_IN the_ATI C15 58 lives_NNS of_IN the_ATI occupants_NNS of_IN a_AT C15 59 pleasant_JJ country_NN house_NN who_WPR find_VB they_PP3AS have_HV a_AT C15 59 body_NN on_IN their_PP$ hands_NNS C15 60 shortly_RB before_IN the_ATI arrival_NN of_IN an_AT important_JJ C15 60 foreign_JJ diplomat_NN ._. C15 61 ^ guest_NN artist_NN ._. C15 62 ^ at_IN all_ABN costs_NNS this_DT must_MD be_BE covered_VBN up_RP C15 62 so_CS that_CS" the_ATI important_JJ C15 63 conference_NN with_IN the_ATI \0V.I.P_NN can_MD take_VB place_NN ,_, C15 63 and_CC it_PP3 is_BEZ in_IN this_DT C15 64 endeavour_NN that_CS the_ATI plot_NN develops_VBZ ,_, drawing_VBG C15 64 into_IN it_PP3 a_AT number_NN of_IN C15 65 mysterious_JJ suspects_NNS ._. C15 66 ^ introducing_VBG 13_CD years_NNS old_JJ Wendy_NP Turner_NP to_IN C15 66 the_ATI screen_NN as_IN the_ATI C15 67 daughter_NN of_IN the_ATI household_NN ,_, the_ATI film_NN also_RB C15 67 enables_VBZ David_NP Nixon_NP to_TO make_VB a_AT C15 68 guest_NN appearance_NN ._. C15 69 ^ new_JJ group's_NN$ arts_NNS visit_NN ._. C15 70 ^ *'_*' the_ATI glass_NN menagerie_NN ,_, **'_**' thought_VBN by_IN C15 70 some_DTI American_JNP critics_NNS to_TO C15 71 be_BE Tennessee_NP Williams'_NP$ greatest_JJT play_NN ,_, it_PP3 is_BEZ C15 71 undoubtedly_RB his_PP$ most_QL C15 72 heart-felt_JJ ,_, has_HVZ not_XNOT yet_RB been_BEN performed_VBN C15 72 professionally_RB in_IN Cambridge_NP ._. C15 73 ^ at_IN the_ATI arts_NNS Theatre_NPL next_AP week_NN ,_, it_PP3 will_MD C15 73 be_BE presented_VBN by_IN the_ATI group_NN of_IN C15 74 three_CD ,_, a_AT new_JJ company_NN recently_RB created_VBN by_IN C15 74 Charles_NP Vance_NP ,_, who_WPR will_MD C15 75 direct_VB the_ATI play_NN with_IN the_ATI same_AP cast_NN *-_*- C15 75 Imogen_NP Moynihan_NP ,_, Ben_NP Hawthorne_NP ,_, C15 76 Joan_NP Shore_NP and_CC himself_PPL *-_*- that_WPR has_HVZ won_VBN C15 76 critical_JJ acclaim_NN elsewhere_RB ._. C15 77 ^ Charles_NP Vance_NP comes_VBZ from_IN a_AT theatrical_JJ family_NN C15 77 especially_RB C15 78 well-known_JJ in_IN Northern_NP Ireland_NP ._. ^ of_IN the_ATI other_AP C15 78 members_NNS of_IN the_ATI group_NN of_IN C15 79 three_CD ,_, Imogen_NP Moynihan_NP has_HVZ experience_NN in_IN C15 79 management_NN as_IN well_IN" as_IN" being_BEG C15 80 an_AT actress_NN of_IN talent_NN and_CC Joan_NP Shore_NP has_HVZ C15 80 been_BEN delighting_VBG audiences_NNS at_IN C15 81 Ipswich_NP ,_, Northampton_NP ,_, Cromer_NP and_CC other_AP C15 81 theatres_NNS in_IN East_NP Anglia_NP ._. ^ Ben_NP C15 82 Hawthorne_NP ,_, a_AT young_JJ New_NP Zealand_NP actor_NN of_IN C15 82 great_JJ promise_NN ,_, has_HVZ the_ATI C15 83 important_JJ role_NN of_IN the_ATI son_NN in_IN *'_*' the_ATI glass_NN C15 83 menagerie_NN ,_, **'_**' and_CC completes_VBZ a_AT C15 84 cast_NN that_WPR is_BEZ an_AT unusually_RB well-balanced_JJ team_NN ._. C15 85 ^ backstage_JJB *'_*' slums_NNS **'_**' ._. C15 86 ^ substantial_JJ improvements_NNS have_HV taken_VBN place_NN over_IN C15 86 a_AT wide_JJ range_NN of_IN C15 87 theatres_NNS since_IN 1946_CD ,_, but_CC there_EX are_BER still_RB C15 87 far_RB too_QL many_AP theatrical_JJ slums_NNS C15 88 which_WDTR could_MD be_BE vastly_RB improved_VBN at_IN small_JJ cost_NN C15 88 ,_, declares_VBZ the_ATI quarterly_JJ C15 89 *'_*' equity_NN letter_NN ._. **'_**' C15 90 ^ it_PP3 calls_VBZ on_IN all_ABN members_NNS of_IN the_ATI C15 90 British_JNP actors'_NNS$ equity_NN association_NN C15 91 to_TO write_VB asking_VBG their_PP$ \0M.P.s_NPTS to_TO urge_VB the_ATI C15 91 government_NN not_XNOT to_TO omit_VB C15 92 theatres_NNS from_IN the_ATI proposed_JJ legislation_NN concerning_IN C15 92 amenities_NNS in_IN shops_NNS C15 93 and_CC offices_NNS ._. C15 94 ^ two_CD artists_NNS who_WPR live_VB in_IN mills_NNS ._. C15 95 ^ where_WRB paints_NNS &_CC music_NN go_VB together_RB ..._... ._. C15 96 ^ music_NN and_CC painting_NN live_VB side_NN by_IN side_NN C15 96 complimenting_VBG C15 97 each_PPLS other_PPLS" at_IN Pampisford_NP Mill_NPL ,_, the_ATI home_NR C15 97 of_IN the_ATI C15 98 Campbell-Taylors_NPS ._. C15 99 ^ while_CS her_PP$ 24_CD years_NNS old_JJ daughter_NN practises_VBZ C15 99 at_IN her_PP$ grand_JJ piano_NN ,_, C15 100 \0Mrs_NPT Campbell-Taylor_NP is_BEZ often_RB painting_VBG at_IN the_ATI C15 100 other_AP end_NN of_IN their_PP$ C15 101 ground_NN floor_NN studio_NN ._. ^ *'_*' I_PP1A can_MD paint_VB C15 101 better_RBR with_IN music_NN as_IN my_PP$ C15 102 companion_NN ,_, **'_**' she_PP3A said_VBD ._. C15 103 ^ the_ATI mill_NN has_HVZ been_BEN converted_VBN attractively_RB ._. C15 103 ^ the_ATI river_NN swirls_VBZ a_AP few_AP" C15 104 yards_NNS from_IN the_ATI front_JJB door_NN and_CC provides_VBZ just_RB C15 104 the_ATI setting_NN of_IN this_DT C15 105 artistic_JJ family_NN ._. C15 106 ^ \0Mrs_NPT Campbell-Taylor_NP does_DOZ not_XNOT like_VB to_TO C15 106 trade_VB on_IN her_PP$ husband's_NN$ C15 107 name_NN *-_*- he_PP3A is_BEZ a_AT royal_JJ academician_NN *-_*- so_RB C15 107 she_PP3A uses_VBZ her_PP$ maiden_NN name_NN of_IN C15 108 Brenda_NP Moore_NP ._. ^ specialising_VBG in_IN portraits_NNS she_PP3A C15 108 resumed_VBD her_PP$ profession_NN C15 109 five_CD years_NNS ago_RB having_HVG seen_VBN her_PP$ daughter_NN C15 109 launched_VBN in_IN her_PP$ own_AP career_NN as_IN C15 110 a_AT pianist_NN and_CC teacher_NN ._. C15 111 ^ won_VBD scholarships_NNS ._. C15 112 ^ her_PP$ art_NN training_NN started_VBD when_WRB ,_, at_IN the_ATI C15 112 age_NN of_IN 14_CD ,_, she_PP3A was_BEDZ sent_VBN C15 113 for_IN a_AT trial_NN term_NN to_IN the_ATI Oxford_NP School_NPL of_IN C15 113 art_NN ._. ^ later_RBR she_PP3A went_VBD to_IN the_ATI C15 114 Brighton_NP School_NPL and_CC was_BEDZ awarded_VBN a_AT local_JJ C15 114 scholarship_NN ._. ^ when_WRB she_PP3A was_BEDZ 20_CD C15 115 years_NNS old_JJ she_PP3A won_VBD a_AT leaving_NN scholarship_NN to_IN C15 115 the_ATI royal_JJ academy_NN Schools_NPLS ._. C15 116 ^ one_CD1 of_IN the_ATI first_OD visiting_JJ members_NNS of_IN C15 116 the_ATI royal_JJ academy_NN to_TO C15 117 instruct_VB her_PP3O was_BEDZ \0Mr_NPT Campbell-Taylor_NP who_WPR C15 117 was_BEDZ to_TO become_VB her_PP$ husband_NN C15 118 five_CD years_NNS later_RBR ._. C15 119 ^ rather_RB than_CS branch_VB into_IN commercial_JJ art_NN on_IN C15 119 leaving_VBG the_ATI academy_NN ,_, C15 120 she_PP3A became_VBD an_AT apprentice_NN to_IN a_AT picture_NN frame_NN C15 120 maker_NN ,_, and_CC still_RB makes_VBZ C15 121 mounts_NNS for_IN her_PP$ water_NN colours_NNS and_CC drawings_NNS ._. C15 122 ^ although_CS her_PP$ painting_NN career_NN was_BEDZ interrupted_VBN C15 122 ,_, she_PP3A helped_VBD her_PP$ C15 123 husband_NN and_CC continued_VBD to_TO accumulate_VB painting_NN C15 123 knowledge_NN ._. C15 124 ^ *'_*' you_PP2 never_RB lose_VB the_ATI ability_NN to_TO paint_VB C15 124 once_CS you_PP2 have_HV absorbed_VBN the_ATI C15 125 first_OD principles_NNS in_IN art_NN *-_*- practise_NN is_BEZ not_XNOT C15 125 as_QL essential_JJ in_IN C15 126 painting_NN as_CS it_PP3 is_BEZ for_IN instrument_NN playing_NN ,_, C15 126 **'_**' she_PP3A says_VBZ ._. C15 127 ^ child_NN portraits_NNS ._. C15 128 ^ on_IN the_ATI difference_NN between_IN the_ATI professional_JJ C15 128 and_CC the_ATI amateur_NN C15 129 artist_NN ,_, \0Mrs_NPT Campbell-Taylor_NP said_VBD :_: ^ *'_*' it_PP3 C15 129 could_MD not_XNOT be_BE defined_VBN by_IN C15 130 income_NN or_CC pay_NN packet_NN ._. C15 131 ^ *'_*' the_ATI professional_NN is_BEZ never_RB satisfied_JJ with_IN C15 131 an_AT easy_JJ answer_NN and_CC C15 132 believes_VBZ that_CS nothing_PN is_BEZ so_QL worth-while_JJ as_IN C15 132 the_ATI problem_NN that_WPR arouses_VBZ C15 133 all_ABN the_ATI receptivity_NN ,_, excitement_NN and_CC competence_NN C15 133 he_PP3A is_BEZ capable_JJ of_IN C15 134 experiencing_VBG which_WDTR tuition_NN has_HVZ accelerated_VBN ._. C15 135 ^ *'_*' for_IN the_ATI amateur_NN it_PP3 is_BEZ an_AT emotional_JJ C15 135 outlet_NN which_WDTR can_MD also_RB have_HV C15 136 its_PP$ own_AP monetary_JJ value_NN in_IN these_DTS days_NNS ._. C15 136 **'_**' C15 137 ^ in_IN the_ATI studio_NN she_PP3A has_HVZ some_DTI delightful_JJ C15 137 portraits_NNS and_CC drawings_NNS of_IN C15 138 children_NNS ,_, so_CS I_PP1A asked_VBD if_CS she_PP3A particularly_RB C15 138 enjoyed_VBD this_DT type_NN of_IN work_NN ._. C15 139 ^ \0Mrs_NPT Campbell-Taylor_NP replied_VBD that_CS while_CS C15 139 having_HVG no_ATI preference_NN C15 140 for_IN the_ATI age_NN of_IN her_PP$ subject_NN ,_, she_PP3A did_DOD C15 140 find_VB painting_VBG children_NNS C15 141 particularly_RB interesting_JJ and_CC often_RB a_AT challenge_NN ._. ^ C15 141 she_PP3A usually_RB stays_VBZ C15 142 with_IN the_ATI family_NN and_CC makes_VBZ studies_NNS of_IN the_ATI C15 142 child_NN when_WRB asleep_JJ before_IN C15 143 attempting_VBG the_ATI painting_NN ._. ^ *'_*' you_PP2 really_RB C15 143 have_HV to_TO get_VB an_AT idea_NN of_IN the_ATI C15 144 personality_NN and_CC form_NN before_CS you_PP2 start_VB ._. C15 145 ^ *'_*' it_PP3 is_BEZ as_QL exciting_JJ and_CC difficult_JJ for_IN C15 145 a_AT child_NN to_TO sit_VB as_CS it_PP3 is_BEZ for_IN C15 146 the_ATI painter_NN to_TO paint_VB ._. C15 147 **"_**' C15 148 ^ clay_NN modelling_NN ._. C15 149 ^ *'_*' the_ATI fun_NN of_IN portrait_NN painting_NN ,_, **'_**' C15 149 she_PP3A added_VBD ,_, *'_*' is_BEZ in_IN trying_VBG to_TO C15 150 assess_VB and_CC understand_VB the_ATI temperament_NN of_IN the_ATI C15 150 people_NNS you_PP2 are_BER C15 151 painting_VBG ._. **'_**' C15 152 ^ as_IN an_AT artist_NN she_PP3A has_HVZ learned_VBN a_AT C15 152 considerable_JJ amount_NN from_IN clay_NN C15 153 modelling_NN ,_, which_WDTR she_PP3A has_HVZ exhibited_VBN as_CC C15 153 well_CC" as_CC" paintings_NNS *-_*- including_IN C15 154 one_CD1 of_IN the_ATI anointing_NN of_IN the_ATI Queen_NPT Mother_NPT C15 154 ,_, then_RN Queen_NPT ,_, at_IN the_ATI C15 155 coronation_NN of_IN George_NP 6_CD *-_*- at_IN the_ATI royal_JJ C15 155 academy_NN ._. C15 156 ^ and_CC recently_RB \0Mrs_NPT Campbell-Taylor_NP had_HVD two_CD C15 156 drawings_NNS at_IN the_ATI royal_JJ C15 157 society_NN of_IN portrait_NN painters'_NNS$ exhibition_NN ._. C15 158 ^ ..._... and_CC a_AT studio_NN that_WPR will_MD be_BE lit_VBN by_IN C15 158 glass_NN dome_NN ._. C15 159 ^ I_PP1A met_VBD another_DT artist_NN who_WPR will_MD soon_RB be_BE C15 159 living_VBG in_IN a_AT mill_NN *-_*- this_DT C15 160 time_NN a_AT windmill_NN at_IN Hemingford_NP Grey_NP ._. C15 161 ^ \0Mrs_NPT Jeanette_NP Jackson_NP ,_, a_AT London_NP abstract_JJ C15 161 painter_NN who_WPR is_BEZ C15 162 currently_RB exhibiting_VBG her_PP$ work_NN in_IN Cambridge_NP ,_, C15 162 hopes_VBZ the_ATI conversion_NN of_IN C15 163 the_ATI windmill_NN will_MD be_BE completed_VBN by_IN the_ATI early_JJ C15 163 autumn_NN ._. C15 164 ^ the_ATI windmill_NN has_HVZ been_BEN admired_VBN by_IN \0Mrs_NPT C15 164 Jackson_NP since_IN childhood_NN C15 165 and_CC many_AP times_NNS ,_, like_IN Jimmy_NP Edwards_NP ,_, she_PP3A C15 165 has_HVZ attempted_VBN to_TO buy_VB it_PP3 ,_, at_RB C15 166 last_RB" being_BEG successful_JJ ._. C15 167 ^ it_PP3 will_MD have_HV a_AT glass_NN dome_NN to_TO let_VB in_IN C15 167 the_ATI light_NN ,_, and_CC the_ATI four_CD C15 168 floors_NNS will_MD give_VB plenty_NN of_IN studio_NN room_NN ._. C15 169 ^ frame_NN problem_NN ._. C15 170 ^ the_ATI family_NN *-_*- she_PP3A has_HVZ a_AT son_NN at_IN C15 170 Trinity_NP and_CC one_CD1 daughter_NN *-_*- will_MD C15 171 spend_VB their_PP$ week-ends_NNS at_IN Hemingford_NP Grey_NP ,_, C15 171 \0Mrs_NPT Jackson_NP working_VBG as_IN an_AT C15 172 art_NN teacher_NN in_IN a_AT London_NP school_NN during_IN the_ATI C15 172 week_NN ._. C15 173 ^ the_ATI day_NN I_PP1A met_VBD her_PP3O she_PP3A had_HVD a_AT C15 173 problem_NN on_IN her_PP$ hands_NNS ._. ^ one_CD1 of_IN her_PP$ C15 174 paintings_NNS ,_, 8_CD \0ft_NNU by_IN 5_CD \0ft_NNU was_BEDZ sent_VBN C15 174 unframed_JJ to_IN the_ATI women's_NNS$ C15 175 international_JJ art_NN club's_NN$ exhibition_NN ._. C15 176 ^ it_PP3 came_VBD back_RP that_DT morning_NN with_IN a_AT frame_NN C15 176 ,_, and_CC would_MD not_XNOT go_VB through_IN C15 177 the_ATI front_JJB or_CC back_JJB door_NN ._. C15 178 ^ \0Mrs_NPT Jackson_NP is_BEZ an_AT extraordinary_JJ prolific_JJ C15 178 painter_NN ._. C15 179 ^ in_IN one_CD1 year_NN she_PP3A paints_VBZ more_AP than_IN 200_CD C15 179 pictures_NNS ,_, though_CS not_XNOT all_ABN these_DTS C15 180 survive_VB her_PP$ critical_JJ scrutiny_NN ._. C15 181 ^ other_AP interests_NNS ._. C15 182 ^ she_PP3A is_BEZ *'_*' passionately_RB fond_JJ of_IN cooking_VBG C15 182 ._. **'_**' ^ having_HVG lived_VBN in_IN C15 183 Germany_NP for_IN several_AP years_NNS she_PP3A always_RB cooks_VBZ C15 183 their_PP$ national_JJ dishes_NNS for_IN C15 184 her_PP$ friends_NNS unless_CS they_PP3AS are_BER foreigners_NNS *-_*- C15 184 then_RN she_PP3A always_RB cooks_VBZ roast_NN C15 185 beef_NN and_CC apple_NN pie_NN ._. C15 186 ^ her_PP$ other_AP interest_NN is_BEZ collecting_VBG Victoriana_NNPS C15 186 ._. ^ when_WRB she_PP3A first_RB C15 187 started_VBD this_DT 25_CD years_NNS ago_RB she_PP3A bought_VBD a_AT C15 187 Victorian_JNP chair_NN for_IN 7_CD \0s_NNU 6_CD \0d_NNU ,_, C15 188 which_WDTR she_PP3A is_BEZ sure_JJ will_MD now_RN fetch_VB somewhere_RB C15 188 in_IN the_ATI region_NN of_IN *+30_NNU ._. C15 189 ^ a_AT soldier_NN who_WPR turned_VBD to_IN pottery_NN at_IN age_NN C15 189 of_IN 52_CD ._. C15 190 ^ work_NN of_IN Reychan_NP exhibited_VBN at_IN Heffer_NP Gallery_NPL C15 190 ._. C15 191 ^ the_ATI Heffer_NP Gallery_NPL have_HV just_RB opened_VBN an_AT C15 191 exhibition_NN of_IN the_ATI C15 192 works_NNS of_IN Stanislas_NP Reychan_NP ,_, the_ATI Polish_JNP C15 192 soldier_NN who_WPR began_VBD training_VBG as_IN a_AT C15 193 potter_NN at_IN the_ATI age_NN of_IN 52_CD ._. C15 194 ^ his_PP$ remarkable_JJ success_NN must_MD be_BE due_JJ to_IN C15 194 some_DTI extent_NN to_IN heredity_NN *-_*- C15 195 he_PP3A is_BEZ of_IN the_ATI fifth_OD generation_NN in_IN a_AT C15 195 family_NN of_IN potters_NNS *-_*- but_CC heredity_NN C15 196 can_MD not_XNOT explain_VB everything_PN ._. C15 197 ^ almost_RB everyone_PN must_MD have_HV seen_VBN his_PP$ pieces_NNS C15 197 of_IN pottery_NN sculpture_NN at_IN C15 198 some_DTI time_NN or_CC another_DT ._. ^ the_ATI shiny_JJ little_JJ C15 198 black_JJ bulls_NNS ,_, with_IN curly_JJ C15 199 foreheads_NNS lowered_VBN ;_; the_ATI rather_RB pear-shaped_JJ Adam_NP C15 199 and_CC Eve_NP figures_NNS sitting_VBG C15 200 happily_RB under_IN a_AT snake-entwined_JJ tree_NN in_IN a_AT C15 200 pottery_NN Eden_NP *-_*- pieces_NNS like_IN C15 201 these_DTS must_MD be_BE familiar_JJ to_IN thousands_CDS ._. C15 202 ^ Reychan_NP has_HVZ exhibited_VBN in_IN the_ATI open_JJ air_NN C15 202 exhibitions_NNS in_IN London_NP ,_, and_CC C15 203 for_IN the_ATI past_JJB six_CD years_NNS at_IN the_ATI royal_JJ C15 203 academy_NN ._. C15 204 ^ his_PP$ work_NN has_HVZ been_BEN welcomed_VBN as_IN an_AT C15 204 important_JJ modern_JJ flowering_NN of_IN C15 205 the_ATI tradition_NN which_WDTR produced_VBD the_ATI exquisite_JJ C15 205 pieces_NNS of_IN Bow_NP and_CC Chelsea_NP ,_, C15 206 and_CC the_ATI curiosities_NNS of_IN Staffordshire_NP ._. C15 207 ^ Reychan's_NP$ knights_NNS in_IN armour_NN ,_, his_PP$ medieval_JJ C15 207 heroes_NNS ,_, classical_JJ C15 208 personalities_NNS ,_, are_BER undeniably_RB works_NNS of_IN art_NN C15 208 of_IN a_AT very_QL vital_JJ and_CC C15 209 individual_JJ kind_NN ._. C15 210 ^ their_PP$ appeal_NN ,_, being_BEG modern_JJ ,_, is_BEZ direct_JJ C15 210 and_CC uncomplicated_JJ ._. ^ in_IN C15 211 spite_IN" of_IN" the_ATI humour_NN that_WPR has_HVZ gone_VBN into_IN C15 211 a_AP good_AP" many_AP" of_IN them_PP3OS ,_, they_PP3AS are_BER C15 212 not_XNOT without_IN dignity_NN ._. C15 213 ^ two_CD companion_NN pieces_NNS ,_, lion_NN and_CC unicorn_NN ,_, C15 213 are_BER rather_RB attractive_JJ ;_; C15 214 Hercules_NP (_( taming_VBG a_AT lion_NN )_) ,_, Silenus_NP (_( his_PP$ C15 214 arm_NN thrown_VBN blissfully_RB over_IN a_AT C15 215 barrel_NN )_) ,_, a_AT centaur_NN ,_, executed_VBN in_IN unglazed_JJ C15 215 red_JJ earthenware_NN ,_, turning_VBG to_TO C15 216 shoot_VB an_AT arrow_NN back_RP over_IN his_PP$ shoulder_NN *-_*- C15 216 these_DTS are_BER just_RB a_AP few_AP" that_WPR C15 217 catch_VB the_ATI eye_NN ,_, among_IN many_AP ._. C15 218 ^ their_PP$ prices_NNS ,_, considered_VBN against_IN the_ATI C15 218 prices_NNS of_IN more_QL conventional_JJ C15 219 pottery_NN ,_, are_BER certainly_RB not_XNOT excessive_JJ ._. C15 220 ^ \0P.O_NP C15 221 ._. ^ Selwyn_NP Mitre_NP players_NNS good_JJ choice_NN ._. C15 222 ^ Shakespeare's_NP$ *'_*' two_CD gentlemen_NNS of_IN Verona_NP ,_, C15 222 **'_**' this_DT year's_NN$ C15 223 production_NN by_IN the_ATI Selwyn_NP Mitre_NP players_NNS ,_, has_HVZ C15 223 emerged_VBN as_IN a_AT choice_NN C15 224 well-suited_JJ to_IN the_ATI available_JJ talent_NN ,_, and_CC in_RB C15 224 general_RB" commendable_JJ for_IN C15 225 its_PP$ boldness_NN ,_, fluency_NN and_CC straight_JJ forward_JJ C15 225 interpretation_NN ._. C15 226 ^ performed_VBN in_IN the_ATI College_NPL Hall_NPL against_IN a_AT C15 226 dark_JJ backcloth_NN ,_, with_IN no_ATI C15 227 scenery_NN other_AP than_IN an_AT odd_JJ chair_NN or_CC table_NN to_TO C15 227 relieve_VB the_ATI bareness_NN of_IN C15 228 the_ATI stage_NN ,_, it_PP3 naturally_RB depended_VBD entirely_RB C15 228 upon_IN the_ATI acting_NN for_IN its_PP$ C15 229 success_NN ._. C16 2 ^ the_ATI post_NN review_NN of_IN next_AP week's_NN$ shows_NNS ._. C16 3 ^ another_DT from_IN *'_*' salad_NN days_NNS **'_**' stable_NN ._. C16 4 ^ the_ATI team_NN behind_IN the_ATI longest_JJT running_VBG C16 4 musical_NN in_IN the_ATI world_NN C16 5 (_( *'_*' salad_NN days_NNS **'_**' )_) have_HV come_VBN up_RP with_IN C16 5 another_DT musical_NN which_WDTR goes_VBZ to_IN the_ATI C16 6 West_NP End_NP the_ATI week_NN after_CS it_PP3 has_HVZ finished_VBN C16 6 at_IN the_ATI Nottingham_NP Theatre_NPL C16 7 royal_JJ ._. ^ the_ATI latest_JJT from_IN the_ATI pens_NNS and_CC C16 7 pianos_NNS of_IN Julian_NP Slade_NP and_CC C16 8 Dorothy_NP Reynolds_NP is_BEZ *'_*' wildest_JJT dreams_NNS ,_, **'_**' C16 8 due_JJ to_TO open_VB at_IN the_ATI Vaudeville_NP C16 9 on_IN August_NR 3_CD ._. C16 10 ^ *'_*' wildest_JJT dreams_NNS **'_**' is_BEZ set_VBN in_IN C16 10 Nelderham_NP ,_, a_AT country_NN town_NN in_IN C16 11 which_WDTR a_AT girl_NN called_VBN Carol_NP ,_, just_RB out_RP of_IN C16 11 school_NN ,_, meets_VBZ Mark_NP ,_, a_AT young_JJ C16 12 reporter_NN sent_VBN to_TO write_VB up_RP in_IN satirical_JJ terms_NNS C16 12 the_ATI town's_NN$ reactions_NNS to_IN C16 13 his_PP$ newspaper's_NN$ questionnaire_NN ._. ^ as_CS in_IN *'_*' C16 13 salad_NN days_NNS ,_, **'_**' the_ATI young_JJ C16 14 couple_NN have_HV personality_NN and_CC purpose_NN ._. ^ Carol_NP ,_, C16 14 though_CS monosyllabic_JJ ,_, C16 15 rebellious_JJ and_CC scruffy_JJ in_IN the_ATI manner_NN of_IN some_DTI C16 15 of_IN the_ATI modern_JJ young_JJ ,_, has_HVZ C16 16 a_AT strong_JJ vision_NN of_IN her_PP$ character_NN and_CC a_AT C16 16 determination_NN to_TO preserve_VB it_PP3 in_IN C16 17 the_ATI teeth_NNS of_IN her_PP$ aunt's_NN$ interference_NN ._. ^ and_CC C16 17 Mark_NP believes_VBZ he_PP3A has_HVZ it_PP3 in_IN C16 18 him_PP3O to_TO convert_VB a_AT whole_JJ country_NN town_NN ._. C16 19 ^ Anna_NP Dawson_NP plays_VBZ the_ATI girl_NN ._. ^ now_RN 24_CD ,_, C16 19 she_PP3A got_VBD her_PP$ first_OD theatrical_JJ C16 20 chance_NN in_IN a_AT previous_JJ Slade-Reynolds_NP musical_NN ,_, *'_*' C16 20 free_JJ as_IN air_NN ,_, **'_**' and_CC ,_, C16 21 apart_IN from_IN" pantomime_NN and_CC repertory_NN experience_NN ,_, C16 21 has_HVZ been_BEN in_IN C16 22 *'_*' marigold_NN **'_**' at_IN the_ATI Savoy_NP ._. ^ John_NP C16 22 Baddeley_NP ,_, who_WPR partners_VBZ her_PP3O as_IN Mark_NP ,_, C16 23 was_BEDZ also_RB in_IN *'_*' free_JJ as_IN air_NN ,_, **'_**' as_CC C16 23 well_CC" as_CC" *'_*' follow_VB that_DT girl_NN ._. **'_**' ^ aged_JJ C16 24 27_CD ,_, he_PP3A is_BEZ an_AT actor_NN whose_WP$R experience_NN C16 24 has_HVZ varied_VBN from_IN repertory_NN at_IN C16 25 Birmingham_NP ,_, Sheffield_NP ,_, the_ATI Bristol_NP Old_NP Vic_NP C16 25 and_CC Guildford_NP to_IN a_AT tour_NN in_IN C16 26 *'_*' the_ATI lilac_JJ domino_NN ._. **'_**' C16 27 ^ with_IN Julian_NP Slade_NP at_IN the_ATI piano_NN ,_, Miss_NPT C16 27 Reynolds_NP plays_VBZ the_ATI C16 28 domineering_JJ aunt_NN ,_, who_WPR meets_VBZ a_AT composer_NN who_WPR C16 28 tries_VBZ to_TO sing_VB his_PP$ own_AP songs_NNS C16 29 (_( Angus_NP Mackay_NP *-_*- in_IN private_JJ life_NN Miss_NPT C16 29 Reynold's_NP$ husband_NN )_) ._. ^ the_ATI musical_JJ C16 30 numbers_NNS are_BER by_IN Basil_NP Pattison_NP ,_, and_CC decor_NN C16 30 by_IN Brian_NP Currah_NP ,_, who_WPR recently_RB C16 31 designed_VBD for_IN *'_*' the_ATI caretaker_NN ._. **'_**' C16 32 ^ Playhouse_NPL :_: ^ third_OD week_NN of_IN *'_*' second_OD post_NN C16 32 ,_, **'_**' a_AT revue_NN of_IN 28_CD C16 33 items_NNS by_IN various_JJ authors_NNS ,_, produced_VBN by_IN Val_NP C16 33 May_NP before_CS he_PP3A leaves_VBZ for_IN C16 34 Bristol_NP Old_NP Vic_NP ._. ^ targets_NNS range_VB from_IN the_ATI C16 34 familiar_JJ skits_NNS on_IN *'_*' beat_VB the_ATI C16 35 clock_NN **'_**' and_CC *'_*' the_ATI Archers_NPS **'_**' to_IN the_ATI C16 35 offbeat_JJ ,_, with_IN a_AT cast_NN of_IN thirteen_CD C16 36 topped_VBN by_IN Rhoda_NP Lewis_NP and_CC Arthur_NP Blake_NP ._. C16 37 ^ City_NPL cinemas_NNS ._. C16 38 ^ following_VBG the_ATI same_AP formula_NN of_IN a_AT tearaway_NN C16 38 technique_NN compounded_VBN C16 39 of_IN slapstick_NN and_CC double_JJ entendre_NN ,_, the_ATI sequel_NN C16 39 to_IN *'_*' dentist_NN in_IN C16 40 the_ATI chair_NN **'_**' is_BEZ *'_*' dentist_NN on_IN the_ATI job_NN C16 40 **'_**' at_IN the_ATI ABC_NP and_CC C16 41 Metropole_NP cinemas_NNS ._. ^ in_IN this_DT ,_, the_ATI manager_NN C16 41 of_IN a_AT firm_NN putting_VBG out_RP a_AT C16 42 new_JJ toothpaste_NN (_( Eric_NP Barker_NP )_) gets_VBZ a_AT couple_NN C16 42 of_IN dentists_NNS to_TO endorse_VB it_PP3 ._. C16 43 ^ it_PP3 seems_VBZ a_AT good_JJ opportunity_NN for_IN the_ATI Dean_NPT C16 43 of_IN King_NPT Alfred's_NP$ dental_JJ C16 44 College_NPL (_( likewise_RB Eric_NP Barker_NP )_) to_TO unload_VB a_AT C16 44 brace_NN of_IN recently_RB graduated_VBN C16 45 deadheads_NNS ,_, Bob_NP Monkhouse_NP and_CC Ronnie_NP Stevens_NP ._. C16 46 ^ with_IN dental_JJ mechanic_NN Kenneth_NP Connor_NP ,_, just_RB C16 46 out_RP of_IN gaol_NN ,_, they_PP3AS dream_VB C16 47 up_RP schemes_NNS to_TO promote_VB the_ATI new_JJ paste_NN ._. ^ in_IN C16 47 the_ATI process_NN they_PP3AS meet_VB Shirley_NP C16 48 Eaton_NP *-_*- in_IN a_AT bubble_NN bath_NN on_RP to_IN which_WDTR C16 48 they_PP3AS turn_VB a_AT wind_NN machine_NN ._. C16 49 ^ their_PP$ biggest_JJT achievement_NN ,_, however_RB ,_, is_BEZ C16 49 when_WRB they_PP3AS hear_VB that_CS the_ATI C16 50 Americans_NNPS are_BER launching_VBG a_AT satellite_NN which_WDTR C16 50 will_MD broadcast_VB a_AT tape_NN C16 51 recording_NN of_IN goodwill_NN for_IN seven_CD years_NNS ._. ^ now_RN C16 51 if_CS a_AT tape_NN extolling_VBG the_ATI C16 52 virtues_NNS of_IN their_PP$ toothpaste_NN could_MD be_BE C16 52 substituted_VBN ..._... ?_? C16 53 ^ some_DTI hardworking_JJ man_NN at_IN the_ATI Disney_NP studios_NNS C16 53 has_HVZ counted_VBN the_ATI spots_NNS C16 54 on_IN the_ATI Dalmatians_NNPS in_IN *'_*' one_CD1 hundred_CD and_CC C16 54 one_CD1 Dalmatians_NNPS **'_**' at_IN the_ATI C16 55 Odeon_NP ._. ^ each_DT dog_NN wears_VBZ 32_CD to_IN 72_CD spots_NNS ,_, C16 55 depending_VBG on_IN which_WDT side_NN is_BEZ C16 56 exposed_VBN to_IN the_ATI viewer_NN *-_*- which_WDTR accounts_VBZ C16 56 for_IN 6,469,952_CD dancing_NN spots_NNS ._. C16 57 ^ which_WDTR is_BEZ only_RB right_JJ and_CC proper_JJ in_IN a_AT C16 57 4,000,000-dollar_JJB production_NN C16 58 involving_VBG 800_CD miles_NNS of_IN drawings_NNS ,_, 1,000_CD C16 58 colours_NNS and_CC 800_CD tons_NNS of_IN paint_NN ._. C16 59 ^ the_ATI most_QL sophisticated_JJ to_IN date_NN of_IN Disney's_NP$ C16 59 53_CD features_NNS ,_, *'_*' one_CD1 C16 60 hundred_CD and_CC one_CD1 Dalmatians_NNPS ,_, **'_**' brings_VBZ C16 60 together_RB a_AT human_JJ bachelor_NN who_WPR C16 61 owns_VBZ a_AT Dalmatian_NNP called_VBN Pongo_NP and_CC a_AT shapely_JJ C16 61 girl_NN who_WPR owns_VBZ one_CD1 called_VBN C16 62 Perdita_NP ._. ^ it_PP3 is_BEZ love_NN at_IN first_OD sight_NN ,_, C16 62 marriage_NN at_IN first_OD opportunity_NN ,_, C16 63 and_CC soon_RB fifteen_CD beautiful_JJ puppies_NNS are_BER born_VBN (_( C16 63 to_IN the_ATI Dalmatians_NNPS ,_, that_DT C16 64 is_BEZ )_) ._. ^ but_CC enter_VB a_AT villainess_NN ,_, Cruella_NP C16 64 De_NP Vil_NP ,_, rich_JJ ,_, cunning_JJ and_CC with_IN a_AT C16 65 passion_NN for_IN coats_NNS made_VBN of_IN Dalmatian_NNP hides_NNS ._. ^ C16 65 she_PP3A dognaps_VBZ the_ATI pups_NNS and_CC C16 66 puts_VBZ them_PP3OS with_IN 101_CD others_APS in_IN a_AT haunted_JJ C16 66 old_JJ English_JNP manor_NN house_NN ._. C16 67 ^ Scotland_NP Yard_NPL is_BEZ baffled_JJ ,_, but_CC the_ATI dogs_NNS C16 67 of_IN London_NP get_VB on_RP to_IN the_ATI scent_NN ._. C16 68 ^ with_IN *'_*' gunlight_NN at_IN Sandoval_NP ,_, **'_**' \0Tech_NP C16 68 Texas_NP ranger_NN Tom_NP C16 69 Tryon_NP avenges_VBZ death_NN of_IN friend_NN killed_VBN trying_VBG C16 69 to_TO prevent_VB bank_NN hold-up_NN ._. C16 70 ^ Dan_NP Duryea_NP ._. C16 71 ^ it_PP3 was_BEDZ inevitable_JJ that_CS Peter_NP Ustinov_NP C16 71 should_MD join_VB the_ATI exclusive_JJ C16 72 four-star_JJB club_NN by_IN writing_VBG ,_, producing_VBG ,_, C16 72 directing_VBG and_CC starring_VBG in_IN one_CD1 C16 73 film_NN ._. ^ in_IN *'_*' Romanoff_NP and_CC Juliet_NP ,_, **'_**' C16 73 at_IN the_ATI Gaumont_NP ,_, he_PP3A is_BEZ C16 74 literally_RB a_AT four-star_JJB general_NN ,_, not_XNOT to_TO C16 74 mention_VB also_RB being_BEG President_NPT and_CC C16 75 \0UN_NP representative_NN of_IN the_ATI tiny_JJ country_NN of_IN C16 75 Concordia_NP ,_, so_QL small_JJ that_CS C16 76 even_RB \0UN_NP colleagues_NNS can_MD n't_XNOT locate_VB it_PP3 on_IN C16 76 the_ATI map_NN ._. ^ but_CC the_ATI President_NPT C16 77 wants_VBZ to_TO keep_VB it_PP3 that_DT way_NN ,_, knowing_VBG that_CS C16 77 when_WRB it_PP3 is_BEZ discovered_VBN it_PP3 will_MD C16 78 be_BE either_DTX swamped_VBN with_IN aid_NN or_CC blown_VBN off_IN C16 78 the_ATI map_NN ._. ^ love_NN and_CC C16 79 laughter_NN ,_, he_PP3A feels_VBZ ,_, engender_VB more_AP happiness_NN C16 79 than_IN politics_NN or_CC C16 80 philanthropy_NN ._. C16 81 ^ at_IN a_AT meeting_NN of_IN the_ATI united_JJ nations_NNS he_PP3A C16 81 causes_VBZ pandemonium_NN by_IN C16 82 abstaining_VBG on_IN an_AT important_JJ vote_NN involving_VBG an_AT C16 82 amendment_NN to_IN an_AT amendment_NN C16 83 to_IN an_AT amendment_NN ,_, and_CC on_IN his_PP$ return_NN to_IN C16 83 Concordia_NP becomes_VBZ the_ATI target_NN for_IN C16 84 the_ATI Russian_JNP ambassador_NN ,_, Romanoff_NP ,_, and_CC the_ATI C16 84 American_JNP ambassador_NN ,_, C16 85 Moulsworth_NP ,_, both_ABX of_IN whom_WPOR insist_VB on_IN giving_VBG C16 85 his_PP$ country_NN aid_NN ._. ^ keeping_VBG a_AT C16 86 wary_JJ eye_NN on_IN each_PPLS other_PPLS" ,_, they_PP3AS woo_VB C16 86 Concordia_NP *-_*- while_CS their_PP$ respective_JJ C16 87 offspring_NN (_( John_NP Gavin_NP and_CC Sandra_NP Dee_NP )_) are_BER C16 87 breaking_VBG down_RP international_JJ C16 88 barriers_NNS with_IN a_AT spot_NN of_IN wooing_VBG themselves_PPLS ._. ^ C16 88 Technicolor_NP ._. C16 89 ^ with_IN *'_*' a_AT date_NN with_IN death_NN ,_, **'_**' Gerald_NP C16 89 Mohr_NP tracks_VBZ policeman's_NN$ C16 90 killer_NN ._. C16 91 ^ in_IN the_ATI roaring_JJ expansion_NN of_IN the_ATI west_NR a_AT C16 91 century_NN ago_RB ,_, no_ATI town_NN is_BEZ C16 92 more_RBR terrorised_JJ than_IN *'_*' Warlock_NP **'_**' (_( elite_NN C16 92 )_) where_WRB the_ATI people_NNS have_HV C16 93 been_BEN reduced_VBN to_IN a_AT handful_NN of_IN cowardly_JJ C16 93 citizens_NNS as_CS one_CD1 sheriff_NN after_IN C16 94 another_DT is_BEZ murdered_VBN or_CC run_VBN out_RP of_IN town_NN in_IN C16 94 the_ATI monthly_JJ beat-up_NN the_ATI C16 95 place_NN receives_VBZ from_IN a_AT bunch_NN of_IN cowboys_NNS from_IN C16 95 the_ATI San_NP Pablo_NP ranch_NN ._. ^ the_ATI C16 96 brawlers_NNS ,_, drinkers_NNS and_CC killers_NNS include_VB Richard_NP C16 96 Widmark_NP ,_, who_WPR has_HVZ grown_VBN C16 97 to_TO hate_VB these_DTS descents_NNS on_IN the_ATI defenceless_JJ C16 97 town_NN since_CS he_PP3A took_VBD part_NN in_IN C16 98 the_ATI massacre_NN of_IN harmless_JJ Mexicans_NNPS ._. ^ in_IN C16 98 desperation_NN of_IN ever_RB getting_VBG a_AT C16 99 new_JJ sheriff_NN who_WPR can_MD protect_VB them_PP3OS by_IN law_NN ,_, C16 99 the_ATI townsfolk_NNS hire_VB Henry_NP C16 100 Fonda_NP who_WPR will_MD be_BE able_JJ to_TO use_VB his_PP$ fast_JJ C16 100 gunplay_NN and_CC be_BE above_IN the_ATI law_NN ._. C16 101 ^ accompanied_VBN by_IN crippled_JJ gambler_NN Anthony_NP Quinn_NP ,_, C16 101 the_ATI new_JJ Marshal_NPT C16 102 arrives_VBZ and_CC makes_VBZ his_PP$ mark_NN ._. ^ sickened_VBN by_IN C16 102 all_ABN the_ATI lawless_JJ killing_NN ,_, C16 103 Widmark_NP throws_VBZ in_RP his_PP$ lot_NN with_IN him_PP3O ._. ^ C16 103 Dorothy_NP Malone_NP ._. ^ CinemaScope_NP ,_, C16 104 \0Tech_NP C16 105 ._. ^ with_IN *'_*' between_IN heaven_NN and_CC hell_NN ,_, **'_**' C16 105 CinemaScope_NP ,_, Terry_NP Moore_NP C16 106 feels_VBZ that_CS the_ATI feudal_JJ attitude_NN husband_NN Robert_NP C16 106 Wagner_NP has_HVZ towards_IN the_ATI C16 107 sharecroppers_NNS on_IN his_PP$ land_NN will_MD one_CD1 day_NN cause_VB C16 107 trouble_NN ._. ^ and_CC when_WRB he_PP3A is_BEZ C16 108 called_VBN into_IN the_ATI army_NN ,_, it_PP3 does_DOZ ._. C16 109 ^ Mechanics_NP :_: ^ *'_*' there_EX was_BEDZ a_AT crooked_JJ man_NN C16 109 ._. **'_**' ^ ex_JJB army_JJB" C16 110 explosives_NNS expert_NN Norman_NP Wisdom_NP is_BEZ persuaded_VBN to_TO C16 110 join_VB gang_NN of_IN C16 111 safecrackers_NNS by_IN the_ATI argument_NN that_CS if_CS there_EX C16 111 were_BED n't_XNOT any_DTI criminals_NNS ,_, all_ABN C16 112 the_ATI clergymen_NNS ,_, police_NNS and_CC probation_NN officers_NNS C16 112 would_MD be_BE out_RP of_IN work_NN ._. C16 113 ^ after_IN a_AP few_AP" successes_NNS ,_, the_ATI gang_NN disguise_VB C16 113 themselves_PPLS as_IN American_JNP army_NN C16 114 officers_NNS and_CC work_VB a_AT gigantic_JJ swindle_NN by_IN C16 114 blowing_VBG up_RP an_AT entire_JJB town_NN ._. C16 115 ^ Susannah_NP York_NP ._. ^ Alfred_NP Marks_NP ._. C16 116 ^ with_IN *'_*' trapeze_NN ,_, **'_**' crippled_VBN and_CC C16 116 embittered_VBN by_IN a_AT fall_NN ,_, circus_NN C16 117 star_NN Burt_NP Lancaster_NP refuses_VBZ to_TO teach_VB American_JNP C16 117 acrobat_NN Tony_NP Curtis_NP the_ATI C16 118 dangerous_JJ triple_JJ somersault_NN ._. ^ whirling_VBG round_RP in_IN C16 118 the_ATI circus_NN tent_NN ,_, they_PP3AS C16 119 solve_VB an_AT emotional_JJ triangle_NN involving_VBG Gina_NP C16 119 Lollobrigida_NP ._. C16 120 ^ in_IN Japan_NP ,_, apparently_RB ,_, they_PP3AS play_VB C16 120 something_PN called_VBN *'_*' the_ATI Cola_NP C16 121 game_NN ,_, **'_**' described_VBN at_IN the_ATI Scala_NP ._. ^ a_AT C16 121 circle_NN of_IN boys_NNS and_CC girls_NNS C16 122 place_VB a_AT Coca-Cola_NP bottle_NN on_IN its_PP$ side_NN and_CC C16 122 spin_VB it_PP3 ._. ^ when_WRB it_PP3 stops_VBZ ,_, the_ATI C16 123 couple_NN to_IN whom_WPOR it_PP3 points_VBZ must_MD make_VB love_NN C16 123 in_IN front_IN" of_IN" the_ATI others_APS which_WDTR C16 124 explains_VBZ why_WRB Coca-Cola_NP sells_VBZ very_QL well_RB in_IN C16 124 Japan_NP ._. ^ a_AT pretty_JJ young_JJ co-ed_NN C16 125 named_VBN Junko_NP gets_VBZ into_IN the_ATI game_NN and_CC thus_RB C16 125 meets_VBZ a_AT youngster_NN with_IN whom_WPOR C16 126 she_PP3A has_HVZ an_AT affair_NN ._. ^ discovering_VBG herself_PPL C16 126 pregnant_JJ she_PP3A has_HVZ an_AT abortion_NN ,_, C16 127 but_CC her_PP$ lover_NN could_MD n't_XNOT care_VB less_RBR and_CC C16 127 goes_VBZ off_RP on_IN a_AT ski-ing_NN trip_NN with_IN C16 128 the_ATI girl_NN in_IN the_ATI next_AP apartment_NN ._. ^ Junko_NP C16 128 moves_VBZ out_RP of_IN his_PP$ flat_NN and_CC goes_VBZ C16 129 to_TO live_VB with_IN a_AT young_JJ architect_NN whom_WPOR she_PP3A C16 129 respects_VBZ greatly_RB and_CC who_WPR feels_VBZ C16 130 sorry_JJ for_IN her_PP3O ._. ^ in_IN this_DT way_NN ,_, it_PP3 says_VBZ C16 130 here_RN ,_, *'_*' she_PP3A experiences_VBZ the_ATI true_JJ C16 131 meaning_NN of_IN love_NN and_CC happiness_NN ._. **'_**' ^ C16 131 X-certificate_NN ._. C16 132 ^ Phillipe_NP Lemarre_NP has_HVZ been_BEN the_ATI scapegoat_NN of_IN C16 132 some_DTI doubtful_JJ pals_NNS in_IN C16 133 *'_*' les_&FW clandestines_&FW **'_**' at_IN the_ATI Moulin_NP Rouge_NP C16 133 ._. ^ sent_VBN to_IN gaol_NN for_IN C16 134 two_CD years_NNS ,_, he_PP3A has_HVZ quixotically_RB ,_, refused_VBN C16 134 to_TO clear_VB himself_PPL by_IN betraying_VBG C16 135 his_PP$ colleagues_NNS ,_, and_CC ,_, when_WRB he_PP3A gets_VBZ out_RP C16 135 ,_, finds_VBZ his_PP$ grandfather_NN has_HVZ been_BEN C16 136 driven_VBN to_IN suicide_NN by_IN a_AT bunch_NN of_IN crooks_NNS ._. ^ C16 136 now_RN there_EX is_BEZ a_AT thriving_JJ C16 137 call-girl_NN racket_NN operating_VBG from_IN the_ATI old_JJ man's_NN$ C16 137 apartment_NN which_WDTR they_PP3AS C16 138 have_HV taken_VBN over_RP ._. ^ with_IN the_ATI help_NN of_IN blonde_JJ C16 138 mannequin_NN Nicole_NP Courcel_NP ,_, C16 139 the_ATI released_JJ prisoner_NN pieces_VBZ the_ATI story_NN together_RB C16 139 ._. C16 140 ^ with_IN *'_*' the_ATI parasites_NNS ,_, **'_**' Jeanne_NP C16 140 Moreau_NP is_BEZ a_AT streetgirl_NN C16 141 forever_RB searching_VBG for_IN real_JJ love_NN in_IN Montmartre_NP ._. C16 141 ^ when_WRB her_PP$ protector_NN is_BEZ C16 142 betrayed_VBN to_IN the_ATI police_NNS she_PP3A gets_VBZ entangled_VBN C16 142 with_IN other_AP shadowy_JJ creatures_NNS C16 143 of_IN the_ATI underworld_NN ._. ^ both_ABX films_NNS X-certificate_NN C16 143 ._. C16 144 ^ the_ATI post_NN review_NN of_IN next_AP week's_NN$ shows_NNS ._. C16 145 ^ Jessie_NP and_CC Ralph_NP twinkle_VB again_RB ._. C16 146 ^ two_CD veterans_NNS of_IN the_ATI twenties_CDS and_CC thirties_CDS C16 146 *-_*- one_CD1 remembered_VBN for_IN C16 147 her_PP$ vivacity_NN in_IN musicals_NNS ,_, and_CC the_ATI other_AP C16 147 for_IN his_PP$ assinities_NNS C16 148 in_IN a_AT series_NN of_IN world_NN famous_JJ farces_NNS *-_*- visit_VB C16 148 Nottingham_NP next_AP week_NN as_IN a_AT C16 149 team_NN ._. ^ Jessie_NP Matthews_NP and_CC Ralph_NP Lynn_NP come_VB C16 149 to_IN the_ATI Theatre_NPL royal_JJ in_IN C16 150 a_AT farce_NN called_VBN *'_*' port_NN in_IN a_AT storm_NN **'_**' C16 150 by_IN Rex_NP Howard_NP Arundel_NP ._. C16 151 ^ the_ATI ex_JJB *'_*' Cochran_NP young_JJ lady_NN **'_**' and_CC C16 151 the_ATI monocled_JJ *'_*' ass_NN **'_**' of_IN so_QL C16 152 many_AP pieces_NNS of_IN Ben_NP Travers_NP at_IN the_ATI Aldwych_NP C16 152 are_BER cast_VBN respectively_RB as_IN a_AT C16 153 crime_NN novelist_NN and_CC her_PP$ old_JJ flame_NN ._. ^ she_PP3A C16 153 hides_VBZ him_PP3O at_IN home_NR when_WRB he_PP3A is_BEZ on_IN C16 154 the_ATI run_NN from_IN his_PP$ virago_NN of_IN a_AT wife_NN until_CS C16 154 she_PP3A discovers_VBZ that_CS she_PP3A is_BEZ also_RB C16 155 harbouring_VBG a_AT stolen_JJ diamond_NN necklace_NN ._. ^ the_ATI C16 155 writer_NN has_HVZ a_AT house_NN staff_NN of_IN C16 156 ex-convicts_NNS to_TO keep_VB her_PP3O in_IN touch_NN with_IN the_ATI C16 156 way_NN of_IN the_ATI underworld_NN ,_, and_CC C16 157 the_ATI farce's_NN$ ingredients_NNS include_VB a_AT long-lost_JJ son_NN C16 157 ,_, a_AT runaway_JJB secretary_NN C16 158 and_CC a_AT lock-picking_JJ butler_NN ._. ^ the_ATI play_NN is_BEZ C16 158 on_IN its_PP$ pre-London_JJB tour_NN ._. C16 159 ^ Jessie_NP Matthews_NP made_VBD her_PP$ first_OD appearance_NN C16 159 on_IN the_ATI stage_NN in_IN 1917_CD C16 160 when_WRB she_PP3A was_BEDZ ten_CD years_NNS old_JJ ,_, and_CC took_VBD C16 160 to_IN revue_NN five_CD years_NNS later_RBR ._. ^ she_PP3A C16 161 made_VBD her_PP$ first_OD hit_NN while_CS still_RB in_IN her_PP$ C16 161 teens_NNS ,_, understudying_VBG Gertrude_NP C16 162 Lawrence_NP in_IN America_NP ,_, and_CC when_WRB she_PP3A came_VBD C16 162 back_RP to_IN London_NP she_PP3A twinkled_VBD for_IN C16 163 many_AP years_NNS as_IN \0C_NP \0B_NP Cochran's_NP$ brightest_JJT C16 163 discoveries_NNS in_IN C16 164 shows_NNS that_WPR ranged_VBD from_IN *'_*' this_DT year_NN of_IN C16 164 grace_NN **'_**' and_CC *'_*' one_CD1 damn_JJ thing_NN C16 165 after_IN another_DT **'_**' to_IN the_ATI famous_JJ *'_*' evergreen_NN C16 165 **'_**' which_WDTR ,_, as_IN well_IN" as_IN" being_BEG C16 166 made_VBN into_IN a_AT film_NN ,_, ran_VBD for_IN two_CD years_NNS ._. ^ C16 166 Miss_NPT Matthews_NP last_RB came_VBD to_IN the_ATI C16 167 Nottingham_NP Theatre_NPL Royal_NPT in_IN 1955_CD when_WRB she_PP3A C16 167 and_CC her_PP$ daughter_NN Katie_NP C16 168 played_VBD in_IN Coward's_NP$ *'_*' private_JJ lives_NNS ._. **'_**' C16 169 ^ nearly_RB 80_CD ._. C16 170 ^ now_RN a_AT lively_JJ 79_CD ,_, Ralph_NP Lynn_NP has_HVZ been_BEN C16 170 going_VBG strong_JJ on_IN the_ATI stage_NN C16 171 since_IN 1900_CD (_( when_WRB he_PP3A appeared_VBD in_IN *'_*' King_NPT C16 171 of_IN terrors_NNS **'_**' at_IN Wigan_NP )_) ,_, and_CC C16 172 about_IN 1925_CD was_BEDZ up_RP to_IN his_PP$ debonair_JJ tricks_NNS C16 172 at_IN the_ATI old_JJ repertory_NN theatre_NN C16 173 in_IN Hyson_NP Green_NPL ,_, Nottingham_NP ,_, when_WRB the_ATI C16 173 Grand_NP was_BEDZ a_AT going_JJ concern_NN ._. ^ he_PP3A ,_, C16 174 Tom_NP Walls_NP and_CC Robertson_NP Hare_NP made_VBD the_ATI name_NN C16 174 of_IN the_ATI Aldwych_NP synonymous_JJ C16 175 with_IN farce_NN through_IN such_ABL classics_NNS of_IN foolery_NN C16 175 as_IN *'_*' cuckoo_NN in_IN the_ATI C16 176 nest_NN ,_, **'_**' *'_*' Thark_NP **'_**' and_CC *'_*' Rookery_NP C16 176 Nook_NP ._. **'_**' C16 177 ^ \0Mr_NPT Lynn_NP and_CC his_PP$ bald_JJ sparring_NN partner_NN C16 177 appeared_VBD at_IN the_ATI Theatre_NPL C16 178 royal_JJ in_IN 1952_CD in_IN the_ATI premiere_NN of_IN a_AT later_JJR C16 178 Ben_NP Travers_NP farce_NN ,_, *'_*' wild_JJ C16 179 horses_NNS ._. **'_**' ^ they_PP3AS were_BED together_RB again_RB C16 179 two_CD years_NNS later_RBR in_IN Peter_NP Jones's_NP$ C16 180 *'_*' the_ATI party_NN spirit_NN ._. **'_**' ^ \0Mr_NPT (_( *'_*' oh_UH C16 180 ,_, calamity_NN !_! **'_**' )_) Hare_NP can_MD be_BE seen_VBN C16 181 again_RB in_IN Nottingham_NP ,_, by_IN the_ATI way_NN ,_, on_IN C16 181 October_NR 16_CD ,_, when_WRB he_PP3A plays_VBZ in_IN the_ATI C16 182 tour_NN of_IN *'_*' the_ATI bride_NN come_VBN back_RP **'_**' with_IN C16 182 Jack_NP Hulbert_NP and_CC C16 183 Cicely_NP Courtneidge_NP ._. C16 184 ^ Playhouse_NPL :_: ^ fourth_OD and_CC positively_RB final_JJ C16 184 week_NN of_IN the_ATI revue_NN C16 185 *'_*' second_OD post_NN **'_**' twenty-eight_CD items_NNS of_IN song_NN C16 185 ,_, sketch_NN and_CC dance_NN by_IN C16 186 various_JJ authors_NNS ._. ^ two_CD of_IN them_PP3OS have_HV just_RB C16 186 been_BEN sold_VBN for_IN the_ATI new_JJ west_NP end_NP C16 187 revue_NN *'_*' the_ATI Lord_NPT Chamberlain_NPT regrets_VBZ **'_**' C16 187 *-_*- *'_*' Lady_NPT of_IN the_ATI camellias_NNS ,_, **'_**' C16 188 in_IN which_WDTR Rhoda_NP Lewis_NP sings_VBZ a_IN la_IN" Dietrich_NP C16 188 ,_, and_CC *'_*' cries_NNS of_IN old_JJ C16 189 London_NP **'_**' involving_VBG three_CD decrepit_JJ bellringers_NNS C16 189 and_CC a_AT stomach-heaving_JJ C16 190 *'_*' sick_JJ **'_**' joke_NN ._. C16 191 ^ City_NPL cinemas_NNS ._. C16 192 ^ a_AT ten-year-old_JJB opus_NN by_IN Alfred_NP Hitchcock_NP is_BEZ C16 192 re-issued_VBN at_IN the_ATI C16 193 ABC_NP and_CC Metropole_NP *-_*- his_PP$ *'_*' strangers_NNS on_IN a_AT C16 193 train_NN ._. **'_**' ^ a_AT long_JJ C16 194 train_NN journey_NN often_RB prompts_VBZ complete_JJ strangers_NNS C16 194 to_TO strike_VB up_RP a_AT casual_JJ C16 195 conversation_NN ._. ^ they_PP3AS will_MD talk_VB about_IN the_ATI C16 195 weather_NN ,_, politics_NN or_CC crime_NN ._. C16 196 ^ but_CC it_PP3 's_BEZ rare_JJ for_IN two_CD people_NNS to_TO talk_VB C16 196 about_IN murder_NN on_IN a_AT personal_JJ C16 197 level_NN ._. C17 2 ^ film_NN page_NN ._. C17 3 ^ by_IN \0F_NP Leslie_NP Winters_NP ._. C17 4 ^ Hollywood_NP decides_VBZ that_CS 1961_CD will_MD n't_XNOT be_BE a_AT C17 4 super_JJ colossal_JJ year_NN ._. C17 5 ^ having_HVG looked_VBN back_RP on_IN 1960_CD last_AP week_NN ,_, C17 5 it_PP3 is_BEZ now_RN time_NN to_TO think_VB C17 6 of_IN 1961_CD and_CC the_ATI films_NNS it_PP3 will_MD bring_VB ._. C17 7 ^ as_QL far_RB as_CS Hollywood_NP activities_NNS go_VB ,_, my_PP$ C17 7 correspondent_NN there_RN says_VBZ C17 8 that_CS ,_, after_IN preliminary_JJ box-office_NN results_NNS of_IN C17 8 *'_*' the_ATI Alamo_NP **'_**' and_CC C17 9 *'_*' Spartacus_NP ,_, **'_**' there_EX is_BEZ a_AT big_JJ drop_NN C17 9 in_IN super-colossal_JJ productions_NNS and_CC C17 10 emphasis_NN trends_VBZ to_IN intimate_JJ little_JJ pictures_NNS with_IN C17 10 sex_NN as_IN the_ATI big_JJ motif_NN ._. C17 11 ^ this_DT follows_VBZ the_ATI invasion_NN of_IN European_JNP films_NNS C17 11 in_IN America_NP ._. C17 12 ^ here_RN I_PP1A have_HV selected_VBN 25_CD coming_JJ British_JNP C17 12 films_NNS which_WDTR look_VB promising_JJ C17 13 of_IN their_PP$ types_NNS ._. C17 14 ^ a_AT picture_NN which_WDTR must_MD strictly_RB be_BE regarded_VBN C17 14 as_CS American_JNP yet_CC which_WDTR C17 15 has_HVZ a_AT British_JNP star_NN and_CC director_NN is_BEZ *'_*' C17 15 Lawrence_NP of_IN Arabia_NP ,_, **'_**' with_IN Peter_NP C17 16 O'Toole_NP and_CC made_VBN by_IN David_NP *'_*' River_NPL Kwai_NP C17 16 **'_**' Lean_NP ._. ^ our_PP$ own_AP Michael_NP C17 17 Anderson_NP has_HVZ also_RB made_VBN the_ATI drama-thriller_NN *'_*' C17 17 the_ATI naked_JJ edge_NN **'_**' with_IN C17 18 American_NNP Gary_NP Cooper_NP and_CC British_JNP /_IN \0U.S_NP C17 18 Deborah_NP Kerr_NP ._. ^ Peter_NP C17 19 Finch_NP ,_, for_IN whom_WPOR 1960_CD was_BEDZ triumphant_JJ ,_, C17 19 will_MD be_BE seen_VBN in_IN a_AT political_JJ drama_NN C17 20 *'_*' no_ATI love_NN for_IN Johnnie_NP ,_, **'_**' while_CS Peter_NP C17 20 Sellers_NP stars_VBZ and_CC directs_VBZ a_AT big_JJ C17 21 business_NN drama_NN *'_*' \0Mr_NPT Topaze_NP ._. **'_**' C17 22 ^ sophisticated_JJ ._. C17 23 ^ Richard_NP Todd_NP will_MD be_BE seen_VBN in_IN a_AT C17 23 sophisticated_JJ comedy_NN and_CC a_AT war_NN C17 24 drama_NN *-_*- *'_*' do_DO n't_XNOT bother_VB to_TO knock_VB **'_**' C17 24 and_CC *'_*' the_ATI long_JJ and_CC the_ATI short_JJ and_CC C17 25 the_ATI tall_JJ ._. **'_**' C17 26 ^ another_DT star_NN who_WPR is_BEZ also_RB directing_VBG is_BEZ C17 26 Nigel_NP Patrick_NP and_CC his_PP$ film_NN C17 27 is_BEZ *'_*' Johnny_NP Nobody_NP ,_, **'_**' with_IN Aldo_NP Ray_NP C17 27 and_CC Yvonne_NP Mitchell_NP as_RB well_RB" ._. C17 28 ^ we_PP1AS also_RB have_HV such_ABL extremes_NNS as_IN *'_*' carry_VB C17 28 on_RP regardless_RB ,_, **'_**' with_IN a_AT C17 29 cast_NN you_PP2 could_MD pretty_RB well_RB guess_VB ,_, and_CC *'_*' C17 29 Macbeth_NP ,_, **'_**' with_IN Maurice_NP C17 30 Evans_NP and_CC Judith_NP Anderson_NP ._. C17 31 ^ Stanley_NP Baker_NP will_MD be_BE on_IN the_ATI wrong_JJ side_NN C17 31 of_IN the_ATI law_NN for_IN a_AT change_NN C17 32 in_IN *'_*' the_ATI criminal_NN ,_, **'_**' and_CC so_PN will_MD C17 32 Michael_NP Craig_NP in_IN *'_*' payroll_NN ._. **'_**' C17 33 ^ crime_NN will_MD also_RB be_BE the_ATI theme_NN of_IN *'_*' C17 33 frightened_JJ city_NN ,_, **'_**' with_IN John_NP C17 34 Gregson_NP and_CC Herbert_NP Lom_NP *-_*- a_AT vice_NN expose_NN ._. C17 35 ^ horror_NN plus_IN science_NN fiction_NN are_BER scheduled_VBN C17 35 with_IN *'_*' the_ATI children_NNS C17 36 of_IN light_NN **'_**' (_( uncast_JJ )_) and_CC the_ATI film_NN of_IN C17 36 the_ATI \0TV_NN success_NN C17 37 *'_*' Quatermass_NP and_CC the_ATI pit_NN ,_, **'_**' which_WDTR C17 37 would_MD be_BE unthinkable_JJ without_IN C17 38 Andre_NP Morell_NP ._. ^ *'_*' the_ATI phantom_NN of_IN the_ATI C17 38 opera_NN **'_**' (_( once_RB Lon_NP Chaney's_NP$ C17 39 triumph_NN )_) will_MD also_RB be_BE remade_VBN over_RP here_RN *-_*- C17 39 the_ATI third_OD edition_NN ,_, I_PP1A think_VB ._. C17 40 ^ back_RP to_IN comedies_NNS *-_*- Leslie_NP Phillips_NP ,_, C17 40 James_NP Robertson_NP Justice_NP and_CC C17 41 Eric_NP Sykes_NP combine_NN with_IN *'_*' very_QL important_JJ C17 41 person_NN **'_**' ;_; Jimmy_NP Edwards_NP C17 42 will_MD give_VB us_PP1OS *'_*' nearly_RB a_AT nasty_JJ accident_NN C17 42 **'_**' ;_; Ian_NP Carmichael_NP and_CC C17 43 Janette_NP Scott_NP co-star_VB in_IN *'_*' double_JJ bunk_NN ,_, C17 43 **'_**' and_CC Terry-Thomas_NP will_MD C17 44 be_BE with_IN Janette_NP for_IN *'_*' his_PP$ and_CC hers_PP$$ ._. C17 44 **'_**' C17 45 ^ heart-throb_NN ._. C17 46 ^ there_EX is_BEZ much_AP prophecy_NN that_CS the_ATI new_JJ C17 46 heart-throb_NN of_IN the_ATI year_NN C17 47 will_MD be_BE Warren_NP Beatty_NP ,_, over_RP here_RN to_TO star_VB C17 47 with_IN Vivien_NP Leigh_NP in_IN a_AT sordid_JJ C17 48 drama_NN called_VBN *'_*' the_ATI Roman_JNP spring_NN of_IN \0Mrs_NPT C17 48 Stone_NP ._. **'_**' ^ Warren_NP is_BEZ C17 49 engaged_VBN to_IN Joan_NP Collins_NP ._. ^ another_DT American_NNP C17 49 here_RN is_BEZ Susan_NP Strasberg_NP ,_, to_TO C17 50 co-star_VB with_IN Ronald_NP Lewis_NP and_CC Ann_NP Todd_NP in_IN a_AT C17 50 thriller_NN ,_, *'_*' taste_NN of_IN C17 51 fear_NN ._. **'_**' C17 52 ^ British_JNP George_NP Sanders_NP stays_VBZ on_RP to_TO co-star_VB C17 52 with_IN Peter_NP Cushing_NP C17 53 in_IN *'_*' time_NN of_IN the_ATI fire_NN ._. **'_**' ^ to_TO end_VB C17 53 with_IN another_DT contrast_NN ,_, we_PP1AS shall_MD C17 54 have_HV Max_NP Bygraves_NP in_IN a_AT serious_JJ film_NN about_IN C17 54 slum_NN school_NN life_NN ,_, *'_*' spare_VB C17 55 the_ATI rod_NN ,_, **'_**' and_CC Virginia_NP McKenna_NP returning_VBG C17 55 to_IN the_ATI screen_NN for_IN a_AT tense_JJ C17 56 drama_NN set_VBN in_IN Sweden_NP *-_*- *'_*' two_CD living_JJ ,_, C17 56 one_CD1 dead_JJ ,_, **'_**' in_IN which_WDTR she_PP3A will_MD C17 57 co-star_VB with_IN husband_NN Bill_NP Travers_NP ._. C17 58 ^ this_DT is_BEZ D-day_NN *-_*- in_IN four_CD different_JJ versions_NNS C17 58 ._. C17 59 ^ no_PN one_PN" seems_VBZ to_TO know_VB if_CS we_PP1AS are_BER C17 59 going_VBG to_TO have_HV two_CD major_JJ films_NNS C17 60 about_IN D-day_NN or_CC not_XNOT ._. ^ certainly_RB Howarth's_NP$ C17 60 book_NN *'_*' dawn_NN of_IN D-day_NN **'_**' has_HVZ C17 61 been_BEN purchased_VBN for_IN filming_NN ._. ^ but_CC Darryl_NP C17 61 Zanuck_NP is_BEZ first_OD with_IN details_NNS C17 62 about_IN his_PP$ *'_*' longest_JJT day_NN ,_, **'_**' by_IN C17 62 Cornelius_NP Ryan_NP ._. ^ he_PP3A will_MD start_VB C17 63 production_NN on_IN June_NR 6_CD on_IN the_ATI original_JJ Omaha_NP C17 63 beach_NN ,_, Normandy_NP ,_, on_IN C17 64 sequences_NNS to_TO cost_VB as_QL much_AP as_IN an_AT average_JJ C17 64 minor_JJ epic_NN ._. C17 65 ^ the_ATI story_NN is_BEZ in_IN four_CD parts_NNS ,_, each_DT C17 65 with_IN its_PP$ own_AP director_NN ,_, telling_VBG C17 66 the_ATI same_AP story_NN from_IN the_ATI British_JNP ,_, American_JNP C17 66 ,_, French_JNP and_CC German_JNP points_NNS of_IN C17 67 view_NN ._. ^ I_PP1A would_MD like_VB Monty's_NP$ view_NN of_IN C17 67 Zanuck's_NP$ statement_NN :_: *'_*' ^ the_ATI theme_NN C17 68 will_MD be_BE the_ATI stupidity_NN of_IN war_NN ._. ^ the_ATI C17 68 allies_NNS made_VBD every_AT conceivable_JJ C17 69 physical_JJ mistake_NN but_CC ,_, fortunately_RB for_IN us_PP1OS ,_, C17 69 the_ATI Germans_NNPS made_VBD more_AP ._. C17 70 ^ unbelievable_JJ blunders_NNS on_IN both_ABX sides_NNS took_VBD C17 70 place_NN ._. **'_**' ^ how_WRB the_ATI Americans_NNPS C17 71 love_VB to_TO debunk_VB !_! C17 73 ^ a_AT pity_NN this_DT country_NN has_HVZ n't_XNOT anything_PN C17 73 comparable_JJ with_IN the_ATI C17 74 Hollywood_NP motion_NN picture_NN museum_NN ._. ^ a_AT big_JJ new_JJ C17 74 building_NN is_BEZ now_RN planned_VBN to_TO C17 75 house_VB nearly_RB two_CD million_CD pounds_NNS worth_NN of_IN C17 75 equipment_NN dating_VBG to_IN the_ATI C17 76 pioneer_NN days_NNS ._. ^ it_PP3 will_MD be_BE built_VBN opposite_IN C17 76 the_ATI Hollywood_NP bowl_NN (_( famous_JJ C17 77 arena_NN and_CC scene_NN of_IN spectacles_NNS ,_, music_NN and_CC C17 77 pageantry_NN )_) and_CC the_ATI American_JNP C17 78 film_NN industry_NN is_BEZ to_TO lay_VB out_RP *+350,000_NNU on_IN C17 78 exhibits_NNS and_CC *+180,000_NNU on_IN C17 79 equipping_VBG sound_NN stages_NNS for_IN demonstrations_NNS of_IN C17 79 film_NN production_NN ._. C17 80 ^ versatile_JJ Joe_NP ._. C17 81 ^ by_IN John_NP Gordon_NP ._. C17 82 ^ Joe_NP Brown_NP ,_, former_AP white-haired_JJ comedian_NN of_IN C17 82 the_ATI \0ITV_NP C17 83 beat_JJ show_NN *'_*' wham_UH ,_, **'_**' has_HVZ really_RB hit_VBN C17 83 a_AT gusher_NN ._. ^ just_RB before_IN starting_VBG C17 84 out_RP on_IN a_AT tour_NN of_IN one-nighters_NNS *-_*- in_IN West_NP C17 84 Bromwich_NP this_DT week_NN *-_*- he_PP3A C17 85 recorded_VBD two_CD numbers_NNS ,_, *'_*' shine_VB **'_**' and_CC *'_*' C17 85 the_ATI switch_NN **'_**' (_( Pye_NP 7N15322_&FO )_) ._. C17 86 ^ on_IN the_ATI top_JJB half_NN he_PP3A chants_VBZ away_RP happily_RB C17 86 ;_; the_ATI backer_NN is_BEZ purely_RB C17 87 instrumental_JJ ._. C17 88 ^ this_DT splendid_JJ disc_NN proves_VBZ Joe's_NP$ versatility_NN C17 88 ,_, which_WDTR is_BEZ going_VBG to_TO C17 89 make_VB him_PP3O a_AT top_JJB star_NN this_DT year_NN *-_*- you_PP2 C17 89 'll_MD see_VB ._. C17 91 ^ Bill_NP Bramwell's_NP$ *'_*' candid_JJ camera_NN theme_NN **'_**' C17 91 (_( Decca_NP F11309_ZZ )_) is_BEZ a_AT most_QL C17 92 unusual_JJ combination_NN of_IN guitar_NN ,_, piccolo_NN and_CC C17 92 gimmick_NN vocal_JJ ._. ^ the_ATI other_AP C17 93 half_NN ,_, *'_*' Frederika_NP ,_, **'_**' brings_VBZ a_AT more_QL C17 93 orthodox_JJ musical_JJ combination_NN into_IN C17 94 the_ATI picture_NN with_IN this_DT slow_JJ ,_, almost_RB haunting_JJ C17 94 ,_, bluesy_JJ piece_NN ._. ^ two_CD good_JJ C17 95 sides_NNS ._. C17 96 ^ film_NN page_NN ._. C17 97 ^ by_IN \0F_NP Leslie_NP Winters_NP ._. C17 98 ^ the_ATI man_NN with_IN a_AT bent_JJ halo_NN ._. C17 99 ^ but_CC the_ATI life_NN ,_, loves_NNS and_CC music_NN of_IN Franz_NP C17 99 Liszt_NP add_VB up_RP to_IN a_AT cinematic_JJ C17 100 treat_NN ._. C17 101 ^ they_PP3AS say_VB (_( and_CC I_PP1A do_DO n't_XNOT quite_RB C17 101 know_VB who_WP *'_*' they_PP3AS **'_**' are_BER )_) that_CS C17 102 audiences_NNS will_MD n't_XNOT accept_VB so_QL eagerly_RB these_DTS C17 102 days_NNS the_ATI sort_NN of_IN films_NNS which_WDTR C17 103 were_BED tremendously_RB successful_JJ about_RB 15_CD to_IN 20_CD C17 103 years_NNS ago_RB ._. C17 104 ^ I_PP1A have_HV heard_VBN film_NN executives_NNS express_VB C17 104 doubts_NNS whether_CS a_AT *'_*' seventh_OD C17 105 veil_NN **'_**' type_NN of_IN theme_NN would_MD capture_VB C17 105 people's_NNS$ fancy_NN today_NR in_IN the_ATI C17 106 extraordinary_JJ way_NN it_PP3 once_RB did_DOD ._. C17 107 ^ many_AP of_IN you_PP2 will_MD have_HV a_AT warm_JJ regard_NN C17 107 for_IN that_DT immensely_RB popular_JJ C17 108 *'_*' song_NN to_TO remember_VB ,_, **'_**' in_IN which_WDTR Cornel_NP C17 108 Wilde_NP played_VBD Chopin_NP *-_*- made_VBN in_IN C17 109 wartime_NN and_CC which_WDTR captured_VBD people's_NNS$ hearts_NNS C17 109 as_CC well_CC" as_CC" ears_NNS ._. C17 110 ^ shunned_VBN ?_? C17 111 ^ can_MD this_DT sort_NN of_IN success_NN be_BE repeated_VBN in_IN C17 111 these_DTS times_NNS ?_? ^ or_CC does_DOZ a_AT C17 112 mixture_NN of_IN costume_NN ,_, classical_JJ music_NN and_CC courtly_JJ C17 112 manner_NN seem_VB likely_JJ to_TO C17 113 be_BE shunned_VBN by_IN audiences_NNS said_VBN to_TO be_BE horror_NN C17 113 and_CC crime_NN addicts_NNS ?_? C17 114 ^ I_PP1A should_MD be_BE sorry_JJ to_TO think_VB so_PN ,_, for_IN C17 114 *'_*' song_NN without_IN end_NN ,_, **'_**' which_WDTR C17 115 tells_VBZ some_DTI of_IN the_ATI story_NN of_IN Franz_NP Liszt_NP ,_, C17 115 is_BEZ a_AT film_NN worth_IN going_VBG to_IN for_IN C17 116 its_PP$ music_NN ,_, its_PP$ decor_NN ,_, its_PP$ acting_NN ,_, and_CC C17 116 its_PP$ elegance_NN ._. C17 117 ^ those_DTS classical_JJ composers_NNS of_IN the_ATI great_JJ C17 117 musical_JJ era_NN are_BER C17 118 certainties_NNS for_IN the_ATI script-writers_NNS ._. ^ their_PP$ C17 118 private_JJ lives_NNS ,_, mainly_RB ,_, were_BED C17 119 as_QL wildly_RB romantic_JJ and_CC as_QL full_JJ of_IN drama_NN as_IN C17 119 any_DTI novelist's_NN$ inventions_NNS ._. C17 120 ^ even_RB so_RB ,_, there_EX is_BEZ usually_RB a_AT tendency_NN C17 120 to_TO soften_VB the_ATI outlines_NNS ,_, C17 121 polish_VB up_RP the_ATI bent_JJ haloes_NNS ,_, and_CC omit_VB a_AP C17 121 few_AP" facts_NNS ._. C17 122 ^ on_IN the_ATI whole_NN ,_, *'_*' song_NN without_IN end_NN **'_**' C17 122 is_BEZ fairly_RB accurate_JJ ._. ^ it_PP3 is_BEZ C17 123 marred_VBN by_IN a_AP few_AP" American_JNP accents_NNS and_CC C17 123 expressions_NNS ,_, and_CC is_BEZ reticent_JJ C17 124 about_IN Liszt's_NP$ long_JJ affair_NN with_IN a_AT Russian_JNP C17 124 princess_NN ._. ^ despite_IN the_ATI detail_NN C17 125 into_IN which_WDTR this_DT part_NN of_IN the_ATI film_NN goes_VBZ ,_, C17 125 it_PP3 does_DOZ n't_XNOT even_RB whisper_VB the_ATI C17 126 fact_NN that_CS they_PP3AS lived_VBD together_RB for_IN many_AP C17 126 years_NNS in_IN a_AT strange_JJ atmosphere_NN C17 127 of_IN passion_NN ,_, piety_NN and_CC regret_NN ._. C17 128 ^ but_CC jarring_JJ moments_NNS are_BER remarkably_RB few_AP in_IN C17 128 the_ATI two_CD hours_NNS and_CC ten_CD C17 129 minutes_NNS it_PP3 takes_VBZ to_TO cover_VB Liszt's_NP$ career_NN C17 129 from_IN the_ATI age_NN of_IN 26_CD until_CS he_PP3A C17 130 went_VBD into_IN a_AT monastery_NN ._. C17 131 ^ the_ATI film's_NN$ inference_NN at_IN the_ATI end_NN is_BEZ C17 131 that_CS the_ATI composer_NN has_HVZ found_VBN C17 132 peace_NN and_CC will_MD never_RB emerge_VB again_RB ._. ^ in_IN fact_NN C17 132 ,_, he_PP3A merely_RB took_VBD a_AT minor_JJ C17 133 order_NN and_CC toured_VBD Europe_NP as_IN a_AT white-haired_JJ and_CC C17 133 pretty_RB gay_JJ old_JJ man_NN ._. C17 134 ^ the_ATI picture_NN also_RB merely_RB includes_VBZ two_CD women_NNS C17 134 in_IN his_PP$ life_NN (_( from_IN the_ATI C17 135 many_AP who_WPR caught_VBD his_PP$ eye_NN )_) *-_*- French_JNP C17 135 Countess_NPT Marie_NP ,_, with_IN whom_WPOR he_PP3A ran_VBD off_RP C17 136 to_IN Chamonix_NP and_CC whom_WPOR he_PP3A deserts_VBZ to_TO start_VB C17 136 another_DT concert_NN tour_NN ,_, C17 137 simultaneously_RB with_IN one_CD1 roving_JJ eye_NN on_IN Russian_JNP C17 137 Princess_NPT Carolyne_NP C17 138 Sayn-Wittgenstein_NP ._. ^ she_PP3A has_HVZ a_AT jealous_JJ husband_NN C17 138 and_CC the_ATI protection_NN of_IN C17 139 the_ATI Czar_NPT *-_*- formidable_JJ adversaries_NNS ._. C17 140 ^ frustration_NN ._. C17 141 ^ the_ATI personal_JJ side_NN of_IN the_ATI story_NN shows_VBZ C17 141 the_ATI frustration_NN and_CC C17 142 bitterness_NN of_IN the_ATI discarded_JJ mistress_NN ,_, a_AT C17 142 beautiful_JJ piece_NN of_IN acting_NN from_IN C17 143 France's_NP$ Genevieve_NP Page_NP ,_, and_CC the_ATI C17 143 passion-battling-religion_NN of_IN the_ATI C17 144 entranced_JJ princess_NN ,_, played_VBN with_IN the_ATI face_NN of_IN C17 144 Ava_NP Gardner_NP and_CC the_ATI C17 145 coolness_NN of_IN a_AT real_JJ princess_NN by_IN Capucine_NP ,_, C17 145 lovely_JJ model_NN with_IN no_ATI acting_NN C17 146 experience_NN before_IN this_DT ._. C17 147 ^ the_ATI musical_JJ side_NN ranges_VBZ from_IN Chopin_NP to_IN C17 147 Wagner_NP ,_, Beethoven_NP to_IN Bach_NP ,_, C17 148 Handel_NP ,_, Mendelssohn_NP ,_, Verdi_NP ,_, and_CC Schumann_NP ._. ^ C17 148 all_ABN this_DT played_VBN by_IN Jorge_NP C17 149 Bolet_NP ,_, but_CC magnificently_RB co-ordinated_VBN with_IN the_ATI C17 149 hands_NNS of_IN Dirk_NP Bogarde_NP ,_, C17 150 who_WPR makes_VBZ of_IN Liszt_NP an_AT irresponsible_JJ but_CC C17 150 rather_RB lovable_JJ puppy-dog_NN C17 151 rather_RB than_IN a_AT dare-devil_JJB ,_, philandering_JJ genius_NN ._. C17 152 ^ I_PP1A do_DO so_RB hope_VB that_CS the_ATI pattern_NN of_IN C17 152 entertainment_NN has_HVZ not_XNOT changed_VBN so_QL C17 153 much_RB that_CS a_AT worthy_JJ film_NN of_IN this_DT type_NN fails_VBZ C17 153 ._. ^ perhaps_RB we_PP1AS shall_MD be_BE C17 154 surprised_JJ and_CC Birmingham's_NP$ Odeon_NP will_MD be_BE packed_VBN C17 154 this_DT week_NN ._. ^ it_PP3 C17 155 deserves_VBZ to_TO be_BE ._. C17 156 ^ an_AT experiment_NN in_IN the_ATI shadows_NNS ._. C17 157 ^ it_PP3 is_BEZ strange_JJ that_CS a_AT Hollywood_NP actor_NN C17 157 should_MD get_VB the_ATI idea_NN for_IN C17 158 a_AT film_NN in_IN a_AT New_NP York_NP students'_NNS$ loft_NN on_IN C17 158 January_NR 14_CD ,_, 1957_CD ,_, and_CC a_AP few_AP" C17 159 months_NNS later_RBR ,_, with_IN money_NN borrowed_VBN and_CC money_NN C17 159 donated_VBN after_IN a_AT \0TV_NN C17 160 interview_NN ,_, make_VB this_DT film_NN in_IN the_ATI streets_NNS C17 160 of_IN that_DT city_NN and_CC then_RN fail_VB to_TO C17 161 find_VB anyone_PN in_IN the_ATI United_NP States_NP who_WPR would_MD C17 161 show_VB it_PP3 ._. ^ that_DT is_BEZ why_WRB John_NP C17 162 Cassavetes_NP came_VBD to_IN England_NP to_TO find_VB someone_PN who_WPR C17 162 would_MD take_VB a_AT risk_NN on_IN C17 163 something_PN new_JJ ._. C17 164 ^ it_PP3 was_BEDZ the_ATI directors_NNS of_IN newly-constructed_JJB C17 164 British_JNP Lion_NP ,_, who_WPR have_HV C17 165 got_VBN faith_NN in_IN fresh_JJ faces_NNS ,_, talent_NN ,_, ideas_NNS C17 165 and_CC letting_VBG people_NNS try_VB them_PP3OS C17 166 out_RP ,_, who_WPR saw_VBD *'_*' shadows_NNS **'_**' one_CD1 evening_NN C17 166 and_CC immediately_RB offered_VBD C17 167 Cassavetes_NP the_ATI money_NN for_IN world_NN distribution_NN C17 167 rights_NNS ._. ^ I_PP1A feel_VB sure_JJ they_PP3AS C17 168 will_MD n't_XNOT regret_VB it_PP3 ,_, from_IN the_ATI prestige_NN or_CC C17 168 financial_JJ angles_NNS ._. C17 169 ^ this_DT film_NN ,_, now_RN at_IN the_ATI Futurist_NNP ,_, C17 169 Birmingham_NP ,_, was_BEDZ made_VBN with_IN a_AT C17 170 16_CD \0mm_NNU camera_NN in_IN 42_CD days_NNS and_CC nights_NNS in_IN C17 170 New_NP York_NP marquees_NNS ,_, in_IN disguised_JJ C17 171 dust-bins_NNS ,_, from_IN trucks_NNS ,_, in_IN subway_NN entrances_NNS C17 171 and_CC restaurant_NN windows_NNS ._. C17 172 ^ for_IN six_CD weeks_NNS the_ATI actors_NNS ,_, all_ABN unknown_JJ C17 172 to_IN the_ATI general_JJ public_NN ,_, C17 173 lived_VBD together_RB and_CC discussed_VBD the_ATI story_NN outline_NN C17 173 ._. C17 174 ^ each_DT fully_RB understood_VBD the_ATI situations_NNS planned_VBN C17 174 and_CC the_ATI nature_NN of_IN C17 175 the_ATI characters_NNS (_( which_WDTR bear_VB the_ATI same_AP names_NNS C17 175 as_IN the_ATI actors_NNS )_) ,_, and_CC when_WRB the_ATI C17 176 camera_NN started_VBD they_PP3AS just_RB talked_VBD *-_*- without_IN C17 176 a_AT script_NN ,_, as_CS the_ATI words_NNS came_VBD C17 177 in_IN their_PP$ minds_NNS or_CC were_BED provoked_VBN by_IN others_APS C17 177 ._. C17 178 ^ the_ATI result_NN ,_, if_CS not_XNOT completely_RB satisfying_JJ C17 178 (_( some_DTI scenes_NNS do_DO appear_VB a_RB C17 179 little_RB" contrived_JJ and_CC tentatively_RB scripted_VBD )_) ,_, C17 179 is_BEZ remarkable_JJ ._. C17 180 ^ there_EX is_BEZ a_AT coloured_JJ girl_NN who_WPR pretends_VBZ C17 180 to_IN sophistication_NN but_CC is_BEZ C17 181 horrified_JJ at_IN her_PP$ seduction_NN ;_; her_PP$ trumpet-playing_JJ C17 181 brother_NN who_WPR finally_RB C17 182 stops_VBZ his_PP$ aimless_JJ existence_NN after_IN a_AT slum_NN C17 182 beat-up_NN ;_; the_ATI clash_NN and_CC inner_JJB C17 183 concern_NN of_IN the_ATI colour_NN problem_NN ._. ^ no_PN one_PN" C17 183 is_BEZ very_QL good_JJ or_CC very_QL bad_JJ ._. C17 184 ^ it_PP3 may_MD not_XNOT be_BE a_AT film_NN for_IN everyone_PN ,_, C17 184 but_CC it_PP3 is_BEZ an_AT experiment_NN that_WPR C17 185 almost_RB comes_VBZ off_RP and_CC is_BEZ ,_, undoubtedly_RB ,_, of_IN C17 185 importance_NN in_IN the_ATI technique_NN C17 186 of_IN film-making_NN ._. C17 187 ^ \0TV_NN topics_NNS ._. C17 188 ^ by_IN Robbie_NP Ashley_NP ._. C17 189 ^ secrets_NNS of_IN the_ATI *'_*' candid_JJ camera_NN **'_**' ._. C17 190 ^ so_QL often_RB have_HV I_PP1A heard_VBN suggestions_NNS that_CS C17 190 *'_*' candid_JJ camera_NN **'_**' is_BEZ C17 191 *'_*' rigged_VBN **'_**' that_CS I_PP1A decided_VBD to_TO find_VB C17 191 out_RP just_RB how_WRB they_PP3AS go_VB about_IN C17 192 eavesdropping_VBG on_IN the_ATI public_NN ._. C17 193 ^ an_AT \0ABC_NP spokesman_NN was_BEDZ quite_RB adamant_JJ in_IN C17 193 refuting_VBG the_ATI charge_NN of_IN C17 194 *'_*' rigging_NN **'_**' of_IN sequences_NNS and_CC employing_VBG C17 194 actors_NNS in_IN the_ATI role_NN of_IN \0Mr_NPT C17 195 and_CC \0Mrs_NPT Public_NP ._. C17 196 ^ the_ATI only_AP professionals_NNS employed_VBN on_IN the_ATI C17 196 show_NN are_BER Jonathan_NP Routh_NP C17 197 (_( its_PP$ originator_NN )_) and_CC sometimes_RB Bill_NP Bramwell_NP C17 197 (_( the_ATI musical_JJ director_NN )_) ._. C17 198 ^ obviously_RB they_PP3AS are_BER required_VBN to_TO *'_*' set_VB up_RP C17 198 **'_**' the_ATI victim_NN ._. C17 199 ^ hidden_VBN ._. C17 200 ^ cameras_NNS ,_, in_IN soundproof_JJ cabinets_NNS ,_, are_BER C17 200 hidden_VBN behind_IN curtains_NNS ,_, in_IN C17 201 cupboards_NNS with_IN the_ATI rear_JJB door_NN left_VBN ajar_RB ;_; C17 201 and_CC for_IN street_NN scenes_NNS the_ATI C17 202 camera_NN often_RB shoots_VBZ through_IN the_ATI windows_NNS of_IN a_AT C17 202 plain_JJ van_NN parked_VBN nearby_RB ._. C17 203 ^ tiny_JJ radio_NN microphones_NNS are_BER dotted_VBN all_RB over_IN C17 203 the_ATI place_NN *-_*- Routh_NP C17 204 often_RB wears_VBZ a_AT lapel_NN microphone_NN which_WDTR only_RB a_AT C17 204 person_NN in_IN the_ATI know_NN could_MD C17 205 detect_VB ._. ^ an_AT aerial_NN runs_VBZ down_IN the_ATI trouser_NN C17 205 leg_NN from_IN the_ATI radio_NN C17 206 microphone_NN ,_, and_CC the_ATI speech_NN is_BEZ picked_VBN up_RP C17 206 by_IN a_AT receiving_JJ aerial_NN in_IN the_ATI C17 207 next_AP room_NN ,_, under_IN the_ATI counter_NN ,_, or_CC just_RB C17 207 around_IN the_ATI corner_NN *-_*- wherever_WRB the_ATI C17 208 scene_NN is_BEZ set_VBN ._. C17 209 ^ sequences_NNS ._. C17 210 ^ several_AP sequences_NNS are_BER shot_VBN in_IN one_CD1 day_NN ._. C17 210 ^ for_IN instance_NN ,_, in_IN a_AT C17 211 hardware_NN shop_NN Routh_NP asked_VBD a_AT woman_NN to_TO fill_VB C17 211 in_RP a_AT form_NN to_TO obtain_VB a_AT C17 212 licence_NN to_TO buy_VB saucepan_NN patches_NNS ._. ^ later_RBR ,_, C17 212 still_RB in_IN the_ATI same_AP shop_NN ,_, he_PP3A C17 213 began_VBD selling_VBG left-handed_JJ teacups_NNS to_IN a_AT gullible_JJ C17 213 public_NN ._. C17 214 ^ thousands_CDS of_IN feet_NNS of_IN film_NN are_BER shot_VBN C17 214 every_AT week_NN ,_, and_CC a_AT tremendous_JJ C17 215 amount_NN is_BEZ wasted_VBN ._. ^ sometimes_RB a_AT stunt_NN does_DOZ C17 215 not_XNOT come_VB off_RP ;_; sometimes_RB C17 216 Routh_NP is_BEZ recognised_VBN ;_; and_CC often_RB nothing_PN at_IN C17 216 all_ABN happens_VBZ ._.